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Structured as five microhistories c. 632-705, this book offers a counternarrative for the formation of Islamic architecture and the Islamic state. It adopts a novel periodization informed by moments of historical violence and anxiety around caliphal identities in flux, animating histories of the minbar, throne, and maqsura as a principal nexus for navigating this anxiety. It expands outward to re-assess the mosque and palace with a focus on the Qubbat al-Khadraʾ and the Dar al-Imara in Kufa. It culminates in a reading of the Dome of the Rock in Jerusalem as a site where eschatological anxieties and political survival converge.
Book Synopsis Architecture of Anxiety, Body Politics and the Formation of Islamic Architecture by : Heba Mostafa
Download or read book Architecture of Anxiety, Body Politics and the Formation of Islamic Architecture written by Heba Mostafa and published by BRILL. This book was released on 2024-03-04 with total page 182 pages. Available in PDF, EPUB and Kindle. Book excerpt: Structured as five microhistories c. 632-705, this book offers a counternarrative for the formation of Islamic architecture and the Islamic state. It adopts a novel periodization informed by moments of historical violence and anxiety around caliphal identities in flux, animating histories of the minbar, throne, and maqsura as a principal nexus for navigating this anxiety. It expands outward to re-assess the mosque and palace with a focus on the Qubbat al-Khadraʾ and the Dar al-Imara in Kufa. It culminates in a reading of the Dome of the Rock in Jerusalem as a site where eschatological anxieties and political survival converge.
The architecture of the Islamic world is predominantly considered in terms of a dual division between 'tradition' and 'modernity' - a division which, Saeid Khaghani here argues, has shaped and limited the narrative applied to this architecture. Khaghani introduces and reconsiders the mosques of eighth- to fifteenth-century Iran in terms of poststructural theory and developments in historiography in order to develop a brand new dialectical framework. Using the examples of mosques such as the Friday Mosques in Isfahan and Yazd as well as the Imam mosque in Isfahan, Khaghani presents a new way of thinking about and discussing Islamic architecture, making this valuable reading for all interested in the study of the art, architecture and material culture of the Islamic world.
Book Synopsis Islamic Architecture in Iran by : Saeid Khaghani
Download or read book Islamic Architecture in Iran written by Saeid Khaghani and published by Bloomsbury Publishing. This book was released on 2012-07-30 with total page 264 pages. Available in PDF, EPUB and Kindle. Book excerpt: The architecture of the Islamic world is predominantly considered in terms of a dual division between 'tradition' and 'modernity' - a division which, Saeid Khaghani here argues, has shaped and limited the narrative applied to this architecture. Khaghani introduces and reconsiders the mosques of eighth- to fifteenth-century Iran in terms of poststructural theory and developments in historiography in order to develop a brand new dialectical framework. Using the examples of mosques such as the Friday Mosques in Isfahan and Yazd as well as the Imam mosque in Isfahan, Khaghani presents a new way of thinking about and discussing Islamic architecture, making this valuable reading for all interested in the study of the art, architecture and material culture of the Islamic world.
This book sheds light on a particular facet of the link between politics and Islam through the analysis of the relationship between Islamism and the built environment. The relationship between Islam and politics has always been controversial, yet it has possibly never been as controversial as it is at the time of writing. This new edited volume sets out to explore the interactions between Islamisms and the built environment through issues such as: spatial negotiations between nation and Islam in the definition of national identity; everyday spaces and the making of Islamic milieus; the role of Islam in the making (and/or remaking) of state ideology via architecture and urban planning; the influence of globalization and transnational links on the spatial manifestations of Islam(ism); and transnational architectural exchanges through global Islam. It expands on these issues through case studies analysing the role of the built environment and the urban realm as major media in the making of Islamist politics. The case studies incorporate manifestations in Muslim-dominated countries, including those where Islam has been at the heart of state ideology (Pakistan and Brunei), those with influential grassroots Islamist networks (pre-revolutionary Iran and Indonesia), those that identify with Islam through global exchanges (United Arab Emirates, Kazakhstan and Turkey) and countries where Islam is an increasingly significant reference utilized by political actors (Algeria and Lebanon). This book will appeal to students and scholars of architecture, urban studies and cultural studies, as well as those interested in the social and political aspects of the built environment.
