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This book presents - for the first time - the exquisite bark paintings by 15 artists, as well as ceremonial and utilitarian objects, from the small island community of Milingimbi in far northern Australia. Drawn from a unique collection held at the Art Gallery of New South Wales, this book includes 62 bark paintings produced in the 1950s, as well as woven forms, paperbark objects, carved wooden figures and feathered body ornamentation.
Book Synopsis Art from Milingimbi by : Cara Pinchbeck
Download or read book Art from Milingimbi written by Cara Pinchbeck and published by Thames & Hudson. This book was released on 2016 with total page 156 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book presents - for the first time - the exquisite bark paintings by 15 artists, as well as ceremonial and utilitarian objects, from the small island community of Milingimbi in far northern Australia. Drawn from a unique collection held at the Art Gallery of New South Wales, this book includes 62 bark paintings produced in the 1950s, as well as woven forms, paperbark objects, carved wooden figures and feathered body ornamentation.
This publication showcases Milingimbi Art and Culture Centre's artists, their work and the ancient Yolngu culture and traditions that infuse everyday life in a remote island Community in NE Arnhem Land, Australia.
Book Synopsis Milingimbi Art and Culture by : Milingimbi Art and Culture Aboriginal Corporation
Download or read book Milingimbi Art and Culture written by Milingimbi Art and Culture Aboriginal Corporation and published by . This book was released on 2013-05-26 with total page 42 pages. Available in PDF, EPUB and Kindle. Book excerpt: This publication showcases Milingimbi Art and Culture Centre's artists, their work and the ancient Yolngu culture and traditions that infuse everyday life in a remote island Community in NE Arnhem Land, Australia.
Download or read book Milingimbi written by Vanessa Russ and published by . This book was released on 2017-07-29 with total page pages. Available in PDF, EPUB and Kindle. Book excerpt:
“The patterns and designs were laid down on the country and in the minds of Yolŋu by the ancestral beings at the time of creation. They have been passed on through the generations from our great grandparents, to our grandparents, to our parents, to us. They are the reality of this country. They tell us all who we are.” — Djambawa Marawili AM Djalkiri are “footprints" – ancestral imprints on the landscape that provide the Yolŋu people of eastern Arnhem Land with their philosophical foundations. This book describes how Yolŋu artists and communities keep these foundations strong, and how they have worked with museums to develop a collaborative, community-led approach to the collection and display of their artwork. It includes contributions from Yolŋu elders and artists as well as Indigenous and non-Indigenous historians and curators. Together they explore how the relationship between communities and museums has changed over time. From the early 20th century, anthropologists and other collectors acquired artworks and objects and took photographs in Arnhem Land that became part of collections at the University of Sydney. Later generations of Yolŋu have sought out these materials and, with museum curators, proposed a new type of relationship, based on a deeper respect for Yolŋu intellectual frameworks and a commitment to their central role in curation. This book tells some of their stories. Featuring over 300 colour images, Djalkiri is published in conjunction with a largescale exhibition of Yolŋu art and culture at the University of Sydney’s new Chau Chak Wing Museum, opening in November 2020. Spanning almost 100 years of our shared history, these collections can expand our understanding of the past and help us to shape the future.
Book Synopsis Djalkiri by : Rebecca J. Conway
Download or read book Djalkiri written by Rebecca J. Conway and published by Sydney University Press. This book was released on 2021-01-01 with total page 320 pages. Available in PDF, EPUB and Kindle. Book excerpt: “The patterns and designs were laid down on the country and in the minds of Yolŋu by the ancestral beings at the time of creation. They have been passed on through the generations from our great grandparents, to our grandparents, to our parents, to us. They are the reality of this country. They tell us all who we are.” — Djambawa Marawili AM Djalkiri are “footprints" – ancestral imprints on the landscape that provide the Yolŋu people of eastern Arnhem Land with their philosophical foundations. This book describes how Yolŋu artists and communities keep these foundations strong, and how they have worked with museums to develop a collaborative, community-led approach to the collection and display of their artwork. It includes contributions from Yolŋu elders and artists as well as Indigenous and non-Indigenous historians and curators. Together they explore how the relationship between communities and museums has changed over time. From the early 20th century, anthropologists and other collectors acquired artworks and objects and took photographs in Arnhem Land that became part of collections at the University of Sydney. Later generations of Yolŋu have sought out these materials and, with museum curators, proposed a new type of relationship, based on a deeper respect for Yolŋu intellectual frameworks and a commitment to their central role in curation. This book tells some of their stories. Featuring over 300 colour images, Djalkiri is published in conjunction with a largescale exhibition of Yolŋu art and culture at the University of Sydney’s new Chau Chak Wing Museum, opening in November 2020. Spanning almost 100 years of our shared history, these collections can expand our understanding of the past and help us to shape the future.
In this highly original study, Vanessa Russ examines the gradual invention of Aboriginal art within the Art Gallery of New South Wales. This process occurred as the social histories of Australia expanded and recognised Aboriginal people, through wars and political shifts, and as international organisations began placing pressure on nation states to expand, diversify, and respect multicultural perspectives. This book explores a state art institution as a case study to consider these complex narratives through a single history of Aboriginal art from early colonisation until today. The book will be of interest to scholars working in art history, museum studies, and Indigenous studies.
