Art Collecting and Middle Class Culture from London to Brighton 1840-1914

Art Collecting and Middle Class Culture from London to Brighton 1840-1914

Author: David Adelman

Publisher:

Published: 2024

Total Pages: 0

ISBN-13: 9781032538242

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"This study explores the interplay between money, status, politics and art collecting in the public and private lives of members of the wealthy trading classes in Brighton during the period of 1840-1914. Chapters focus on the collecting practices of five rich and upwardly mobile Victorians: William Coningham (1815-1884), Henry Hill (1813-1882), Henry Willett (1823-1905) and Harriet Trist (1816-1896) and her husband John Hamilton Trist (1812-1891). The book examines the relationship between the wealth of these would-be members of the Brighton bourgeoisie and the social and political meanings of their art collections paid for out of fortunes made from sugar, tailoring, beer and wine. It explores their luxury lifestyles and civic activities including the making of Brighton museum and art gallery, which reflected a paradoxical mix of patrician and liberal views, of aristocratic aspiration and radical rhetoric. It also highlights the centrality of the London art world to their collecting facilitated by the opening of the London to Brighton railway line in 1841. The book will be of interest to scholars working in art history, museum studies and British history"--


Book Synopsis Art Collecting and Middle Class Culture from London to Brighton 1840-1914 by : David Adelman

Download or read book Art Collecting and Middle Class Culture from London to Brighton 1840-1914 written by David Adelman and published by . This book was released on 2024 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt: "This study explores the interplay between money, status, politics and art collecting in the public and private lives of members of the wealthy trading classes in Brighton during the period of 1840-1914. Chapters focus on the collecting practices of five rich and upwardly mobile Victorians: William Coningham (1815-1884), Henry Hill (1813-1882), Henry Willett (1823-1905) and Harriet Trist (1816-1896) and her husband John Hamilton Trist (1812-1891). The book examines the relationship between the wealth of these would-be members of the Brighton bourgeoisie and the social and political meanings of their art collections paid for out of fortunes made from sugar, tailoring, beer and wine. It explores their luxury lifestyles and civic activities including the making of Brighton museum and art gallery, which reflected a paradoxical mix of patrician and liberal views, of aristocratic aspiration and radical rhetoric. It also highlights the centrality of the London art world to their collecting facilitated by the opening of the London to Brighton railway line in 1841. The book will be of interest to scholars working in art history, museum studies and British history"--


Art Collecting and Middle Class Culture from London to Brighton, 1840–1914

Art Collecting and Middle Class Culture from London to Brighton, 1840–1914

Author: David Adelman

Publisher: Taylor & Francis

Published: 2024-06-28

Total Pages: 339

ISBN-13: 1040052169

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This study explores the interplay between money, status, politics and art collecting in the public and private lives of members of the wealthy trading classes in Brighton during the period 1840–1914. Chapters focus on the collecting practices of five rich and upwardly mobile Victorians: William Coningham (1815–84), Henry Hill (1813–82), Henry Willett (1823–1905) and Harriet Trist (1816–96) and her husband John Hamilton Trist (1812–91). The book examines the relationship between the wealth of these would-be members of the Brighton bourgeoisie and the social and political meanings of their art collections paid for out of fortunes made from sugar, tailoring, beer and wine. It explores their luxury lifestyles and civic activities including the making of Brighton museum and art gallery, which reflected a paradoxical mix of patrician and liberal views, of aristocratic aspiration and radical rhetoric. It also highlights the centrality of the London art world to their collecting facilitated by the opening of the London to Brighton railway line in 1841. The book will be of interest to scholars working in art history, museum studies and British history.


Book Synopsis Art Collecting and Middle Class Culture from London to Brighton, 1840–1914 by : David Adelman

Download or read book Art Collecting and Middle Class Culture from London to Brighton, 1840–1914 written by David Adelman and published by Taylor & Francis. This book was released on 2024-06-28 with total page 339 pages. Available in PDF, EPUB and Kindle. Book excerpt: This study explores the interplay between money, status, politics and art collecting in the public and private lives of members of the wealthy trading classes in Brighton during the period 1840–1914. Chapters focus on the collecting practices of five rich and upwardly mobile Victorians: William Coningham (1815–84), Henry Hill (1813–82), Henry Willett (1823–1905) and Harriet Trist (1816–96) and her husband John Hamilton Trist (1812–91). The book examines the relationship between the wealth of these would-be members of the Brighton bourgeoisie and the social and political meanings of their art collections paid for out of fortunes made from sugar, tailoring, beer and wine. It explores their luxury lifestyles and civic activities including the making of Brighton museum and art gallery, which reflected a paradoxical mix of patrician and liberal views, of aristocratic aspiration and radical rhetoric. It also highlights the centrality of the London art world to their collecting facilitated by the opening of the London to Brighton railway line in 1841. The book will be of interest to scholars working in art history, museum studies and British history.


Ambition, Art, and Image-Making in an Early Quattrocento Court

Ambition, Art, and Image-Making in an Early Quattrocento Court

Author: Sarah Roberts

Publisher: Taylor & Francis

Published: 2024-08-01

Total Pages: 309

ISBN-13: 1040097375

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This study provides new interpretations of the little-known but fascinating Palazzo Trinci frescoes, relating them for the first time both to their physical context and to their social, political, and cultural environment. Chapters show how a humanist agenda subverted the historical and mythical associations more frequently used to promote powerful families, to point the Trinci family in new directions. It also shows how the artists involved adapted established civic, religious, and chivalric imagery in support of these ideas. The book argues that the resulting decorations are highly unusual for the period, in their serious political and social purpose. Positioning the Trinci as bringers of peace, not war, the family is now associated with culture and education and presented as willing to encourage debate about the character of the virtuous ruler and the nature of good government. The book will be of interest to scholars working in art history and Renaissance studies.


Book Synopsis Ambition, Art, and Image-Making in an Early Quattrocento Court by : Sarah Roberts

Download or read book Ambition, Art, and Image-Making in an Early Quattrocento Court written by Sarah Roberts and published by Taylor & Francis. This book was released on 2024-08-01 with total page 309 pages. Available in PDF, EPUB and Kindle. Book excerpt: This study provides new interpretations of the little-known but fascinating Palazzo Trinci frescoes, relating them for the first time both to their physical context and to their social, political, and cultural environment. Chapters show how a humanist agenda subverted the historical and mythical associations more frequently used to promote powerful families, to point the Trinci family in new directions. It also shows how the artists involved adapted established civic, religious, and chivalric imagery in support of these ideas. The book argues that the resulting decorations are highly unusual for the period, in their serious political and social purpose. Positioning the Trinci as bringers of peace, not war, the family is now associated with culture and education and presented as willing to encourage debate about the character of the virtuous ruler and the nature of good government. The book will be of interest to scholars working in art history and Renaissance studies.


The Victorian Art School

The Victorian Art School

Author: Ranald Lawrence

Publisher: Routledge

Published: 2020-09-02

Total Pages: 187

ISBN-13: 100016960X

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The Victorian Art School documents the history of the art school in the nineteenth century, from its origins in South Kensington to its proliferation through the major industrial centres of Britain. Charles Rennie Mackintosh’s Glasgow School of Art, together with earlier examples in Manchester and Birmingham demonstrate an unprecedented concern for the provision of plentiful light and air amidst the pollution of the Victorian city. As theories of design education and local governance converged, they also reveal the struggle of the provincial city for cultural independence from the capital. Examining innovations in the use of new technologies and approaches in the design of these buildings, The Victorian Art School offers a unique and explicitly environmental reading of the Victorian city. It examines how art schools complemented civic ‘Improvement’ programmes, their contribution to the evolution of art pedagogy, the tensions that arose between the provincial schools and the capital, and the role they would play in reimagining the relationship between art and public life in a rapidly transforming society. The architects of these buildings synthesised the potential of art with the perfection of the internal environment, indelibly shaping the future cultural life of Britain.


Book Synopsis The Victorian Art School by : Ranald Lawrence

Download or read book The Victorian Art School written by Ranald Lawrence and published by Routledge. This book was released on 2020-09-02 with total page 187 pages. Available in PDF, EPUB and Kindle. Book excerpt: The Victorian Art School documents the history of the art school in the nineteenth century, from its origins in South Kensington to its proliferation through the major industrial centres of Britain. Charles Rennie Mackintosh’s Glasgow School of Art, together with earlier examples in Manchester and Birmingham demonstrate an unprecedented concern for the provision of plentiful light and air amidst the pollution of the Victorian city. As theories of design education and local governance converged, they also reveal the struggle of the provincial city for cultural independence from the capital. Examining innovations in the use of new technologies and approaches in the design of these buildings, The Victorian Art School offers a unique and explicitly environmental reading of the Victorian city. It examines how art schools complemented civic ‘Improvement’ programmes, their contribution to the evolution of art pedagogy, the tensions that arose between the provincial schools and the capital, and the role they would play in reimagining the relationship between art and public life in a rapidly transforming society. The architects of these buildings synthesised the potential of art with the perfection of the internal environment, indelibly shaping the future cultural life of Britain.


Art and the Victorian Middle Class

Art and the Victorian Middle Class

Author: Dianne Sachko Macleod

Publisher:

Published: 1996

Total Pages: 530

ISBN-13: 9780521550901

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A look at Victorian art from the perspective of the middle-class patron.


Book Synopsis Art and the Victorian Middle Class by : Dianne Sachko Macleod

Download or read book Art and the Victorian Middle Class written by Dianne Sachko Macleod and published by . This book was released on 1996 with total page 530 pages. Available in PDF, EPUB and Kindle. Book excerpt: A look at Victorian art from the perspective of the middle-class patron.


The Edwardian House

The Edwardian House

Author: Helen C. Long

Publisher: Manchester University Press

Published: 1993

Total Pages: 244

ISBN-13: 9780719037290

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Illustrates how Edwardian houses were built, how they were used, and what they meant at the time.


Book Synopsis The Edwardian House by : Helen C. Long

Download or read book The Edwardian House written by Helen C. Long and published by Manchester University Press. This book was released on 1993 with total page 244 pages. Available in PDF, EPUB and Kindle. Book excerpt: Illustrates how Edwardian houses were built, how they were used, and what they meant at the time.


A Cultural History of Furniture in the Age of Empire and Industry

A Cultural History of Furniture in the Age of Empire and Industry

Author: Catherine L. Futter

Publisher: Bloomsbury Publishing

Published: 2022-02-24

Total Pages: 361

ISBN-13: 1350280186

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The 19th century in Western culture was a time of both confidence and turbulence. Industrial developments resulted in a number of benefits from a growing middle class to efficiency, convenience and innovation across a range of fields from engineering to architecture. Alongside these improvements, the century began with the extended period of the Napoleonic Wars and was further disrupted by rebellions and revolutions both within Europe and in India, South America and other parts of the world. Slavery was abolished and urbanization increased dramatically. These myriad developments were reflected throughout the period in the proliferation of types of furniture, along with their categorization as 'industrial art' at the international exhibitions and world fairs and the increasingly adventurous range of materials that were sometimes used in their construction. Nonetheless, a strong antiquarian/historicist strand also prompted interest in the revival of past styles in areas of art and design, including furniture. Drawing upon a wealth of visual and textual sources, this volume presents essays that examine key characteristics of the furniture of the period on the themes of Design and Motifs; Makers, Making, and Materials; Types and Uses; The Domestic Setting; The Public Setting; Exhibition and Display; Furniture and Architecture; Visual Representations; and Verbal Representations.


Book Synopsis A Cultural History of Furniture in the Age of Empire and Industry by : Catherine L. Futter

Download or read book A Cultural History of Furniture in the Age of Empire and Industry written by Catherine L. Futter and published by Bloomsbury Publishing. This book was released on 2022-02-24 with total page 361 pages. Available in PDF, EPUB and Kindle. Book excerpt: The 19th century in Western culture was a time of both confidence and turbulence. Industrial developments resulted in a number of benefits from a growing middle class to efficiency, convenience and innovation across a range of fields from engineering to architecture. Alongside these improvements, the century began with the extended period of the Napoleonic Wars and was further disrupted by rebellions and revolutions both within Europe and in India, South America and other parts of the world. Slavery was abolished and urbanization increased dramatically. These myriad developments were reflected throughout the period in the proliferation of types of furniture, along with their categorization as 'industrial art' at the international exhibitions and world fairs and the increasingly adventurous range of materials that were sometimes used in their construction. Nonetheless, a strong antiquarian/historicist strand also prompted interest in the revival of past styles in areas of art and design, including furniture. Drawing upon a wealth of visual and textual sources, this volume presents essays that examine key characteristics of the furniture of the period on the themes of Design and Motifs; Makers, Making, and Materials; Types and Uses; The Domestic Setting; The Public Setting; Exhibition and Display; Furniture and Architecture; Visual Representations; and Verbal Representations.


Historical Abstracts

Historical Abstracts

Author:

Publisher:

Published: 1998

Total Pages: 784

ISBN-13:

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Book Synopsis Historical Abstracts by :

Download or read book Historical Abstracts written by and published by . This book was released on 1998 with total page 784 pages. Available in PDF, EPUB and Kindle. Book excerpt:


The Victorian City

The Victorian City

Author: Robert John Morris

Publisher: Longman Publishing Group

Published: 1993

Total Pages: 406

ISBN-13:

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Book Synopsis The Victorian City by : Robert John Morris

Download or read book The Victorian City written by Robert John Morris and published by Longman Publishing Group. This book was released on 1993 with total page 406 pages. Available in PDF, EPUB and Kindle. Book excerpt:


The Making of Indian Diplomacy

The Making of Indian Diplomacy

Author: Deep K. Datta-Ray

Publisher: Oxford University Press

Published: 2015-05-21

Total Pages: 256

ISBN-13: 0190613238

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Diplomacy is conventionally understood as an authentic European invention which was internationalised during colonialism. For Indians, the moment of colonial liberation was a false dawn because the colonised had internalised a European logic and performed European practices. Implicit in such a reading is the enduring centrality of Europe to understanding Indian diplomacy. This Eurocentric discourse renders two possibilities impossible: that diplomacy may have Indian origins and that they offer un-theorised potentialities. Abandoning this Eurocentric model of diplomacy, Deep Datta-Ray recognises the legitimacy of independent Indian diplomacy and brings new practices He creates a conceptual space for Indian diplomacy to exist, forefronting civilisational analysis and its focus on continuities, but refraining from devaluing transformational change.


Book Synopsis The Making of Indian Diplomacy by : Deep K. Datta-Ray

Download or read book The Making of Indian Diplomacy written by Deep K. Datta-Ray and published by Oxford University Press. This book was released on 2015-05-21 with total page 256 pages. Available in PDF, EPUB and Kindle. Book excerpt: Diplomacy is conventionally understood as an authentic European invention which was internationalised during colonialism. For Indians, the moment of colonial liberation was a false dawn because the colonised had internalised a European logic and performed European practices. Implicit in such a reading is the enduring centrality of Europe to understanding Indian diplomacy. This Eurocentric discourse renders two possibilities impossible: that diplomacy may have Indian origins and that they offer un-theorised potentialities. Abandoning this Eurocentric model of diplomacy, Deep Datta-Ray recognises the legitimacy of independent Indian diplomacy and brings new practices He creates a conceptual space for Indian diplomacy to exist, forefronting civilisational analysis and its focus on continuities, but refraining from devaluing transformational change.