Book Synopsis Cities and Islamisms by : Bülent Batuman
Download or read book Cities and Islamisms written by Bülent Batuman and published by Routledge. This book was released on 2020-12-21 with total page 201 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book sheds light on a particular facet of the link between politics and Islam through the analysis of the relationship between Islamism and the built environment. The relationship between Islam and politics has always been controversial, yet it has possibly never been as controversial as it is at the time of writing. This new edited volume sets out to explore the interactions between Islamisms and the built environment through issues such as: spatial negotiations between nation and Islam in the definition of national identity; everyday spaces and the making of Islamic milieus; the role of Islam in the making (and/or remaking) of state ideology via architecture and urban planning; the influence of globalization and transnational links on the spatial manifestations of Islam(ism); and transnational architectural exchanges through global Islam. It expands on these issues through case studies analysing the role of the built environment and the urban realm as major media in the making of Islamist politics. The case studies incorporate manifestations in Muslim-dominated countries, including those where Islam has been at the heart of state ideology (Pakistan and Brunei), those with influential grassroots Islamist networks (pre-revolutionary Iran and Indonesia), those that identify with Islam through global exchanges (United Arab Emirates, Kazakhstan and Turkey) and countries where Islam is an increasingly significant reference utilized by political actors (Algeria and Lebanon). This book will appeal to students and scholars of architecture, urban studies and cultural studies, as well as those interested in the social and political aspects of the built environment.
What is 'art' in the sense of the Islamic tradition? Mohammed Hamdouni Alami argues that Islamic art has historically been excluded from Western notions of art; that the Western aesthetic tradition's preoccupation with the human body, and the ban on the representation of the human body in Islam, has meant that Islamic and Western art have been perceived as inherently at odds. However, the move away from this 'anthropomorphic aesthetic' in Western art movements, such as modern abstract and constructivist painting, have presented the opportunity for new ways of viewing and evaluating Islamic art and architecture. This book questions the very idea of art predicated on the anthropocentric bias of classical art, and the corollary 'exclusion' of Islamic art from the status of art. It addresses a central question in post-classical aesthetic theory, in as much as the advent of modern abstract and constructivist painting have shown that art can be other than the representation of the human body; that art is not neutral aesthetic contemplation but it is fraught with power and violence; and that the presupposition of classical art was not a universal truth but the assumption of a specific cultural and historical set of practices and vocabularies. Based on close readings of classical Islamic literature, philosophy, poetry, medicine and theology, along with contemporary Western art theory, the author uncovers a specific Islamic theoretical vision of art and architecture based on poetic practice, politics, cosmology and desire. In particular it traces the effects of decoration and architectural planning on the human soul as well as the centrality of the gaze in this poetic view - in Arabic 'nazar'- while examining its surprising similarity to modern theories of the gaze. Through this double gesture, moving critically between two traditions, the author brings Islamic thought and aesthetics back into the realm of visibility, addressing the lack of recognition in comparison with other historical periods and traditions. This is an important step toward a critical analysis of the contemporary debate around the revival of Islamic architectural identity - a debate intricately embedded within opposing Islamic political and social projects throughout the world.
Book Synopsis Art and Architecture in the Islamic Tradition by : Mohammed Hamdouni Alami
Download or read book Art and Architecture in the Islamic Tradition written by Mohammed Hamdouni Alami and published by Bloomsbury Publishing. This book was released on 2013-12-20 with total page 304 pages. Available in PDF, EPUB and Kindle. Book excerpt: What is 'art' in the sense of the Islamic tradition? Mohammed Hamdouni Alami argues that Islamic art has historically been excluded from Western notions of art; that the Western aesthetic tradition's preoccupation with the human body, and the ban on the representation of the human body in Islam, has meant that Islamic and Western art have been perceived as inherently at odds. However, the move away from this 'anthropomorphic aesthetic' in Western art movements, such as modern abstract and constructivist painting, have presented the opportunity for new ways of viewing and evaluating Islamic art and architecture. This book questions the very idea of art predicated on the anthropocentric bias of classical art, and the corollary 'exclusion' of Islamic art from the status of art. It addresses a central question in post-classical aesthetic theory, in as much as the advent of modern abstract and constructivist painting have shown that art can be other than the representation of the human body; that art is not neutral aesthetic contemplation but it is fraught with power and violence; and that the presupposition of classical art was not a universal truth but the assumption of a specific cultural and historical set of practices and vocabularies. Based on close readings of classical Islamic literature, philosophy, poetry, medicine and theology, along with contemporary Western art theory, the author uncovers a specific Islamic theoretical vision of art and architecture based on poetic practice, politics, cosmology and desire. In particular it traces the effects of decoration and architectural planning on the human soul as well as the centrality of the gaze in this poetic view - in Arabic 'nazar'- while examining its surprising similarity to modern theories of the gaze. Through this double gesture, moving critically between two traditions, the author brings Islamic thought and aesthetics back into the realm of visibility, addressing the lack of recognition in comparison with other historical periods and traditions. This is an important step toward a critical analysis of the contemporary debate around the revival of Islamic architectural identity - a debate intricately embedded within opposing Islamic political and social projects throughout the world.
