A Student’s Handbook of Indian Aesthetics

A Student’s Handbook of Indian Aesthetics

Author: Sanjeev Kumar

Publisher: Cambridge Scholars Publishing

Published: 2017-03-07

Total Pages: 145

ISBN-13: 144387583X

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Art and life in India have been inextricably intertwined from ancient times to the present day. Art as a way of life, as ritual, as decoration and as unity with the Sublime bore testament to the socio-cultural milieu; the high level of sophistication that developed in ancient India was reflected in the arts in a holistic light. The arts, thus, strived to hone man’s intellectual sensibilities, thus raising him to the level of the transcendental, which in India was Brahma or ultimate reality. This book brings forth the popular theories of Indian aesthetics and Indian poetics. Bharatmuni, Abhinavgupta, Anandvardhana and a number of seers have given substantial dimensions to the concept as found in Natryashastra, Dhvanyavloka, and Abhinavbharati, among other texts. It represents primarily a compilation of commentaries and criticism of these texts, and will serve as a preliminary guide to students, beginners and researchers of Indian aesthetics and poetics. The appendices bring together a number of papers on Indian aesthetics, while there is also an informative and comprehensive bibliography and an exhaustive glossary to provide added aid for non-Sanskrit speakers.


Book Synopsis A Student’s Handbook of Indian Aesthetics by : Sanjeev Kumar

Download or read book A Student’s Handbook of Indian Aesthetics written by Sanjeev Kumar and published by Cambridge Scholars Publishing. This book was released on 2017-03-07 with total page 145 pages. Available in PDF, EPUB and Kindle. Book excerpt: Art and life in India have been inextricably intertwined from ancient times to the present day. Art as a way of life, as ritual, as decoration and as unity with the Sublime bore testament to the socio-cultural milieu; the high level of sophistication that developed in ancient India was reflected in the arts in a holistic light. The arts, thus, strived to hone man’s intellectual sensibilities, thus raising him to the level of the transcendental, which in India was Brahma or ultimate reality. This book brings forth the popular theories of Indian aesthetics and Indian poetics. Bharatmuni, Abhinavgupta, Anandvardhana and a number of seers have given substantial dimensions to the concept as found in Natryashastra, Dhvanyavloka, and Abhinavbharati, among other texts. It represents primarily a compilation of commentaries and criticism of these texts, and will serve as a preliminary guide to students, beginners and researchers of Indian aesthetics and poetics. The appendices bring together a number of papers on Indian aesthetics, while there is also an informative and comprehensive bibliography and an exhaustive glossary to provide added aid for non-Sanskrit speakers.


The Bloomsbury Research Handbook of Indian Aesthetics and the Philosophy of Art

The Bloomsbury Research Handbook of Indian Aesthetics and the Philosophy of Art

Author: Arindam Chakrabarti

Publisher: Bloomsbury Publishing

Published: 2016-02-25

Total Pages: 440

ISBN-13: 1472524306

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The Bloomsbury Research Handbook of Indian Aesthetics and the Philosophy of Art provides an extensive research resource to the burgeoning field of Asian aesthetics. Featuring leading international scholars and teachers whose work defines the field, this unique volume reflects the very best scholarship in creative, analytic, and comparative philosophy. Beginning with a philosophical reconstruction of the classical rasa aesthetics, chapters range from the nature of art-emotions, tones of thinking, and aesthetic education to issues in film-theory and problems of the past versus present. As well as discussing indigenous versus foreign in aesthetic practices, this volume covers North and South Indian performance practices and theories, alongside recent and new themes including the Gandhian aesthetics of surrender and self-control and the aesthetics of touch in the light of the politics of untouchability. With such unparalleled and authoritative coverage, The Bloomsbury Research Handbook of Indian Aesthetics and the Philosophy of Art represents a dynamic map of comparative cross-cultural aesthetics. Bringing together original philosophical research from renowned thinkers, it makes a major contribution to both Eastern and Western contemporary aesthetics.


