Download Americas First Regional Theatre full books in PDF, epub, and Kindle. Read online Americas First Regional Theatre ebook anywhere anytime directly on your device. Fast Download speed and no annoying ads. We cannot guarantee that every ebooks is available!
The Cleveland Play House has mirrored the achievements and struggles of both the city of Cleveland and the American theatre over the past one hundred years. This book challenges the established history (often put forward by the theatre itself) and long-held assumptions concerning the creation of the institution and its legacy.
Book Synopsis America’s First Regional Theatre by : J. Ullom
Download or read book America’s First Regional Theatre written by J. Ullom and published by Springer. This book was released on 2014-05-14 with total page 276 pages. Available in PDF, EPUB and Kindle. Book excerpt: The Cleveland Play House has mirrored the achievements and struggles of both the city of Cleveland and the American theatre over the past one hundred years. This book challenges the established history (often put forward by the theatre itself) and long-held assumptions concerning the creation of the institution and its legacy.
More than a chronicle, America in the Round is a critical history that reveals how far Washington D.C.'s Arena Stage could go with its budget and racially liberal politics, and how Arena both disputed and duplicated systems of power. With an innovative "in the round" approach, the narrative simulates sitting in different parts of the arena space to see the theatre through different lenses--economics, racial dynamics, and American identity.
Book Synopsis America in the Round by : Donatella Galella
Download or read book America in the Round written by Donatella Galella and published by Studies Theatre Hist & Culture. This book was released on 2019-03-15 with total page 333 pages. Available in PDF, EPUB and Kindle. Book excerpt: More than a chronicle, America in the Round is a critical history that reveals how far Washington D.C.'s Arena Stage could go with its budget and racially liberal politics, and how Arena both disputed and duplicated systems of power. With an innovative "in the round" approach, the narrative simulates sitting in different parts of the arena space to see the theatre through different lenses--economics, racial dynamics, and American identity.
Book Synopsis Regional Theatre by : Joseph Wesley Zeigler
Download or read book Regional Theatre written by Joseph Wesley Zeigler and published by U of Minnesota Press. This book was released on 1973 with total page 314 pages. Available in PDF, EPUB and Kindle. Book excerpt:
This book surveys the history of Asian American theatre from 1965 to 2005.
Book Synopsis A History of Asian American Theatre by : Esther Kim Lee
Download or read book A History of Asian American Theatre written by Esther Kim Lee and published by Cambridge University Press. This book was released on 2006-10-12 with total page 219 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book surveys the history of Asian American theatre from 1965 to 2005.
Washington D.C.’s Arena Stage was the first professional regional theatre in the nation’s capital to welcome a racially integrated audience; the first to perform behind the Iron Curtain; and the first to win the Tony Award for best regional theatre. This behind-the-scenes look at one of the leading theatres in the United States shows how key financial and artistic decisions were made, using a range of archival materials such as letters and photographs as well as interviews with artists and administrators. Close-ups of major productions from The Great White Hope to Oklahoma! illustrate how Arena Stage navigated cultural trends. More than a chronicle, America in the Round is a critical history that reveals how far the theatre could go with its budget and racially liberal politics, and how Arena both disputed and duplicated systems of power. With an innovative “in the round” approach, the narrative simulates sitting in different parts of the arena space to see the theatre through different lenses—economics, racial dynamics, and American identity.
Book Synopsis America in the Round by : Donatella Galella
Download or read book America in the Round written by Donatella Galella and published by University of Iowa Press. This book was released on 2019-03-15 with total page 314 pages. Available in PDF, EPUB and Kindle. Book excerpt: Washington D.C.’s Arena Stage was the first professional regional theatre in the nation’s capital to welcome a racially integrated audience; the first to perform behind the Iron Curtain; and the first to win the Tony Award for best regional theatre. This behind-the-scenes look at one of the leading theatres in the United States shows how key financial and artistic decisions were made, using a range of archival materials such as letters and photographs as well as interviews with artists and administrators. Close-ups of major productions from The Great White Hope to Oklahoma! illustrate how Arena Stage navigated cultural trends. More than a chronicle, America in the Round is a critical history that reveals how far the theatre could go with its budget and racially liberal politics, and how Arena both disputed and duplicated systems of power. With an innovative “in the round” approach, the narrative simulates sitting in different parts of the arena space to see the theatre through different lenses—economics, racial dynamics, and American identity.
