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A re-examinination of the Catholic Church’s response to Reformation-era iconoclasm by reconstructing debates about sacred images held in the fifteen years preceding the Council of Trent’s image decree (1563). The volume contains editions and translations of the original texts.
Book Synopsis Art in Dispute by : Wietse de Boer
Download or read book Art in Dispute written by Wietse de Boer and published by BRILL. This book was released on 2021-11-29 with total page 426 pages. Available in PDF, EPUB and Kindle. Book excerpt: A re-examinination of the Catholic Church’s response to Reformation-era iconoclasm by reconstructing debates about sacred images held in the fifteen years preceding the Council of Trent’s image decree (1563). The volume contains editions and translations of the original texts.
This volume is part of a four-volume series about art and its interpretation in the 19th and 20th centuries. The books provide an introduction to modern European and American art and criticism that should be valuable both to students and to the general reader.
Book Synopsis Modernism in Dispute by : John Harris
Download or read book Modernism in Dispute written by John Harris and published by Yale University Press. This book was released on 1993-01-01 with total page 282 pages. Available in PDF, EPUB and Kindle. Book excerpt: This volume is part of a four-volume series about art and its interpretation in the 19th and 20th centuries. The books provide an introduction to modern European and American art and criticism that should be valuable both to students and to the general reader.
Alternatives to Litigation was first published in 1993 when alternate dispute resolution practice was in its infancy. Now in its Third Edition, this book reflects the growth in this field and also the growing interest and in some states mandatory use of ADR. Authors Andrea Doneff and Abraham Ordover explore key concepts and terms, and address practical how-to issues that all attorneys need to recognize and master regardless of their field of expertise. Alternatives to Litigation includes appendices providing sample agreements, checklists, a model standard of conduct, commentary on ethical issues and other useful resources.
Book Synopsis Alternatives to Litigation by : Andrea Doneff
Download or read book Alternatives to Litigation written by Andrea Doneff and published by Aspen Publishing. This book was released on 2014-07-17 with total page 307 pages. Available in PDF, EPUB and Kindle. Book excerpt: Alternatives to Litigation was first published in 1993 when alternate dispute resolution practice was in its infancy. Now in its Third Edition, this book reflects the growth in this field and also the growing interest and in some states mandatory use of ADR. Authors Andrea Doneff and Abraham Ordover explore key concepts and terms, and address practical how-to issues that all attorneys need to recognize and master regardless of their field of expertise. Alternatives to Litigation includes appendices providing sample agreements, checklists, a model standard of conduct, commentary on ethical issues and other useful resources.
Photography, cinema, and video have irrevocably changed the ways in which we view and interpret images. Indeed, the mechanical reproduction of images was a central preoccupation of twentieth-century philosopher Walter Benjamin, who recognized that film would become a vehicle not only for the entertainment of the masses but also for consumerism and even communism and fascism. In this volume, experts in film studies and art history take up the debate, begun by Benjamin, about the power and scope of the image in a secular age. Part I aims to bring Benjamin's concerns to life in essays that evoke specific aspects and moments of the visual culture he would have known. Part II focuses on precise instances of friction within the traditional arts brought on by this century's changes in the value and mission of images. Part III goes straight to the image technologies themselves—photography, cinema, and video—to isolate distinctive features of the visual cultures they help constitute. As we advance into the postmodern era, in which images play an ever more central role in conveying perceptions and information, this anthology provides a crucial context for understanding the apparently irreversible shift from words to images that characterized the modernist period. It will be important reading for everyone in cultural studies, film and media studies, and art history.
Book Synopsis The Image in Dispute by : Dudley Andrew
Download or read book The Image in Dispute written by Dudley Andrew and published by University of Texas Press. This book was released on 1997 with total page 356 pages. Available in PDF, EPUB and Kindle. Book excerpt: Photography, cinema, and video have irrevocably changed the ways in which we view and interpret images. Indeed, the mechanical reproduction of images was a central preoccupation of twentieth-century philosopher Walter Benjamin, who recognized that film would become a vehicle not only for the entertainment of the masses but also for consumerism and even communism and fascism. In this volume, experts in film studies and art history take up the debate, begun by Benjamin, about the power and scope of the image in a secular age. Part I aims to bring Benjamin's concerns to life in essays that evoke specific aspects and moments of the visual culture he would have known. Part II focuses on precise instances of friction within the traditional arts brought on by this century's changes in the value and mission of images. Part III goes straight to the image technologies themselves—photography, cinema, and video—to isolate distinctive features of the visual cultures they help constitute. As we advance into the postmodern era, in which images play an ever more central role in conveying perceptions and information, this anthology provides a crucial context for understanding the apparently irreversible shift from words to images that characterized the modernist period. It will be important reading for everyone in cultural studies, film and media studies, and art history.