Book Synopsis The Bloomsbury Research Handbook of Indian Aesthetics and the Philosophy of Art by : Arindam Chakrabarti

Download or read book The Bloomsbury Research Handbook of Indian Aesthetics and the Philosophy of Art written by Arindam Chakrabarti and published by Bloomsbury Publishing. This book was released on 2016-02-25 with total page 440 pages. Available in PDF, EPUB and Kindle. Book excerpt: The Bloomsbury Research Handbook of Indian Aesthetics and the Philosophy of Art provides an extensive research resource to the burgeoning field of Asian aesthetics. Featuring leading international scholars and teachers whose work defines the field, this unique volume reflects the very best scholarship in creative, analytic, and comparative philosophy. Beginning with a philosophical reconstruction of the classical rasa aesthetics, chapters range from the nature of art-emotions, tones of thinking, and aesthetic education to issues in film-theory and problems of the past versus present. As well as discussing indigenous versus foreign in aesthetic practices, this volume covers North and South Indian performance practices and theories, alongside recent and new themes including the Gandhian aesthetics of surrender and self-control and the aesthetics of touch in the light of the politics of untouchability. With such unparalleled and authoritative coverage, The Bloomsbury Research Handbook of Indian Aesthetics and the Philosophy of Art represents a dynamic map of comparative cross-cultural aesthetics. Bringing together original philosophical research from renowned thinkers, it makes a major contribution to both Eastern and Western contemporary aesthetics.


A Student's Handbook of Indian Aesthetics

A Student's Handbook of Indian Aesthetics

Author: Neerja A. Gupta

Publisher:

Published: 2017-01-03

Total Pages: 135

ISBN-13: 9781443898911

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"Art and life in India have been inextricably intertwined from ancient times to the present day. Art as a way of life, as ritual, as decoration and as unity with the Sublime bore testament to the socio-cultural milieu; the high level of sophistication that developed in ancient India was reflected in the arts in a holistic light. The arts, thus, strived to hone man's intellectual sensibilities, thus raising him to the level of the transcendental, which in India was Brahma or ultimate reality.This book brings forth the popular theories of Indian aesthetics and Indian poetics. Bharatmuni, Abhinavgupta, Anandvardhana and a number of seers have given substantial dimensions to the concept as found in Natryashastra, Dhvanyavloka, and Abhinavbharati, among other texts. It represents primarily a compilation of commentaries and criticism of these texts, and will serve as a preliminary guide to students, beginners and researchers of Indian aesthetics and poetics.The appendices bring together a number of papers on Indian aesthetics, while there is also an informative and comprehensive bibliography and an exhaustive glossary to provide added aid for non-Sanskrit speakers."


Book Synopsis A Student's Handbook of Indian Aesthetics by : Neerja A. Gupta

Download or read book A Student's Handbook of Indian Aesthetics written by Neerja A. Gupta and published by . This book was released on 2017-01-03 with total page 135 pages. Available in PDF, EPUB and Kindle. Book excerpt: "Art and life in India have been inextricably intertwined from ancient times to the present day. Art as a way of life, as ritual, as decoration and as unity with the Sublime bore testament to the socio-cultural milieu; the high level of sophistication that developed in ancient India was reflected in the arts in a holistic light. The arts, thus, strived to hone man's intellectual sensibilities, thus raising him to the level of the transcendental, which in India was Brahma or ultimate reality.This book brings forth the popular theories of Indian aesthetics and Indian poetics. Bharatmuni, Abhinavgupta, Anandvardhana and a number of seers have given substantial dimensions to the concept as found in Natryashastra, Dhvanyavloka, and Abhinavbharati, among other texts. It represents primarily a compilation of commentaries and criticism of these texts, and will serve as a preliminary guide to students, beginners and researchers of Indian aesthetics and poetics.The appendices bring together a number of papers on Indian aesthetics, while there is also an informative and comprehensive bibliography and an exhaustive glossary to provide added aid for non-Sanskrit speakers."


