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A Theory of the Absolute develops a worldview that is opposed to the dominant paradigm of physicalism and atheism. It provides powerful arguments for the existence of the soul and the existence of the Absolute. It shows that faith is not in contradiction to reason.
Book Synopsis A Theory of the Absolute by : Benedikt Paul Göcke
Download or read book A Theory of the Absolute written by Benedikt Paul Göcke and published by Springer. This book was released on 2014-09-29 with total page 403 pages. Available in PDF, EPUB and Kindle. Book excerpt: A Theory of the Absolute develops a worldview that is opposed to the dominant paradigm of physicalism and atheism. It provides powerful arguments for the existence of the soul and the existence of the Absolute. It shows that faith is not in contradiction to reason.
Art and the Absolute restores Hegel's aesthetics to a place of central importance in the Hegelian system. In so doing, it brings Hegel into direct relation with the central thrust of contemporary philosophy. The book draws on the astonishing scope and depths of Hegel's Lectures on Aesthetics, exploring the multifaceted issue of art and the absolute. Why does Hegel ascribe absoluteness to art? What can such absoluteness mean? How does it relate to religion and philosophy? How does Hegel's view of art illuminate the contemporary absence of the absolute? Art and the Absolute argues that these aesthetic questions are not mere theoretical conundrums for abstract analysis. It argues that Hegel's understanding of art can provide an indispensable hermeneutic relevant to current controversies. Art and the Absolute explores the intricacies of Hegel's aesthetic thought, communicating its contemporary relevance. It shows how for Hegel art illuminates the other areas of significant human experience such as history, religion, politics, literature. Against traditional, closed views, the result is a challenge to re-read Hegel's aesthetic philosophy.
Book Synopsis Art and the Absolute by : William Desmond
Download or read book Art and the Absolute written by William Desmond and published by State University of New York Press. This book was released on 1986-06-30 with total page 246 pages. Available in PDF, EPUB and Kindle. Book excerpt: Art and the Absolute restores Hegel's aesthetics to a place of central importance in the Hegelian system. In so doing, it brings Hegel into direct relation with the central thrust of contemporary philosophy. The book draws on the astonishing scope and depths of Hegel's Lectures on Aesthetics, exploring the multifaceted issue of art and the absolute. Why does Hegel ascribe absoluteness to art? What can such absoluteness mean? How does it relate to religion and philosophy? How does Hegel's view of art illuminate the contemporary absence of the absolute? Art and the Absolute argues that these aesthetic questions are not mere theoretical conundrums for abstract analysis. It argues that Hegel's understanding of art can provide an indispensable hermeneutic relevant to current controversies. Art and the Absolute explores the intricacies of Hegel's aesthetic thought, communicating its contemporary relevance. It shows how for Hegel art illuminates the other areas of significant human experience such as history, religion, politics, literature. Against traditional, closed views, the result is a challenge to re-read Hegel's aesthetic philosophy.
A Theory of the Absolute develops a worldview that is opposed to the dominant paradigm of physicalism and atheism. It provides powerful arguments for the existence of the soul and the existence of the Absolute. It shows that faith is not in contradiction to reason.
Book Synopsis A Theory of the Absolute by : Benedikt Paul Göcke
Download or read book A Theory of the Absolute written by Benedikt Paul Göcke and published by Springer. This book was released on 2014-09-29 with total page 248 pages. Available in PDF, EPUB and Kindle. Book excerpt: A Theory of the Absolute develops a worldview that is opposed to the dominant paradigm of physicalism and atheism. It provides powerful arguments for the existence of the soul and the existence of the Absolute. It shows that faith is not in contradiction to reason.
Opening -- Part I. Metarealism. How the real world became a fable, or, The realities of social construction -- Part II. Process social ontology. Concepts in disintegration & strategies for demolition ; Process social ontology ; Social kinds -- Part III. Hylosemiotics. Hylosemiotics : the discourse of things -- Part IV. Knowledge and value. Zetetic knowledge ; The revaluation of values -- Conclusion : becoming metamodern.
