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In this book, G.D. Janabayeva makes an important contribution to the history of aesthetic thought, theory and history of popular art culture, ethnic and art education.
Book Synopsis Aesthetics of Folk Art Culture - Central Asia by : Galiya Janabayeva
Download or read book Aesthetics of Folk Art Culture - Central Asia written by Galiya Janabayeva and published by . This book was released on 2009-08-01 with total page 160 pages. Available in PDF, EPUB and Kindle. Book excerpt: In this book, G.D. Janabayeva makes an important contribution to the history of aesthetic thought, theory and history of popular art culture, ethnic and art education.
The book presents the aesthetic features of the decorative and applied arts of Central Asian peoples, many unique examples of which-as well as the knowledge and skills associated with their production-are recognized by UNESCO as masterpieces of traditional art and appear on the organization's Lists of Intangible Cultural Heritage. By looking at the origins and subsequent development of these folk arts and crafts, the author reveals the historical continuity of the cultural traditions of the peoples of Central Asia.
Book Synopsis Arts of the Peoples of Central Asia by : Galiya Janabayeva
Download or read book Arts of the Peoples of Central Asia written by Galiya Janabayeva and published by . This book was released on 2019-09 with total page pages. Available in PDF, EPUB and Kindle. Book excerpt: The book presents the aesthetic features of the decorative and applied arts of Central Asian peoples, many unique examples of which-as well as the knowledge and skills associated with their production-are recognized by UNESCO as masterpieces of traditional art and appear on the organization's Lists of Intangible Cultural Heritage. By looking at the origins and subsequent development of these folk arts and crafts, the author reveals the historical continuity of the cultural traditions of the peoples of Central Asia.
Book Synopsis Folk Art of the Soviet Union by : Martha Longenecker
Download or read book Folk Art of the Soviet Union written by Martha Longenecker and published by University of Washington Press. This book was released on 1989 with total page 176 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Book Synopsis New Perspectives On Russian And Soviet Artistic Culture by : John O. Norman
Download or read book New Perspectives On Russian And Soviet Artistic Culture written by John O. Norman and published by Springer. This book was released on 1994-01-07 with total page 204 pages. Available in PDF, EPUB and Kindle. Book excerpt:
In the midst of the space race and nuclear age, Soviet Realist artists were producing figurative oil paintings. Why? How was art produced to control and co-opt the peripheries of the Soviet Union, particularly Central Asia? Presenting the 'untold story' of Soviet Orientalism, Aliya Abykayeva-Tiesenhausen re-evaluates the imperial project of the Soviet state, placing the Orientalist undercurrent found within art and propaganda production in the USSR alongside the creation of new art forms in Kazakhstan, Kyrgyzstan and Uzbekistan. From the turmoil of the 1930s through to the post-Stalinist era, the author draws on meticulous new research and rich illustrations to examine the political and social structures in the Soviet Union - and particularly Soviet Central Asia - to establish vital connections between Socialist Realist visual art, the creation of Soviet identity and later nationalist sentiments.
Book Synopsis Central Asia in Art by : Aliya Abykayeva-Tiesenhausen
Download or read book Central Asia in Art written by Aliya Abykayeva-Tiesenhausen and published by Bloomsbury Publishing. This book was released on 2016-06-20 with total page 304 pages. Available in PDF, EPUB and Kindle. Book excerpt: In the midst of the space race and nuclear age, Soviet Realist artists were producing figurative oil paintings. Why? How was art produced to control and co-opt the peripheries of the Soviet Union, particularly Central Asia? Presenting the 'untold story' of Soviet Orientalism, Aliya Abykayeva-Tiesenhausen re-evaluates the imperial project of the Soviet state, placing the Orientalist undercurrent found within art and propaganda production in the USSR alongside the creation of new art forms in Kazakhstan, Kyrgyzstan and Uzbekistan. From the turmoil of the 1930s through to the post-Stalinist era, the author draws on meticulous new research and rich illustrations to examine the political and social structures in the Soviet Union - and particularly Soviet Central Asia - to establish vital connections between Socialist Realist visual art, the creation of Soviet identity and later nationalist sentiments.
Despite its geostrategic importance and its easier accessibility since the dissolvent of the Soviet Union, Central Asia has nevertheless remained a white spot on the map of western scholarship and public awareness. Bringing together papers presented at the VII ESCAS-Conference, this volume aims to shed light on the historical, political, cultural and socio-economic development of this region. Scholars from within and outside Central Asia discuss a wide range of topics, covering historical processes and events on the one hand and present developments of regional and global concern on the other.
Book Synopsis Central Asia on Display by : European Society for Central Asian Studies. International Conference
Download or read book Central Asia on Display written by European Society for Central Asian Studies. International Conference and published by LIT Verlag Münster. This book was released on 2004 with total page 490 pages. Available in PDF, EPUB and Kindle. Book excerpt: Despite its geostrategic importance and its easier accessibility since the dissolvent of the Soviet Union, Central Asia has nevertheless remained a white spot on the map of western scholarship and public awareness. Bringing together papers presented at the VII ESCAS-Conference, this volume aims to shed light on the historical, political, cultural and socio-economic development of this region. Scholars from within and outside Central Asia discuss a wide range of topics, covering historical processes and events on the one hand and present developments of regional and global concern on the other.
The Music of Central Asia surveys the rich and diverse musical life of a region that was once at the center of the trans-Eurasian Silk Road trade and that has now reemerged as a crucial arena of global geopolitics. This beautiful and informative volume offers a resource for Central Asians to learn about the musical heritage of their region and a detailed introduction to this heritage for readers and listeners worldwide. The Music of Central Asia balances "insider" and "outsider" perspectives with contributions by 27 authors from 14 countries. A companion website provides access to some 175 audio and video examples, listening guides and study questions, and transliterations and translations of the performed texts. The generously illustrated text is supplemented with boxes and side bars, musician profiles, and an illustrated glossary of musical instruments. The Music of Central Asia targets a broad, non-specialist readership, while specialists will find it an indispensable resource. The book is divided into four parts: an overview of the region's music and musical instruments; sections on "The Nomadic World" and "The World of Sedentary-Dwellers," which explore music and musical life in the context of Central Asia's two great axes of civilization; and "Central Asia in the Age of Globalization," whose focus is the future of the past, or how musical heritage is being revitalized and reimagined in the contested cultural landscape of contemporary Central Asia. The Music of Central Asia can be read systematically to build comprehensive knowledge about interlinked topics—or used as a handy reference on specific musical styles, repertoires, and traditions. For instructors, the book's 35 chapters offer ample material for a semester-long course, while groups of chapters can serve as a module in courses devoted to broader topics in music, history, and culture.
Book Synopsis The Music of Central Asia by : Theodore Levin
Download or read book The Music of Central Asia written by Theodore Levin and published by Indiana University Press. This book was released on 2016-12-05 with total page 750 pages. Available in PDF, EPUB and Kindle. Book excerpt: The Music of Central Asia surveys the rich and diverse musical life of a region that was once at the center of the trans-Eurasian Silk Road trade and that has now reemerged as a crucial arena of global geopolitics. This beautiful and informative volume offers a resource for Central Asians to learn about the musical heritage of their region and a detailed introduction to this heritage for readers and listeners worldwide. The Music of Central Asia balances "insider" and "outsider" perspectives with contributions by 27 authors from 14 countries. A companion website provides access to some 175 audio and video examples, listening guides and study questions, and transliterations and translations of the performed texts. The generously illustrated text is supplemented with boxes and side bars, musician profiles, and an illustrated glossary of musical instruments. The Music of Central Asia targets a broad, non-specialist readership, while specialists will find it an indispensable resource. The book is divided into four parts: an overview of the region's music and musical instruments; sections on "The Nomadic World" and "The World of Sedentary-Dwellers," which explore music and musical life in the context of Central Asia's two great axes of civilization; and "Central Asia in the Age of Globalization," whose focus is the future of the past, or how musical heritage is being revitalized and reimagined in the contested cultural landscape of contemporary Central Asia. The Music of Central Asia can be read systematically to build comprehensive knowledge about interlinked topics—or used as a handy reference on specific musical styles, repertoires, and traditions. For instructors, the book's 35 chapters offer ample material for a semester-long course, while groups of chapters can serve as a module in courses devoted to broader topics in music, history, and culture.
Focusing on Soviet culture and its social ramifications both during the Soviet period and in the post-Soviet era, this book addresses important themes associated with Sovietisation and socialisation in the Central Asian states of Kazakhstan, Kyrgyzstan, Tajikistan, Turkmenistan, and Uzbekistan. The book contains contributions from scholars in a variety of disciplines, and looks at topics that have been somewhat marginalised in contemporary studies of Central Asia, including education, anthropology, music, literature and poetry, film, history and state-identity construction, and social transformation. It examines how the Soviet legacy affected the development of the republics in Central Asia, and how it continues to affect the society, culture and polity of the region. Although each state in Central Asia has increasingly developed its own way, the book shows that the states have in varying degrees retained the influence of the Soviet past, or else are busily establishing new political identities in reaction to their Soviet legacy, and in doing so laying claim to, re-defining, and reinventing pre-Soviet and Soviet images and narratives. Throwing new light and presenting alternate points of view on the question of the Soviet legacy in the Soviet Central Asian successor states, the book is of interest to academics in the field of Russian and Central Asian Studies.
Book Synopsis Social and Cultural Change in Central Asia by : Sevket Akyildiz
Download or read book Social and Cultural Change in Central Asia written by Sevket Akyildiz and published by Routledge. This book was released on 2013-10-15 with total page 382 pages. Available in PDF, EPUB and Kindle. Book excerpt: Focusing on Soviet culture and its social ramifications both during the Soviet period and in the post-Soviet era, this book addresses important themes associated with Sovietisation and socialisation in the Central Asian states of Kazakhstan, Kyrgyzstan, Tajikistan, Turkmenistan, and Uzbekistan. The book contains contributions from scholars in a variety of disciplines, and looks at topics that have been somewhat marginalised in contemporary studies of Central Asia, including education, anthropology, music, literature and poetry, film, history and state-identity construction, and social transformation. It examines how the Soviet legacy affected the development of the republics in Central Asia, and how it continues to affect the society, culture and polity of the region. Although each state in Central Asia has increasingly developed its own way, the book shows that the states have in varying degrees retained the influence of the Soviet past, or else are busily establishing new political identities in reaction to their Soviet legacy, and in doing so laying claim to, re-defining, and reinventing pre-Soviet and Soviet images and narratives. Throwing new light and presenting alternate points of view on the question of the Soviet legacy in the Soviet Central Asian successor states, the book is of interest to academics in the field of Russian and Central Asian Studies.
Folk art is now widely recognized as an integral part of the modern Chinese cultural heritage, but in the early twentieth century, awareness of folk art as a distinct category in the visual arts was new. Internationally, intellectuals in different countries used folk arts to affirm national identity and cultural continuity in the midst of the changes of the modern era. In China, artists, critics and educators likewise saw folk art as a potentially valuable resource: perhaps it could be a fresh source of cultural inspiration and energy, representing the authentic voice of the people in contrast to what could be seen as the limited and elitist classical tradition. At the same time, many Chinese intellectuals also saw folk art as a problem: they believed that folk art, as it was, promoted superstitious and backward ideas that were incompatible with modernization and progress. In either case, folk art was too important to be left in the hands of the folk: educated artists and researchers felt a responsibility intervene, to reform folk art and create new popular art forms that would better serve the needs of the modern nation. In the early 1930s, folk art began to figure in the debates on social role of art and artists that were waged in the pages of the Chinese press, the first major exhibition of folk art was held in Hangzhou, and the new print movement claimed the print as a popular artistic medium while, for the most part, declaring its distance from contemporary folk printmaking practices. During the war against Japan, from 1937 to 1945, educated artists deployed imagery and styles drawn from folk art in morale-boosting propaganda images, but worried that this work fell short of true artistic accomplishment and pandering to outmoded tastes. The questions raised in interaction with folk art during this pivotal period, questions about heritage, about the social position of art, and the exercise of cultural authority continue to resonate into the present day.