Book Synopsis A History of Aboriginal Art in the Art Gallery of New South Wales by : Vanessa Russ
Download or read book A History of Aboriginal Art in the Art Gallery of New South Wales written by Vanessa Russ and published by Routledge. This book was released on 2021-06-24 with total page 300 pages. Available in PDF, EPUB and Kindle. Book excerpt: In this highly original study, Vanessa Russ examines the gradual invention of Aboriginal art within the Art Gallery of New South Wales. This process occurred as the social histories of Australia expanded and recognised Aboriginal people, through wars and political shifts, and as international organisations began placing pressure on nation states to expand, diversify, and respect multicultural perspectives. This book explores a state art institution as a case study to consider these complex narratives through a single history of Aboriginal art from early colonisation until today. The book will be of interest to scholars working in art history, museum studies, and Indigenous studies.
The forum, Milingimbi Makarrata: Bringing the Past into the Future, was held at Milingimbi from 11th to 14th August 2016. This book gives insight into the forum and gives context to a singularly unique document-the Milingimbi Makarrata Resolution. The Resolution is a direct outcome of the forum and provides a framework for Yolngu to engage with their cultural heritage in museums. The Resolution was signed by attendees and others who gave support for the event. Photographs of the signing of the resolution by these people are included. This booklet provides additional detail on collaborative projects developed between the Milingimbi community and the cultural institutions that emerged from the forum.
Book Synopsis The Milingimbi Makarrata by : Louise Hamby
Download or read book The Milingimbi Makarrata written by Louise Hamby and published by . This book was released on 2020-05-15 with total page pages. Available in PDF, EPUB and Kindle. Book excerpt: The forum, Milingimbi Makarrata: Bringing the Past into the Future, was held at Milingimbi from 11th to 14th August 2016. This book gives insight into the forum and gives context to a singularly unique document-the Milingimbi Makarrata Resolution. The Resolution is a direct outcome of the forum and provides a framework for Yolngu to engage with their cultural heritage in museums. The Resolution was signed by attendees and others who gave support for the event. Photographs of the signing of the resolution by these people are included. This booklet provides additional detail on collaborative projects developed between the Milingimbi community and the cultural institutions that emerged from the forum.
For nearly four decades, Ian Keen has been an important, challenging, and engaging presence in Australian anthropology. Beginning with his PhD research in the mid-1970s and through to the present, he has been a leading scholar of Yolngu society and culture, and has made lasting contributions to a range of debates. His scholarly productivity, however, has never been limited to the Yolngu, and he has conducted research and published widely on many other facets of Australian Aboriginal society: on Aboriginal culture in ‘settled’ Australia; comparative historical work on Aboriginal societies at the threshold of colonisation; a continuing interest in kinship; ongoing writing on language and society; and a set of significant land claims across the continent. In this volume of essays in his honour, a group of Keen’s former students and current colleagues celebrate the diversity of his scholarly interests and his inspiring influence as a mentor and a friend, with contributions ranging across language structure, meaning, and use; the post-colonial engagement of Aboriginal Australians with the ideas and structures of ‘mainstream’ society; ambiguity and indeterminacy in Aboriginal symbolic systems and ritual practices; and many other interconnected themes, each of which represents a string that he has woven into the rich tapestry of his scholarly work.
Book Synopsis Strings of Connectedness by : P.G. Toner
Download or read book Strings of Connectedness written by P.G. Toner and published by ANU Press. This book was released on 2015-09-18 with total page 361 pages. Available in PDF, EPUB and Kindle. Book excerpt: For nearly four decades, Ian Keen has been an important, challenging, and engaging presence in Australian anthropology. Beginning with his PhD research in the mid-1970s and through to the present, he has been a leading scholar of Yolngu society and culture, and has made lasting contributions to a range of debates. His scholarly productivity, however, has never been limited to the Yolngu, and he has conducted research and published widely on many other facets of Australian Aboriginal society: on Aboriginal culture in ‘settled’ Australia; comparative historical work on Aboriginal societies at the threshold of colonisation; a continuing interest in kinship; ongoing writing on language and society; and a set of significant land claims across the continent. In this volume of essays in his honour, a group of Keen’s former students and current colleagues celebrate the diversity of his scholarly interests and his inspiring influence as a mentor and a friend, with contributions ranging across language structure, meaning, and use; the post-colonial engagement of Aboriginal Australians with the ideas and structures of ‘mainstream’ society; ambiguity and indeterminacy in Aboriginal symbolic systems and ritual practices; and many other interconnected themes, each of which represents a string that he has woven into the rich tapestry of his scholarly work.
