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Book Synopsis Art of the Byzantine Era by : David Talbot Rice
Download or read book Art of the Byzantine Era written by David Talbot Rice and published by London : Thames and Hudson. This book was released on 1963 with total page 292 pages. Available in PDF, EPUB and Kindle. Book excerpt: "Useful ... convenient ... authoritative."--The Times Educational Supplement
The opulence of Byzantine art, with its extravagant use of gold and silver, is well known. Highly skilled artists created powerful representations reflecting and promoting this society and its values in icons, illuminated manuscripts, and mosaics and wallpaintings placed in domed churches and public buildings. This complete introduction to the whole period and range of Byzantine art combines immense breadth with interesting historical detail. Robin Cormack overturns the myth that Byzantine art remained constant from the inauguration of Constantinople, its artistic centre, in the year 330 until the fall of the city to the Ottomans in 1453. He shows how the many political and religious upheavals of this period produced a wide range of styles and developments in art. This updated, colour edition includes new discoveries, a revised bibliography, and, in a new epilogue, a rethinking of Byzantine Art for the present day.
Book Synopsis Byzantine Art by : Robin Cormack
Download or read book Byzantine Art written by Robin Cormack and published by Oxford University Press. This book was released on 2018-02-27 with total page 304 pages. Available in PDF, EPUB and Kindle. Book excerpt: The opulence of Byzantine art, with its extravagant use of gold and silver, is well known. Highly skilled artists created powerful representations reflecting and promoting this society and its values in icons, illuminated manuscripts, and mosaics and wallpaintings placed in domed churches and public buildings. This complete introduction to the whole period and range of Byzantine art combines immense breadth with interesting historical detail. Robin Cormack overturns the myth that Byzantine art remained constant from the inauguration of Constantinople, its artistic centre, in the year 330 until the fall of the city to the Ottomans in 1453. He shows how the many political and religious upheavals of this period produced a wide range of styles and developments in art. This updated, colour edition includes new discoveries, a revised bibliography, and, in a new epilogue, a rethinking of Byzantine Art for the present day.
An unmanageable, but lovable, eleven-year-old misfit learns to believe in himself when he gets to know the new school counselor, who is a sort of misfit too.
Book Synopsis Byzantium by : André Grabar
Download or read book Byzantium written by André Grabar and published by London : Methuen. This book was released on 1966 with total page 228 pages. Available in PDF, EPUB and Kindle. Book excerpt: An unmanageable, but lovable, eleven-year-old misfit learns to believe in himself when he gets to know the new school counselor, who is a sort of misfit too.
The high points are undoubtedly the glittering mosaics of Ravenna and the soaring architecture of Constantinople's Hagia Sophia; but the true artistic wealth of Byzantium becomes ever more apparent when one considers the abundance and variety of the less well-known treasures included among the reproductions.
Book Synopsis Art of the Byzantine World by : Christa Schug-Wille
Download or read book Art of the Byzantine World written by Christa Schug-Wille and published by . This book was released on 1969 with total page 272 pages. Available in PDF, EPUB and Kindle. Book excerpt: The high points are undoubtedly the glittering mosaics of Ravenna and the soaring architecture of Constantinople's Hagia Sophia; but the true artistic wealth of Byzantium becomes ever more apparent when one considers the abundance and variety of the less well-known treasures included among the reproductions.
The Byzantine World presents the latest insights of the leading scholars in the fields of Byzantine studies, history, art and architectural history, literature, and theology. Those who know little of Byzantine history, culture and civilization between AD 700 and 1453 will find overviews and distillations, while those who know much already will be afforded countless new vistas. Each chapter offers an innovative approach to a well-known topic or a diversion from a well-trodden path. Readers will be introduced to Byzantine women and children, men and eunuchs, emperors, patriarchs, aristocrats and slaves. They will explore churches and fortifications, monasteries and palaces, from Constantinople to Cyprus and Syria in the east, and to Apulia and Venice in the west. Secular and sacred art, profane and spiritual literature will be revealed to the reader, who will be encouraged to read, see, smell and touch. The worlds of Byzantine ceremonial and sanctity, liturgy and letters, Orthodoxy and heresy will be explored, by both leading and innovative international scholars. Ultimately, readers will find insights into the emergence of modern Byzantine studies and of popular Byzantine history that are informative, novel and unexpected, and that provide a thorough understanding of both.
