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This volume, in honour of John Kay Clegg, consists of papers by rock art researchers from around the world on topics such as aesthetics, the application of statistical analyses, frontier conflict and layered symbolic meanings, the deliberate use of optical illusion, and the contemporary significance of ancient and street art.
Book Synopsis Aesthetics, Applications, Artistry and Anarchy: Essays in Prehistoric and Contemporary Art by : Jillian Huntley
Download or read book Aesthetics, Applications, Artistry and Anarchy: Essays in Prehistoric and Contemporary Art written by Jillian Huntley and published by Archaeopress Publishing Ltd. This book was released on 2019-03-31 with total page 182 pages. Available in PDF, EPUB and Kindle. Book excerpt: This volume, in honour of John Kay Clegg, consists of papers by rock art researchers from around the world on topics such as aesthetics, the application of statistical analyses, frontier conflict and layered symbolic meanings, the deliberate use of optical illusion, and the contemporary significance of ancient and street art.
This volume, in honour of John Kay Clegg, consists of papers by rock art researchers from around the world on topics such as aesthetics, the application of statistical analyses, frontier conflict and layered symbolic meanings, the deliberate use of optical illusion, and the contemporary significance of ancient and street art.
Book Synopsis Aesthetics, Applications, Artistry and Anarchy: Essays in Prehistoric and Contemporary Art by : Jillian Huntley
Download or read book Aesthetics, Applications, Artistry and Anarchy: Essays in Prehistoric and Contemporary Art written by Jillian Huntley and published by Archaeopress Archaeology. This book was released on 2019 with total page 190 pages. Available in PDF, EPUB and Kindle. Book excerpt: This volume, in honour of John Kay Clegg, consists of papers by rock art researchers from around the world on topics such as aesthetics, the application of statistical analyses, frontier conflict and layered symbolic meanings, the deliberate use of optical illusion, and the contemporary significance of ancient and street art.
Like previous series entries, this volume covers rock art research and management all over the world over a 5-year period, in this case 2015-19. Contributions once again show the wide variety of approaches that have been taken in different parts of the world and reflect the expansion and diversification of perspectives and research questions.
Book Synopsis Rock Art Studies: News of the World VI by : Paul G. Bahn
Download or read book Rock Art Studies: News of the World VI written by Paul G. Bahn and published by Archaeopress Publishing Ltd. This book was released on 2021-09-16 with total page 370 pages. Available in PDF, EPUB and Kindle. Book excerpt: Like previous series entries, this volume covers rock art research and management all over the world over a 5-year period, in this case 2015-19. Contributions once again show the wide variety of approaches that have been taken in different parts of the world and reflect the expansion and diversification of perspectives and research questions.
Arthur C. Danto's essays not only critique bodies of work but reflect upon art's conceptual evolution as well, drawing for the reader a kind of "philosophical map" indicating how art and the criteria for judging it has changed over the twentieth century. In Unnatural Wonders the renowned critic finds himself at a point when contemporary art has become wholly pluralistic, even chaotic-with one medium as good as another-and when the moment for the "next thing" has already passed. So the theorist goes in search of contemporary art's most exhilarating achievements, work that bridges the gap between art and life, which, he argues, is now the definitive art of our time. Danto considers the work of such young artists as John Currin and Renee Cox and older living masters including Gerhard Richter and Sol LeWitt. He discusses artists of the New York School, like Philip Guston and Joan Mitchell, and international talents, such as the South African William Kentridge. Danto conducts a frank analysis of Matthew Barney's The Cremaster Cycle, Damien Hirst's skeletons and anatomical models, and Barbara Kruger's tchotchke-ready slogans; finds the ghost of Henry James in the work of Barnett Newman; and muses on recent Whitney Biennials and art influenced by 9/11. He argues that aesthetic considerations no longer play a central role in the experience and critique of art. Instead art addresses us in our humanity, as men and women who seek meaning in the "unnatural wonders" of art, a meaning that philosophy and religion are unable to provide.