The Cambridge History of American Theatre is an authoritative and wide-ranging history of American theatre in all its dimensions, from theatre building to play writing, directors, performers, and designers. Engaging the theatre as a performance art, a cultural institution, and a fact of American social and political life, the History recognizes changing styles of presentation and performance and addresses the economic context that conditions the drama presented. The History approaches its subject with a full awareness of relevant developments in literary criticism, cultural analysis, and performance theory. At the same time, it is designed to be an accessible, challenging narrative. Volume One deals with the colonial inceptions of American theatre through the post-Civil War period: the European antecedents, the New World influences of the French and Spanish colonists, and the development of uniquely American traditions in tandem with the emergence of national identity.
Book Synopsis The Cambridge History of American Theatre by : Don B. Wilmeth
Download or read book The Cambridge History of American Theatre written by Don B. Wilmeth and published by Cambridge University Press. This book was released on 1998-02-28 with total page 554 pages. Available in PDF, EPUB and Kindle. Book excerpt: The Cambridge History of American Theatre is an authoritative and wide-ranging history of American theatre in all its dimensions, from theatre building to play writing, directors, performers, and designers. Engaging the theatre as a performance art, a cultural institution, and a fact of American social and political life, the History recognizes changing styles of presentation and performance and addresses the economic context that conditions the drama presented. The History approaches its subject with a full awareness of relevant developments in literary criticism, cultural analysis, and performance theory. At the same time, it is designed to be an accessible, challenging narrative. Volume One deals with the colonial inceptions of American theatre through the post-Civil War period: the European antecedents, the New World influences of the French and Spanish colonists, and the development of uniquely American traditions in tandem with the emergence of national identity.
Regional Theatre was first published in 1973. Minnesota Archive Editions uses digital technology to make long-unavailable books once again accessible, and are published unaltered from the original University of Minnesota Press editions. This is a social history of a recent American cultural phenomenon--the development since World War II of numerous nonprofit regional theatres which, as a group, have changed the complexion of the American theatre. It is the story of a revolution, now over, and a call for a new purpose to follow it. After a discussion of the background against which the regional theatre movement began, the author traces the histories of individual theatre companies. And yet the book is less about actors, directors, and productions than it is about the struggle to create and sustain new cultural forms, and the tension between regional and central phenomena.Mr. Zeigler sees several related themes: institutionalism -- theatre as a continuing creative organism; decentralization--the bringing of theatre to all areas of the country; and the development of a National Theatre to serve the entire country. A significant element in the book consists of examination of some of the important funding programs which have aided the development of regional theatres.
Book Synopsis Regional Theatre by : Joseph Wesley Zeigler
Download or read book Regional Theatre written by Joseph Wesley Zeigler and published by U of Minnesota Press. This book was released on 1973 with total page 277 pages. Available in PDF, EPUB and Kindle. Book excerpt: Regional Theatre was first published in 1973. Minnesota Archive Editions uses digital technology to make long-unavailable books once again accessible, and are published unaltered from the original University of Minnesota Press editions. This is a social history of a recent American cultural phenomenon--the development since World War II of numerous nonprofit regional theatres which, as a group, have changed the complexion of the American theatre. It is the story of a revolution, now over, and a call for a new purpose to follow it. After a discussion of the background against which the regional theatre movement began, the author traces the histories of individual theatre companies. And yet the book is less about actors, directors, and productions than it is about the struggle to create and sustain new cultural forms, and the tension between regional and central phenomena.Mr. Zeigler sees several related themes: institutionalism -- theatre as a continuing creative organism; decentralization--the bringing of theatre to all areas of the country; and the development of a National Theatre to serve the entire country. A significant element in the book consists of examination of some of the important funding programs which have aided the development of regional theatres.