Henry A. Wallace’s Criticism of America’s Atomic Monopoly, 1945-1948

Henry A. Wallace’s Criticism of America’s Atomic Monopoly, 1945-1948

Author: Mayako Shimamoto

Publisher: Cambridge Scholars Publishing

Published: 2016-12-14

Total Pages: 225

ISBN-13: 1443845108

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Secretary of Commerce Henry A. Wallace was an earnest supporter of the Stimson Proposal, a disarmament proposal submitted to the Truman administration by then Secretary of War Henry L. Stimson immediately after World War II. This proposal suggested direct dialogue with the Soviets over control of the newly-released atomic energy used against Japan in August 1945. Wallace, who had nurtured a deep scientific knowledge in his early life, was trusted in his Vice Presidency (1941–1945) for his scientific skills by not only President Franklin D. Roosevelt, but also scientific administrator Vannevar Bush. Because of this, Wallace’s postwar vision was similar to Stimson’s Proposal and the views of atomic scientists, who believed that basic scientific knowledge could not be contained because science had no national boundaries. Why was Wallace so thoroughly neglected by incumbent President Harry S. Truman and his fellow policy-makers? Wallace’s idea, basically encouraging a joint partnership with the Soviets, failed to find favor with Truman, his aides, and the American public. Their belief was that the US’s secret of atomic bomb was a national asset. This book illustrates that Wallace’s idea of international atomic controls with Soviet partnership – a position embraced by atomic scientists – could prevent a postwar nuclear proliferation. The failure of Wallace’s concept of postwar world order, a product of rejection by President Truman, has revealed an ideological conflict between democracy and nuclear weaponry. Amazingly, Wallace daringly made this historic attempt and kept to his vision, a commitment which led to his alienation and eventual ousting from Truman’s cabinet.


Book Synopsis Henry A. Wallace’s Criticism of America’s Atomic Monopoly, 1945-1948 by : Mayako Shimamoto

Download or read book Henry A. Wallace’s Criticism of America’s Atomic Monopoly, 1945-1948 written by Mayako Shimamoto and published by Cambridge Scholars Publishing. This book was released on 2016-12-14 with total page 225 pages. Available in PDF, EPUB and Kindle. Book excerpt: Secretary of Commerce Henry A. Wallace was an earnest supporter of the Stimson Proposal, a disarmament proposal submitted to the Truman administration by then Secretary of War Henry L. Stimson immediately after World War II. This proposal suggested direct dialogue with the Soviets over control of the newly-released atomic energy used against Japan in August 1945. Wallace, who had nurtured a deep scientific knowledge in his early life, was trusted in his Vice Presidency (1941–1945) for his scientific skills by not only President Franklin D. Roosevelt, but also scientific administrator Vannevar Bush. Because of this, Wallace’s postwar vision was similar to Stimson’s Proposal and the views of atomic scientists, who believed that basic scientific knowledge could not be contained because science had no national boundaries. Why was Wallace so thoroughly neglected by incumbent President Harry S. Truman and his fellow policy-makers? Wallace’s idea, basically encouraging a joint partnership with the Soviets, failed to find favor with Truman, his aides, and the American public. Their belief was that the US’s secret of atomic bomb was a national asset. This book illustrates that Wallace’s idea of international atomic controls with Soviet partnership – a position embraced by atomic scientists – could prevent a postwar nuclear proliferation. The failure of Wallace’s concept of postwar world order, a product of rejection by President Truman, has revealed an ideological conflict between democracy and nuclear weaponry. Amazingly, Wallace daringly made this historic attempt and kept to his vision, a commitment which led to his alienation and eventual ousting from Truman’s cabinet.


The Oxford Handbook of Aesthetics

The Oxford Handbook of Aesthetics

Author: Jerrold Levinson

Publisher: Oxford University Press

Published: 2005-01-27

Total Pages: 844

ISBN-13: 9780199279456

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'The Oxford Handbook of Aesthetics' has assembled 48 brand-new essays, making this a comprehensive guide available to the theory, application, history, and future of the field.


Book Synopsis The Oxford Handbook of Aesthetics by : Jerrold Levinson

Download or read book The Oxford Handbook of Aesthetics written by Jerrold Levinson and published by Oxford University Press. This book was released on 2005-01-27 with total page 844 pages. Available in PDF, EPUB and Kindle. Book excerpt: 'The Oxford Handbook of Aesthetics' has assembled 48 brand-new essays, making this a comprehensive guide available to the theory, application, history, and future of the field.


The Cambridge Handbook of the Psychology of Aesthetics and the Arts

The Cambridge Handbook of the Psychology of Aesthetics and the Arts

Author: Pablo P. L. Tinio

Publisher: Cambridge University Press

Published: 2014-10-30

Total Pages: 1195

ISBN-13: 1316123383

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The psychology of aesthetics and the arts is dedicated to the study of our experiences of the visual arts, music, literature, film, performances, architecture and design; our experiences of beauty and ugliness; our preferences and dislikes; and our everyday perceptions of things in our world. The Cambridge Handbook of the Psychology of Aesthetics and the Arts is a foundational volume presenting an overview of the key concepts and theories of the discipline where readers can learn about the questions that are being asked and become acquainted with the perspectives and methodologies used to address them. The psychology of aesthetics and the arts is one of the oldest areas of psychology but it is also one of the fastest growing and most exciting areas. This is a comprehensive and authoritative handbook featuring essays from some of the most respected scholars in the field.