Book Synopsis Metamodernism by : Jason Ananda Josephson Storm
Download or read book Metamodernism written by Jason Ananda Josephson Storm and published by University of Chicago Press. This book was released on 2021-07-20 with total page 375 pages. Available in PDF, EPUB and Kindle. Book excerpt: Opening -- Part I. Metarealism. How the real world became a fable, or, The realities of social construction -- Part II. Process social ontology. Concepts in disintegration & strategies for demolition ; Process social ontology ; Social kinds -- Part III. Hylosemiotics. Hylosemiotics : the discourse of things -- Part IV. Knowledge and value. Zetetic knowledge ; The revaluation of values -- Conclusion : becoming metamodern.
What is music, and why does it move us? From Pythagoras to the present, writers have struggled to isolate the essence of "pure" or "absolute" music in ways that also account for its profound effect. In Absolute Music: The History of an Idea, Mark Evan Bonds traces the history of these efforts across more than two millennia, paying special attention to the relationship between music's essence and its qualities of form, expression, beauty, autonomy, as well as its perceived capacity to disclose philosophical truths. The core of this book focuses on the period between 1850 and 1945. Although the idea of pure music is as old as antiquity, the term "absolute music" is itself relatively recent. It was Richard Wagner who coined the term, in 1846, and he used it as a pejorative in his efforts to expose the limitations of purely instrumental music. For Wagner, music that was "absolute" was isolated, detached from the world, sterile. His contemporary, the Viennese critic Eduard Hanslick, embraced this quality of isolation as a guarantor of purity. Only pure, absolute music, he argued, could realize the highest potential of the art. Bonds reveals how and why perceptions of absolute music changed so radically between the 1850s and 1920s. When it first appeared, "absolute music" was a new term applied to old music, but by the early decades of the twentieth century, it had become-paradoxically--an old term associated with the new music of modernists like Schoenberg and Stravinsky. Bonds argues that the key developments in this shift lay not in discourse about music but rather the visual arts. The growing prestige of abstraction and form in painting at the turn of the twentieth century-line and color, as opposed to object-helped move the idea of purely abstract, absolute music to the cutting edge of musical modernism. By carefully tracing the evolution of absolute music from Ancient Greece through the Middle Ages to the twentieth-century, Bonds not only provides the first comprehensive history of this pivotal concept but also provokes new thoughts on the essence of music and how essence has been used to explain music's effect. A long awaited book from one of the most respected senior scholars in the field, Absolute Music will be essential reading for anyone interested in the history, theory, and aesthetics of music.
Book Synopsis Absolute Music by : Mark Evan Bonds
Download or read book Absolute Music written by Mark Evan Bonds and published by Oxford University Press. This book was released on 2014-05-09 with total page 400 pages. Available in PDF, EPUB and Kindle. Book excerpt: What is music, and why does it move us? From Pythagoras to the present, writers have struggled to isolate the essence of "pure" or "absolute" music in ways that also account for its profound effect. In Absolute Music: The History of an Idea, Mark Evan Bonds traces the history of these efforts across more than two millennia, paying special attention to the relationship between music's essence and its qualities of form, expression, beauty, autonomy, as well as its perceived capacity to disclose philosophical truths. The core of this book focuses on the period between 1850 and 1945. Although the idea of pure music is as old as antiquity, the term "absolute music" is itself relatively recent. It was Richard Wagner who coined the term, in 1846, and he used it as a pejorative in his efforts to expose the limitations of purely instrumental music. For Wagner, music that was "absolute" was isolated, detached from the world, sterile. His contemporary, the Viennese critic Eduard Hanslick, embraced this quality of isolation as a guarantor of purity. Only pure, absolute music, he argued, could realize the highest potential of the art. Bonds reveals how and why perceptions of absolute music changed so radically between the 1850s and 1920s. When it first appeared, "absolute music" was a new term applied to old music, but by the early decades of the twentieth century, it had become-paradoxically--an old term associated with the new music of modernists like Schoenberg and Stravinsky. Bonds argues that the key developments in this shift lay not in discourse about music but rather the visual arts. The growing prestige of abstraction and form in painting at the turn of the twentieth century-line and color, as opposed to object-helped move the idea of purely abstract, absolute music to the cutting edge of musical modernism. By carefully tracing the evolution of absolute music from Ancient Greece through the Middle Ages to the twentieth-century, Bonds not only provides the first comprehensive history of this pivotal concept but also provokes new thoughts on the essence of music and how essence has been used to explain music's effect. A long awaited book from one of the most respected senior scholars in the field, Absolute Music will be essential reading for anyone interested in the history, theory, and aesthetics of music.