Download or read book Grounds of Dispute written by John Tagg and published by U of Minnesota Press. This book was released on 1992-01-01 with total page 262 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Written by today’s leading arbitrators and counsel, this remarkably candid guide provides insight into the practitioner’s approach, conduct, style, and techniques that have proven most effective. While the facts and the law are fundamental, a successful outcome is the product of painstaking document review, witness interviews, legal research, strategizing and focusing the case, and developing compelling written and oral presentations. How to properly perform these tasks is the subject of this book. And where the first edition focused mainly on the cultural differences in advocacy performed in various regions of the world, this new edition expands on this theme by addressing each functional aspect of an international arbitration and the techniques that have been developed for good written and oral advocacy. Intended to assist both the novice in learning the techniques of advocacy, and the experienced advocate in improving his skills, this is an essential reference.
Book Synopsis The Art of Advocacy in International Arbitration by : R. Doak Bishop
Download or read book The Art of Advocacy in International Arbitration written by R. Doak Bishop and published by Juris Publishing, Inc.. This book was released on 2010-05-01 with total page 668 pages. Available in PDF, EPUB and Kindle. Book excerpt: Written by today’s leading arbitrators and counsel, this remarkably candid guide provides insight into the practitioner’s approach, conduct, style, and techniques that have proven most effective. While the facts and the law are fundamental, a successful outcome is the product of painstaking document review, witness interviews, legal research, strategizing and focusing the case, and developing compelling written and oral presentations. How to properly perform these tasks is the subject of this book. And where the first edition focused mainly on the cultural differences in advocacy performed in various regions of the world, this new edition expands on this theme by addressing each functional aspect of an international arbitration and the techniques that have been developed for good written and oral advocacy. Intended to assist both the novice in learning the techniques of advocacy, and the experienced advocate in improving his skills, this is an essential reference.
Book Synopsis Modernism in Dispute : Art Since the Forties by : Paul Wood
Download or read book Modernism in Dispute : Art Since the Forties written by Paul Wood and published by . This book was released on 1994 with total page 267 pages. Available in PDF, EPUB and Kindle. Book excerpt: On art and politics.
"The most revolutionary discovery in the entire history of Van Gogh's oeuvre. Not one drawing; not ten, not fifty, but sixty-five drawings." --Ronald Pickvance, from the Foreword Late in life, during his time living in Provence, Vincent van Gogh kept a sketchbook within a humble account ledger given to him by Joseph and Marie Ginoux, the owners of the Café de la Gare in Arles. This artifact of incalculable historical and aesthetic value remained hidden for more than one hundred and twenty years. It reappears today as a revelation and an extraordinary treasure. Published in this volume for the first time, Van Gogh's lost sketchbook tells a riveting story. Over two tumultuous years in the artist's life, he drew sixty-five sketches, including landscapes, still lifes, portraits, and a self-portrait, within the ledger. These priceless drawings provide insight into the last years of Van Gogh's life, just before his fatal stay in Auvers-sur-Oise, and a new understanding of his most famous paintings, such as The Yellow House, The Night Café, and The Starry Night. With meticulous analysis of the sketchbook and the historical record, art historian Bogomila Welsh-Ovcharov discusses each drawing in terms of Van Gogh's career as a whole, and in particular during his time in Arles and Saint-Rémy-de-Provence between February 1888 and May 1890. This groundbreaking book includes facsimile reproductions of all the sketches and is richly illustrated with dozens of drawings, photographs, and paintings that situate the sketchbook in the context of Van Gogh's life's work and the history of art. The result of a remarkable discovery, Vincent van Gogh: The Lost Arles Sketchbook offers fresh insight into the life and work of one of the world's most beloved artists.