Book Synopsis The Cambridge Handbook of the Psychology of Aesthetics and the Arts by : Pablo P. L. Tinio

Download or read book The Cambridge Handbook of the Psychology of Aesthetics and the Arts written by Pablo P. L. Tinio and published by Cambridge University Press. This book was released on 2014-10-30 with total page 1195 pages. Available in PDF, EPUB and Kindle. Book excerpt: The psychology of aesthetics and the arts is dedicated to the study of our experiences of the visual arts, music, literature, film, performances, architecture and design; our experiences of beauty and ugliness; our preferences and dislikes; and our everyday perceptions of things in our world. The Cambridge Handbook of the Psychology of Aesthetics and the Arts is a foundational volume presenting an overview of the key concepts and theories of the discipline where readers can learn about the questions that are being asked and become acquainted with the perspectives and methodologies used to address them. The psychology of aesthetics and the arts is one of the oldest areas of psychology but it is also one of the fastest growing and most exciting areas. This is a comprehensive and authoritative handbook featuring essays from some of the most respected scholars in the field.


An Introduction to Indian Aesthetics

An Introduction to Indian Aesthetics

Author: Mini Chandran

Publisher: Bloomsbury Publishing

Published: 2021-02-18

Total Pages: 193

ISBN-13: 938916513X

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The thinkers and philosophers of ancient India contemplated intensively and extensively about all aspects related to life, and art was one of the major domains they touched upon. A profound and intense analysis of the art experience in literature naturally led to the evolution of one of the most sophisticated and long-standing poetic systems in the world. An Introduction to Indian Aesthetics: History, Theory, and Theoreticians offers a comprehensive historical and conceptual overview of all the major schools in Sanskrit poetics-one of the most sophisticated and long-standing traditions of literary criticism in the ancient world. The book, despite its primary focus on the major exponents of each school, also aims to give the reader a good idea as to how these concepts were treated before and after their major practitioners. An important part of Sanskrit poetics that often intimidates a modern reader is its seemingly difficult terminology. This book particularly addresses this issue by using contemporary idioms for readers who have no background of Sanskrit. It also aims to draw points of comparison, wherever relevant, between certain concepts in Sanskrit poetics and their western counterparts.


Book Synopsis An Introduction to Indian Aesthetics by : Mini Chandran

Download or read book An Introduction to Indian Aesthetics written by Mini Chandran and published by Bloomsbury Publishing. This book was released on 2021-02-18 with total page 193 pages. Available in PDF, EPUB and Kindle. Book excerpt: The thinkers and philosophers of ancient India contemplated intensively and extensively about all aspects related to life, and art was one of the major domains they touched upon. A profound and intense analysis of the art experience in literature naturally led to the evolution of one of the most sophisticated and long-standing poetic systems in the world. An Introduction to Indian Aesthetics: History, Theory, and Theoreticians offers a comprehensive historical and conceptual overview of all the major schools in Sanskrit poetics-one of the most sophisticated and long-standing traditions of literary criticism in the ancient world. The book, despite its primary focus on the major exponents of each school, also aims to give the reader a good idea as to how these concepts were treated before and after their major practitioners. An important part of Sanskrit poetics that often intimidates a modern reader is its seemingly difficult terminology. This book particularly addresses this issue by using contemporary idioms for readers who have no background of Sanskrit. It also aims to draw points of comparison, wherever relevant, between certain concepts in Sanskrit poetics and their western counterparts.


Rasas in Bharatanatyam

Rasas in Bharatanatyam

Author: Prakruti Prativadi

Publisher: Createspace Independent Publishing Platform

Published: 2017-01-02

Total Pages: 176

ISBN-13: 9781540877291

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Bharatanatyam is a dance with ancient origins that has been enjoyed both by practitioners and audiences alike for millennia. Dancer, teacher, and researcher Prakruti Prativadi now explains the purpose of Bharatanatyam and Indian aesthetic theory in Rasas in Bharatanatyam. In this easy-to-understand guide, Prativadi delves into the heart of the classical art of Bharatanatyam by explaining the objective of the dance, which are Rasas. These concepts are described through an engaging dialogue between a questioning student and wise teacher. Whether you are a seasoned dancer or an eager beginner, Rasas in Bharatanatyam illuminates the rich concepts and culture of Bharatanatyam. Prativadi goes back to original Sanskrit texts and treatises, such as the Natyashastra, to reveal the full meaning of this thoughtful and powerful form of expression. Prativadi explains Rasas (aesthetic experience) and their relationship to Abhinaya (emotive acting). With graphics, tables, illustrations, and photographs, she shows you the foundation of the dance and techniques to help you become a well-rounded practitioner. Prativadi also emphasizes the importance of learning the cultural context of the dance. Prativadi honors the dance's long cultural and spiritual roots. She discusses the philosophy and aesthetic theory that form the basis of every performance.


