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An annotated bibliography on women who wrote fiction in the US during the period 1790-1870. The first part is an annotated list of sources that discuss women's fiction in the period and women authors born before 1840 who published before 1870. The second part is an alphabetical list of the approximately 325 19th century writers who meet those criteria. There are indexes by pseudonym, editor, and subject. The sources provide information not only about the individual authors but also about the history of criticism and literary politics, especially women's place in the American literary canon.
Book Synopsis American Women's Fiction, 1790-1870 by : Barbara A. White
Download or read book American Women's Fiction, 1790-1870 written by Barbara A. White and published by Routledge. This book was released on 2013-05-07 with total page 316 pages. Available in PDF, EPUB and Kindle. Book excerpt: An annotated bibliography on women who wrote fiction in the US during the period 1790-1870. The first part is an annotated list of sources that discuss women's fiction in the period and women authors born before 1840 who published before 1870. The second part is an alphabetical list of the approximately 325 19th century writers who meet those criteria. There are indexes by pseudonym, editor, and subject. The sources provide information not only about the individual authors but also about the history of criticism and literary politics, especially women's place in the American literary canon.
Book Synopsis American Women's Fiction, 1790-1870 by : Barbara Anne White
Download or read book American Women's Fiction, 1790-1870 written by Barbara Anne White and published by . This book was released on 2012 with total page 294 pages. Available in PDF, EPUB and Kindle. Book excerpt:
An annotated bibliography on women who wrote fiction in the US during the period 1790-1870. The first part is an annotated list of sources that discuss women's fiction in the period and women authors born before 1840 who published before 1870. The second part is an alphabetical list of the approximately 325 19th century writers who meet those criteria. There are indexes by pseudonym, editor, and subject. The sources provide information not only about the individual authors but also about the history of criticism and literary politics, especially women's place in the American literary canon.
Book Synopsis American Women's Fiction, 1790-1870 by : Barbara A. White
Download or read book American Women's Fiction, 1790-1870 written by Barbara A. White and published by Routledge. This book was released on 2013-05-07 with total page 263 pages. Available in PDF, EPUB and Kindle. Book excerpt: An annotated bibliography on women who wrote fiction in the US during the period 1790-1870. The first part is an annotated list of sources that discuss women's fiction in the period and women authors born before 1840 who published before 1870. The second part is an alphabetical list of the approximately 325 19th century writers who meet those criteria. There are indexes by pseudonym, editor, and subject. The sources provide information not only about the individual authors but also about the history of criticism and literary politics, especially women's place in the American literary canon.
This reissue of the pioneering and standard book on antebellum women's domestic novels contains a new introduction situating the book in the context of important recent developments in the study of women's writing. Nina Baym considers 130 novels by 48 women, focusing on the works of a dozen especially productive and successful writers. Woman's Fiction is a major-work in nineteenth-century literature, reexamining changes in the literary canon and the meaning of sentimentalism, while responding to current critical discussions of 'the body' in literary texts. ''Informative and stimulating. . . . Nina Baym has undertaken a systematic analysis of that nineteenth-century American fiction normally dismissed as at best trivially sentimental. . . . Woman's Fiction offers a fresh perspective on a largely forgotten body of literature.'' -- American Literature''Perceives in the fiction of, by, and for women in the period stated a popular genre that made a particular kind of feminist avowal for the times, one that rejected the concept of helplessness and urged the application of intelligence and courage to trying situations. . . . Baym marshals ample supporting evidence from the outpouring of such fiction.'' - ALA Booklist
Book Synopsis Woman's Fiction by : Nina Baym
Download or read book Woman's Fiction written by Nina Baym and published by University of Illinois Press. This book was released on 1993 with total page 364 pages. Available in PDF, EPUB and Kindle. Book excerpt: This reissue of the pioneering and standard book on antebellum women's domestic novels contains a new introduction situating the book in the context of important recent developments in the study of women's writing. Nina Baym considers 130 novels by 48 women, focusing on the works of a dozen especially productive and successful writers. Woman's Fiction is a major-work in nineteenth-century literature, reexamining changes in the literary canon and the meaning of sentimentalism, while responding to current critical discussions of 'the body' in literary texts. ''Informative and stimulating. . . . Nina Baym has undertaken a systematic analysis of that nineteenth-century American fiction normally dismissed as at best trivially sentimental. . . . Woman's Fiction offers a fresh perspective on a largely forgotten body of literature.'' -- American Literature''Perceives in the fiction of, by, and for women in the period stated a popular genre that made a particular kind of feminist avowal for the times, one that rejected the concept of helplessness and urged the application of intelligence and courage to trying situations. . . . Baym marshals ample supporting evidence from the outpouring of such fiction.'' - ALA Booklist
Provides profiles of early American women writers, offers selections from their novels, and gathers selected criticism.