Book Synopsis The Byzantine World by : Paul Stephenson
Download or read book The Byzantine World written by Paul Stephenson and published by Routledge. This book was released on 2010-12-20 with total page 639 pages. Available in PDF, EPUB and Kindle. Book excerpt: The Byzantine World presents the latest insights of the leading scholars in the fields of Byzantine studies, history, art and architectural history, literature, and theology. Those who know little of Byzantine history, culture and civilization between AD 700 and 1453 will find overviews and distillations, while those who know much already will be afforded countless new vistas. Each chapter offers an innovative approach to a well-known topic or a diversion from a well-trodden path. Readers will be introduced to Byzantine women and children, men and eunuchs, emperors, patriarchs, aristocrats and slaves. They will explore churches and fortifications, monasteries and palaces, from Constantinople to Cyprus and Syria in the east, and to Apulia and Venice in the west. Secular and sacred art, profane and spiritual literature will be revealed to the reader, who will be encouraged to read, see, smell and touch. The worlds of Byzantine ceremonial and sanctity, liturgy and letters, Orthodoxy and heresy will be explored, by both leading and innovative international scholars. Ultimately, readers will find insights into the emergence of modern Byzantine studies and of popular Byzantine history that are informative, novel and unexpected, and that provide a thorough understanding of both.
The imagery of Hell, the Christian account of the permanent destinations of the human soul after death, has fascinated people over the centuries since the emergence of the Christian faith. These landmark volumes provide the first large-scale investigation of this imagery found across the Byzantine and post-Byzantine world. Particular emphasis is placed on images from churches across Venetian Crete, which are comprehensively collected and published for the first time. Crete was at the centre of artistic production in the late Byzantine world and beyond and its imagery was highly influential on traditions in other regions. The Cretan examples accompany rich comparative material from the wider Mediterranean – Cappadocia, Macedonia, the Peloponnese and Cyprus. The large amount of data presented in this publication highlight Hell's emergence in monumental painting not as a concrete array of images, but as a diversified mirroring of social perceptions of sin.
Book Synopsis Hell in the Byzantine World by : Angeliki Lymberopoulou
Download or read book Hell in the Byzantine World written by Angeliki Lymberopoulou and published by Cambridge University Press. This book was released on 2020-09-17 with total page 1095 pages. Available in PDF, EPUB and Kindle. Book excerpt: The imagery of Hell, the Christian account of the permanent destinations of the human soul after death, has fascinated people over the centuries since the emergence of the Christian faith. These landmark volumes provide the first large-scale investigation of this imagery found across the Byzantine and post-Byzantine world. Particular emphasis is placed on images from churches across Venetian Crete, which are comprehensively collected and published for the first time. Crete was at the centre of artistic production in the late Byzantine world and beyond and its imagery was highly influential on traditions in other regions. The Cretan examples accompany rich comparative material from the wider Mediterranean – Cappadocia, Macedonia, the Peloponnese and Cyprus. The large amount of data presented in this publication highlight Hell's emergence in monumental painting not as a concrete array of images, but as a diversified mirroring of social perceptions of sin.
Book Synopsis The Art of the Byzantine Empire 312-1453 by : Cyril A. Mango
Download or read book The Art of the Byzantine Empire 312-1453 written by Cyril A. Mango and published by University of Toronto Press. This book was released on 1986-01-01 with total page 292 pages. Available in PDF, EPUB and Kindle. Book excerpt: Originally published by Prentice-Hall, 1972.
Book Synopsis Byzantine Art and Archaeology by : Ormonde Maddock Dalton
Download or read book Byzantine Art and Archaeology written by Ormonde Maddock Dalton and published by . This book was released on 1911 with total page 760 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Between the ninth and twelfth centuries the Byzantine Empire encompassed a wide geographical territory extending from South Italy to Armenia, from the Danube to Cyprus. From the capital of the Empire, Constantinople, the all-powerful, God-elected emperor exercised autocratic control over the periphery. These structures of centralization stood in tension with the decentralizing force of local interests in the provinces. This present volume offers a comparative study of the form and patronage of surviving buildings and their painted decoration in four very different provinces-- Cappadocia, Cyprus, Macedonia, and South Italy--as a means of assessing the nature of Byzantine provincial art. All too often art historians have simplistically labeled high quality works in the provinces "metropolitan" and those of lesser aesthetic interests "provincial." The study establishes that a context in the hinterlands of the Empire affected the making of all provincial buildings--great and small. Local traditions and distinct patterns of patronage left their mark on even the most cosmopolitan structures. At the same time, the relative receptivity of the provinces to metropolitan artistic conventions indicates the ideological power of those conventions. Monumental works constructed in the provinces consistently served to reinforce Constantinopolitan hegemony. The reciprocity of these actions in the art of the Empire calls into question the facile equation of "provincial" with poor quality, derivativeness, and artistic insignificance. Most of the great fresco programs and buildings of the Byzantine Empire survive not in its capital, Constantinople, but in its provinces. Art of Empire is the only study to date which treats both the painting and architecture of these monuments comparatively within their geographical and social context. Though not a survey of provincial monuments, the book makes accessible to a broader audience a compendium of little-known and underappreciated works of great aesthetic and historical value.
