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Employing the analytical psychology of Carl Jung, Matthew A. Fike provides a fresh understanding of individuation in Shakespeare. This study of "the visionary mode" - Jung s term for literature that comes through the artist from the collective unconscious - combines a strong grounding in Jungian terminology and theory with myth criticism, biblical literary criticism, and postcolonial theory. Fike draws extensively on the rich discussions in the Collected Works of C. G. Jung to illuminate selected plays such as A Midsummer Night s Dream, The Merchant of Venice, The Henriad, Othello, and Hamlet in new and surprising ways. Fike s clear and thorough approach to Shakespeare offers exciting, original scholarship that will appeal to students and scholars alike.
Book Synopsis A Jungian Study of Shakespeare by : M. Fike
Download or read book A Jungian Study of Shakespeare written by M. Fike and published by Springer. This book was released on 2009-02-02 with total page 203 pages. Available in PDF, EPUB and Kindle. Book excerpt: Employing the analytical psychology of Carl Jung, Matthew A. Fike provides a fresh understanding of individuation in Shakespeare. This study of "the visionary mode" - Jung s term for literature that comes through the artist from the collective unconscious - combines a strong grounding in Jungian terminology and theory with myth criticism, biblical literary criticism, and postcolonial theory. Fike draws extensively on the rich discussions in the Collected Works of C. G. Jung to illuminate selected plays such as A Midsummer Night s Dream, The Merchant of Venice, The Henriad, Othello, and Hamlet in new and surprising ways. Fike s clear and thorough approach to Shakespeare offers exciting, original scholarship that will appeal to students and scholars alike.
Book Synopsis Jungian Study of Shakespeare: The Visionary Mode by :
Download or read book Jungian Study of Shakespeare: The Visionary Mode written by and published by . This book was released on 2019 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt:
This text, which examines such plays as Measure for Measure, and Oedipus the King, traces the archetypal manifestations of the sacred marriage, the search for wholeness, and the tragic hero, through psychological analysis of Shakespeare and Sophocles.
Book Synopsis The Psyche on Stage by : Edward F. Edinger
Download or read book The Psyche on Stage written by Edward F. Edinger and published by . This book was released on 2001 with total page 112 pages. Available in PDF, EPUB and Kindle. Book excerpt: This text, which examines such plays as Measure for Measure, and Oedipus the King, traces the archetypal manifestations of the sacred marriage, the search for wholeness, and the tragic hero, through psychological analysis of Shakespeare and Sophocles.
This study examines two primary plays: After the Fall by Arthur Miller and The Tragedy of Hamlet, Prince of Denmark, by William Shakespeare. These plays are analyzed using a Jungian approach; by focusing on certain components of Jung's theory of individuation, the development of personality, and the power of evil, the study provides evidence that the two main characters, Quentin and Hamlet, respectively, come to a place of moral differentiation.
Book Synopsis Individuation and the Power of Evil on the Nature of the Human Psyche by : Ryder Jordan-Finnegan
Download or read book Individuation and the Power of Evil on the Nature of the Human Psyche written by Ryder Jordan-Finnegan and published by . This book was released on 2006 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt: This study examines two primary plays: After the Fall by Arthur Miller and The Tragedy of Hamlet, Prince of Denmark, by William Shakespeare. These plays are analyzed using a Jungian approach; by focusing on certain components of Jung's theory of individuation, the development of personality, and the power of evil, the study provides evidence that the two main characters, Quentin and Hamlet, respectively, come to a place of moral differentiation.
The reader of Shakespeare has always been curious about the Bard's actual religion, opinions, sexual orientation, and relationships. We would like to ask him why his Hamlet is so indecisive, whether Henry V is his ideal ruler, and whether he himself fell in love with Rosalind. The Jungian theories of psychology used in literary interpretation have almost always involved a broader theory of archetypes rather than concentrating on more specific psychological types, despite Jung's belief that an understanding of these types is vital to self-realization. Jung's typological theories, applied to literary studies, may illuminate the personalities of fictional characters and indeed of the author himself. The psychological type of a writer's character can be understood as a projection of the author's own personality: Iago can show Shakespeare's rational function whereas Othello embodies the expression of the dramatist's capacity to experience emotion. Thus Jungian typology initiates a quasi-biographical approach to understanding writers and their works. Instead of directing attention toward an author's education, class prejudices, and so on, it leans toward important emotional undercurrents within the writings, which in turn express similar currents within the author's psyche. Jungian psychetypology is long overdue in gaining recognition as a tool for literary analysis, and this work applies these theories to the full spectrum of Shakespeare's plays in detailed individual readings and comparisons.
Book Synopsis Shakespeare and Jungian Typology by : Kenneth Tucker
Download or read book Shakespeare and Jungian Typology written by Kenneth Tucker and published by McFarland. This book was released on 2010-06-28 with total page 180 pages. Available in PDF, EPUB and Kindle. Book excerpt: The reader of Shakespeare has always been curious about the Bard's actual religion, opinions, sexual orientation, and relationships. We would like to ask him why his Hamlet is so indecisive, whether Henry V is his ideal ruler, and whether he himself fell in love with Rosalind. The Jungian theories of psychology used in literary interpretation have almost always involved a broader theory of archetypes rather than concentrating on more specific psychological types, despite Jung's belief that an understanding of these types is vital to self-realization. Jung's typological theories, applied to literary studies, may illuminate the personalities of fictional characters and indeed of the author himself. The psychological type of a writer's character can be understood as a projection of the author's own personality: Iago can show Shakespeare's rational function whereas Othello embodies the expression of the dramatist's capacity to experience emotion. Thus Jungian typology initiates a quasi-biographical approach to understanding writers and their works. Instead of directing attention toward an author's education, class prejudices, and so on, it leans toward important emotional undercurrents within the writings, which in turn express similar currents within the author's psyche. Jungian psychetypology is long overdue in gaining recognition as a tool for literary analysis, and this work applies these theories to the full spectrum of Shakespeare's plays in detailed individual readings and comparisons.
Shakespeare's problem plays present an unusually fertile field for Jungian tillage. Like a face glimpsed in a crowd and then lost, these works seem to hint at truths just beyond our grasp. Viewed through the lens of Jung's theory of archetypes, pieces fall into place with remarkable clarity, each revolving around a specific critical axis that allows us to see the form and structure that elude us in other readings. The author argues that Jung's theories offer the best key to date for these most intriguing of literary and dramatic puzzles.
Book Synopsis Jung's Advice to the Players by : Sally F Porterfield
Download or read book Jung's Advice to the Players written by Sally F Porterfield and published by Praeger. This book was released on 1994-09-29 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt: Shakespeare's problem plays present an unusually fertile field for Jungian tillage. Like a face glimpsed in a crowd and then lost, these works seem to hint at truths just beyond our grasp. Viewed through the lens of Jung's theory of archetypes, pieces fall into place with remarkable clarity, each revolving around a specific critical axis that allows us to see the form and structure that elude us in other readings. The author argues that Jung's theories offer the best key to date for these most intriguing of literary and dramatic puzzles.
Document from the year 2021 in the subject English Language and Literature Studies - Literature, grade: A, , language: English, abstract: This work deals with various characters from Shakespeare's works and analyses them according to the Jungian Art. In the individuation process, Shakespeare sides with Jung related to the role and importance of the concept of free will. None of Shakespeare’s heroes follow their fate as an externally imposed, inevitable chain of events which lead to their doom. Rather, it is their lack of self-knowledge and self-control as a sign of their failed individuation that causes their tragic ends. These characters embody a soul which is in many ways great and noble, but which has a fatal flaw which plays the role of fate. In Jungian terms, fate can be interpreted as unrecognized psychological processes or archetypes that are not dealt with, which therefore influence or lead the actions of the ego conscience. Shakespeare explores in depth these flaws to which the tragic hero, after an inner conflict, fails to attempt to deal with the archetypal psychic forces. The result is that the tragic hero loses his soul, the link to the archetype of Self as both the motivator and the goal of the individuation process. In that regard, when we examine, for example, Othello, it is obvious that the cause of his crisis and ruin is psychological and that his intellectual confusion is not the cause but rather the result of the chaos in his psyche. In Jungian terms, Othello, as the ego consciousness, struggles and fails to understand and establish a functioning relationship with both Iago and Desdemona, respectively seen as his shadow and anima. The importance of dealing with these archetypes as a means of reaching psychic balance as one of the indicators of a successfully ongoing individuation process, is described from a Jungian point of view.
