Aesthetics and the Iconoclasm of Contemporary Art

Aesthetics and the Iconoclasm of Contemporary Art

Author: Žarko Paić

Publisher: Springer Nature

Published: 2021-08-25

Total Pages: 151

ISBN-13: 3030753050

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The main themes and aims of this book are understanding aesthetics, contemporary art and the end of the avant-garde not from the traditional viewpoint of the metaphysics of the beautiful and the sublime but rather thru close connection to the techno-genesis of virtual worlds. This book tackles problems in contemporary art theory such as the body in space and time of digital technologies, along with other issues in visual studies and image science. Further intentions exhibit the fundamental reasons for the disappearance of the picture in the era of virtual reality starting from the notion of contemporary art as realized iconoclasm; art has no world for its "image". The author argues that the iconoclasm of contemporary art has severe consequences. This text appeals to philosophers of art and those interested in contemporary art theory.


Book Synopsis Aesthetics and the Iconoclasm of Contemporary Art by : Žarko Paić

Download or read book Aesthetics and the Iconoclasm of Contemporary Art written by Žarko Paić and published by Springer Nature. This book was released on 2021-08-25 with total page 151 pages. Available in PDF, EPUB and Kindle. Book excerpt: The main themes and aims of this book are understanding aesthetics, contemporary art and the end of the avant-garde not from the traditional viewpoint of the metaphysics of the beautiful and the sublime but rather thru close connection to the techno-genesis of virtual worlds. This book tackles problems in contemporary art theory such as the body in space and time of digital technologies, along with other issues in visual studies and image science. Further intentions exhibit the fundamental reasons for the disappearance of the picture in the era of virtual reality starting from the notion of contemporary art as realized iconoclasm; art has no world for its "image". The author argues that the iconoclasm of contemporary art has severe consequences. This text appeals to philosophers of art and those interested in contemporary art theory.

Iconoclasm in Aesthetics

Iconoclasm in Aesthetics

Author: Michael Kelly

Publisher: Cambridge University Press

Published: 2003-09-04

Total Pages: 244

ISBN-13: 9780521822091

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Contemporary theorizing about art is dominated by a clash between two approaches: philosophers have characteristically taken the view that art is a vehicle of some universal meaning or truth, while art historians, and others working in the humanities, emphasize the concrete nature and historical particularity of the work of art. Is art capable of sustaining these two approaches? Or, as Kelly argues, is art rather determined by its historical particularity? If so, then if philosophers continue to pursue mainly the universality of art, they inadvertently end up exhibiting a disinterest and distrust in art. Kelly calls such disinterest and distrust 'iconoclasm', and in this book he discusses four philosophers - Heidegger, Adorno, Derrida, and Danto - who are ultimately iconoclasts despite their deep philosophical engagement with the arts. He concludes by suggesting ways in which iconoclasm in aesthetics can be avoided in the future.


Book Synopsis Iconoclasm in Aesthetics by : Michael Kelly

Download or read book Iconoclasm in Aesthetics written by Michael Kelly and published by Cambridge University Press. This book was released on 2003-09-04 with total page 244 pages. Available in PDF, EPUB and Kindle. Book excerpt: Contemporary theorizing about art is dominated by a clash between two approaches: philosophers have characteristically taken the view that art is a vehicle of some universal meaning or truth, while art historians, and others working in the humanities, emphasize the concrete nature and historical particularity of the work of art. Is art capable of sustaining these two approaches? Or, as Kelly argues, is art rather determined by its historical particularity? If so, then if philosophers continue to pursue mainly the universality of art, they inadvertently end up exhibiting a disinterest and distrust in art. Kelly calls such disinterest and distrust 'iconoclasm', and in this book he discusses four philosophers - Heidegger, Adorno, Derrida, and Danto - who are ultimately iconoclasts despite their deep philosophical engagement with the arts. He concludes by suggesting ways in which iconoclasm in aesthetics can be avoided in the future.