The Art of Governance is an essential guide for trustees in the performing arts and for the artists, managers, and community leaders who work with them. This book provides the larger context in which trustees govern—the art, artists, history, institutions, and national policies of the performing arts—and also explores more practical issues, such as board development, planning, finance, and fundraising. A wide range of distinguished artists, trustees, managers, and consultants have contributed articles, covering everything from “The Art of Theater” to “Understanding Financial Statements.” An invaluable tool for building an enlightened and inspired board, this resource above all recognizes the need of trustees in the performing arts to find a balance between the uncertainty of artistic creativity and the need for fiscal stability. Editors Nancy Roche and Jaan Whitehead have served on the boards and staff of numerous theater organizations. Nancy Roche has been a trustee of CENTER-STAGE in Baltimore since 1987, serving as president of the board for seven years and as interim managing director for one year. She has been a consultant on governance for the National Arts Stabilization (now National Arts Strategies), a councilor of the Maryland State Arts Commission from 1992-1999, and has twice served as lay panelist for the NEA. In the summer of 2000, she participated as a theater trustee in the National Critics’ Institute at the Eugene O’Neill Theater Center in Waterford, Connecticut, returning in the following summer as a founding member of their week-long Trustees Program. She is a founding member of the National Council for the American Theatre and serves as a trustee and treasurer of the board of Theatre Communications Group. In addition, she serves on the boards of the Roland Park Country School, the Institute for Christian-Jewish Studies, and the Baltimore School for the Arts. She is a graduate of Dominican University and received an MA in teaching and an LLA, both from The Johns Hopkins University. Jaan Whitehead currently chairs the board of the SITI Company, an ensemble theater in New York led by Anne Bogart. She has served on the boards of The Acting Company, Arena Stage, Living Stage, and The Whole Theatre Company, where her particular interests have been board development and institutional change. She has also been a trustee of Theatre Communications Group and the National Cultural Alliance, an arts advocacy group in Washington, and is a founding member of the National Council for the American Theatre. In addition to her work as a trustee, she has been executive director of Theatre for a New Audience in New York and Development Director of CENTERSTAGE in Baltimore. Ms. Whitehead graduated from Wellesley College, holds and MA in economics from the University of Michigan, and, early in her career, works as an economist for private industry and the Federal Reserve Board. She received her PhD in political theory fro Princeton in 1988. She taught at Georgetown University for several years but, as her involvement in theater deepened, she made the arts her main work while retaining her interests in economic and political theory. Drawing on this background, she has recently been writing a series of essays on the challenges facing the arts in a commercial society.
Book Synopsis The Art of Governance by : Nancy Roche
Download or read book The Art of Governance written by Nancy Roche and published by Theatre Communications Group. This book was released on 2013-08-18 with total page 353 pages. Available in PDF, EPUB and Kindle. Book excerpt: The Art of Governance is an essential guide for trustees in the performing arts and for the artists, managers, and community leaders who work with them. This book provides the larger context in which trustees govern—the art, artists, history, institutions, and national policies of the performing arts—and also explores more practical issues, such as board development, planning, finance, and fundraising. A wide range of distinguished artists, trustees, managers, and consultants have contributed articles, covering everything from “The Art of Theater” to “Understanding Financial Statements.” An invaluable tool for building an enlightened and inspired board, this resource above all recognizes the need of trustees in the performing arts to find a balance between the uncertainty of artistic creativity and the need for fiscal stability. Editors Nancy Roche and Jaan Whitehead have served on the boards and staff of numerous theater organizations. Nancy Roche has been a trustee of CENTER-STAGE in Baltimore since 1987, serving as president of the board for seven years and as interim managing director for one year. She has been a consultant on governance for the National Arts Stabilization (now National Arts Strategies), a councilor of the Maryland State Arts Commission from 1992-1999, and has twice served as lay panelist for the NEA. In the summer of 2000, she participated as a theater trustee in the National