Are there things we should value because they are, quite simply, good? If so, such things might be said to have "absolute goodness." They would be good simpliciter or full stop - not good for someone, not good of a kind, but nonetheless good (period). They might also be called "impersonal values." The reason why we ought to value such things, if there are any, would merely be the fact that they are, quite simply, good things. In the twentieth century, G. E. Moore was the great champion of absolute goodness, but he is not the only philosopher who posits the existence and importance of this property. Against these friends of absolute goodness, Richard Kraut here builds on the argument he made in What is Good and Why, demonstrating that goodness is not a reason-giving property - in fact, there may be no such thing. It is, he holds, an insidious category of practical thought, because it can be and has been used to justify what is harmful and condemn what is beneficial. Impersonal value draws us away from what is good for persons. His strategy for opposing absolute goodness is to search for domains of practical reasoning in which it might be thought to be needed, and this leads him to an examination of a wide variety of moral phenomena: pleasure, knowledge, beauty, love, cruelty, suicide, future generations, bio-diversity, killing in self-defense, and the extinction of our species. Even persons, he proposes, should not be said to have absolute value. The special importance of human life rests instead on the great advantages that such lives normally offer. "When one reads this, one sees the possibility of real philosophical progress. If Kraut is right, I'd be wrong to say that this book is good, period. Or even great, period. But I will say that, as a work of philosophy, and for those who read it, it is excellent indeed." --Russ Shafer-Landau, University of Wisconsin-Madison
Book Synopsis Against Absolute Goodness by : Richard Kraut
Download or read book Against Absolute Goodness written by Richard Kraut and published by Oxford University Press. This book was released on 2011-12-02 with total page 240 pages. Available in PDF, EPUB and Kindle. Book excerpt: Are there things we should value because they are, quite simply, good? If so, such things might be said to have "absolute goodness." They would be good simpliciter or full stop - not good for someone, not good of a kind, but nonetheless good (period). They might also be called "impersonal values." The reason why we ought to value such things, if there are any, would merely be the fact that they are, quite simply, good things. In the twentieth century, G. E. Moore was the great champion of absolute goodness, but he is not the only philosopher who posits the existence and importance of this property. Against these friends of absolute goodness, Richard Kraut here builds on the argument he made in What is Good and Why, demonstrating that goodness is not a reason-giving property - in fact, there may be no such thing. It is, he holds, an insidious category of practical thought, because it can be and has been used to justify what is harmful and condemn what is beneficial. Impersonal value draws us away from what is good for persons. His strategy for opposing absolute goodness is to search for domains of practical reasoning in which it might be thought to be needed, and this leads him to an examination of a wide variety of moral phenomena: pleasure, knowledge, beauty, love, cruelty, suicide, future generations, bio-diversity, killing in self-defense, and the extinction of our species. Even persons, he proposes, should not be said to have absolute value. The special importance of human life rests instead on the great advantages that such lives normally offer. "When one reads this, one sees the possibility of real philosophical progress. If Kraut is right, I'd be wrong to say that this book is good, period. Or even great, period. But I will say that, as a work of philosophy, and for those who read it, it is excellent indeed." --Russ Shafer-Landau, University of Wisconsin-Madison
In this stimulating investigation, Gideon Freudenthal has linked social history with the history of science by formulating an interesting proposal: that the supposed influence of social theory may be seen as actual through its co herence with the process of formation of physical concepts. The reinterpre tation of the development of science in the seventeenth century, now widely influential, receives at Freudenthal's hand its most persuasive statement, most significantly because of his attention to the theoretical form which is charac teristic. of classical Newtonian mechanics. He pursues the sources of the parallels that may be noted between that mechanics and the dominant philosophical systems and social theories of the time; and in a fascinating development Freudenthal shows how a quite precise method - as he descriptively labels it, the 'analytic-synthetic method' - which underlay the Newtonian form of theoretical argument, was due to certain interpretive premisses concerning particle mechanics. If he is right, these depend upon a particular stage of con ceptual achievement in the theories of both society and nature; further, that the conceptual was generalized philosophically; but, strikingly, Freudenthal shows that this concept-formation itself was linked to the specific social relations of the times of Newton and Hobbes.