A Hunger for Aesthetics

A Hunger for Aesthetics

Author: Michael Kelly

Publisher: Columbia University Press

Published: 2012-05-15

Total Pages: 340

ISBN-13: 0231526784

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For decades, aesthetics has been subjected to a variety of critiques, often concerning its treatment of beauty or the autonomy of art. Collectively, these complaints have generated an anti-aesthetic stance prevalent in the contemporary art world. Yet if we examine the motivations for these critiques, Michael Kelly argues, we find theorists and artists hungering for a new kind of aesthetics, one better calibrated to contemporary art and its moral and political demands. Following an analysis of the work of Stanley Cavell, Arthur Danto, Umberto Eco, Susan Sontag, and other philosophers of the 1960s who made aesthetics more responsive to contemporary art, Kelly considers Sontag's aesthetics in greater detail. In On Photography (1977), she argues that a photograph of a person who is suffering only aestheticizes the suffering for the viewer's pleasure, yet she insists in Regarding the Pain of Others (2003) that such a photograph can have a sustainable moral-political effect precisely because of its aesthetics. Kelly considers this dramatic change to be symptomatic of a cultural shift in our understanding of aesthetics, ethics, and politics. He discusses these issues in connection with Gerhard Richter's and Doris Salcedo's art, chosen because it is often identified with the anti-aesthetic, even though it is clearly aesthetic. Focusing first on Richter's Baader-Meinhof series, Kelly concludes with Salcedo's enactments of suffering caused by social injustice. Throughout A Hunger for Aesthetics, he reveals the place of critique in contemporary art, which, if we understand aesthetics as critique, confirms that it is integral to art. Meeting the demand for aesthetics voiced by many who participate in art, Kelly advocates for a critical aesthetics that confirms the power of art.


Book Synopsis A Hunger for Aesthetics by : Michael Kelly

Download or read book A Hunger for Aesthetics written by Michael Kelly and published by Columbia University Press. This book was released on 2012-05-15 with total page 340 pages. Available in PDF, EPUB and Kindle. Book excerpt: For decades, aesthetics has been subjected to a variety of critiques, often concerning its treatment of beauty or the autonomy of art. Collectively, these complaints have generated an anti-aesthetic stance prevalent in the contemporary art world. Yet if we examine the motivations for these critiques, Michael Kelly argues, we find theorists and artists hungering for a new kind of aesthetics, one better calibrated to contemporary art and its moral and political demands. Following an analysis of the work of Stanley Cavell, Arthur Danto, Umberto Eco, Susan Sontag, and other philosophers of the 1960s who made aesthetics more responsive to contemporary art, Kelly considers Sontag's aesthetics in greater detail. In On Photography (1977), she argues that a photograph of a person who is suffering only aestheticizes the suffering for the viewer's pleasure, yet she insists in Regarding the Pain of Others (2003) that such a photograph can have a sustainable moral-political effect precisely because of its aesthetics. Kelly considers this dramatic change to be symptomatic of a cultural shift in our understanding of aesthetics, ethics, and politics. He discusses these issues in connection with Gerhard Richter's and Doris Salcedo's art, chosen because it is often identified with the anti-aesthetic, even though it is clearly aesthetic. Focusing first on Richter's Baader-Meinhof series, Kelly concludes with Salcedo's enactments of suffering caused by social injustice. Throughout A Hunger for Aesthetics, he reveals the place of critique in contemporary art, which, if we understand aesthetics as critique, confirms that it is integral to art. Meeting the demand for aesthetics voiced by many who participate in art, Kelly advocates for a critical aesthetics that confirms the power of art.

Why is that Art?

Why is that Art?

Author: Terry Barrett

Publisher: Oxford University Press, USA

Published: 2008

Total Pages: 284

ISBN-13:

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Why Is That Art? addresses common questions that viewers raise about contemporary art: Why is that art? Why is it in an art museum? Who says it's art? If I did this, would it be art? Why is it good? Covering a broad, diverse, and engaging sampling of works--abstract and representational painting, monumental sculpture, performance art, video installations, films, and photographs--author Terry Barrett responds to these questions using three sources: the artists who created the works, philosophers of art, and art critics. Introducing students to a variety of established theories of art, he presents the traditional sets of criteria of Realism, Expressionism, and Formalism, which are in turn updated by recent sources of Poststructuralism. Barrett applies each of these theories to challenging works of contemporary art, pointing out the strengths and weaknesses of each mode of interpretation. He encourages students to consider many criteria when evaluating an artwork, to critically examine judgments made by others, and to make informed judgments of their own. Ideal for courses in aesthetics, art theory, art criticism, and the philosophy of art, Why Is That Art? is organized chronologically according to the history of aesthetics. It features sixty-seven illustrations (twenty-six in a full-color insert), discusses a wide range of American and European artists, and includes an exceptional overview of postmodern pluralism. This unique book will provide students with a newfound appreciation for contemporary art, scholarship, and reasoned argumentation, giving them the confidence to join the fascinating discourse on contemporary art.


