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Book Synopsis Counterpoint in Composition by : Felix Salzer
Download or read book Counterpoint in Composition written by Felix Salzer and published by Columbia University Press. This book was released on 1989 with total page 504 pages. Available in PDF, EPUB and Kindle. Book excerpt: -- Stanley Persky, City University of New York
INCLUDES: free life-time access to on-line quizzes and assignments for each lesson. Learn the fundamentals of four-part writing in this, the latest book in a series of books on music by award-winning composer, Jonathan Peters. A great way to begin learning the fundamentals of four-part harmony is to study four-part vocal writing. Even if you do not intend to write for voice, much of what you learn in four-part vocal writing can also be applied to instrumental music. WHAT ARE THE REQUIREMENTS FOR THIS COURSE? A computer or portable device with internet connection. A printer if you wish to print the assignments. A basic knowledge of music theory and music composition. If you do not already have a rudimentary understanding of music theory and music composition, it is recommended that you take a theory and composition course before beginning this course. (See "Music Theory", "Music Composition 1" and "Music Composition 2" by the same author.) Paper and pencil or some type of music notation software. Finale NotePad software is free. You can read more about NotePad and download it at: www.finalemusic.com/NotePad Although not a necessity, it is very beneficial to have some ability to play the piano (or other instrument) WHAT AM I GOING TO GET OUT OF THIS COURSE? Free life-time access to on-line quizzes and assignments for each lesson. .You will learn the basic guidelines and techniques of four-part writing. By the end of the course you will be writing assignments for four parts. WHO SHOULD TAKE THIS COURSE? Anyone wanting to learn how to write for four-parts. Every student of music! Beginning Composers/Songwriters (this is a beginning level course) Visit the author's web site at: www.ComposerJonathanPeters.com
Book Synopsis Fundamentals of Writing Four-Part Harmony by : Jonathan E. Peters
Download or read book Fundamentals of Writing Four-Part Harmony written by Jonathan E. Peters and published by Createspace Independent Publishing Platform. This book was released on 2016-08-24 with total page 54 pages. Available in PDF, EPUB and Kindle. Book excerpt: INCLUDES: free life-time access to on-line quizzes and assignments for each lesson. Learn the fundamentals of four-part writing in this, the latest book in a series of books on music by award-winning composer, Jonathan Peters. A great way to begin learning the fundamentals of four-part harmony is to study four-part vocal writing. Even if you do not intend to write for voice, much of what you learn in four-part vocal writing can also be applied to instrumental music. WHAT ARE THE REQUIREMENTS FOR THIS COURSE? A computer or portable device with internet connection. A printer if you wish to print the assignments. A basic knowledge of music theory and music composition. If you do not already have a rudimentary understanding of music theory and music composition, it is recommended that you take a theory and composition course before beginning this course. (See "Music Theory", "Music Composition 1" and "Music Composition 2" by the same author.) Paper and pencil or some type of music notation software. Finale NotePad software is free. You can read more about NotePad and download it at: www.finalemusic.com/NotePad Although not a necessity, it is very beneficial to have some ability to play the piano (or other instrument) WHAT AM I GOING TO GET OUT OF THIS COURSE? Free life-time access to on-line quizzes and assignments for each lesson. .You will learn the basic guidelines and techniques of four-part writing. By the end of the course you will be writing assignments for four parts. WHO SHOULD TAKE THIS COURSE? Anyone wanting to learn how to write for four-parts. Every student of music! Beginning Composers/Songwriters (this is a beginning level course) Visit the author's web site at: www.ComposerJonathanPeters.com
Popular for more than two decades among college voice teachers and their students, this outstanding, authoritative vocal pedagogy text is an invaluable manual. It thoroughly examines the vocal problems prospective voice teachers will encounter daily in the teaching studio and choral rehearsal. The author’s approach is a unique one, based in large part on diagnostic procedures similar to those used by doctors. As each vocal fault is presented, its identifying characteristics or symptoms are stated, its possible causes are discussed, and corrective procedures are suggested. An especially valuable feature is the book’s accompanying audio files (available here for download) that contains 14 male and female voice samples of the various vocal faults discussed in the text, enabling students to better identify basic characteristic sounds associated with each fault. Current and prospective choir directors and voice teachers who need help in improving the vocal sounds of choir members or students will find this practical guide-book to be an ever-present help in time of trouble.