Critics’ Institute at the Eugene O’Neill Theater Center in Waterford, Connecticut, returning in the following summer as a founding member of their week-long Trustees Program. She is a founding member of the National Council for the American Theatre and serves as a trustee and treasurer of the board of Theatre Communications Group. In addition, she serves on the boards of the Roland Park Country School, the Institute for Christian-Jewish Studies, and the Baltimore School for the Arts. She is a graduate of Dominican University and received an MA in teaching and an LLA, both from The Johns Hopkins University. Jaan Whitehead currently chairs the board of the SITI Company, an ensemble theater in New York led by Anne Bogart. She has served on the boards of The Acting Company, Arena Stage, Living Stage, and The Whole Theatre Company, where her particular interests have been board development and institutional change. She has also been a trustee of Theatre Communications Group and the National Cultural Alliance, an arts advocacy group in Washington, and is a founding member of the National Council for the American Theatre. In addition to her work as a trustee, she has been executive director of Theatre for a New Audience in New York and Development Director of CENTERSTAGE in Baltimore. Ms. Whitehead graduated from Wellesley College, holds and MA in economics from the University of Michigan, and, early in her career, works as an economist for private industry and the Federal Reserve Board. She received her PhD in political theory fro Princeton in 1988. She taught at Georgetown University for several years but, as her involvement in theater deepened, she made the arts her main work while retaining her interests in economic and political theory. Drawing on this background, she has recently been writing a series of essays on the challenges facing the arts in a commercial society.
African American Theater is a vibrant and unique entity enriched by ancient Egyptian rituals, West African folklore, and European theatrical practices. A continuum of African folk traditions, it combines storytelling, mythology, rituals, music, song, and dance with ancestor worship from ancient times to the present. It afforded black artists a cultural gold mine to celebrate what it was like to be an African American in The New World. The A to Z of African American Theater celebrates nearly 200 years of black theater in the United States, identifying representative African American theater-producing organizations and chronicling their contributions to the field from its birth in 1816 to the present. This is done through a chronology, an introductory essay, a bibliography, and over 500 cross-referenced dictionary entries on actors, directors, playwrights, plays, theater producing organizations, themes, locations, and theater movements and awards.
Book Synopsis The A to Z of African American Theater by : Anthony D. Hill
Download or read book The A to Z of African American Theater written by Anthony D. Hill and published by Scarecrow Press. This book was released on 2009-09-02 with total page 624 pages. Available in PDF, EPUB and Kindle. Book excerpt: African American Theater is a vibrant and unique entity enriched by ancient Egyptian rituals, West African folklore, and European theatrical practices. A continuum of African folk traditions, it combines storytelling, mythology, rituals, music, song, and dance with ancestor worship from ancient times to the present. It afforded black artists a cultural gold mine to celebrate what it was like to be an African American in The New World. The A to Z of African American Theater celebrates nearly 200 years of black theater in the United States, identifying representative African American theater-producing organizations and chronicling their contributions to the field from its birth in 1816 to the present. This is done through a chronology, an introductory essay, a bibliography, and over 500 cross-referenced dictionary entries on actors, directors, playwrights, plays, theater producing organizations, themes, locations, and theater movements and awards.
This fascinating book traces the entire story of Westport Country Playhouse from its beginnings in the midst of the Depression to its 75th-anniversary renovations and rejuvenation. Filled with colorful characters, it is a story that will appeal to everyone who has ever been enchanted by live theatre.
Book Synopsis An American Theatre by : Richard Somerset-Ward
Download or read book An American Theatre written by Richard Somerset-Ward and published by Yale University Press. This book was released on 2005-01-01 with total page 315 pages. Available in PDF, EPUB and Kindle. Book excerpt: This fascinating book traces the entire story of Westport Country Playhouse from its beginnings in the midst of the Depression to its 75th-anniversary renovations and rejuvenation. Filled with colorful characters, it is a story that will appeal to everyone who has ever been enchanted by live theatre.
