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The 30 Sonatas of Sebastián de Albero (1722-1756), who worked for the Spanish court in Madrid along with Italian-born Domenico Scarlatti and fellow-Spaniard Antonio Soler, is a remarkable contribution to the vital Iberian keyboard literature of the 18th century. Lively, colorful, melancholy - with the Spanish-style harmonic and melodic inflections, irregular phrases, dissonances, and ingenious modulations characteristic of the best work of his contemporaries - Albero's 30 Sonatas displays his distinctive personality. While enriching the repertoire of pianists and harpsichordists, Albero's work affords new insights into the vivid and expressive music of the Iberian keyboard tradition, as well as many hours of delightful music for performance and practice. The 30 Sonatas are newly edited from the manuscript source, clearly typeset and formatted for optimal page turns, and prefaced with a biographical and editorial introduction in English, Spanish, French, and German.
Book Synopsis 30 Sonatas for Harpsichord by : Sebasti‡n de Albero
Download or read book 30 Sonatas for Harpsichord written by Sebasti‡n de Albero and published by Lulu.com. This book was released on 2015 with total page 150 pages. Available in PDF, EPUB and Kindle. Book excerpt: The 30 Sonatas of Sebastián de Albero (1722-1756), who worked for the Spanish court in Madrid along with Italian-born Domenico Scarlatti and fellow-Spaniard Antonio Soler, is a remarkable contribution to the vital Iberian keyboard literature of the 18th century. Lively, colorful, melancholy - with the Spanish-style harmonic and melodic inflections, irregular phrases, dissonances, and ingenious modulations characteristic of the best work of his contemporaries - Albero's 30 Sonatas displays his distinctive personality. While enriching the repertoire of pianists and harpsichordists, Albero's work affords new insights into the vivid and expressive music of the Iberian keyboard tradition, as well as many hours of delightful music for performance and practice. The 30 Sonatas are newly edited from the manuscript source, clearly typeset and formatted for optimal page turns, and prefaced with a biographical and editorial introduction in English, Spanish, French, and German.
Book Synopsis Toccatas for Harpsichord (Thirty Sonatas and a Pastorella, 1744), Part 1 by : Vicente Rodríguez
Download or read book Toccatas for Harpsichord (Thirty Sonatas and a Pastorella, 1744), Part 1 written by Vicente Rodríguez and published by A-R Editions, Inc.. This book was released on 1986-01-01 with total page 114 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Book Synopsis Toccatas for Harpsichord (Thirty Sonatas and a Pastorella, 1744), Part 2 by : Vicente Rodríguez
Download or read book Toccatas for Harpsichord (Thirty Sonatas and a Pastorella, 1744), Part 2 written by Vicente Rodríguez and published by A-R Editions, Inc.. This book was released on 1986-01-01 with total page 114 pages. Available in PDF, EPUB and Kindle. Book excerpt:
An exact contemporary of Bach and Handel, Domenico Scarlatti was already a celebrated composer in Italy by the time he moved to Portugal. Later he traveled to Spain, where he worked as a harpsichord instructor for Princess Maria Barbara. The lessons he wrote for her are among the most imaginative and unpredictable pieces from the whole baroque period. His music translates very well to the guitar, an instrument where his style is completely at home. This set of 30 sonatas transcribed by acclaimed guitarist Fabio Zanon includes new transcriptions of all-time favorites and some rarer ones as well.
Book Synopsis Domenico Scarlatti: 30 Sonatas by : Fabio Zanon
Download or read book Domenico Scarlatti: 30 Sonatas written by Fabio Zanon and published by Mel Bay Publications. This book was released on 2012-07-12 with total page 101 pages. Available in PDF, EPUB and Kindle. Book excerpt: An exact contemporary of Bach and Handel, Domenico Scarlatti was already a celebrated composer in Italy by the time he moved to Portugal. Later he traveled to Spain, where he worked as a harpsichord instructor for Princess Maria Barbara. The lessons he wrote for her are among the most imaginative and unpredictable pieces from the whole baroque period. His music translates very well to the guitar, an instrument where his style is completely at home. This set of 30 sonatas transcribed by acclaimed guitarist Fabio Zanon includes new transcriptions of all-time favorites and some rarer ones as well.