Book Synopsis The Diagnosis and Correction of Vocal Faults by : James C. McKinney
Download or read book The Diagnosis and Correction of Vocal Faults written by James C. McKinney and published by Waveland Press. This book was released on 2005-02-28 with total page 213 pages. Available in PDF, EPUB and Kindle. Book excerpt: Popular for more than two decades among college voice teachers and their students, this outstanding, authoritative vocal pedagogy text is an invaluable manual. It thoroughly examines the vocal problems prospective voice teachers will encounter daily in the teaching studio and choral rehearsal. The author’s approach is a unique one, based in large part on diagnostic procedures similar to those used by doctors. As each vocal fault is presented, its identifying characteristics or symptoms are stated, its possible causes are discussed, and corrective procedures are suggested. An especially valuable feature is the book’s accompanying audio files (available here for download) that contains 14 male and female voice samples of the various vocal faults discussed in the text, enabling students to better identify basic characteristic sounds associated with each fault. Current and prospective choir directors and voice teachers who need help in improving the vocal sounds of choir members or students will find this practical guide-book to be an ever-present help in time of trouble.
Book Synopsis 4 Part Harmony by : dansekarski tpprince
Download or read book 4 Part Harmony written by dansekarski tpprince and published by Daniel Sekarski. This book was released on 2008 with total page 101 pages. Available in PDF, EPUB and Kindle. Book excerpt:
An accessible scientific explanation for the traditional rules of voice leading, including an account of why listeners find some musical textures more pleasing than others. Voice leading is the musical art of combining sounds over time. In this book, David Huron offers an accessible account of the cognitive and perceptual foundations for this practice. Drawing on decades of scientific research, including his own award-winning work, Huron offers explanations for many practices and phenomena, including the perceptual dominance of the highest voice, chordal-tone doubling, direct octaves, embellishing tones, and the musical feeling of sounds “leading” somewhere. Huron shows how traditional rules of voice leading align almost perfectly with modern scientific accounts of auditory perception. He also reviews pertinent research establishing the role of learning and enculturation in auditory and musical perception. Voice leading has long been taught with reference to Baroque chorale-style part-writing, yet there exist many more musical styles and practices. The traditional emphasis on Baroque part-writing understandably leaves many musicians wondering why they are taught such an archaic and narrow practice in an age of stylistic diversity. Huron explains how and why Baroque voice leading continues to warrant its central pedagogical status. Expanding beyond choral-style writing, Huron shows how established perceptual principles can be used to compose, analyze, and critically understand any kind of acoustical texture from tune-and-accompaniment songs and symphonic orchestration to jazz combo arranging and abstract electroacoustic music. Finally, he offers a psychological explanation for why certain kinds of musical textures are more likely to be experienced by listeners as pleasing.
Book Synopsis Voice Leading by : David Huron
Download or read book Voice Leading written by David Huron and published by MIT Press. This book was released on 2016-08-26 with total page 273 pages. Available in PDF, EPUB and Kindle. Book excerpt: An accessible scientific explanation for the traditional rules of voice leading, including an account of why listeners find some musical textures more pleasing than others. Voice leading is the musical art of combining sounds over time. In this book, David Huron offers an accessible account of the cognitive and perceptual foundations for this practice. Drawing on decades of scientific research, including his own award-winning work, Huron offers explanations for many practices and phenomena, including the perceptual dominance of the highest voice, chordal-tone doubling, direct octaves, embellishing tones, and the musical feeling of sounds “leading” somewhere. Huron shows how traditional rules of voice leading align almost perfectly with modern scientific accounts of auditory perception. He also reviews pertinent research establishing the role of learning and enculturation in auditory and musical perception. Voice leading has long been taught with reference to Baroque chorale-style part-writing, yet there exist many more musical styles and practices. The traditional emphasis on Baroque part-writing understandably leaves many musicians wondering why they are taught such an archaic and narrow practice in an age of stylistic diversity. Huron explains how and why Baroque voice leading continues to warrant its central pedagogical status. Expanding beyond choral-style writing, Huron shows how established perceptual principles can be used to compose, analyze, and critically understand any kind of acoustical texture from tune-and-accompaniment songs and symphonic orchestration to jazz combo arranging and abstract electroacoustic music. Finally, he offers a psychological explanation for why certain kinds of musical textures are more likely to be experienced by listeners as pleasing.
Jazz guitarist Goodrick teams with Miller to explain his system of Generic Modality Compression, a way of studying harmony which allows guitarists to discover fresh and unusual chord voicings. With an introduction and appendix.
Book Synopsis Creative Chordal Harmony for Guitar by : Mick Goodrick
Download or read book Creative Chordal Harmony for Guitar written by Mick Goodrick and published by Berklee Press Publications. This book was released on 2012 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt: Jazz guitarist Goodrick teams with Miller to explain his system of Generic Modality Compression, a way of studying harmony which allows guitarists to discover fresh and unusual chord voicings. With an introduction and appendix.
Book Synopsis Twelve-part Harmony by : Pat Williams
Download or read book Twelve-part Harmony written by Pat Williams and published by Fleming H. Revell Company. This book was released on 1990 with total page 212 pages. Available in PDF, EPUB and Kindle. Book excerpt:
A treasure trove of choral pedagogy! This step-by-step guide will take beginners from unison to two-part singing by focusing on the underlying aural and developmental skills necessary for success. Sequential chapters on unison, echo, round, and partner singing serve as benchmarks along the way to full harmony. Each of ten carefully curated songs is prefaced with a two-page rehearsal guide that targets essential objectives and suggests exercises and activities designed to introduce, explore, and master the pieces. Learn how to anticipate and address musical challenges for this repertoire, then transfer these masterful techniques to your entire program.
Book Synopsis Harmony Handbook by : Katie O'Connor
Download or read book Harmony Handbook written by Katie O'Connor and published by Alfred Music. This book was released on 2019-05 with total page 84 pages. Available in PDF, EPUB and Kindle. Book excerpt: A treasure trove of choral pedagogy! This step-by-step guide will take beginners from unison to two-part singing by focusing on the underlying aural and developmental skills necessary for success. Sequential chapters on unison, echo, round, and partner singing serve as benchmarks along the way to full harmony. Each of ten carefully curated songs is prefaced with a two-page rehearsal guide that targets essential objectives and suggests exercises and activities designed to introduce, explore, and master the pieces. Learn how to anticipate and address musical challenges for this repertoire, then transfer these masterful techniques to your entire program.
What does it take to get things done? What do I need to make it all happen? How can I win at life without losing myself? What's the secret ingredient to joy, success, ease, and the good stuff? The simple answer is energy. - Discover strategies to build physical, mental, emotional, and spiritual energy. - Create ease and flow in the world around you so that you can have ease and flow within you. - Manage challenges and free up the energy you need to rise to the top. - Revitalize your body, mind, and spirit when you make recovery and renewal a part of each day. - Reconnect to your source to find your daily rhythm and flow. - Maximize your productivity. - Elevate your life satisfaction. Life In 4-Part Harmony is a personal energy management resource. It combines research-based practices with ancient wisdom so that you can create a rhythm that works perfectly for you. You'll find support to tailor your personalized, daily renewal plan. With a few well-placed strategies, you can replenish, find your flow, and power your day every day. You'll bring your best to what matters most to you. You'll create an inner harmony that extends into everything you do. Ultimately, you'll elevate your purpose and boost your sense of fulfillment. You'll not only improve your productivity, but you'll feel the way you want to feel while getting it all done.
Book Synopsis Life in 4-Part Harmony by : Dr Sandra y Lewis
Download or read book Life in 4-Part Harmony written by Dr Sandra y Lewis and published by Oshun Golden Harvest Publishing. This book was released on 2018-05-18 with total page 270 pages. Available in PDF, EPUB and Kindle. Book excerpt: What does it take to get things done? What do I need to make it all happen? How can I win at life without losing myself? What's the secret ingredient to joy, success, ease, and the good stuff? The simple answer is energy. - Discover strategies to build physical, mental, emotional, and spiritual energy. - Create ease and flow in the world around you so that you can have ease and flow within you. - Manage challenges and free up the energy you need to rise to the top. - Revitalize your body, mind, and spirit when you make recovery and renewal a part of each day. - Reconnect to your source to find your daily rhythm and flow. - Maximize your productivity. - Elevate your life satisfaction. Life In 4-Part Harmony is a personal energy management resource. It combines research-based practices with ancient wisdom so that you can create a rhythm that works perfectly for you. You'll find support to tailor your personalized, daily renewal plan. With a few well-placed strategies, you can replenish, find your flow, and power your day every day. You'll bring your best to what matters most to you. You'll create an inner harmony that extends into everything you do. Ultimately, you'll elevate your purpose and boost your sense of fulfillment. You'll not only improve your productivity, but you'll feel the way you want to feel while getting it all done.
Music theorists have long believed that 19th-century triadic progressions idiomatically extend the diatonic syntax of 18th-century classical tonality, and have accordingly unified the two repertories under a single mode of representation. Post-structuralist musicologists have challenged this belief, advancing the view that many romantic triadic progressions exceed the reach of classical syntax and are mobilized as the result of a transgressive, anti-syntactic impulse. In Audacious Euphony, author Richard Cohn takes both of these views to task, arguing that romantic harmony operates under syntactic principles distinct from those that underlie classical tonality, but no less susceptible to systematic definition. Charting this alternative triadic syntax, Cohn reconceives what consonant triads are, and how they relate to one another. In doing so, he shows that major and minor triads have two distinct natures: one based on their acoustic properties, and the other on their ability to voice-lead smoothly to each other in the chromatic universe. Whereas their acoustic nature underlies the diatonic tonality of the classical tradition, their voice-leading properties are optimized by the pan-triadic progressions characteristic of the 19th century. Audacious Euphony develops a set of inter-related maps that organize intuitions about triadic proximity as seen through the lens of voice-leading proximity, using various geometries related to the 19th-century Tonnetz. This model leads to cogent analyses both of particular compositions and of historical trends across the long nineteenth century. Essential reading for music theorists, Audacious Euphony is also a valuable resource for music historians, performers and composers.
Book Synopsis Audacious Euphony by : Richard Cohn
Download or read book Audacious Euphony written by Richard Cohn and published by Oxford University Press. This book was released on 2012-01-01 with total page 256 pages. Available in PDF, EPUB and Kindle. Book excerpt: Music theorists have long believed that 19th-century triadic progressions idiomatically extend the diatonic syntax of 18th-century classical tonality, and have accordingly unified the two repertories under a single mode of representation. Post-structuralist musicologists have challenged this belief, advancing the view that many romantic triadic progressions exceed the reach of classical syntax and are mobilized as the result of a transgressive, anti-syntactic impulse. In Audacious Euphony, author Richard Cohn takes both of these views to task, arguing that romantic harmony operates under syntactic principles distinct from those that underlie classical tonality, but no less susceptible to systematic definition. Charting this alternative triadic syntax, Cohn reconceives what consonant triads are, and how they relate to one another. In doing so, he shows that major and minor triads have two distinct natures: one based on their acoustic properties, and the other on their ability to voice-lead smoothly to each other in the chromatic universe. Whereas their acoustic nature underlies the diatonic tonality of the classical tradition, their voice-leading properties are optimized by the pan-triadic progressions characteristic of the 19th century. Audacious Euphony develops a set of inter-related maps that organize intuitions about triadic proximity as seen through the lens of voice-leading proximity, using various geometries related to the 19th-century Tonnetz. This model leads to cogent analyses both of particular compositions and of historical trends across the long nineteenth century. Essential reading for music theorists, Audacious Euphony is also a valuable resource for music historians, performers and composers.