Book Synopsis Atom and Individual in the Age of Newton by : G. Freudenthal
Download or read book Atom and Individual in the Age of Newton written by G. Freudenthal and published by Springer Science & Business Media. This book was released on 2012-12-06 with total page 282 pages. Available in PDF, EPUB and Kindle. Book excerpt: In this stimulating investigation, Gideon Freudenthal has linked social history with the history of science by formulating an interesting proposal: that the supposed influence of social theory may be seen as actual through its co herence with the process of formation of physical concepts. The reinterpre tation of the development of science in the seventeenth century, now widely influential, receives at Freudenthal's hand its most persuasive statement, most significantly because of his attention to the theoretical form which is charac teristic. of classical Newtonian mechanics. He pursues the sources of the parallels that may be noted between that mechanics and the dominant philosophical systems and social theories of the time; and in a fascinating development Freudenthal shows how a quite precise method - as he descriptively labels it, the 'analytic-synthetic method' - which underlay the Newtonian form of theoretical argument, was due to certain interpretive premisses concerning particle mechanics. If he is right, these depend upon a particular stage of con ceptual achievement in the theories of both society and nature; further, that the conceptual was generalized philosophically; but, strikingly, Freudenthal shows that this concept-formation itself was linked to the specific social relations of the times of Newton and Hobbes.
An argument that what is usually dismissed as the “mystical shell” of Hegel's thought—the concept of absolute knowledge—is actually its most “rational kernel.” This book sets out from a counterintuitive premise: the “mystical shell” of Hegel's system proves to be its most “rational kernel.” Hegel's radicalism is located precisely at the point where his thought seems to regress most. Most current readings try to update Hegel's thought by pruning back his grandiose claims to “absolute knowing.” Comay and Ruda invert this deflationary gesture by inflating what seems to be most trivial: the absolute is grasped only in the minutiae of its most mundane appearances. Reading Hegel without presupposition, without eliminating anything in advance or making any decision about what is essential and what is inessential, what is living and what is dead, they explore his presentation of the absolute to the letter. The Dash is organized around a pair of seemingly innocuous details. Hegel punctuates strangely. He ends the Phenomenology of Spirit with a dash, and he begins the Science of Logic with a dash. This distinctive punctuation reveals an ambiguity at the heart of absolute knowing. The dash combines hesitation and acceleration. Its orientation is simultaneously retrospective and prospective. It both holds back and propels. It severs and connects. It demurs and insists. It interrupts and prolongs. It generates nonsequiturs and produces explanations. It leads in all directions: continuation, deviation, meaningless termination. This challenges every cliché about the Hegelian dialectic as a machine of uninterrupted teleological progress. The dialectical movement is, rather, structured by intermittency, interruption, hesitation, blockage, abruption, and random, unpredictable change—a rhythm that displays all the vicissitudes of the Freudian drive.
Book Synopsis The Dash-The Other Side of Absolute Knowing by : Rebecca Comay
Download or read book The Dash-The Other Side of Absolute Knowing written by Rebecca Comay and published by MIT Press. This book was released on 2018-05-04 with total page 193 pages. Available in PDF, EPUB and Kindle. Book excerpt: An argument that what is usually dismissed as the “mystical shell” of Hegel's thought—the concept of absolute knowledge—is actually its most “rational kernel.” This book sets out from a counterintuitive premise: the “mystical shell” of Hegel's system proves to be its most “rational kernel.” Hegel's radicalism is located precisely at the point where his thought seems to regress most. Most current readings try to update Hegel's thought by pruning back his grandiose claims to “absolute knowing.” Comay and Ruda invert this deflationary gesture by inflating what seems to be most trivial: the absolute is grasped only in the minutiae of its most mundane appearances. Reading Hegel without presupposition, without eliminating anything in advance or making any decision about what is essential and what is inessential, what is living and what is dead, they explore his presentation of the absolute to the letter. The Dash is organized around a pair of seemingly innocuous details. Hegel punctuates strangely. He ends the Phenomenology of Spirit with a dash, and he begins the Science of Logic with a dash. This distinctive punctuation reveals an ambiguity at the heart of absolute knowing. The dash combines hesitation and acceleration. Its orientation is simultaneously retrospective and prospective. It both holds back and propels. It severs and connects. It demurs and insists. It interrupts and prolongs. It generates nonsequiturs and produces explanations. It leads in all directions: continuation, deviation, meaningless termination. This challenges every cliché about the Hegelian dialectic as a machine of uninterrupted teleological progress. The dialectical movement is, rather, structured by intermittency, interruption, hesitation, blockage, abruption, and random, unpredictable change—a rhythm that displays all the vicissitudes of the Freudian drive.