Book Synopsis Essercizi - 30 Sonatas - Great Performer's Edition by : Domenico Scarlatti
Download or read book Essercizi - 30 Sonatas - Great Performer's Edition written by Domenico Scarlatti and published by G. Schirmer, Incorporated. This book was released on 1986-11 with total page 128 pages. Available in PDF, EPUB and Kindle. Book excerpt: Piano Collection
Domenico Scarlatti composed some 555 sonatas for the harpsichord. As their texture is light and the music is usually homophonic they transcribe very well for the guitar. In this book, Jamey Bellizzi presents 30 Scarlatti sonatas in standard classical guitar notation. Performance notes, facsimile reproductions of Scarlatti's original manuscripts, and a biographical sketch of the composer are an added bonus.
Book Synopsis 30 Sonatas for Guitar by : Jamey Bellizzi
Download or read book 30 Sonatas for Guitar written by Jamey Bellizzi and published by Mel Bay Publications. This book was released on 2020-01-24 with total page 113 pages. Available in PDF, EPUB and Kindle. Book excerpt: Domenico Scarlatti composed some 555 sonatas for the harpsichord. As their texture is light and the music is usually homophonic they transcribe very well for the guitar. In this book, Jamey Bellizzi presents 30 Scarlatti sonatas in standard classical guitar notation. Performance notes, facsimile reproductions of Scarlatti's original manuscripts, and a biographical sketch of the composer are an added bonus.
Book Synopsis Thirty Sonatas for the Harpsichord Or Piano-forte ... by : Domenico Scarlatti
Download or read book Thirty Sonatas for the Harpsichord Or Piano-forte ... written by Domenico Scarlatti and published by . This book was released on 1800 with total page 63 pages. Available in PDF, EPUB and Kindle. Book excerpt:
This work proposes a solution to what is often considered the central problem facing Scarlatti scholarship, determining the chronological order of his keyboard sonatas. In the data-poor arena of Scarlatti research, this work, avoiding a primarily musicological or organological approach, analyzes large-scale patterns of musical characteristics over all (or parts) of a sonata sequence founded primarily on the Parma manuscript. As a result of an extensive application of this analytic approach to the sequence, this work notes that many sequence patterns seem to be chronologically structured, that none seem anti-chronological, and that a few mirror historical changes in the music of Scarlatti's time. These phenomena and other observations delimit something like a general history of Scarlatti's musical development enriched further by a variety of localized events. Among some 26 patterns observed in the sequence are a systematic rise in Scarlatti's use of the major mode, stepped increases in sonata compass that seem to accord with the sequential availability of larger keyboards, and both an increase in the rate at which the sonatas were combined into sets of two or three works and the use by Scarlatti of progressively complex techniques for doing so. This work also sketches a methodological background for the chronological proposal, including a discussion of why chronological order seems a superior interpretation of the sequence compared to the thought that it may have been reorganized, whether at random or by specific criteria. This study also discusses such subjects as the probable location of the 30 essercizi within the sonata sequence, the likely mis-location of several other sonatas, implications of chronological order from organology, a broadly dated window for the latter part of the sequence, the relationship between conservative and radical elements in Scarlatti's compositions, a late-sequence change in his approach to writing slow sonatas, and the interplay of structural integration and musical diversity in the later sonatas. It presents a new catalog of the sonatas that, while substantially congruent with Kirkpatrick's, proposes modifications to his ordering of the first hundred sonatas as well to a few other but smaller regions of the sequence.