This edited collection examines art resulting from cross-cultural interactions between Australian First Nations and non-Indigenous people, from the British invasion to today. Focusing on themes of collaboration and dialogue, the book includes two conversations between First Nations and non-Indigenous authors and an historian’s self-reflexive account of mediating between traditional owners and an international art auction house to repatriate art. There are studies of ‘reverse appropriation‘ by early nineteenth-century Aboriginal carvers of tourist artefacts and the production of enigmatic toa. Cross-cultural dialogue is traced from the post-war period to ‘Aboriginalism’ in design and the First Nations fashion industry of today. Transculturation, conceptualism, and collaboration are contextualised in the 1980s, a pivotal decade for the growth of collaborative First Nations exhibitions. Within the current circumstances of political protest in photographic portraiture and against the mining of sacred Aboriginal land, Crosscurrents in Australian First Nations and Non-Indigenous Art testifies to the need for Australian institutions to collaborate with First Nations people more often and better. This book will appeal to students and scholars of art history, Indigenous anthropology, and museum and heritage studies.
Book Synopsis Crosscurrents in Australian First Nations and Non-Indigenous Art by : Sarah Scott
Download or read book Crosscurrents in Australian First Nations and Non-Indigenous Art written by Sarah Scott and published by Taylor & Francis. This book was released on 2023-08-11 with total page 229 pages. Available in PDF, EPUB and Kindle. Book excerpt: This edited collection examines art resulting from cross-cultural interactions between Australian First Nations and non-Indigenous people, from the British invasion to today. Focusing on themes of collaboration and dialogue, the book includes two conversations between First Nations and non-Indigenous authors and an historian’s self-reflexive account of mediating between traditional owners and an international art auction house to repatriate art. There are studies of ‘reverse appropriation‘ by early nineteenth-century Aboriginal carvers of tourist artefacts and the production of enigmatic toa. Cross-cultural dialogue is traced from the post-war period to ‘Aboriginalism’ in design and the First Nations fashion industry of today. Transculturation, conceptualism, and collaboration are contextualised in the 1980s, a pivotal decade for the growth of collaborative First Nations exhibitions. Within the current circumstances of political protest in photographic portraiture and against the mining of sacred Aboriginal land, Crosscurrents in Australian First Nations and Non-Indigenous Art testifies to the need for Australian institutions to collaborate with First Nations people more often and better. This book will appeal to students and scholars of art history, Indigenous anthropology, and museum and heritage studies.
Discusses artwork by people living at the following Aboriginal communities in the Northern Territory: Oenpelli (Gunbalanya), Croker Island, Maningrida, Milingimbi, Yirrkala, Groote Eylandt, Rose River Mission and Port Keats (Wadeye).
Book Synopsis Bark Paintings from Arnhem Land by : Edward Lehman Ruhe
Download or read book Bark Paintings from Arnhem Land written by Edward Lehman Ruhe and published by . This book was released on 1966 with total page 36 pages. Available in PDF, EPUB and Kindle. Book excerpt: Discusses artwork by people living at the following Aboriginal communities in the Northern Territory: Oenpelli (Gunbalanya), Croker Island, Maningrida, Milingimbi, Yirrkala, Groote Eylandt, Rose River Mission and Port Keats (Wadeye).
This book focusses on the role of craft as a continuing cultural practice and the revival of disappearing skills in contemporary society. It includes twenty-five essays by highly regarded artisans, academics, technologists, entrepreneurs, businesspeople, curators, and researchers from many countries representing a wide range of global craft traditions and innovations. The authors explain their professional practices and creative pathways with knowledge, experience, and passion. They offer insightful analyses of their traditions within their culture and in the marketplace, alongside the evolution of technology as it adapts to support experimentation and business strategies. They write about teaching and research informing their practice; and they explain the importance of their tools and materials in function and form of the objects they make. The essays reveal a poignant expression of their successes, disappointments, and opportunities. This book offers case studies of how artisans have harnessed the traditions of the past alongside the latest design technologies. The authors reveal how global craft is not only a vehicle for self-expression and creativity, but also for being deeply relevant to the world of work, community and environmental sustainability. The book makes the vital link between skills, knowledge, education, and employment, and fills a much-needed niche in Technical, Vocational Education and Training TVET.
Book Synopsis Craft Shaping Society by : Lindy Joubert
Download or read book Craft Shaping Society written by Lindy Joubert and published by Springer Nature. This book was released on 2022-05-31 with total page 400 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book focusses on the role of craft as a continuing cultural practice and the revival of disappearing skills in contemporary society. It includes twenty-five essays by highly regarded artisans, academics, technologists, entrepreneurs, businesspeople, curators, and researchers from many countries representing a wide range of global craft traditions and innovations. The authors explain their professional practices and creative pathways with knowledge, experience, and passion. They offer insightful analyses of their traditions within their culture and in the marketplace, alongside the evolution of technology as it adapts to support experimentation and business strategies. They write about teaching and research informing their practice; and they explain the importance of their tools and materials in function and form of the objects they make. The essays reveal a poignant expression of their successes, disappointments, and opportunities. This book offers case studies of how artisans have harnessed the traditions of the past alongside the latest design technologies. The authors reveal how global craft is not only a vehicle for self-expression and creativity, but also for being deeply relevant to the world of work, community and environmental sustainability. The book makes the vital link between skills, knowledge, education, and employment, and fills a much-needed niche in Technical, Vocational Education and Training TVET.
