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Abjection and Representation is a theoretical investigation of the concept of abjection as expounded by Julia Kristeva in Powers of Horror (1982) and its application in various fields including the visual arts, film and literature. It examines the complexity of the concept and its significance as a cultural category.
Book Synopsis Abjection and Representation by : R. Arya
Download or read book Abjection and Representation written by R. Arya and published by Springer. This book was released on 2014-09-11 with total page 231 pages. Available in PDF, EPUB and Kindle. Book excerpt: Abjection and Representation is a theoretical investigation of the concept of abjection as expounded by Julia Kristeva in Powers of Horror (1982) and its application in various fields including the visual arts, film and literature. It examines the complexity of the concept and its significance as a cultural category.
Abjection and Representation is a theoretical investigation of the concept of abjection as expounded by Julia Kristeva in Powers of Horror (1982) and its application in various fields including the visual arts, film and literature. It examines the complexity of the concept and its significance as a cultural category.
Book Synopsis Abjection and Representation by : R. Arya
Download or read book Abjection and Representation written by R. Arya and published by Palgrave Macmillan. This book was released on 2014-09-24 with total page 231 pages. Available in PDF, EPUB and Kindle. Book excerpt: Abjection and Representation is a theoretical investigation of the concept of abjection as expounded by Julia Kristeva in Powers of Horror (1982) and its application in various fields including the visual arts, film and literature. It examines the complexity of the concept and its significance as a cultural category.
In 1980, Julia Kristeva's essay on abjection, Pouvoirs de l'horreur, was first published in France and subsequently translated into English as Powers of horror. Nicholas Chare's book provides a critical and careful reassessment of Kristeva's often misunderstood writings on the abject and a crucial appraisal of the value the concept abjection holds for the study of the witnessing and representation of the Holocaust.
Book Synopsis Auschwitz and Afterimages by : Nicholas Chare
Download or read book Auschwitz and Afterimages written by Nicholas Chare and published by I.B. Tauris. This book was released on 2011-01-27 with total page 228 pages. Available in PDF, EPUB and Kindle. Book excerpt: In 1980, Julia Kristeva's essay on abjection, Pouvoirs de l'horreur, was first published in France and subsequently translated into English as Powers of horror. Nicholas Chare's book provides a critical and careful reassessment of Kristeva's often misunderstood writings on the abject and a crucial appraisal of the value the concept abjection holds for the study of the witnessing and representation of the Holocaust.
This volume begins with a new essay by Julia Kristeva, ‘The Adolescent Novel’, in which she examines the relation between novelistic writing and the experience of adolescence as an ‘open structure’. It is this blend of the literary with the psychoanalytic that places Kristeva’s work central to current thinking, from semiotics and critical theory to feminism and psychoanalysis. The essays in this volume offer insight into the workings of Kristeva’s thought, ranging from her analyses of sexual difference, female temporality and the perceptions of the body to the mental states of abjection and melancholia, and their representation in painting and literature. Kristeva’s persistent humanity, her profound understanding of the dynamics of intention and creativity, mark her out as one of the leading theoreticians of desire. Each essay offers the reader a new insight into the many aspects that make up Kristeva’s entire oeuvre.
Book Synopsis Abjection, Melancholia and Love by : John Fletcher
Download or read book Abjection, Melancholia and Love written by John Fletcher and published by Routledge. This book was released on 2012-08-21 with total page 223 pages. Available in PDF, EPUB and Kindle. Book excerpt: This volume begins with a new essay by Julia Kristeva, ‘The Adolescent Novel’, in which she examines the relation between novelistic writing and the experience of adolescence as an ‘open structure’. It is this blend of the literary with the psychoanalytic that places Kristeva’s work central to current thinking, from semiotics and critical theory to feminism and psychoanalysis. The essays in this volume offer insight into the workings of Kristeva’s thought, ranging from her analyses of sexual difference, female temporality and the perceptions of the body to the mental states of abjection and melancholia, and their representation in painting and literature. Kristeva’s persistent humanity, her profound understanding of the dynamics of intention and creativity, mark her out as one of the leading theoreticians of desire. Each essay offers the reader a new insight into the many aspects that make up Kristeva’s entire oeuvre.
In Powers of Horror, Julia Kristeva offers an extensive and profound consideration of the nature of abjection. Drawing on Freud and Lacan, she analyzes the nature of attitudes toward repulsive subjects and examines the function of these topics in the writings of Louis-Ferdinand Céline, Marcel Proust, James Joyce, and other authors. Kristeva identifies the abject with the eruption of the real and the presence of death. She explores how art and religion each offer ways of purifying the abject, arguing that amid abjection, boundaries between subject and object break down.
Book Synopsis Powers of Horror by : Julia Kristeva
Download or read book Powers of Horror written by Julia Kristeva and published by Columbia University Press. This book was released on 2024-03-26 with total page 236 pages. Available in PDF, EPUB and Kindle. Book excerpt: In Powers of Horror, Julia Kristeva offers an extensive and profound consideration of the nature of abjection. Drawing on Freud and Lacan, she analyzes the nature of attitudes toward repulsive subjects and examines the function of these topics in the writings of Louis-Ferdinand Céline, Marcel Proust, James Joyce, and other authors. Kristeva identifies the abject with the eruption of the real and the presence of death. She explores how art and religion each offer ways of purifying the abject, arguing that amid abjection, boundaries between subject and object break down.
DIVExplores the ways that playwrights and performers have dealt with the presentation of the Asian American body on stage, given the historical construction of Asian Americanness as abject and unpresentable./div
Book Synopsis National Abjection by : Karen Shimakawa
Download or read book National Abjection written by Karen Shimakawa and published by Duke University Press. This book was released on 2002-12-05 with total page 212 pages. Available in PDF, EPUB and Kindle. Book excerpt: DIVExplores the ways that playwrights and performers have dealt with the presentation of the Asian American body on stage, given the historical construction of Asian Americanness as abject and unpresentable./div
Summary: Challenging the conception of empowerment associated with the Black Power Movement and its political and intellectual legacies, this title contends that power can be found not only in martial resistance, but, surprisingly, where the black body has been inflicted with harm or humiliation.
Book Synopsis Extravagant Abjection by : Darieck Scott
Download or read book Extravagant Abjection written by Darieck Scott and published by NYU Press. This book was released on 2010-07-12 with total page 317 pages. Available in PDF, EPUB and Kindle. Book excerpt: Summary: Challenging the conception of empowerment associated with the Black Power Movement and its political and intellectual legacies, this title contends that power can be found not only in martial resistance, but, surprisingly, where the black body has been inflicted with harm or humiliation.
Julia Kristeva's blend of the literary with the psychoanalytic places her work central to current thinking, from semiotics and critical theory to feminism and psychoanalysis. Her profound understanding of the dynamics of intention and creativity mark her out as one of the leading theoreticians of desire. Each essay in this volume offers new insight into the many aspects that make up Kristeva's thought, ranging from her analyses of sexual difference, female temporality and the perceptions of the body to the mental states of abjection and melancholia, and their representation in painting and literature.
Book Synopsis Abjection, Melancholia, and Love by : John Fletcher
Download or read book Abjection, Melancholia, and Love written by John Fletcher and published by Routledge. This book was released on 2012 with total page 223 pages. Available in PDF, EPUB and Kindle. Book excerpt: Julia Kristeva's blend of the literary with the psychoanalytic places her work central to current thinking, from semiotics and critical theory to feminism and psychoanalysis. Her profound understanding of the dynamics of intention and creativity mark her out as one of the leading theoreticians of desire. Each essay in this volume offers new insight into the many aspects that make up Kristeva's thought, ranging from her analyses of sexual difference, female temporality and the perceptions of the body to the mental states of abjection and melancholia, and their representation in painting and literature.
This collection provides a thorough representation of the early and ongoing conversation between Gothic and theory - philosophical, aesthetic, psychological and cultural.
Book Synopsis Gothic and Theory by : Jerrold E. Hogle
Download or read book Gothic and Theory written by Jerrold E. Hogle and published by Edinburgh University Press. This book was released on 2019-03-14 with total page 344 pages. Available in PDF, EPUB and Kindle. Book excerpt: This collection provides a thorough representation of the early and ongoing conversation between Gothic and theory - philosophical, aesthetic, psychological and cultural.
“A timely and important project that changes our understanding of the role of abjection both in cultural politics and in the structure of film.” —Ewa Ziarek, State University of New York at Buffalo Tina Chanter resolves a fundamental problem in film theory by negotiating a middle path between “gaze theory” approaches to film and spectator studies or cultural theory approaches that emphasize the position of the viewer and thereby take account of race, class, gender, and sexuality. Chanter argues that abjection is the unthought ground of fetishistic theories. If the feminine has been the privileged excluded other of psychoanalytic theory, fueled by the myth of castration and the logic of disavowal, when fetishism is taken up by race theory, or cultural theory, the multiple and fluid registers of abjection are obscured. By mobilizing a theory of abjection, the book shows how the appeal to phallic, fetishistic theories continues to reify the hegemonic categories of race, class, sexuality, and gender, as if they stood as self-evident categories. “An intriguing read, especially for those who favor psychological models of criticism in film theory . . . Recommended.” —Choice
Book Synopsis The Picture of Abjection by : Tina Chanter
Download or read book The Picture of Abjection written by Tina Chanter and published by Indiana University Press. This book was released on 2008-01-11 with total page 392 pages. Available in PDF, EPUB and Kindle. Book excerpt: “A timely and important project that changes our understanding of the role of abjection both in cultural politics and in the structure of film.” —Ewa Ziarek, State University of New York at Buffalo Tina Chanter resolves a fundamental problem in film theory by negotiating a middle path between “gaze theory” approaches to film and spectator studies or cultural theory approaches that emphasize the position of the viewer and thereby take account of race, class, gender, and sexuality. Chanter argues that abjection is the unthought ground of fetishistic theories. If the feminine has been the privileged excluded other of psychoanalytic theory, fueled by the myth of castration and the logic of disavowal, when fetishism is taken up by race theory, or cultural theory, the multiple and fluid registers of abjection are obscured. By mobilizing a theory of abjection, the book shows how the appeal to phallic, fetishistic theories continues to reify the hegemonic categories of race, class, sexuality, and gender, as if they stood as self-evident categories. “An intriguing read, especially for those who favor psychological models of criticism in film theory . . . Recommended.” —Choice
