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Marcel Duchamp left behind a large volume of correspondence, more than a thousand documents forming a valuable archive of primary source materials on one the 20th Century's most important cutural figures. In his letters, Duchmap writes about his latest plans, works in progress, concepts such as the "ready-made," his passion for chess, the mundane details of life, as well as extraordinary ideas. The letters are reproduced in their entirety along with chronological and biographical data illumintaing the circumstances behind the letters. An essential volume for art historians and students of 20th Century culture.
Book Synopsis Affectionately, Marcel by : Marcel Duchamp
Download or read book Affectionately, Marcel written by Marcel Duchamp and published by Ludion. This book was released on 2000 with total page 432 pages. Available in PDF, EPUB and Kindle. Book excerpt: Marcel Duchamp left behind a large volume of correspondence, more than a thousand documents forming a valuable archive of primary source materials on one the 20th Century's most important cutural figures. In his letters, Duchmap writes about his latest plans, works in progress, concepts such as the "ready-made," his passion for chess, the mundane details of life, as well as extraordinary ideas. The letters are reproduced in their entirety along with chronological and biographical data illumintaing the circumstances behind the letters. An essential volume for art historians and students of 20th Century culture.
Robert Lebel, French art critic and collector, was instrumental in rendering Marcel Duchamp’s often hermetic life, art, and ideas accessible to a wider public across Europe and the United States, principally with his 1959 publication Sur Marcel Duchamp, the first monograph and catalogue raisonné devoted to the artist. Duchamp was a willing partner in the book’s creation. In fact, his active participation in both its conception and layout was so substantial that the book is considered part of the artist’s oeuvre. But the project took six years to complete. The trials, tribulations, quarrels, and machinations that plagued the production, publication, and publicity of Sur Marcel Duchamp are the focus of this correspondence between two lifelong friends. Translated and printed in full together for the first time, and including the original French texts, these letters, postcards, and telegrams from the collection of the Getty Research Institute offer uncensored access to the evolution of the relationship between Lebel and Duchamp from December 1946 to April 1967. They provide valuable information about their daily activities as well as those of friends and colleagues, vital details concerning their various collective projects, and illuminating insights into their thinking about art and life. These documents, witty and sincere, bear witness to the art of friendship and a friendship in art.
Book Synopsis The Artist and His Critic Stripped Bare by : Paul B. Franklin
Download or read book The Artist and His Critic Stripped Bare written by Paul B. Franklin and published by Getty Publications. This book was released on 2016-06-01 with total page 422 pages. Available in PDF, EPUB and Kindle. Book excerpt: Robert Lebel, French art critic and collector, was instrumental in rendering Marcel Duchamp’s often hermetic life, art, and ideas accessible to a wider public across Europe and the United States, principally with his 1959 publication Sur Marcel Duchamp, the first monograph and catalogue raisonné devoted to the artist. Duchamp was a willing partner in the book’s creation. In fact, his active participation in both its conception and layout was so substantial that the book is considered part of the artist’s oeuvre. But the project took six years to complete. The trials, tribulations, quarrels, and machinations that plagued the production, publication, and publicity of Sur Marcel Duchamp are the focus of this correspondence between two lifelong friends. Translated and printed in full together for the first time, and including the original French texts, these letters, postcards, and telegrams from the collection of the Getty Research Institute offer uncensored access to the evolution of the relationship between Lebel and Duchamp from December 1946 to April 1967. They provide valuable information about their daily activities as well as those of friends and colleagues, vital details concerning their various collective projects, and illuminating insights into their thinking about art and life. These documents, witty and sincere, bear witness to the art of friendship and a friendship in art.
An Audience of Artists turns this time line for the postwar New York art world on its head, presenting a new pedigree for these artistic movements. Drawing on an array of previously unpublished material, Catherine Craft reveals that Neo-Dada, far from being a reaction to Abstract Expressionism, actually originated at the heart of that movement's concerns about viewers, originality, and artists' debts to the past and one another. Furthermore, she argues, the original Dada movement was not incompatible with Abstract Expressionism. In fact, Dada provided a vital historical reference for artists and critics seeking to come to terms with the radical departure from tradition that Abstract Expressionism seemed to represent. Tracing the activities of artists such as Robert Motherwell, Barnett Newman, and Jackson Pollock alongside Marcel Duchamp's renewed embrace of Dada in the late 1940s, Craft explores the challenges facing artists trying to work in the wake of a destructive world war and the paintings, objects, writings, and installations that resulted from their efforts."--Jacket.
Book Synopsis An Audience of Artists by : Catherine Craft
Download or read book An Audience of Artists written by Catherine Craft and published by University of Chicago Press. This book was released on 2012-05-30 with total page 326 pages. Available in PDF, EPUB and Kindle. Book excerpt: An Audience of Artists turns this time line for the postwar New York art world on its head, presenting a new pedigree for these artistic movements. Drawing on an array of previously unpublished material, Catherine Craft reveals that Neo-Dada, far from being a reaction to Abstract Expressionism, actually originated at the heart of that movement's concerns about viewers, originality, and artists' debts to the past and one another. Furthermore, she argues, the original Dada movement was not incompatible with Abstract Expressionism. In fact, Dada provided a vital historical reference for artists and critics seeking to come to terms with the radical departure from tradition that Abstract Expressionism seemed to represent. Tracing the activities of artists such as Robert Motherwell, Barnett Newman, and Jackson Pollock alongside Marcel Duchamp's renewed embrace of Dada in the late 1940s, Craft explores the challenges facing artists trying to work in the wake of a destructive world war and the paintings, objects, writings, and installations that resulted from their efforts."--Jacket.
Exploring the notion of tactility in dada and surrealism
Book Synopsis Please Touch by : Janine A. Mileaf
Download or read book Please Touch written by Janine A. Mileaf and published by UPNE. This book was released on 2010 with total page 313 pages. Available in PDF, EPUB and Kindle. Book excerpt: Exploring the notion of tactility in dada and surrealism
Reissued with a new preface to commemorate the publication of "A la recherche du temps perdu" one hundred years ago, this title portrays in abundant detail the life and times of literary voices of the twentieth century.
Book Synopsis Marcel Proust by : William C. Carter
Download or read book Marcel Proust written by William C. Carter and published by Yale University Press. This book was released on 2013-04-16 with total page 998 pages. Available in PDF, EPUB and Kindle. Book excerpt: Reissued with a new preface to commemorate the publication of "A la recherche du temps perdu" one hundred years ago, this title portrays in abundant detail the life and times of literary voices of the twentieth century.
"Published in conjunction with the exhibition The original copy: photography of sculpture, 1839 to today, at the Museum of Modern Art, New York (August 1-November 1, 2010)"--T.p. verso.
Book Synopsis The Original Copy by : Roxana Marcoci
Download or read book The Original Copy written by Roxana Marcoci and published by The Museum of Modern Art. This book was released on 2010 with total page 263 pages. Available in PDF, EPUB and Kindle. Book excerpt: "Published in conjunction with the exhibition The original copy: photography of sculpture, 1839 to today, at the Museum of Modern Art, New York (August 1-November 1, 2010)"--T.p. verso.
Broaching the notion of the 'frame' from a variety of analytic perspectives, and employing a range of approaches, this collection of articles engages with contemporary debates on text and image relations, literary reception and translation, narratology and cinematographic technique. The various contributions to this collection provide new readings in their respective fields, and share a common concern with exploring the productive and problematic notion of the 'frame' and of 'framing' in a wide variety of cultural media in French Studies. This interdisciplinary analysis of literary and theoretical texts, visual art and film allows for fruitful connections to be made at the level of analysis of themes and of methodology. It thus provides material that is of interest both to specialists in these fields, and also to those seeking a more general introduction to each area. This collection of articles is selected from the proceedings of the 'Framed! in French Studies' workshop, held at the Institut Français in London in February 2006.