Book Synopsis The Jungian Art. The Jungian Persona in Shakespeare's works by : Aleksandra Vujovic
Download or read book The Jungian Art. The Jungian Persona in Shakespeare's works written by Aleksandra Vujovic and published by GRIN Verlag. This book was released on 2022-01-28 with total page 231 pages. Available in PDF, EPUB and Kindle. Book excerpt: Document from the year 2021 in the subject English Language and Literature Studies - Literature, grade: A, , language: English, abstract: This work deals with various characters from Shakespeare's works and analyses them according to the Jungian Art. In the individuation process, Shakespeare sides with Jung related to the role and importance of the concept of free will. None of Shakespeare’s heroes follow their fate as an externally imposed, inevitable chain of events which lead to their doom. Rather, it is their lack of self-knowledge and self-control as a sign of their failed individuation that causes their tragic ends. These characters embody a soul which is in many ways great and noble, but which has a fatal flaw which plays the role of fate. In Jungian terms, fate can be interpreted as unrecognized psychological processes or archetypes that are not dealt with, which therefore influence or lead the actions of the ego conscience. Shakespeare explores in depth these flaws to which the tragic hero, after an inner conflict, fails to attempt to deal with the archetypal psychic forces. The result is that the tragic hero loses his soul, the link to the archetype of Self as both the motivator and the goal of the individuation process. In that regard, when we examine, for example, Othello, it is obvious that the cause of his crisis and ruin is psychological and that his intellectual confusion is not the cause but rather the result of the chaos in his psyche. In Jungian terms, Othello, as the ego consciousness, struggles and fails to understand and establish a functioning relationship with both Iago and Desdemona, respectively seen as his shadow and anima. The importance of dealing with these archetypes as a means of reaching psychic balance as one of the indicators of a successfully ongoing individuation process, is described from a Jungian point of view.
In Jungian Literary Criticism: the essential guide, Susan Rowland demonstrates how ideas such as archetypes, the anima and animus, the unconscious and synchronicity can be applied to the analysis of literature. Jung’s emphasis on creativity was central to his own work, and here Rowland illustrates how his concepts can be applied to novels, poetry, myth and epic, allowing a reader to see their personal, psychological and historical contribution. This multidisciplinary and transdisciplinary approach challenges the notion that Jungian ideas cannot be applied to literary studies, exploring Jungian themes in canonical texts by authors including Shakespeare, Jane Austen and W. B. Yeats as well as works by twenty-first century writers, such as in digital literary art. Rowland argues that Jung’s works encapsulate realities beyond narrow definitions of what a single academic discipline ought to do, and through using case studies alongside Jung’s work she demonstrates how both disciplines find a home in one another. Interweaving Jungian analysis with literature, Jungian Literary Criticism explores concepts from the shadow to contemporary issues of ecocriticism and climate change in relation to literary works, and emphasises the importance of a reciprocal relationship. Each chapter concludes with key definitions, themes and further reading, and the book encourages the reader to examine how worldviews change when disciplines combine. The accessible approach of Jungian Literary Criticism: the essential guide will appeal to academics and students of literary studies, Jungian and post-Jungian studies, literary theory, environmental humanities and ecocentrism. It will also be of interest to Jungian analysts and therapists in training and in practice.
Book Synopsis Jungian Literary Criticism by : Susan Rowland
Download or read book Jungian Literary Criticism written by Susan Rowland and published by Routledge. This book was released on 2018-10-04 with total page 208 pages. Available in PDF, EPUB and Kindle. Book excerpt: In Jungian Literary Criticism: the essential guide, Susan Rowland demonstrates how ideas such as archetypes, the anima and animus, the unconscious and synchronicity can be applied to the analysis of literature. Jung’s emphasis on creativity was central to his own work, and here Rowland illustrates how his concepts can be applied to novels, poetry, myth and epic, allowing a reader to see their personal, psychological and historical contribution. This multidisciplinary and transdisciplinary approach challenges the notion that Jungian ideas cannot be applied to literary studies, exploring Jungian themes in canonical texts by authors including Shakespeare, Jane Austen and W. B. Yeats as well as works by twenty-first century writers, such as in digital literary art. Rowland argues that Jung’s works encapsulate realities beyond narrow definitions of what a single academic discipline ought to do, and through using case studies alongside Jung’s work she demonstrates how both disciplines find a home in one another. Interweaving Jungian analysis with literature, Jungian Literary Criticism explores concepts from the shadow to contemporary issues of ecocriticism and climate change in relation to literary works, and emphasises the importance of a reciprocal relationship. Each chapter concludes with key definitions, themes and further reading, and the book encourages the reader to examine how worldviews change when disciplines combine. The accessible approach of Jungian Literary Criticism: the essential guide will appeal to academics and students of literary studies, Jungian and post-Jungian studies, literary theory, environmental humanities and ecocentrism. It will also be of interest to Jungian analysts and therapists in training and in practice.