Book Synopsis Unnatural Wonders by : Arthur C. Danto
Download or read book Unnatural Wonders written by Arthur C. Danto and published by Columbia University Press. This book was released on 2017-03-14 with total page 539 pages. Available in PDF, EPUB and Kindle. Book excerpt: Arthur C. Danto's essays not only critique bodies of work but reflect upon art's conceptual evolution as well, drawing for the reader a kind of "philosophical map" indicating how art and the criteria for judging it has changed over the twentieth century. In Unnatural Wonders the renowned critic finds himself at a point when contemporary art has become wholly pluralistic, even chaotic-with one medium as good as another-and when the moment for the "next thing" has already passed. So the theorist goes in search of contemporary art's most exhilarating achievements, work that bridges the gap between art and life, which, he argues, is now the definitive art of our time. Danto considers the work of such young artists as John Currin and Renee Cox and older living masters including Gerhard Richter and Sol LeWitt. He discusses artists of the New York School, like Philip Guston and Joan Mitchell, and international talents, such as the South African William Kentridge. Danto conducts a frank analysis of Matthew Barney's The Cremaster Cycle, Damien Hirst's skeletons and anatomical models, and Barbara Kruger's tchotchke-ready slogans; finds the ghost of Henry James in the work of Barnett Newman; and muses on recent Whitney Biennials and art influenced by 9/11. He argues that aesthetic considerations no longer play a central role in the experience and critique of art. Instead art addresses us in our humanity, as men and women who seek meaning in the "unnatural wonders" of art, a meaning that philosophy and religion are unable to provide.
Torn between a revival of aesthetics and the persistence of conceptualism, critical writing about contemporary art has once again come to focus on differing views of its aesthetic dimension. The context and character of these debates has, however, shifted markedly since the 1960s, with changes in art practices, institutions, political contexts, and theoretical paradigms—and in particular, with the global extension of the Western art world since 1989. This inter- and transdisciplinary collection of essays by philosophers, artists, critics, and art historians, reconsiders the place of the aesthetic in contemporary art, with reference to four main themes: aesthetics as “sensate thinking”; the dissolution of artistic limits; post-autonomous practices; and exhibition-values in a global artworld. The essays originate in talks given on the occasion of an international conference on “Aesthetics and Contemporary Art” (2008), organized by the Centre for Research in Modern European Philosophy (CRMEP), Middlesex University, London, in cooperation with the Collaborative Research Centre “Aesthetic Experience and the Dissolution of Artistic Limits” (SfB 626), Free University Berlin. Contributors Éric Alliez, Armen Avanessian, Art & Language, Luis Camnitzer, Sebastian Egenhofer, Dorothea von Hantelmann, Brian Holmes, Pamela M. Lee, Stewart Martin, Christoph Menke, Peter Osborne, John Rajchman, Juliane Rebentisch
Book Synopsis Aesthetics and Contemporary Art by : Armen Avanessian
Download or read book Aesthetics and Contemporary Art written by Armen Avanessian and published by National Geographic Books. This book was released on 2011-04-01 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt: Torn between a revival of aesthetics and the persistence of conceptualism, critical writing about contemporary art has once again come to focus on differing views of its aesthetic dimension. The context and character of these debates has, however, shifted markedly since the 1960s, with changes in art practices, institutions, political contexts, and theoretical paradigms—and in particular, with the global extension of the Western art world since 1989. This inter- and transdisciplinary collection of essays by philosophers, artists, critics, and art historians, reconsiders the place of the aesthetic in contemporary art, with reference to four main themes: aesthetics as “sensate thinking”; the dissolution of artistic limits; post-autonomous practices; and exhibition-values in a global artworld. The essays originate in talks given on the occasion of an international conference on “Aesthetics and Contemporary Art” (2008), organized by the Centre for Research in Modern European Philosophy (CRMEP), Middlesex University, London, in cooperation with the Collaborative Research Centre “Aesthetic Experience and the Dissolution of Artistic Limits” (SfB 626), Free University Berlin. Contributors Éric Alliez, Armen Avanessian, Art & Language, Luis Camnitzer, Sebastian Egenhofer, Dorothea von Hantelmann, Brian Holmes, Pamela M. Lee, Stewart Martin, Christoph Menke, Peter Osborne, John Rajchman, Juliane Rebentisch
The essays, collected by Berleant in this volume all express the impulse to reject the received wisdom of modern aesthetics: that art demands a mode of experience sharply different from others and unique to the aesthetic situation, and that the identity of the aesthetic lies in keeping it distinct from other kinds of human experience, such as the moral, the practical, and the social. Berleant shows, on the contrary, that the value, the insight, the force of art and the aesthetic are all enhanced and enlarged by recognizing their social and human role, and that this recognition contributes both to the significance of art and to its humanizing influence on what we like to call civilization.