Book Synopsis Framed! by : Lucy Bolton
Download or read book Framed! written by Lucy Bolton and published by Peter Lang. This book was released on 2007 with total page 244 pages. Available in PDF, EPUB and Kindle. Book excerpt: Broaching the notion of the 'frame' from a variety of analytic perspectives, and employing a range of approaches, this collection of articles engages with contemporary debates on text and image relations, literary reception and translation, narratology and cinematographic technique. The various contributions to this collection provide new readings in their respective fields, and share a common concern with exploring the productive and problematic notion of the 'frame' and of 'framing' in a wide variety of cultural media in French Studies. This interdisciplinary analysis of literary and theoretical texts, visual art and film allows for fruitful connections to be made at the level of analysis of themes and of methodology. It thus provides material that is of interest both to specialists in these fields, and also to those seeking a more general introduction to each area. This collection of articles is selected from the proceedings of the 'Framed! in French Studies' workshop, held at the Institut Français in London in February 2006.
Replication and originality are central concepts in the artistic oeuvres of Marcel Duchamp and Man Ray. Remaking the Readymade reveals the underlying and previously unexplored processes and rationales for the collaboration between Duchamp, Man Ray, and Arturo Schwarz on the replication of readymades and objects. The 1964 editioned replicas of the readymades sent shock waves through the art world. Even though the replicas undermined ideas of authorship and problematized the notion of identity and the artist, they paradoxically shared in the aura of the originals, becoming stand-ins for the readymades. Scholar-poet-dealer Arturo Schwarz played a crucial role, opening the door to joint or alternate authorship—an outstanding relationship between artist and dealer. By unearthing previously unpublished correspondence and documentary materials and combining this material with newly conducted exclusive interviews with key participants, Remaking the Readymade details heretofore unrevealed aspects of the technical processes involved in the (re)creation of iconic, long-lost Dada objects. Launched on the heels of the centenary of Duchamp’s Fountain, this new analysis intensifies and complicates our understanding of Duchamp and Man Ray’ initial conceptions, and raises questions about replication and authorship that will stimulate significant debate about the legacy of the artists, the continuing significance of their works, and the meaning of terms such as creativity, originality, and value in the formation of art.
Book Synopsis Remaking the Readymade by : Adina Kamien-Kazhdan
Download or read book Remaking the Readymade written by Adina Kamien-Kazhdan and published by Routledge. This book was released on 2018-05-11 with total page 378 pages. Available in PDF, EPUB and Kindle. Book excerpt: Replication and originality are central concepts in the artistic oeuvres of Marcel Duchamp and Man Ray. Remaking the Readymade reveals the underlying and previously unexplored processes and rationales for the collaboration between Duchamp, Man Ray, and Arturo Schwarz on the replication of readymades and objects. The 1964 editioned replicas of the readymades sent shock waves through the art world. Even though the replicas undermined ideas of authorship and problematized the notion of identity and the artist, they paradoxically shared in the aura of the originals, becoming stand-ins for the readymades. Scholar-poet-dealer Arturo Schwarz played a crucial role, opening the door to joint or alternate authorship—an outstanding relationship between artist and dealer. By unearthing previously unpublished correspondence and documentary materials and combining this material with newly conducted exclusive interviews with key participants, Remaking the Readymade details heretofore unrevealed aspects of the technical processes involved in the (re)creation of iconic, long-lost Dada objects. Launched on the heels of the centenary of Duchamp’s Fountain, this new analysis intensifies and complicates our understanding of Duchamp and Man Ray’ initial conceptions, and raises questions about replication and authorship that will stimulate significant debate about the legacy of the artists, the continuing significance of their works, and the meaning of terms such as creativity, originality, and value in the formation of art.
Book Synopsis Fifty Contemporary One-act Plays by : Frank Shay
Download or read book Fifty Contemporary One-act Plays written by Frank Shay and published by . This book was released on 1920 with total page 594 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Book Synopsis The American History and Encyclopedia of Music: Operas by : William Lines Hubbard
Download or read book The American History and Encyclopedia of Music: Operas written by William Lines Hubbard and published by . This book was released on 1908 with total page 368 pages. Available in PDF, EPUB and Kindle. Book excerpt:
