Author: Pari Riahi
Publisher: Routledge
Published: 2015-02-11
Total Pages: 230
ISBN-13: 1317755987
DOWNLOAD EBOOKWhen did drawing become an integral part of architecture? Among several architects and artists who brought about this change during the Renaissance, Francesco di Giorgio Martini’s ideas on drawing recorded in his Trattati di architettura, ingegneria e arte militare (1475-1490) are significant. Francesco suggests that drawing is linked to the architect’s imagination and central in conveying images and ideas to others. Starting with the broader edges of Francesco’s written work and steadily penetrating into the fantastic world of his drawings, the book examines his singular formulation of the act of drawing and its significance in the context of the Renaissance. The book concludes with speculations on how Francesco’s work is relevant to us at the onset of another major shift in architecture caused by the proliferation of digital media.
Book Synopsis Ars et Ingenium: The Embodiment of Imagination in Francesco di Giorgio Martini's Drawings by : Pari Riahi
Download or read book Ars et Ingenium: The Embodiment of Imagination in Francesco di Giorgio Martini's Drawings written by Pari Riahi and published by Routledge. This book was released on 2015-02-11 with total page 230 pages. Available in PDF, EPUB and Kindle. Book excerpt: When did drawing become an integral part of architecture? Among several architects and artists who brought about this change during the Renaissance, Francesco di Giorgio Martini’s ideas on drawing recorded in his Trattati di architettura, ingegneria e arte militare (1475-1490) are significant. Francesco suggests that drawing is linked to the architect’s imagination and central in conveying images and ideas to others. Starting with the broader edges of Francesco’s written work and steadily penetrating into the fantastic world of his drawings, the book examines his singular formulation of the act of drawing and its significance in the context of the Renaissance. The book concludes with speculations on how Francesco’s work is relevant to us at the onset of another major shift in architecture caused by the proliferation of digital media.