Book Synopsis Vincent van Gogh: The Lost Arles Sketchbook by : Abrams
Download or read book Vincent van Gogh: The Lost Arles Sketchbook written by Abrams and published by Harry N. Abrams. This book was released on 2016-11-15 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt: "The most revolutionary discovery in the entire history of Van Gogh's oeuvre. Not one drawing; not ten, not fifty, but sixty-five drawings." --Ronald Pickvance, from the Foreword Late in life, during his time living in Provence, Vincent van Gogh kept a sketchbook within a humble account ledger given to him by Joseph and Marie Ginoux, the owners of the Café de la Gare in Arles. This artifact of incalculable historical and aesthetic value remained hidden for more than one hundred and twenty years. It reappears today as a revelation and an extraordinary treasure. Published in this volume for the first time, Van Gogh's lost sketchbook tells a riveting story. Over two tumultuous years in the artist's life, he drew sixty-five sketches, including landscapes, still lifes, portraits, and a self-portrait, within the ledger. These priceless drawings provide insight into the last years of Van Gogh's life, just before his fatal stay in Auvers-sur-Oise, and a new understanding of his most famous paintings, such as The Yellow House, The Night Café, and The Starry Night. With meticulous analysis of the sketchbook and the historical record, art historian Bogomila Welsh-Ovcharov discusses each drawing in terms of Van Gogh's career as a whole, and in particular during his time in Arles and Saint-Rémy-de-Provence between February 1888 and May 1890. This groundbreaking book includes facsimile reproductions of all the sketches and is richly illustrated with dozens of drawings, photographs, and paintings that situate the sketchbook in the context of Van Gogh's life's work and the history of art. The result of a remarkable discovery, Vincent van Gogh: The Lost Arles Sketchbook offers fresh insight into the life and work of one of the world's most beloved artists.
In the last thirty years, work in analytic philosophy of art has flourished, and it has given rise to considerably controversy. Stephen Davies describes and analyzes the definition of art as it has been discussed in Anglo-American philosophy during this period and, in the process, introduces his own perspective on ways in which we should reorient our thinking.Davies conceives of the debate as revealing two basic, conflicting approaches—the functional and the procedural—to the questions of whether art can be defined, and if so, how. As the author sees it, the functionalist believes that an object is a work of art only if it performs a particular function (usually, that of providing a rewarding aesthetic experience). By contrast the proceduralist believes that something is an artwork only if it has been created according to certain rules and procedures. Davies attempts to demonstrate the fruitfulness of viewing the debate in terms of this framework, and he develops new arguments against both points of view—although he is more critical of functional than of procedural definitions.Because it has generated so much of the recent literature, Davies starts his analysis with a discussion of Morris Weitz's germinal paper, "The Role of Theory in Aesthetics." He goes on to examine other important works by Arthur Danto, George Dickie, and Ben Tilghman and develops in his critiques original arguments on such matters of the artificiality of artworks and the relevance of artists' intentions.
Book Synopsis Definitions of Art by : Stephen Davies
Download or read book Definitions of Art written by Stephen Davies and published by Cornell University Press. This book was released on 2018-08-06 with total page 257 pages. Available in PDF, EPUB and Kindle. Book excerpt: In the last thirty years, work in analytic philosophy of art has flourished, and it has given rise to considerably controversy. Stephen Davies describes and analyzes the definition of art as it has been discussed in Anglo-American philosophy during this period and, in the process, introduces his own perspective on ways in which we should reorient our thinking.Davies conceives of the debate as revealing two basic, conflicting approaches—the functional and the procedural—to the questions of whether art can be defined, and if so, how. As the author sees it, the functionalist believes that an object is a work of art only if it performs a particular function (usually, that of providing a rewarding aesthetic experience). By contrast the proceduralist believes that something is an artwork only if it has been created according to certain rules and procedures. Davies attempts to demonstrate the fruitfulness of viewing the debate in terms of this framework, and he develops new arguments against both points of view—although he is more critical of functional than of procedural definitions.Because it has generated so much of the recent literature, Davies starts his analysis with a discussion of Morris Weitz's germinal paper, "The Role of Theory in Aesthetics." He goes on to examine other important works by Arthur Danto, George Dickie, and Ben Tilghman and develops in his critiques original arguments on such matters of the artificiality of artworks and the relevance of artists' intentions.