Book Synopsis Why is that Art? by : Terry Barrett

Download or read book Why is that Art? written by Terry Barrett and published by Oxford University Press, USA. This book was released on 2008 with total page 284 pages. Available in PDF, EPUB and Kindle. Book excerpt: Why Is That Art? addresses common questions that viewers raise about contemporary art: Why is that art? Why is it in an art museum? Who says it's art? If I did this, would it be art? Why is it good? Covering a broad, diverse, and engaging sampling of works--abstract and representational painting, monumental sculpture, performance art, video installations, films, and photographs--author Terry Barrett responds to these questions using three sources: the artists who created the works, philosophers of art, and art critics. Introducing students to a variety of established theories of art, he presents the traditional sets of criteria of Realism, Expressionism, and Formalism, which are in turn updated by recent sources of Poststructuralism. Barrett applies each of these theories to challenging works of contemporary art, pointing out the strengths and weaknesses of each mode of interpretation. He encourages students to consider many criteria when evaluating an artwork, to critically examine judgments made by others, and to make informed judgments of their own. Ideal for courses in aesthetics, art theory, art criticism, and the philosophy of art, Why Is That Art? is organized chronologically according to the history of aesthetics. It features sixty-seven illustrations (twenty-six in a full-color insert), discusses a wide range of American and European artists, and includes an exceptional overview of postmodern pluralism. This unique book will provide students with a newfound appreciation for contemporary art, scholarship, and reasoned argumentation, giving them the confidence to join the fascinating discourse on contemporary art.

Sabotage Art

Sabotage Art

Author: Sophie Halart

Publisher: Bloomsbury Publishing

Published: 2016-03-31

Total Pages: 256

ISBN-13: 0857727087

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Sabotage is the deliberate disruption of a dominant system, be it political, military or economic. Yet in recent decades, sabotage has also become an artistic strategy most notably in Latin America. In Brazil, Colombia, Mexico, Chile and Argentina, artists are producing radical, unruly or even iconoclastic work that resists state violence, social conformity and the commodification of art. Sabotage Art reveals how contemporary Latin American artists have resorted to sabotage strategies as a means to bridge the gap between aesthetics and politics. The global status of and market for Latin American art is growing rapidly. This book is essential reading for those who want to understand this new, dissident work, as well as its mystification, co-option and commercialisation within current academic historiographies and art-world curatorial initiatives."


Book Synopsis Sabotage Art by : Sophie Halart

Download or read book Sabotage Art written by Sophie Halart and published by Bloomsbury Publishing. This book was released on 2016-03-31 with total page 256 pages. Available in PDF, EPUB and Kindle. Book excerpt: Sabotage is the deliberate disruption of a dominant system, be it political, military or economic. Yet in recent decades, sabotage has also become an artistic strategy most notably in Latin America. In Brazil, Colombia, Mexico, Chile and Argentina, artists are producing radical, unruly or even iconoclastic work that resists state violence, social conformity and the commodification of art. Sabotage Art reveals how contemporary Latin American artists have resorted to sabotage strategies as a means to bridge the gap between aesthetics and politics. The global status of and market for Latin American art is growing rapidly. This book is essential reading for those who want to understand this new, dissident work, as well as its mystification, co-option and commercialisation within current academic historiographies and art-world curatorial initiatives."

Idols of the Market

Idols of the Market

Author: Sven Lütticken

Publisher:

Published: 2009

Total Pages: 256

ISBN-13:

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In this is a book-length essay, art critic and historian Sven Lutticken takes philosopher Theodor Adorno's critique of popular arts and culture a step further. Adorno criticized the manipulation of taste in official cultures and the pretense of individualism; Lutticken looks at the tension between fundamentalism and individualism in the context of the current religious-political image wars. This book examines both the afterlife of religious elements in modern culture and possible responses to the current religious re-appropriation of Adorno's critique of modern capitalist culture by both Christian fundamentalists and radical Islamists...