Book Synopsis Art of Empire by : Annabel Jane Wharton
Download or read book Art of Empire written by Annabel Jane Wharton and published by Penn State University Press. This book was released on 1988 with total page 216 pages. Available in PDF, EPUB and Kindle. Book excerpt: Between the ninth and twelfth centuries the Byzantine Empire encompassed a wide geographical territory extending from South Italy to Armenia, from the Danube to Cyprus. From the capital of the Empire, Constantinople, the all-powerful, God-elected emperor exercised autocratic control over the periphery. These structures of centralization stood in tension with the decentralizing force of local interests in the provinces. This present volume offers a comparative study of the form and patronage of surviving buildings and their painted decoration in four very different provinces-- Cappadocia, Cyprus, Macedonia, and South Italy--as a means of assessing the nature of Byzantine provincial art. All too often art historians have simplistically labeled high quality works in the provinces "metropolitan" and those of lesser aesthetic interests "provincial." The study establishes that a context in the hinterlands of the Empire affected the making of all provincial buildings--great and small. Local traditions and distinct patterns of patronage left their mark on even the most cosmopolitan structures. At the same time, the relative receptivity of the provinces to metropolitan artistic conventions indicates the ideological power of those conventions. Monumental works constructed in the provinces consistently served to reinforce Constantinopolitan hegemony. The reciprocity of these actions in the art of the Empire calls into question the facile equation of "provincial" with poor quality, derivativeness, and artistic insignificance. Most of the great fresco programs and buildings of the Byzantine Empire survive not in its capital, Constantinople, but in its provinces. Art of Empire is the only study to date which treats both the painting and architecture of these monuments comparatively within their geographical and social context. Though not a survey of provincial monuments, the book makes accessible to a broader audience a compendium of little-known and underappreciated works of great aesthetic and historical value.
This magnificent volume explores the epochal transformations and unexpected continuities in the Byzantine Empire from the 7th to the 9th century. At the beginning of the 7th century, the Empire's southern provinces, the vibrant, diverse areas of North Africa and the eastern Mediterranean, were at the crossroads of exchanges reaching from Spain to China. These regions experienced historic upheavals when their Christian and Jewish communities encountered the emerging Islamic world, and by the 9th century, an unprecedented cross- fertilization of cultures had taken place. This extraordinary age is brought vividly to life in insightful contributions by leading international scholars, accompanied by sumptuous illustrations of the period's most notable arts and artifacts. Resplendent images of authority, religion, and trade—embodied in precious metals, brilliant textiles, fine ivories, elaborate mosaics, manuscripts, and icons, many of them never before published— highlight the dynamic dialogue between the rich array of Byzantine styles and the newly forming Islamic aesthetic. With its masterful exploration of two centuries that would shape the emerging medieval world, this illuminating publication provides a unique interpretation of a period that still resonates today.
Book Synopsis Byzantium and Islam by : Metropolitan Museum of Art (New York, N.Y.)
Download or read book Byzantium and Islam written by Metropolitan Museum of Art (New York, N.Y.) and published by Metropolitan Museum of Art. This book was released on 2012 with total page 354 pages. Available in PDF, EPUB and Kindle. Book excerpt: This magnificent volume explores the epochal transformations and unexpected continuities in the Byzantine Empire from the 7th to the 9th century. At the beginning of the 7th century, the Empire's southern provinces, the vibrant, diverse areas of North Africa and the eastern Mediterranean, were at the crossroads of exchanges reaching from Spain to China. These regions experienced historic upheavals when their Christian and Jewish communities encountered the emerging Islamic world, and by the 9th century, an unprecedented cross- fertilization of cultures had taken place. This extraordinary age is brought vividly to life in insightful contributions by leading international scholars, accompanied by sumptuous illustrations of the period's most notable arts and artifacts. Resplendent images of authority, religion, and trade—embodied in precious metals, brilliant textiles, fine ivories, elaborate mosaics, manuscripts, and icons, many of them never before published— highlight the dynamic dialogue between the rich array of Byzantine styles and the newly forming Islamic aesthetic. With its masterful exploration of two centuries that would shape the emerging medieval world, this illuminating publication provides a unique interpretation of a period that still resonates today.