The One Mind: C. G. Jung and the Future of Literary Criticism explores the implications of C. G. Jung's unus mundus by applying his writings on the metaphysical, the paranormal, and the quantum to literature. As Jung knew, everything is connected because of its participation in universal consciousness, which encompasses all that is, including the collective unconscious. Matthew A. Fike argues that this principle of unity enables an approach in which psychic functioning is both a subject and a means of discovery—psi phenomena evoke the connections among the physical world, the psyche, and the spiritual realm. Applying the tools of Jungian literary criticism in new ways by expanding their scope and methodology, Fike discusses the works of Hawthorne, Milton, Shakespeare, Wordsworth, and lesser-known writers in terms of issues from psychology, parapsychology, and physics. Topics include the case for monism over materialism, altered states of consciousness, types of psychic functioning, UFOs, synchronicity, and space-time relativity. The One Mind examines Goodman Brown's dream, Adam's vision in Paradise Lost, the dream sequence in "The Wanderer," the role of metaphor in Robert A. Monroe's metaphysical trilogy, Orfeo Angelucci's work on UFOs, and the stolen boat episode in Wordsworth's The Prelude. The book concludes with case studies on Robert Jordan and William Blake. Considered together, these readings bring us a significant step closer to a unity of psychology, science, and spirituality. The One Mind illustrates how Jung's writings contain the seeds of the future of literary criticism. Reaching beyond archetypal criticism and postmodern theoretical approaches to Jung, Fike proposes a new school of Jungian literary criticism based on the unitary world that underpins the collective unconscious. This book will appeal to scholars of C. G. Jung as well as students and readers with an interest in psychoanalysis, literature, literary theory, and the history of ideas.
Book Synopsis The One Mind by : Matthew A. Fike
Download or read book The One Mind written by Matthew A. Fike and published by Routledge. This book was released on 2013-10-08 with total page 255 pages. Available in PDF, EPUB and Kindle. Book excerpt: The One Mind: C. G. Jung and the Future of Literary Criticism explores the implications of C. G. Jung's unus mundus by applying his writings on the metaphysical, the paranormal, and the quantum to literature. As Jung knew, everything is connected because of its participation in universal consciousness, which encompasses all that is, including the collective unconscious. Matthew A. Fike argues that this principle of unity enables an approach in which psychic functioning is both a subject and a means of discovery—psi phenomena evoke the connections among the physical world, the psyche, and the spiritual realm. Applying the tools of Jungian literary criticism in new ways by expanding their scope and methodology, Fike discusses the works of Hawthorne, Milton, Shakespeare, Wordsworth, and lesser-known writers in terms of issues from psychology, parapsychology, and physics. Topics include the case for monism over materialism, altered states of consciousness, types of psychic functioning, UFOs, synchronicity, and space-time relativity. The One Mind examines Goodman Brown's dream, Adam's vision in Paradise Lost, the dream sequence in "The Wanderer," the role of metaphor in Robert A. Monroe's metaphysical trilogy, Orfeo Angelucci's work on UFOs, and the stolen boat episode in Wordsworth's The Prelude. The book concludes with case studies on Robert Jordan and William Blake. Considered together, these readings bring us a significant step closer to a unity of psychology, science, and spirituality. The One Mind illustrates how Jung's writings contain the seeds of the future of literary criticism. Reaching beyond archetypal criticism and postmodern theoretical approaches to Jung, Fike proposes a new school of Jungian literary criticism based on the unitary world that underpins the collective unconscious. This book will appeal to scholars of C. G. Jung as well as students and readers with an interest in psychoanalysis, literature, literary theory, and the history of ideas.
In this thought-provoking and sensitive book, a noted Jungian scholar explores the deepest elements in the American psyche that need healing to bring forth the best in both of the worlds we walk in: the highly differentiated and technologically developed Western civilization and the indigenous native "soul" that is the essence of each human being. The author demonstrates that this soul is forcefully represented in America in the experience of the Native American peoples and their relationship to the land and to the ancient "indigenous one" at the heart of our human rights.The author explores not only the best of Native American spiritual thought to rediscover that soul, but also the terrible psychic damage done to later settlers by five hundred years of violence against the original peoples. He sketches positive directions that will create a partnership between the two worlds of our past and bring them together in a "dance" that will encourage a more redemptive spiritual order+
Book Synopsis Dancing Between Two Worlds by : Fred Gustafson
Download or read book Dancing Between Two Worlds written by Fred Gustafson and published by Paulist Press. This book was released on 1997 with total page 164 pages. Available in PDF, EPUB and Kindle. Book excerpt: In this thought-provoking and sensitive book, a noted Jungian scholar explores the deepest elements in the American psyche that need healing to bring forth the best in both of the worlds we walk in: the highly differentiated and technologically developed Western civilization and the indigenous native "soul" that is the essence of each human being. The author demonstrates that this soul is forcefully represented in America in the experience of the Native American peoples and their relationship to the land and to the ancient "indigenous one" at the heart of our human rights.The author explores not only the best of Native American spiritual thought to rediscover that soul, but also the terrible psychic damage done to later settlers by five hundred years of violence against the original peoples. He sketches positive directions that will create a partnership between the two worlds of our past and bring them together in a "dance" that will encourage a more redemptive spiritual order+