Book Synopsis Re-thinking Aesthetics by : Arnold Berleant
Download or read book Re-thinking Aesthetics written by Arnold Berleant and published by Routledge. This book was released on 2017-03-02 with total page 200 pages. Available in PDF, EPUB and Kindle. Book excerpt: The essays, collected by Berleant in this volume all express the impulse to reject the received wisdom of modern aesthetics: that art demands a mode of experience sharply different from others and unique to the aesthetic situation, and that the identity of the aesthetic lies in keeping it distinct from other kinds of human experience, such as the moral, the practical, and the social. Berleant shows, on the contrary, that the value, the insight, the force of art and the aesthetic are all enhanced and enlarged by recognizing their social and human role, and that this recognition contributes both to the significance of art and to its humanizing influence on what we like to call civilization.
The classic and provocative account of how art changed irrevocably with pop art and why traditional aesthetics can’t make sense of contemporary art A classic of art criticism and philosophy, After the End of Art continues to generate heated debate for its radical and famous assertion that art ended in the 1960s. Arthur Danto, a philosopher who was also one of the leading art critics of his time, argues that traditional notions of aesthetics no longer apply to contemporary art and that we need a philosophy of art criticism that can deal with perhaps the most perplexing feature of current art: that everything is possible. An insightful and entertaining exploration of art’s most important aesthetic and philosophical issues conducted by an acute observer of contemporary art, After the End of Art argues that, with the eclipse of abstract expressionism, art deviated irrevocably from the narrative course that Vasari helped define for it in the Renaissance. Moreover, Danto makes the case for a new type of criticism that can help us understand art in a posthistorical age where, for example, an artist can produce a work in the style of Rembrandt to create a visual pun, and where traditional theories cannot explain the difference between Andy Warhol’s Brillo Box and the product found in the grocery store. After the End of Art addresses art history, pop art, “people’s art,” the future role of museums, and the critical contributions of Clement Greenberg, whose aesthetics-based criticism helped a previous generation make sense of modernism. Tracing art history from a mimetic tradition (the idea that art was a progressively more adequate representation of reality) through the modern era of manifestos (when art was defined by the artist’s philosophy), Danto shows that it wasn’t until the invention of pop art that the historical understanding of the means and ends of art was nullified. Even modernist art, which tried to break with the past by questioning the ways in which art was produced, hinged on a narrative.
Book Synopsis After the End of Art by : Arthur C. Danto
Download or read book After the End of Art written by Arthur C. Danto and published by Princeton University Press. This book was released on 2021-06-08 with total page 350 pages. Available in PDF, EPUB and Kindle. Book excerpt: The classic and provocative account of how art changed irrevocably with pop art and why traditional aesthetics can’t make sense of contemporary art A classic of art criticism and philosophy, After the End of Art continues to generate heated debate for its radical and famous assertion that art ended in the 1960s. Arthur Danto, a philosopher who was also one of the leading art critics of his time, argues that traditional notions of aesthetics no longer apply to contemporary art and that we need a philosophy of art criticism that can deal with perhaps the most perplexing feature of current art: that everything is possible. An insightful and entertaining exploration of art’s most important aesthetic and philosophical issues conducted by an acute observer of contemporary art, After the End of Art argues that, with the eclipse of abstract expressionism, art deviated irrevocably from the narrative course that Vasari helped define for it in the Renaissance. Moreover, Danto makes the case for a new type of criticism that can help us understand art in a posthistorical age where, for example, an artist can produce a work in the style of Rembrandt to create a visual pun, and where traditional theories cannot explain the difference between Andy Warhol’s Brillo Box and the product found in the grocery store. After the End of Art addresses art history, pop art, “people’s art,” the future role of museums, and the critical contributions of Clement Greenberg, whose aesthetics-based criticism helped a previous generation make sense of modernism. Tracing art history from a mimetic tradition (the idea that art was a progressively more adequate representation of reality) through the modern era of manifestos (when art was defined by the artist’s philosophy), Danto shows that it wasn’t until the invention of pop art that the historical understanding of the means and ends of art was nullified. Even modernist art, which tried to break with the past by questioning the ways in which art was produced, hinged on a narrative.
Preziosi's latest collection of essays, including a critical commentary by Lamoureux, suggests multiple interpretations and hidden resonances in each text, opening up alternatives to contemporary discourses on art history and visual culture.
Book Synopsis In the Aftermath of Art by : Donald Preziosi
Download or read book In the Aftermath of Art written by Donald Preziosi and published by Psychology Press. This book was released on 2006 with total page 186 pages. Available in PDF, EPUB and Kindle. Book excerpt: Preziosi's latest collection of essays, including a critical commentary by Lamoureux, suggests multiple interpretations and hidden resonances in each text, opening up alternatives to contemporary discourses on art history and visual culture.