Book Synopsis Rasas in Bharatanatyam by : Prakruti Prativadi

Download or read book Rasas in Bharatanatyam written by Prakruti Prativadi and published by Createspace Independent Publishing Platform. This book was released on 2017-01-02 with total page 176 pages. Available in PDF, EPUB and Kindle. Book excerpt: Bharatanatyam is a dance with ancient origins that has been enjoyed both by practitioners and audiences alike for millennia. Dancer, teacher, and researcher Prakruti Prativadi now explains the purpose of Bharatanatyam and Indian aesthetic theory in Rasas in Bharatanatyam. In this easy-to-understand guide, Prativadi delves into the heart of the classical art of Bharatanatyam by explaining the objective of the dance, which are Rasas. These concepts are described through an engaging dialogue between a questioning student and wise teacher. Whether you are a seasoned dancer or an eager beginner, Rasas in Bharatanatyam illuminates the rich concepts and culture of Bharatanatyam. Prativadi goes back to original Sanskrit texts and treatises, such as the Natyashastra, to reveal the full meaning of this thoughtful and powerful form of expression. Prativadi explains Rasas (aesthetic experience) and their relationship to Abhinaya (emotive acting). With graphics, tables, illustrations, and photographs, she shows you the foundation of the dance and techniques to help you become a well-rounded practitioner. Prativadi also emphasizes the importance of learning the cultural context of the dance. Prativadi honors the dance's long cultural and spiritual roots. She discusses the philosophy and aesthetic theory that form the basis of every performance.


Rule by Aesthetics

Rule by Aesthetics

Author: D. Asher Ghertner

Publisher: Oxford University Press

Published: 2015

Total Pages: 273

ISBN-13: 0199385564

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Rule by Aesthetics offers a powerful examination of the process and experience of mass demolition in the world's second largest city of Delhi, India. Using Delhi's millennial effort to become a 'world-class city,' the book shows how aesthetic norms can replace the procedures of mapping and surveying typically considered necessary to administer space. This practice of evaluating territory based on its adherence to aesthetic norms - what Ghertner calls 'rule by aesthetics' - allowed the state in Delhi to intervene in the once ungovernable space of slums, overcoming its historical reliance on inaccurate maps and statistics. Slums hence were declared illegal because they looked illegal, an arrangement that led to the displacement of a million slum residents in the first decade of the 21st century. Drawing on close ethnographic engagement with the slum residents targeted for removal, as well as the planners, judges, and politicians who targeted them, the book demonstrates how easily plans, laws, and democratic procedures can be subverted once the subjects of democracy are seen as visually out of place. Slum dwellers' creative appropriation of dominant aesthetic norms shows, however, that aesthetic rule does not mark the end of democratic claims making. Rather, it signals a new relationship between the mechanism of government and the practice of politics, one in which struggles for a more inclusive city rely more than ever on urban aesthetics, in Delhi as in aspiring world-class cities the world over.


Book Synopsis Rule by Aesthetics by : D. Asher Ghertner

Download or read book Rule by Aesthetics written by D. Asher Ghertner and published by Oxford University Press. This book was released on 2015 with total page 273 pages. Available in PDF, EPUB and Kindle. Book excerpt: Rule by Aesthetics offers a powerful examination of the process and experience of mass demolition in the world's second largest city of Delhi, India. Using Delhi's millennial effort to become a 'world-class city,' the book shows how aesthetic norms can replace the procedures of mapping and surveying typically considered necessary to administer space. This practice of evaluating territory based on its adherence to aesthetic norms - what Ghertner calls 'rule by aesthetics' - allowed the state in Delhi to intervene in the once ungovernable space of slums, overcoming its historical reliance on inaccurate maps and statistics. Slums hence were declared illegal because they looked illegal, an arrangement that led to the displacement of a million slum residents in the first decade of the 21st century. Drawing on close ethnographic engagement with the slum residents targeted for removal, as well as the planners, judges, and politicians who targeted them, the book demonstrates how easily plans, laws, and democratic procedures can be subverted once the subjects of democracy are seen as visually out of place. Slum dwellers' creative appropriation of dominant aesthetic norms shows, however, that aesthetic rule does not mark the end of democratic claims making. Rather, it signals a new relationship between the mechanism of government and the practice of politics, one in which struggles for a more inclusive city rely more than ever on urban aesthetics, in Delhi as in aspiring world-class cities the world over.