This collection of essays treats the development of modern architecture in the Middle East, ranging from Jerusalem at the turn of the 20th century to Libya under Italian colonial rule, and on to present-day Iraq. The essays cohere around the encounter between the politics of nation-building and architectural modernism.
Book Synopsis Modernism and the Middle East by : Sandy Isenstadt
Download or read book Modernism and the Middle East written by Sandy Isenstadt and published by University of Washington Press. This book was released on 2008 with total page 324 pages. Available in PDF, EPUB and Kindle. Book excerpt: This collection of essays treats the development of modern architecture in the Middle East, ranging from Jerusalem at the turn of the 20th century to Libya under Italian colonial rule, and on to present-day Iraq. The essays cohere around the encounter between the politics of nation-building and architectural modernism.
"Innocent houses of worship or bulwarks of fundamentalism? We all have our own ideas about mosques, and many of those ideas go beyond the domain of architecture. In Europe, mosques are a central issue in the debates about the integration of Muslims and the potential dangers of Islam. In recent years, such debates have often edged out serious architectural discussion of European mosques, and the domes and minarets of traditional mosque architecture have come to symbolize this entire field of controversy." "The aim of this book is to bring greater depth and nuance to the debate about mosques. Amongst others politician Frits Bolkestein, architect Wilfried van Winden, sociologist Willem Schinkel, theologist/philosopher Tariq Ramadan, anthropologist Eric Roose and Ole Bouman, director of the Netherlands Architecture Institute, share their interdisciplinary perspectives on the emergence of this new architectural typology and explain its narrow and broad social impact. With a visual presentation of the historical and general features of the mosque (Mosguide), as well as three intriguing pictorial essays and a range of politically and socially informed essays and opinion pieces, Erkocuen Budac rethink the meaning of mosques in the Western European context. Recent mosque designs serve to illustrate how rewarding this approach can be - in social, functional and architectural terms." --Book Jacket.
Book Synopsis The Mosque by : Ergün Erkoçu
Download or read book The Mosque written by Ergün Erkoçu and published by Nai010 Publishers. This book was released on 2009 with total page 200 pages. Available in PDF, EPUB and Kindle. Book excerpt: "Innocent houses of worship or bulwarks of fundamentalism? We all have our own ideas about mosques, and many of those ideas go beyond the domain of architecture. In Europe, mosques are a central issue in the debates about the integration of Muslims and the potential dangers of Islam. In recent years, such debates have often edged out serious architectural discussion of European mosques, and the domes and minarets of traditional mosque architecture have come to symbolize this entire field of controversy." "The aim of this book is to bring greater depth and nuance to the debate about mosques. Amongst others politician Frits Bolkestein, architect Wilfried van Winden, sociologist Willem Schinkel, theologist/philosopher Tariq Ramadan, anthropologist Eric Roose and Ole Bouman, director of the Netherlands Architecture Institute, share their interdisciplinary perspectives on the emergence of this new architectural typology and explain its narrow and broad social impact. With a visual presentation of the historical and general features of the mosque (Mosguide), as well as three intriguing pictorial essays and a range of politically and socially informed essays and opinion pieces, Erkocuen Budac rethink the meaning of mosques in the Western European context. Recent mosque designs serve to illustrate how rewarding this approach can be - in social, functional and architectural terms." --Book Jacket.
A comprehensive overview of the history of Islamic architecture.
Book Synopsis Islamic Architecture by : John D. Hoag
Download or read book Islamic Architecture written by John D. Hoag and published by . This book was released on 2004-07 with total page 232 pages. Available in PDF, EPUB and Kindle. Book excerpt: A comprehensive overview of the history of Islamic architecture.