Art, Cultural Heritage, and the Law is one of the first and most comprehensive legal casebooks to address the rapidly emerging fields of art and cultural heritage law. It is also distinctive in its extensive use of an interdisciplinary approach, with accompanying images to illustrate the artworks discussed in the legal materials. The fourth edition continues the tradition of the earlier editions in focusing on the meaning of the art works and cultural objects that are at the heart of an increasing number of legal disputes. This book addresses artists' rights (freedom of expression, copyright, and moral rights), the functioning of the art market (dealers and auction houses, warranties of quality and authenticity, transfer of title and recovery of stolen art works, and the role of museums), and cultural heritage (including the fate of art works and cultural objects in time of war; the international trade in art works and cultural objects; the historic, archaeological, and underwater heritage of the United States; and indigenous cultures, focusing on restitution of Native American cultural objects and human remains and the appropriation of indigenous culture). The inclusion of images of many of the art works and cultural objects at issue helps students to understand why these disputes occur and why the litigants feel so strongly about the outcomes. The fourth edition retains the basic structure of the earlier editions while updating all relevant case law, legislation, and policies. It includes cutting-edge legal developments, such as Cariou v. Prince, the Berkshire Museum deaccessioning decision, Trustees of the Corcoran Gallery v. District of Columbia, the Knoedler Gallery cases, Foreign Sovereign Immunities Act cases (Williams v. National Gallery of Art, Philipp v. Federal Republic of Germany, Rubin v. Iran, and DeCsepel v. Hungary), Konowaloff v. Metropolitan Museum of Art, Okinawa Dugong v. Mattis, Navajo Nation v. Dep't of Interior, and Navajo Nation v. Urban Outfitters. Treatment of new legislation includes the Holocaust Era Art Recovery Act, the Foreign Cultural Exchange Jurisdictional Immunity Clarification Act, and the Protect and Preserve International Cultural Property Act. A new section examines the intersection of human rights and cultural heritage, while expanded sections address the use of civil forfeiture in art recovery cases, museum policies on acquisition of antiquities and the use of proceeds realized from the sale of art works from museum collections, and comparative analysis of market country implementation of the 1970 UNESCO Convention.
Book Synopsis Art, Cultural Heritage, and the Law by : Patty Gerstenblith
Download or read book Art, Cultural Heritage, and the Law written by Patty Gerstenblith and published by . This book was released on 2019 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt: Art, Cultural Heritage, and the Law is one of the first and most comprehensive legal casebooks to address the rapidly emerging fields of art and cultural heritage law. It is also distinctive in its extensive use of an interdisciplinary approach, with accompanying images to illustrate the artworks discussed in the legal materials. The fourth edition continues the tradition of the earlier editions in focusing on the meaning of the art works and cultural objects that are at the heart of an increasing number of legal disputes. This book addresses artists' rights (freedom of expression, copyright, and moral rights), the functioning of the art market (dealers and auction houses, warranties of quality and authenticity, transfer of title and recovery of stolen art works, and the role of museums), and cultural heritage (including the fate of art works and cultural objects in time of war; the international trade in art works and cultural objects; the historic, archaeological, and underwater heritage of the United States; and indigenous cultures, focusing on restitution of Native American cultural objects and human remains and the appropriation of indigenous culture). The inclusion of images of many of the art works and cultural objects at issue helps students to understand why these disputes occur and why the litigants feel so strongly about the outcomes. The fourth edition retains the basic structure of the earlier editions while updating all relevant case law, legislation, and policies. It includes cutting-edge legal developments, such as Cariou v. Prince, the Berkshire Museum deaccessioning decision, Trustees of the Corcoran Gallery v. District of Columbia, the Knoedler Gallery cases, Foreign Sovereign Immunities Act cases (Williams v. National Gallery of Art, Philipp v. Federal Republic of Germany, Rubin v. Iran, and DeCsepel v. Hungary), Konowaloff v. Metropolitan Museum of Art, Okinawa Dugong v. Mattis, Navajo Nation v. Dep't of Interior, and Navajo Nation v. Urban Outfitters. Treatment of new legislation includes the Holocaust Era Art Recovery Act, the Foreign Cultural Exchange Jurisdictional Immunity Clarification Act, and the Protect and Preserve International Cultural Property Act. A new section examines the intersection of human rights and cultural heritage, while expanded sections address the use of civil forfeiture in art recovery cases, museum policies on acquisition of antiquities and the use of proceeds realized from the sale of art works from museum collections, and comparative analysis of market country implementation of the 1970 UNESCO Convention.