Book Synopsis Idols of the Market by : Sven Lütticken

Download or read book Idols of the Market written by Sven Lütticken and published by . This book was released on 2009 with total page 256 pages. Available in PDF, EPUB and Kindle. Book excerpt: In this is a book-length essay, art critic and historian Sven Lutticken takes philosopher Theodor Adorno's critique of popular arts and culture a step further. Adorno criticized the manipulation of taste in official cultures and the pretense of individualism; Lutticken looks at the tension between fundamentalism and individualism in the context of the current religious-political image wars. This book examines both the afterlife of religious elements in modern culture and possible responses to the current religious re-appropriation of Adorno's critique of modern capitalist culture by both Christian fundamentalists and radical Islamists...

Aesthetics and Contemporary Art

Aesthetics and Contemporary Art

Author: Armen Avanessian

Publisher: MIT Press

Published: 2011-04-01

Total Pages: 0

ISBN-13: 193410552X

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Torn between a revival of aesthetics and the persistence of conceptualism, critical writing about contemporary art has once again come to focus on differing views of its aesthetic dimension. The context and character of these debates has, however, shifted markedly since the 1960s, with changes in art practices, institutions, political contexts, and theoretical paradigms—and in particular, with the global extension of the Western art world since 1989. This inter- and transdisciplinary collection of essays by philosophers, artists, critics, and art historians, reconsiders the place of the aesthetic in contemporary art, with reference to four main themes: aesthetics as “sensate thinking”; the dissolution of artistic limits; post-autonomous practices; and exhibition-values in a global artworld. The essays originate in talks given on the occasion of an international conference on “Aesthetics and Contemporary Art” (2008), organized by the Centre for Research in Modern European Philosophy (CRMEP), Middlesex University, London, in cooperation with the Collaborative Research Centre “Aesthetic Experience and the Dissolution of Artistic Limits” (SfB 626), Free University Berlin. Contributors Éric Alliez, Armen Avanessian, Art & Language, Luis Camnitzer, Sebastian Egenhofer, Dorothea von Hantelmann, Brian Holmes, Pamela M. Lee, Stewart Martin, Christoph Menke, Peter Osborne, John Rajchman, Juliane Rebentisch


Book Synopsis Aesthetics and Contemporary Art by : Armen Avanessian

Download or read book Aesthetics and Contemporary Art written by Armen Avanessian and published by MIT Press. This book was released on 2011-04-01 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt: Torn between a revival of aesthetics and the persistence of conceptualism, critical writing about contemporary art has once again come to focus on differing views of its aesthetic dimension. The context and character of these debates has, however, shifted markedly since the 1960s, with changes in art practices, institutions, political contexts, and theoretical paradigms—and in particular, with the global extension of the Western art world since 1989. This inter- and transdisciplinary collection of essays by philosophers, artists, critics, and art historians, reconsiders the place of the aesthetic in contemporary art, with reference to four main themes: aesthetics as “sensate thinking”; the dissolution of artistic limits; post-autonomous practices; and exhibition-values in a global artworld. The essays originate in talks given on the occasion of an international conference on “Aesthetics and Contemporary Art” (2008), organized by the Centre for Research in Modern European Philosophy (CRMEP), Middlesex University, London, in cooperation with the Collaborative Research Centre “Aesthetic Experience and the Dissolution of Artistic Limits” (SfB 626), Free University Berlin. Contributors Éric Alliez, Armen Avanessian, Art & Language, Luis Camnitzer, Sebastian Egenhofer, Dorothea von Hantelmann, Brian Holmes, Pamela M. Lee, Stewart Martin, Christoph Menke, Peter Osborne, John Rajchman, Juliane Rebentisch

Cosmopolitics and Biopolitics. Ethics and Aesthetics in Contemporary Art

Cosmopolitics and Biopolitics. Ethics and Aesthetics in Contemporary Art

Author: Modesta Di Paola

Publisher: Edicions Universitat Barcelona

Published: 2018-03-19

Total Pages: 127

ISBN-13: 8491680691

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Cosmopolitics and Biopolitics seeks to trace cosmopolitical aesthetics understood not only as the union of art, science, and the right to survive, but also as the prism through which artistic practices are developed around questions connected to transculturality, migration, nomadism, post-gender subjectivities, social and natural sustainability, and new digital technologies. This book’s authors fashion a narrative that moves in the territory of “inbetweenness”, between hospitality and hostility, between welcoming and conflict, between languages and intermediate languages, science, and survival in a world that is “common” more than global.


