Download A Study Of Modern Harmony 1915 full books in PDF, epub, and Kindle. Read online A Study Of Modern Harmony 1915 ebook anywhere anytime directly on your device. Fast Download speed and no annoying ads. We cannot guarantee that every ebooks is available!
Book Synopsis A Study of Modern Harmony by : René Lenormand
Download or read book A Study of Modern Harmony written by René Lenormand and published by . This book was released on 1915 with total page 174 pages. Available in PDF, EPUB and Kindle. Book excerpt:
This Is A New Release Of The Original 1915 Edition.
Book Synopsis A Study of Modern Harmony (1915) by : Rene Lenormand
Download or read book A Study of Modern Harmony (1915) written by Rene Lenormand and published by Literary Licensing, LLC. This book was released on 2014-08-07 with total page 160 pages. Available in PDF, EPUB and Kindle. Book excerpt: This Is A New Release Of The Original 1915 Edition.
Book Synopsis Subject Index of Modern Books Acquired by : British Library
Download or read book Subject Index of Modern Books Acquired written by British Library and published by . This book was released on 1918 with total page 1582 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Subject Guide to Books written by and published by . This book was released on 1914 with total page 366 pages. Available in PDF, EPUB and Kindle. Book excerpt: Contents.--v.1. History, travel & description.
Book Synopsis Brooklyn Public Library News Bulletin by : Brooklyn Public Library
Download or read book Brooklyn Public Library News Bulletin written by Brooklyn Public Library and published by . This book was released on 1913 with total page 478 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Two extraordinary personalities, and one remarkable friendship, are reflected in the unique corpus of letters from Anglo-Parsi composer-critic Kaikhosru Sorabji (1892-1988) to Philip Heseltine (Peter Warlock) (1894-1930): a fascinating primary source for the period 1913-1922 available in a complete scholarly edition for the first time. The volume also provides a new contextual, critical and interpretative framework, incorporating a myriad of perspectives: identities, social geographies, style construction, and mutual interests and influences. Pertinent period documents, including evidence of Heseltine’s reactions, enhance the sense of narrative and expand on aesthetic discussions. Through the letters’ entertaining and perceptive lens, Sorabji’s early life and compositions are vividly illuminated and Heseltine’s own intriguing life and work recontextualised. What emerges takes us beyond tropes of otherness and eccentricity to reveal a persona and a narrative with great relevance to modern-day debates on canonicity and identity, especially the nexus of ethnicity, queer identities and Western art music. Scholars, performers and admirers of early twentieth-century music in Britain, and beyond, will find this a valuable addition to the literature. The book will appeal to those studying or interested in early musical modernism and its reception; cultural life in London around and after the First World War; music, nationality and race; Commonwealth studies; and music and sexuality.
Book Synopsis Kaikhosru Sorabji's Letters to Philip Heseltine (Peter Warlock) by : Brian Inglis
Download or read book Kaikhosru Sorabji's Letters to Philip Heseltine (Peter Warlock) written by Brian Inglis and published by Routledge. This book was released on 2019-06-05 with total page 172 pages. Available in PDF, EPUB and Kindle. Book excerpt: Two extraordinary personalities, and one remarkable friendship, are reflected in the unique corpus of letters from Anglo-Parsi composer-critic Kaikhosru Sorabji (1892-1988) to Philip Heseltine (Peter Warlock) (1894-1930): a fascinating primary source for the period 1913-1922 available in a complete scholarly edition for the first time. The volume also provides a new contextual, critical and interpretative framework, incorporating a myriad of perspectives: identities, social geographies, style construction, and mutual interests and influences. Pertinent period documents, including evidence of Heseltine’s reactions, enhance the sense of narrative and expand on aesthetic discussions. Through the letters’ entertaining and perceptive lens, Sorabji’s early life and compositions are vividly illuminated and Heseltine’s own intriguing life and work recontextualised. What emerges takes us beyond tropes of otherness and eccentricity to reveal a persona and a narrative with great relevance to modern-day debates on canonicity and identity, especially the nexus of ethnicity, queer identities and Western art music. Scholars, performers and admirers of early twentieth-century music in Britain, and beyond, will find this a valuable addition to the literature. The book will appeal to those studying or interested in early musical modernism and its reception; cultural life in London around and after the First World War; music, nationality and race; Commonwealth studies; and music and sexuality.