A Rasa Reader

A Rasa Reader

Author: Sheldon Pollock

Publisher: Columbia University Press

Published: 2016-04-26

Total Pages: 469

ISBN-13: 0231540698

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From the early years of the Common Era to 1700, Indian intellectuals explored with unparalleled subtlety the place of emotion in art. Their investigations led to the deconstruction of art's formal structures and broader inquiries into the pleasure of tragic tales. Rasa, or taste, was the word they chose to describe art's aesthetics, and their passionate effort to pin down these phenomena became its own remarkable act of creation. This book is the first in any language to follow the evolution of rasa from its origins in dramaturgical thought—a concept for the stage—to its flourishing in literary thought—a concept for the page. A Rasa Reader incorporates primary texts by every significant thinker on classical Indian aesthetics, many never translated before. The arrangement of the selections captures the intellectual dynamism that has powered this debate for centuries. Headnotes explain the meaning and significance of each text, a comprehensive introduction summarizes major threads in intellectual-historical terms, and critical endnotes and an extensive bibliography add further depth to the selections. The Sanskrit theory of emotion in art is one of the most sophisticated in the ancient world, a precursor of the work being done today by critics and philosophers of aesthetics. A Rasa Reader's conceptual detail, historical precision, and clarity will appeal to any scholar interested in a full portrait of global intellectual development. A Rasa Reader is the inaugural book in the Historical Sourcebooks in Classical Indian Thought series, edited by Sheldon Pollock. These text-based books guide readers through the most important forms of classical Indian thought, from epistemology, rhetoric, and hermeneutics to astral science, yoga, and medicine. Each volume provides fresh translations of key works, headnotes to contextualize selections, a comprehensive analysis of major lines of development within the discipline, and exegetical and text-critical endnotes, as well as a bibliography. Designed for comparativists and interested general readers, Historical Sourcebooks is also a great resource for advanced scholars seeking authoritative commentary on challenging works.


Book Synopsis A Rasa Reader by : Sheldon Pollock

Download or read book A Rasa Reader written by Sheldon Pollock and published by Columbia University Press. This book was released on 2016-04-26 with total page 469 pages. Available in PDF, EPUB and Kindle. Book excerpt: From the early years of the Common Era to 1700, Indian intellectuals explored with unparalleled subtlety the place of emotion in art. Their investigations led to the deconstruction of art's formal structures and broader inquiries into the pleasure of tragic tales. Rasa, or taste, was the word they chose to describe art's aesthetics, and their passionate effort to pin down these phenomena became its own remarkable act of creation. This book is the first in any language to follow the evolution of rasa from its origins in dramaturgical thought—a concept for the stage—to its flourishing in literary thought—a concept for the page. A Rasa Reader incorporates primary texts by every significant thinker on classical Indian aesthetics, many never translated before. The arrangement of the selections captures the intellectual dynamism that has powered this debate for centuries. Headnotes explain the meaning and significance of each text, a comprehensive introduction summarizes major threads in intellectual-historical terms, and critical endnotes and an extensive bibliography add further depth to the selections. The Sanskrit theory of emotion in art is one of the most sophisticated in the ancient world, a precursor of the work being done today by critics and philosophers of aesthetics. A Rasa Reader's conceptual detail, historical precision, and clarity will appeal to any scholar interested in a full portrait of global intellectual development. A Rasa Reader is the inaugural book in the Historical Sourcebooks in Classical Indian Thought series, edited by Sheldon Pollock. These text-based books guide readers through the most important forms of classical Indian thought, from epistemology, rhetoric, and hermeneutics to astral science, yoga, and medicine. Each volume provides fresh translations of key works, headnotes to contextualize selections, a comprehensive analysis of major lines of development within the discipline, and exegetical and text-critical endnotes, as well as a bibliography. Designed for comparativists and interested general readers, Historical Sourcebooks is also a great resource for advanced scholars seeking authoritative commentary on challenging works.