Book Synopsis Islamic Architecture by : John D. Hoag
Download or read book Islamic Architecture written by John D. Hoag and published by . This book was released on 1987 with total page 203 pages. Available in PDF, EPUB and Kindle. Book excerpt:
The transformation of Islamic architecture and ornament during the eleventh and twelfth centuries signaled profound cultural changes in the Islamic world. Yasser Tabbaa explores with exemplary lucidity the geometric techniques that facilitated this transformation, and investigates the cultural processes by which meaning was produced within the new forms. Iran, Iraq, and Syria saw the development of proportional calligraphy, vegetal and geometric arabesque, muqarnas (stalactite) vaulting, and other devices that became defining features of medieval Islamic architecture. Ultimately, the forms and themes described in this book shaped the development of Mamluk architecture in Egypt and Syria, and by extension, the entire course of North African and Andalusian architecture as well. These innovations developed and were disseminated in a highly charged atmosphere of confrontation between the Seljuk and post-Seljuk proponents of the traditionalist Sunni revival and their main opponents in Fatimid Egypt. These forms stood as visual signs of allegiance to the orthodox Abbasid caliphate and of difference from the heterodox Fatimids. Tabbaa proposes that their rapid spread throughout the Islamic world operated within a system of reciprocating, ceremonial gestures, which conveyed a new and formal language that helped negotiate the gap between the myth of a unified Sunni Islam and its actual political fragmentation. In subject matter and approach, The Transformation of Islamic Art during the Sunni Revival makes original contributions to the study of art, revealing that this relatively neglected sector of medieval art and architecture is of critical importance for reevaluating the entire field of Islamic studies. It challenges the essentialist and positivist approaches that still permeate the study of Islamic art, and offers a historical and semiotic alternative for exploring meaning within ruptures of change.
Book Synopsis The Transformation of Islamic Art during the Sunni Revival by : Yasser Tabbaa
Download or read book The Transformation of Islamic Art during the Sunni Revival written by Yasser Tabbaa and published by University of Washington Press. This book was released on 2011-10-01 with total page 224 pages. Available in PDF, EPUB and Kindle. Book excerpt: The transformation of Islamic architecture and ornament during the eleventh and twelfth centuries signaled profound cultural changes in the Islamic world. Yasser Tabbaa explores with exemplary lucidity the geometric techniques that facilitated this transformation, and investigates the cultural processes by which meaning was produced within the new forms. Iran, Iraq, and Syria saw the development of proportional calligraphy, vegetal and geometric arabesque, muqarnas (stalactite) vaulting, and other devices that became defining features of medieval Islamic architecture. Ultimately, the forms and themes described in this book shaped the development of Mamluk architecture in Egypt and Syria, and by extension, the entire course of North African and Andalusian architecture as well. These innovations developed and were disseminated in a highly charged atmosphere of confrontation between the Seljuk and post-Seljuk proponents of the traditionalist Sunni revival and their main opponents in Fatimid Egypt. These forms stood as visual signs of allegiance to the orthodox Abbasid caliphate and of difference from the heterodox Fatimids. Tabbaa proposes that their rapid spread throughout the Islamic world operated within a system of reciprocating, ceremonial gestures, which conveyed a new and formal language that helped negotiate the gap between the myth of a unified Sunni Islam and its actual political fragmentation. In subject matter and approach, The Transformation of Islamic Art during the Sunni Revival makes original contributions to the study of art, revealing that this relatively neglected sector of medieval art and architecture is of critical importance for reevaluating the entire field of Islamic studies. It challenges the essentialist and positivist approaches that still permeate the study of Islamic art, and offers a historical and semiotic alternative for exploring meaning within ruptures of change.
The Nasrid builders of the Alhambra âe" the best-preserved medieval Muslim palatial city âe" were so exacting that some of their work could not be fully explained until the invention of fractal geometry. Their design principles have been obscured, however, by the loss of all archival material. This book resolves that impasse by investigating the neglected, interdisciplinary contexts of medieval poetics and optics and through comparative study of Islamic court ceremonials. This reframing enables the reconstruction of the underlying, integrated aesthetic, focusing on the harmonious interrelationship between diverse artistic media âe"architecture, poetry and textiles âe" in the experience of the beholder, resulting in a new understanding of the Alhambra.
Book Synopsis Reframing the Alhambra by : Olga Bush
Download or read book Reframing the Alhambra written by Olga Bush and published by EUP. This book was released on 2020-10-31 with total page 344 pages. Available in PDF, EPUB and Kindle. Book excerpt: The Nasrid builders of the Alhambra âe" the best-preserved medieval Muslim palatial city âe" were so exacting that some of their work could not be fully explained until the invention of fractal geometry. Their design principles have been obscured, however, by the loss of all archival material. This book resolves that impasse by investigating the neglected, interdisciplinary contexts of medieval poetics and optics and through comparative study of Islamic court ceremonials. This reframing enables the reconstruction of the underlying, integrated aesthetic, focusing on the harmonious interrelationship between diverse artistic media âe"architecture, poetry and textiles âe" in the experience of the beholder, resulting in a new understanding of the Alhambra.