Stravinsky's influence on Debussy in 1910-13, rarely discussed, is demonstrated here in the many modernistic features of such works as the Preludes Book II, Khamma, and Jeux. This book reassesses the relationship between Debussy and Stravinsky, two of the most important composers of the early twentieth century. When the Russian composer traveled to France in 1910 to attend the premiere of his first ballet, The Firebird, he was invited to dine at the French composer's house, and a photo of the two commemorates the beginning of their friendship. Stravinsky was already acquainted with many of Debussy's earlier works, and Debussy was introduced to the Russian composer's first three ballets between 1910 and 1913. Stravinsky's early works contain Debussy-like passages, as in the opening measures of his opera The Nightingale, which echoes the opening measures of Debussy's "Nuages." As author Mark McFarland here shows, however, the adoption on Debussy's part of characteristics from Stravinsky's style is, perhaps surprisingly, no less substantial. Debussy borrowed motifs from both The Firebird and Petrushka as well as the Russian tradition of Leitharmony in his little-known ballet Khamma, and Stravinsky's ballets, including The Rite of Spring, seems to have sparked an exploration into octatonic harmony in Debussy's second book of piano preludes. McFarland's close analysis of parallel passages and usages in works of the two composers also reveals that Debussy eventually distanced himself from Stravinsky, perhaps fearing to seem like an acolyte rather than an innovator. His borrowings from Stravinsky (and Russian style) gradually disappear, as McFarland demonstrates by close attention to passages in some of the late works, which move in the direction of a neoclassicism that Stravinsky himself would soon adopt and expand further.
Book Synopsis The Musical Relationship Between Claude Debussy and Igor Stravinsky by : Mark McFarland
Download or read book The Musical Relationship Between Claude Debussy and Igor Stravinsky written by Mark McFarland and published by Boydell & Brewer. This book was released on 2024 with total page 210 pages. Available in PDF, EPUB and Kindle. Book excerpt: Stravinsky's influence on Debussy in 1910-13, rarely discussed, is demonstrated here in the many modernistic features of such works as the Preludes Book II, Khamma, and Jeux. This book reassesses the relationship between Debussy and Stravinsky, two of the most important composers of the early twentieth century. When the Russian composer traveled to France in 1910 to attend the premiere of his first ballet, The Firebird, he was invited to dine at the French composer's house, and a photo of the two commemorates the beginning of their friendship. Stravinsky was already acquainted with many of Debussy's earlier works, and Debussy was introduced to the Russian composer's first three ballets between 1910 and 1913. Stravinsky's early works contain Debussy-like passages, as in the opening measures of his opera The Nightingale, which echoes the opening measures of Debussy's "Nuages." As author Mark McFarland here shows, however, the adoption on Debussy's part of characteristics from Stravinsky's style is, perhaps surprisingly, no less substantial. Debussy borrowed motifs from both The Firebird and Petrushka as well as the Russian tradition of Leitharmony in his little-known ballet Khamma, and Stravinsky's ballets, including The Rite of Spring, seems to have sparked an exploration into octatonic harmony in Debussy's second book of piano preludes. McFarland's close analysis of parallel passages and usages in works of the two composers also reveals that Debussy eventually distanced himself from Stravinsky, perhaps fearing to seem like an acolyte rather than an innovator. His borrowings from Stravinsky (and Russian style) gradually disappear, as McFarland demonstrates by close attention to passages in some of the late works, which move in the direction of a neoclassicism that Stravinsky himself would soon adopt and expand further.
Book Synopsis Monthly Bulletin by : San Francisco Free Public Library
Download or read book Monthly Bulletin written by San Francisco Free Public Library and published by . This book was released on 1917 with total page 602 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Book Synopsis Monthly Bulletin by : San Francisco Public Library
Download or read book Monthly Bulletin written by San Francisco Public Library and published by . This book was released on 1918 with total page 258 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Vols. for 1971- include annual reports and statistical summaries.
Book Synopsis News Notes of California Libraries by : California State Library
Download or read book News Notes of California Libraries written by California State Library and published by . This book was released on 1921 with total page 1086 pages. Available in PDF, EPUB and Kindle. Book excerpt: Vols. for 1971- include annual reports and statistical summaries.