Book Synopsis Hidden Hands by : Lucy M. Freibert
Download or read book Hidden Hands written by Lucy M. Freibert and published by New Brunswick, N.J. : Rutgers University Press. This book was released on 1985 with total page 409 pages. Available in PDF, EPUB and Kindle. Book excerpt: Provides profiles of early American women writers, offers selections from their novels, and gathers selected criticism.
Just as she helped launch the rediscovery of literary texts by American women writers, Nina Baym now uncovers the work of history performed by over 150 writers in over 350 texts. Here she explores a world of important writing unknown even to most specialists. The novels, poems, plays, textbooks, and travel narratives written by women between 1790 and the Civil War defy current theories of women's writing that stress a female domain of the private, homebound, and emotional. History is inarguably public in its nature and these women wrote it. In doing so, they challenged the imaginative and intellectual boundaries that divided domestic and public worlds. They claimed on behalf of all women the rights to know and to speak about the world outside the home, as well as to circulate their knowledge and opinions among the public. Their work helped shape the enormous public interest in history characteristic of the antebellum nation, and ultimately to forge our national identity in the history of the world. Nina Baym deftly outlines the master narrative of history implied in women's writings of this period, and discusses in a completely revisioned context the emergence of women's history in public discourse.
Book Synopsis American Women Writers and the Work of History, 1790-1860 by : Nina Baym
Download or read book American Women Writers and the Work of History, 1790-1860 written by Nina Baym and published by . This book was released on 1995 with total page 336 pages. Available in PDF, EPUB and Kindle. Book excerpt: Just as she helped launch the rediscovery of literary texts by American women writers, Nina Baym now uncovers the work of history performed by over 150 writers in over 350 texts. Here she explores a world of important writing unknown even to most specialists. The novels, poems, plays, textbooks, and travel narratives written by women between 1790 and the Civil War defy current theories of women's writing that stress a female domain of the private, homebound, and emotional. History is inarguably public in its nature and these women wrote it. In doing so, they challenged the imaginative and intellectual boundaries that divided domestic and public worlds. They claimed on behalf of all women the rights to know and to speak about the world outside the home, as well as to circulate their knowledge and opinions among the public. Their work helped shape the enormous public interest in history characteristic of the antebellum nation, and ultimately to forge our national identity in the history of the world. Nina Baym deftly outlines the master narrative of history implied in women's writings of this period, and discusses in a completely revisioned context the emergence of women's history in public discourse.
Reader's Guide Literature in English provides expert guidance to, and critical analysis of, the vast number of books available within the subject of English literature, from Anglo-Saxon times to the current American, British and Commonwealth scene. It is designed to help students, teachers and librarians choose the most appropriate books for research and study.
Book Synopsis Reader's Guide to Literature in English by : Mark Hawkins-Dady
Download or read book Reader's Guide to Literature in English written by Mark Hawkins-Dady and published by Routledge. This book was released on 2012-12-06 with total page 1024 pages. Available in PDF, EPUB and Kindle. Book excerpt: Reader's Guide Literature in English provides expert guidance to, and critical analysis of, the vast number of books available within the subject of English literature, from Anglo-Saxon times to the current American, British and Commonwealth scene. It is designed to help students, teachers and librarians choose the most appropriate books for research and study.
Providing an overview of the history of writing by women in the period, this 2001 Companion establishes the context in which this writing emerged, and traces the origin of the terms which have traditionally defined the debate. It includes essays on topics of recent concern, such as women and war, erotic violence, the liberating and disciplinary effects of religion, and examines the work of a variety of women writers, including Harriet Beecher Stowe, Rebecca Harding Davis and Louisa May Alcott. The volume plots new directions for the study of American literary history, and provides several valuable tools for students, including a chronology of works and suggestions for further reading.
Book Synopsis The Cambridge Companion to Nineteenth-Century American Women's Writing by : Dale M. Bauer
Download or read book The Cambridge Companion to Nineteenth-Century American Women's Writing written by Dale M. Bauer and published by Cambridge University Press. This book was released on 2001-11-15 with total page 374 pages. Available in PDF, EPUB and Kindle. Book excerpt: Providing an overview of the history of writing by women in the period, this 2001 Companion establishes the context in which this writing emerged, and traces the origin of the terms which have traditionally defined the debate. It includes essays on topics of recent concern, such as women and war, erotic violence, the liberating and disciplinary effects of religion, and examines the work of a variety of women writers, including Harriet Beecher Stowe, Rebecca Harding Davis and Louisa May Alcott. The volume plots new directions for the study of American literary history, and provides several valuable tools for students, including a chronology of works and suggestions for further reading.