Book Synopsis Cosmopolitics and Biopolitics. Ethics and Aesthetics in Contemporary Art by : Modesta Di Paola

Download or read book Cosmopolitics and Biopolitics. Ethics and Aesthetics in Contemporary Art written by Modesta Di Paola and published by Edicions Universitat Barcelona. This book was released on 2018-03-19 with total page 127 pages. Available in PDF, EPUB and Kindle. Book excerpt: Cosmopolitics and Biopolitics seeks to trace cosmopolitical aesthetics understood not only as the union of art, science, and the right to survive, but also as the prism through which artistic practices are developed around questions connected to transculturality, migration, nomadism, post-gender subjectivities, social and natural sustainability, and new digital technologies. This book’s authors fashion a narrative that moves in the territory of “inbetweenness”, between hospitality and hostility, between welcoming and conflict, between languages and intermediate languages, science, and survival in a world that is “common” more than global.

The Forbidden Image

The Forbidden Image

Author: Alain Besançon

Publisher: University of Chicago Press

Published: 2000

Total Pages: 431

ISBN-13: 0226044130

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This book discusses the privileging and prohibition of religious images over two and a half millennia in the West.


Book Synopsis The Forbidden Image by : Alain Besançon

Download or read book The Forbidden Image written by Alain Besançon and published by University of Chicago Press. This book was released on 2000 with total page 431 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book discusses the privileging and prohibition of religious images over two and a half millennia in the West.

Immaterial

Immaterial

Author: Sherri Irvin

Publisher: Oxford University Press

Published: 2022

Total Pages: 282

ISBN-13: 0199688214

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"Contemporary art can seem chaotic: it may be made of toilet paper, or candies you can eat, or meat that is thrown out after each exhibition. Some works fill a room with obsessively fabricated objects, while others purport to include only concepts, thoughts or language. I argue, through many examples, that disparate developments in installation art, conceptual art, time-based media art, and participatory art can be understood in terms of custom rules. Many artists articulate custom rules governing artwork display, preservation of material elements, and interactivity or audience participation. Rules are established through the artist's sanction: the creative act of designating the material elements and rules that constitute the work's structure. Rules serve as medium: they are part of the work's structure and help to constitute its meanings. Rules are meaningful in themselves, and they help to activate the expressive potential of material objects. Museum practice should include providing information about the rules; otherwise, audiences can't fully appreciate the work. Contemporary art conservation involves preserving information: loss of information about the rules, like loss of a chunk of marble, can seriously damage the work. Rules are trickier to pin down than material objects and are subject to violation, so we'll examine the effects on the work's integrity and authenticity when things go wrong in various ways. Is the emergence of custom rules a positive development? Some artists have used rules to powerful effect. But rules aren't always used well: bad art can take any form"--


Book Synopsis Immaterial by : Sherri Irvin

Download or read book Immaterial written by Sherri Irvin and published by Oxford University Press. This book was released on 2022 with total page 282 pages. Available in PDF, EPUB and Kindle. Book excerpt: "Contemporary art can seem chaotic: it may be made of toilet paper, or candies you can eat, or meat that is thrown out after each exhibition. Some works fill a room with obsessively fabricated objects, while others purport to include only concepts, thoughts or language. I argue, through many examples, that disparate developments in installation art, conceptual art, time-based media art, and participatory art can be understood in terms of custom rules. Many artists articulate custom rules governing artwork display, preservation of material elements, and interactivity or audience participation. Rules are established through the artist's sanction: the creative act of designating the material elements and rules that constitute the work's structure. Rules serve as medium: they are part of the work's structure and help to constitute its meanings. Rules are meaningful in themselves, and they help to activate the expressive potential of material objects. Museum practice should include providing information about the rules; otherwise, audiences can't fully appreciate the work. Contemporary art conservation involves preserving information: loss of information about the rules, like loss of a chunk of marble, can seriously damage the work. Rules are trickier to pin down than material objects and are subject to violation, so we'll examine the effects on the work's integrity and authenticity when things go wrong in various ways. Is the emergence of custom rules a positive development? Some artists have used rules to powerful effect. But rules aren't always used well: bad art can take any form"--