Book Synopsis Folk Art and Modern Culture in Republican China by : Felicity Lufkin
Download or read book Folk Art and Modern Culture in Republican China written by Felicity Lufkin and published by Lexington Books. This book was released on 2016-01-21 with total page 317 pages. Available in PDF, EPUB and Kindle. Book excerpt: Folk art is now widely recognized as an integral part of the modern Chinese cultural heritage, but in the early twentieth century, awareness of folk art as a distinct category in the visual arts was new. Internationally, intellectuals in different countries used folk arts to affirm national identity and cultural continuity in the midst of the changes of the modern era. In China, artists, critics and educators likewise saw folk art as a potentially valuable resource: perhaps it could be a fresh source of cultural inspiration and energy, representing the authentic voice of the people in contrast to what could be seen as the limited and elitist classical tradition. At the same time, many Chinese intellectuals also saw folk art as a problem: they believed that folk art, as it was, promoted superstitious and backward ideas that were incompatible with modernization and progress. In either case, folk art was too important to be left in the hands of the folk: educated artists and researchers felt a responsibility intervene, to reform folk art and create new popular art forms that would better serve the needs of the modern nation. In the early 1930s, folk art began to figure in the debates on social role of art and artists that were waged in the pages of the Chinese press, the first major exhibition of folk art was held in Hangzhou, and the new print movement claimed the print as a popular artistic medium while, for the most part, declaring its distance from contemporary folk printmaking practices. During the war against Japan, from 1937 to 1945, educated artists deployed imagery and styles drawn from folk art in morale-boosting propaganda images, but worried that this work fell short of true artistic accomplishment and pandering to outmoded tastes. The questions raised in interaction with folk art during this pivotal period, questions about heritage, about the social position of art, and the exercise of cultural authority continue to resonate into the present day.
This fascinating publication explores the radical story of contemporary art in Central Asia since the collapse of the Soviet Union. In 1991 these republics were granted their independence following almost 75 years of Soviet rule. What ensued was the chaotic emergence of various political, religious and ethnic groups vying for power. At the same time a new generation of contemporary artists were emerging from art schools into this changing and divided society. Punk Orientalism examines this cohort of artists and their creation of art that challenged the Soviet style dogmas that dominated arts academia in Central Asia. In critiquing societal hypocrisy this formed a movement that contributed to the evolution of a Central Asian contemporary art scene. Through a mixture of interviews and essays this book aims to provide both an introduction and comprehensive survey of one of the most under-researched regions in the contemporary art world, yet one that remains a truly emerging market positioned at the intersection of Asia’s social, cultural and economic development and once formed part of the thriving Silk Road. Focussing on art from Kyrgyzstan, Kazakhstan, Tajikistan, Turkmenistan, Uzbekistan and Afghanistan it features a breadth of important artists in what will be the comprehensive publication on the subject.
Book Synopsis Punk Orientalism by :
Download or read book Punk Orientalism written by and published by Black Dog Publishing. This book was released on 2020-09-25 with total page 192 pages. Available in PDF, EPUB and Kindle. Book excerpt: This fascinating publication explores the radical story of contemporary art in Central Asia since the collapse of the Soviet Union. In 1991 these republics were granted their independence following almost 75 years of Soviet rule. What ensued was the chaotic emergence of various political, religious and ethnic groups vying for power. At the same time a new generation of contemporary artists were emerging from art schools into this changing and divided society. Punk Orientalism examines this cohort of artists and their creation of art that challenged the Soviet style dogmas that dominated arts academia in Central Asia. In critiquing societal hypocrisy this formed a movement that contributed to the evolution of a Central Asian contemporary art scene. Through a mixture of interviews and essays this book aims to provide both an introduction and comprehensive survey of one of the most under-researched regions in the contemporary art world, yet one that remains a truly emerging market positioned at the intersection of Asia’s social, cultural and economic development and once formed part of the thriving Silk Road. Focussing on art from Kyrgyzstan, Kazakhstan, Tajikistan, Turkmenistan, Uzbekistan and Afghanistan it features a breadth of important artists in what will be the comprehensive publication on the subject.