Focusing on the role of genre in the formation of dominant conceptions of death and dying, Desirée Henderson examines literary texts and social spaces devoted to death and mourning in eighteenth- and nineteenth-century America. Henderson shows how William Hill Brown, Susanna Rowson, and Hannah Webster borrowed from and challenged funeral sermon conventions in their novelistic portrayals of the deaths of fallen women; contrasts the eulogies for George Washington with William Apess's "Eulogy for King Philip" to expose conflicts between national ideology and indigenous history; examines Frederick Douglass's use of the slave cemetery to represent the costs of slavery for African American families; suggests that the ideas about democracy materialized in Civil War cemeteries and monuments influenced Walt Whitman's war elegies; and offers new contexts for analyzing Elizabeth Stuart Phelps's The Gates Ajar and Emily Dickinson's poetry as works that explore the consequences of female writers claiming authority over the mourning process. Informed by extensive archival research, Henderson's study eloquently speaks to the ways in which authors adopted, revised, or rejected the conventions of memorial literature, choices that disclose their location within decisive debates about appropriate gender roles and sexual practices, national identity and citizenship, the consequences of slavery, the nature of democratic representation, and structures of authorship and literary authority.
Book Synopsis Grief and Genre in American Literature, 1790-1870 by : Desirée Henderson
Download or read book Grief and Genre in American Literature, 1790-1870 written by Desirée Henderson and published by Routledge. This book was released on 2016-04-15 with total page 200 pages. Available in PDF, EPUB and Kindle. Book excerpt: Focusing on the role of genre in the formation of dominant conceptions of death and dying, Desirée Henderson examines literary texts and social spaces devoted to death and mourning in eighteenth- and nineteenth-century America. Henderson shows how William Hill Brown, Susanna Rowson, and Hannah Webster borrowed from and challenged funeral sermon conventions in their novelistic portrayals of the deaths of fallen women; contrasts the eulogies for George Washington with William Apess's "Eulogy for King Philip" to expose conflicts between national ideology and indigenous history; examines Frederick Douglass's use of the slave cemetery to represent the costs of slavery for African American families; suggests that the ideas about democracy materialized in Civil War cemeteries and monuments influenced Walt Whitman's war elegies; and offers new contexts for analyzing Elizabeth Stuart Phelps's The Gates Ajar and Emily Dickinson's poetry as works that explore the consequences of female writers claiming authority over the mourning process. Informed by extensive archival research, Henderson's study eloquently speaks to the ways in which authors adopted, revised, or rejected the conventions of memorial literature, choices that disclose their location within decisive debates about appropriate gender roles and sexual practices, national identity and citizenship, the consequences of slavery, the nature of democratic representation, and structures of authorship and literary authority.
James L. Machor offers a sweeping exploration of how American fiction was received in both public and private spheres in the United States before the Civil War. Machor takes four antebellum authors—Edgar Allan Poe, Herman Melville, Catharine Sedgwick, and Caroline Chesebro'—and analyzes how their works were published, received, and interpreted. Drawing on discussions found in book reviews and in private letters and diaries, Machor examines how middle-class readers of the time engaged with contemporary fiction and how fiction reading evolved as an interpretative practice in nineteenth-century America. Through careful analysis, Machor illuminates how the reading practices of nineteenth-century Americans shaped not only the experiences of these writers at the time but also the way the writers were received in the twentieth century. What Machor reveals is that these authors were received in ways strikingly different from how they are currently read, thereby shedding significant light on their present status in the literary canon in comparison to their critical and popular positions in their own time. Machor deftly combines response and reception criticism and theory with work in the history of reading to engage with groundbreaking scholarship in historical hermeneutics. In so doing, Machor takes us ever closer to understanding the particular and varying reading strategies of historical audiences and how they impacted authors’ conceptions of their own readership.
Book Synopsis Reading Fiction in Antebellum America by : James L. Machor
Download or read book Reading Fiction in Antebellum America written by James L. Machor and published by JHU Press. This book was released on 2011-04-01 with total page 419 pages. Available in PDF, EPUB and Kindle. Book excerpt: James L. Machor offers a sweeping exploration of how American fiction was received in both public and private spheres in the United States before the Civil War. Machor takes four antebellum authors—Edgar Allan Poe, Herman Melville, Catharine Sedgwick, and Caroline Chesebro'—and analyzes how their works were published, received, and interpreted. Drawing on discussions found in book reviews and in private letters and diaries, Machor examines how middle-class readers of the time engaged with contemporary fiction and how fiction reading evolved as an interpretative practice in nineteenth-century America. Through careful analysis, Machor illuminates how the reading practices of nineteenth-century Americans shaped not only the experiences of these writers at the time but also the way the writers were received in the twentieth century. What Machor reveals is that these authors were received in ways strikingly different from how they are currently read, thereby shedding significant light on their present status in the literary canon in comparison to their critical and popular positions in their own time. Machor deftly combines response and reception criticism and theory with work in the history of reading to engage with groundbreaking scholarship in historical hermeneutics. In so doing, Machor takes us ever closer to understanding the particular and varying reading strategies of historical audiences and how they impacted authors’ conceptions of their own readership.