This book presents the first comprehensive study of the philosopher and art historian Edgar Wind's critique of modern art. The first student of Erwin Panofsky, and a close associate of Aby Warburg, Edgar Wind was unusual among the 'Warburgians' for his sustained interest in modern art, together with his support for contemporary artists. This culminated in his respected and influential book Art and Anarchy (1963), which seemed like a departure from his usual scholarly work on the iconography of Renaissance art. Based on extensive archival research and bringing to light previously unpublished lectures, Edgar Wind and Modern Art reveals the extent and seriousness of Wind's thinking about modern art, and how it was bound up with theories about art and knowledge that he had developed during the 1920s and 30s. Wind's ideas are placed in the context of a closely connected international cultural milieu consisting of some of the leading artists and thinkers of the twentieth century. In particular, the book discusses in detail his friendships with three significant artists: Pavel Tchelitchew, Ben Shahn and R. B. Kitaj. In the process, the existence of an alternative to the prevailing formalist approach of Alfred Barr and Clement Greenberg to modern art, based on the enduring importance of the symbol, is revealed.
Book Synopsis Edgar Wind and Modern Art by : Ben Thomas
Download or read book Edgar Wind and Modern Art written by Ben Thomas and published by Bloomsbury Publishing USA. This book was released on 2020-12-10 with total page 261 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book presents the first comprehensive study of the philosopher and art historian Edgar Wind's critique of modern art. The first student of Erwin Panofsky, and a close associate of Aby Warburg, Edgar Wind was unusual among the 'Warburgians' for his sustained interest in modern art, together with his support for contemporary artists. This culminated in his respected and influential book Art and Anarchy (1963), which seemed like a departure from his usual scholarly work on the iconography of Renaissance art. Based on extensive archival research and bringing to light previously unpublished lectures, Edgar Wind and Modern Art reveals the extent and seriousness of Wind's thinking about modern art, and how it was bound up with theories about art and knowledge that he had developed during the 1920s and 30s. Wind's ideas are placed in the context of a closely connected international cultural milieu consisting of some of the leading artists and thinkers of the twentieth century. In particular, the book discusses in detail his friendships with three significant artists: Pavel Tchelitchew, Ben Shahn and R. B. Kitaj. In the process, the existence of an alternative to the prevailing formalist approach of Alfred Barr and Clement Greenberg to modern art, based on the enduring importance of the symbol, is revealed.
Since the 1990s, artists and art writers around the world have increasingly undermined the essentialism associated with notions of "critical practice." We can see this manifesting in the renewed relevance of what were previously considered "outsider" art practices, the emphasis on first-person accounts of identity over critical theory, and the proliferation of exhibitions that refuse to distinguish between art and the productions of culture more generally. How Folklore Shaped Modern Art: A Post-Critical History of Aesthetics underscores how the cultural traditions, belief systems and performed exchanges that were once integral to the folklore discipline are now central to contemporary art’s "post-critical turn." This shift is considered here as less a direct confrontation of critical procedures than a symptom of art’s inclusive ideals, overturning the historical separation of fine art from those "uncritical" forms located in material and commercial culture. In a global context, aesthetics is now just one of numerous traditions informing our encounters with visual culture today, symptomatic of the pull towards an impossibly pluralistic image of art that reflects the irreducible conditions of identity.
Book Synopsis How Folklore Shaped Modern Art by : Wes Hill
Download or read book How Folklore Shaped Modern Art written by Wes Hill and published by Routledge. This book was released on 2015-11-19 with total page 193 pages. Available in PDF, EPUB and Kindle. Book excerpt: Since the 1990s, artists and art writers around the world have increasingly undermined the essentialism associated with notions of "critical practice." We can see this manifesting in the renewed relevance of what were previously considered "outsider" art practices, the emphasis on first-person accounts of identity over critical theory, and the proliferation of exhibitions that refuse to distinguish between art and the productions of culture more generally. How Folklore Shaped Modern Art: A Post-Critical History of Aesthetics underscores how the cultural traditions, belief systems and performed exchanges that were once integral to the folklore discipline are now central to contemporary art’s "post-critical turn." This shift is considered here as less a direct confrontation of critical procedures than a symptom of art’s inclusive ideals, overturning the historical separation of fine art from those "uncritical" forms located in material and commercial culture. In a global context, aesthetics is now just one of numerous traditions informing our encounters with visual culture today, symptomatic of the pull towards an impossibly pluralistic image of art that reflects the irreducible conditions of identity.