What is time? This is one of the most fundamental questions we can ask. Emily Thomas explores how a new theory of time emerged in the seventeenth century. The 'absolute' theory of time held that it is independent of material bodies or human minds, so even if nothing else existed (with the possible exception of God) there would be time.
Book Synopsis Absolute Time by : Emily Thomas
Download or read book Absolute Time written by Emily Thomas and published by Oxford University Press. This book was released on 2018 with total page 253 pages. Available in PDF, EPUB and Kindle. Book excerpt: What is time? This is one of the most fundamental questions we can ask. Emily Thomas explores how a new theory of time emerged in the seventeenth century. The 'absolute' theory of time held that it is independent of material bodies or human minds, so even if nothing else existed (with the possible exception of God) there would be time.
Winner.... Premio Municipal de la Novela 2021 Premio Nacional de Literatura Argentina 2018 Premio Literario de la Academia Argentina de Letras 2017 Best Novel Award by La Nación 2016 A provocative multigenerational exploration of creative genius, madness, and family relationships. With the ambition and density of style of Vladimir Nabokov or Olga Tokarczuk, this is a story both profound and handled with a light touch. The Absolute is a sprawling historical novel about the Deliuskin-Scriabin family, made up of six generations of geniuses and madmen. Beginning in the mid-18th century in Russia, across Europe and ending in late 20th-century Argentina, the characters’ lives play out in different branches of art, politics and science in such radical ways that they transform the world and its reality. The narrator’s ancestor, Frantisek Deliuskin, invents a new form of music in the 18th century; his son, Andrei Deliuskin, makes some marginal annotations to the Spiritual Exercises of Saint Ignatius of Loyola that are later interpreted by Lenin as an instruction manual to carry out the Russian Revolution of 1917; Esau Deliuskin, following the course of his father, creates a socialist utopian society; and down through the generations to the narrator, whose creation takes him back in time and space to the moment of the Big Bang. The Absolute is a monumental work about the creation of art and about family, about spiritual traditions and about throwing oneself into the world not to capture life but to create it, in and through words. “This is a masterpiece at a time when masterpieces seem impossible and at the same time challenges the very idea of a masterpiece. … It’s the novel one should read if they want to know what an artist is.” —La Nación
Book Synopsis The Absolute by : Daniel Guebel
Download or read book The Absolute written by Daniel Guebel and published by Seven Stories Press. This book was released on 2022-05-17 with total page 353 pages. Available in PDF, EPUB and Kindle. Book excerpt: Winner.... Premio Municipal de la Novela 2021 Premio Nacional de Literatura Argentina 2018 Premio Literario de la Academia Argentina de Letras 2017 Best Novel Award by La Nación 2016 A provocative multigenerational exploration of creative genius, madness, and family relationships. With the ambition and density of style of Vladimir Nabokov or Olga Tokarczuk, this is a story both profound and handled with a light touch. The Absolute is a sprawling historical novel about the Deliuskin-Scriabin family, made up of six generations of geniuses and madmen. Beginning in the mid-18th century in Russia, across Europe and ending in late 20th-century Argentina, the characters’ lives play out in different branches of art, politics and science in such radical ways that they transform the world and its reality. The narrator’s ancestor, Frantisek Deliuskin, invents a new form of music in the 18th century; his son, Andrei Deliuskin, makes some marginal annotations to the Spiritual Exercises of Saint Ignatius of Loyola that are later interpreted by Lenin as an instruction manual to carry out the Russian Revolution of 1917; Esau Deliuskin, following the course of his father, creates a socialist utopian society; and down through the generations to the narrator, whose creation takes him back in time and space to the moment of the Big Bang. The Absolute is a monumental work about the creation of art and about family, about spiritual traditions and about throwing oneself into the world not to capture life but to create it, in and through words. “This is a masterpiece at a time when masterpieces seem impossible and at the same time challenges the very idea of a masterpiece. … It’s the novel one should read if they want to know what an artist is.” —La Nación