Book Synopsis A Chronological Order for the Keyboard Sonatas of Domenico Scarlatti, 1685-1757 by : Matthew Flannery
Download or read book A Chronological Order for the Keyboard Sonatas of Domenico Scarlatti, 1685-1757 written by Matthew Flannery and published by Edwin Mellen Press. This book was released on 2004 with total page 360 pages. Available in PDF, EPUB and Kindle. Book excerpt: This work proposes a solution to what is often considered the central problem facing Scarlatti scholarship, determining the chronological order of his keyboard sonatas. In the data-poor arena of Scarlatti research, this work, avoiding a primarily musicological or organological approach, analyzes large-scale patterns of musical characteristics over all (or parts) of a sonata sequence founded primarily on the Parma manuscript. As a result of an extensive application of this analytic approach to the sequence, this work notes that many sequence patterns seem to be chronologically structured, that none seem anti-chronological, and that a few mirror historical changes in the music of Scarlatti's time. These phenomena and other observations delimit something like a general history of Scarlatti's musical development enriched further by a variety of localized events. Among some 26 patterns observed in the sequence are a systematic rise in Scarlatti's use of the major mode, stepped increases in sonata compass that seem to accord with the sequential availability of larger keyboards, and both an increase in the rate at which the sonatas were combined into sets of two or three works and the use by Scarlatti of progressively complex techniques for doing so. This work also sketches a methodological background for the chronological proposal, including a discussion of why chronological order seems a superior interpretation of the sequence compared to the thought that it may have been reorganized, whether at random or by specific criteria. This study also discusses such subjects as the probable location of the 30 essercizi within the sonata sequence, the likely mis-location of several other sonatas, implications of chronological order from organology, a broadly dated window for the latter part of the sequence, the relationship between conservative and radical elements in Scarlatti's compositions, a late-sequence change in his approach to writing slow sonatas, and the interplay of structural integration and musical diversity in the later sonatas. It presents a new catalog of the sonatas that, while substantially congruent with Kirkpatrick's, proposes modifications to his ordering of the first hundred sonatas as well to a few other but smaller regions of the sequence.
The six Obras for Harpsichord or Fortepiano of Sebastián de Albero (1722-1756), along with his 30 Sonatas, complete this edition of the known works of Albero, who worked for the Spanish court in Madrid with Italian-born Domenico Scarlatti, fellow-Spaniard Antonio Soler, and other important composers and musicians of Spain and Italy. Each of the Obras contains an unmeasured, improvisatory Recercata with exotic modulations and melodic fantasy; an extended Fuga combining counterpoint with Iberian-influenced passages; and a Sonata reminiscent of the 30 Sonatas, but often larger and bolder in scope. The Obras is noteworthy for its unusual structure, interesting mixture of styles, harmonic ingenuity, and ambitious dimensions, and is a fine example of keyboard works from this lively period in mid-18th century Spain. Newly edited from the manuscript source, this edition is clearly typeset and formatted for optimal reading, with a biographical and editorial introduction in English, Spanish, French, and German.
Book Synopsis Obras para clavicordio o piano forte by : Sebastián de Albero
Download or read book Obras para clavicordio o piano forte written by Sebastián de Albero and published by Lulu.com. This book was released on 2018 with total page 158 pages. Available in PDF, EPUB and Kindle. Book excerpt: The six Obras for Harpsichord or Fortepiano of Sebastián de Albero (1722-1756), along with his 30 Sonatas, complete this edition of the known works of Albero, who worked for the Spanish court in Madrid with Italian-born Domenico Scarlatti, fellow-Spaniard Antonio Soler, and other important composers and musicians of Spain and Italy. Each of the Obras contains an unmeasured, improvisatory Recercata with exotic modulations and melodic fantasy; an extended Fuga combining counterpoint with Iberian-influenced passages; and a Sonata reminiscent of the 30 Sonatas, but often larger and bolder in scope. The Obras is noteworthy for its unusual structure, interesting mixture of styles, harmonic ingenuity, and ambitious dimensions, and is a fine example of keyboard works from this lively period in mid-18th century Spain. Newly edited from the manuscript source, this edition is clearly typeset and formatted for optimal reading, with a biographical and editorial introduction in English, Spanish, French, and German.
Book Synopsis Four sonatas for piano or harpsichord by : Madame de Villeblanche
Download or read book Four sonatas for piano or harpsichord written by Madame de Villeblanche and published by . This book was released on 1993 with total page 68 pages. Available in PDF, EPUB and Kindle. Book excerpt:
