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Associationism and the Literary Imagination

Author: Craig Cairns Craig

Publisher: Edinburgh University Press

Published: 2020-03-31

Total Pages: 336

ISBN-13: 0748628169

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Associationism and the Literary Imagination traces the influence of empirical philosophy and associationist psychology on theories of literary creativity and on the experience of reading literature. It runs from David Hume's Treatise of Human Nature in 1739 to the works of major literary critics of the twentieth century, such as I.A. Richards, W.K. Wimsatt and Northrop Frye. Cairns Craig explores the ways in which associationist conceptions of literature gave rise to some of the key transformations in British writing between the romantic and modernist periods. In particular, he analyses the ways in which authors' conceptions of the form of their readers' aesthetic experience led to radical developments in literary style, from the fragmentary narrative of Sterne's Tristram Shandy in 1760 to Virginia Woolf's experiments in the rendering of characters' consciousness in the 1920s; and from Wordsworth's poetic use of autobiography to J.G. Frazer's exploration of a mythic unconscious in The Golden Bough. Detailed analyses are offered of the ways in which a wide variety of major British writers, including Scott, Lady Morgan, Dickens, Tennyson, Hardy, Yeats, Joyce and Woolf developed their literary techniques on the basis of associationist conceptions of the mind, and of how modern literary criticism - from Arthur Symons to Roland Barthes - is founded on associationist principles. Associationism and the Literary Imagination relocates the traditions of British writing since the eighteenth century within the neglected context of its native empirical philosophy, and reveals how many of the issues assumed to be products of 'postmodern' or 'deconstructive' theory have long been foregrounded and debated within the traditions of British empiricism. This is a work which provides a radical new perspective on the history of literature in Britain and Ireland and challenges many of the assumptions of contemporary theoretical debate about the

Book Synopsis Associationism and the Literary Imagination by : Craig Cairns Craig

Download or read book Associationism and the Literary Imagination written by Craig Cairns Craig and published by Edinburgh University Press. This book was released on 2020-03-31 with total page 336 pages. Available in PDF, EPUB and Kindle. Book excerpt: Associationism and the Literary Imagination traces the influence of empirical philosophy and associationist psychology on theories of literary creativity and on the experience of reading literature. It runs from David Hume's Treatise of Human Nature in 1739 to the works of major literary critics of the twentieth century, such as I.A. Richards, W.K. Wimsatt and Northrop Frye. Cairns Craig explores the ways in which associationist conceptions of literature gave rise to some of the key transformations in British writing between the romantic and modernist periods. In particular, he analyses the ways in which authors' conceptions of the form of their readers' aesthetic experience led to radical developments in literary style, from the fragmentary narrative of Sterne's Tristram Shandy in 1760 to Virginia Woolf's experiments in the rendering of characters' consciousness in the 1920s; and from Wordsworth's poetic use of autobiography to J.G. Frazer's exploration of a mythic unconscious in The Golden Bough. Detailed analyses are offered of the ways in which a wide variety of major British writers, including Scott, Lady Morgan, Dickens, Tennyson, Hardy, Yeats, Joyce and Woolf developed their literary techniques on the basis of associationist conceptions of the mind, and of how modern literary criticism - from Arthur Symons to Roland Barthes - is founded on associationist principles. Associationism and the Literary Imagination relocates the traditions of British writing since the eighteenth century within the neglected context of its native empirical philosophy, and reveals how many of the issues assumed to be products of 'postmodern' or 'deconstructive' theory have long been foregrounded and debated within the traditions of British empiricism. This is a work which provides a radical new perspective on the history of literature in Britain and Ireland and challenges many of the assumptions of contemporary theoretical debate about the

T. S. Eliot's Dialectical Imagination

Author: Jewel Spears Brooker

Publisher: JHU Press

Published: 2018-11-15

Total Pages: 236

ISBN-13: 1421426536

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What principles connect—and what distinctions separate—“The Love Song of J. Alfred Prufrock,” The Waste Land, and Four Quartets? The thought-tormented characters in T. S. Eliot’s early poetry are paralyzed by the gap between mind and body, thought and action. The need to address this impasse is part of what drew Eliot to philosophy, and the failure of philosophy to appease his disquiet is the reason he gave for abandoning it. In T. S. Eliot’s Dialectical Imagination, Jewel Spears Brooker argues that two of the principles that Eliot absorbed as a PhD student at Harvard and Oxford were to become permanent features of his mind, grounding his lifelong quest for wholeness and underpinning most of his subsequent poetry. The first principle is that contradictions are best understood dialectically, by moving to perspectives that both include and transcend them. The second is that all truths exist in relation to other truths. Together or in tandem, these two principles—dialectic and relativism—constitute the basis of a continual reshaping of Eliot’s imagination. The dialectic serves as a kinetic principle, undergirding his impulse to move forward by looping back, and the relativism supports his ingrained ambivalence. Brooker considers Eliot’s poetry in three blocks, each represented by a signature masterpiece: “The Love Song of J. Alfred Prufrock,” The Waste Land, and Four Quartets. She correlates these works with stages in the poet’s intellectual and spiritual life: disjunction, ambivalence, and transcendence. Using a methodology that is both inductive—moving from texts to theories—and comparative—juxtaposing the evolution of Eliot’s mind as reflected in his philosophical prose and the evolution of style as seen in his poetry—Brooker integrates cultural and biographical contexts. The first book to read Eliot’s poems alongside all of his prose and letters, T. S. Eliot’s Dialectical Imagination will revise received readings of his mind and art, as well as of literary modernism.

Book Synopsis T. S. Eliot's Dialectical Imagination by : Jewel Spears Brooker

Download or read book T. S. Eliot's Dialectical Imagination written by Jewel Spears Brooker and published by JHU Press. This book was released on 2018-11-15 with total page 236 pages. Available in PDF, EPUB and Kindle. Book excerpt: What principles connect—and what distinctions separate—“The Love Song of J. Alfred Prufrock,” The Waste Land, and Four Quartets? The thought-tormented characters in T. S. Eliot’s early poetry are paralyzed by the gap between mind and body, thought and action. The need to address this impasse is part of what drew Eliot to philosophy, and the failure of philosophy to appease his disquiet is the reason he gave for abandoning it. In T. S. Eliot’s Dialectical Imagination, Jewel Spears Brooker argues that two of the principles that Eliot absorbed as a PhD student at Harvard and Oxford were to become permanent features of his mind, grounding his lifelong quest for wholeness and underpinning most of his subsequent poetry. The first principle is that contradictions are best understood dialectically, by moving to perspectives that both include and transcend them. The second is that all truths exist in relation to other truths. Together or in tandem, these two principles—dialectic and relativism—constitute the basis of a continual reshaping of Eliot’s imagination. The dialectic serves as a kinetic principle, undergirding his impulse to move forward by looping back, and the relativism supports his ingrained ambivalence. Brooker considers Eliot’s poetry in three blocks, each represented by a signature masterpiece: “The Love Song of J. Alfred Prufrock,” The Waste Land, and Four Quartets. She correlates these works with stages in the poet’s intellectual and spiritual life: disjunction, ambivalence, and transcendence. Using a methodology that is both inductive—moving from texts to theories—and comparative—juxtaposing the evolution of Eliot’s mind as reflected in his philosophical prose and the evolution of style as seen in his poetry—Brooker integrates cultural and biographical contexts. The first book to read Eliot’s poems alongside all of his prose and letters, T. S. Eliot’s Dialectical Imagination will revise received readings of his mind and art, as well as of literary modernism.

Civil Rights in the White Literary Imagination

Author: Jonathan W. Gray

Publisher: Univ. Press of Mississippi

Published: 2013-02

Total Pages: 176

ISBN-13: 1617036498

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The statement, "The Civil Rights Movement changed America," though true, has become something of a cliché. Civil rights in the White Literary Imagination seeks to determine how, exactly, the Civil Rights Movement changed the literary possibilities of four iconic American writers: Robert Penn Warren, Norman Mailer, Eudora Welty, and William Styron. Each of these writers published significant works prior to the Brown v. Board of Education case in 1954 and the Montgomery Bus Boycott that began in December of the following year, making it possible to trace their evolution in reaction to these events. The work these writers crafted in response to the upheaval of the day, from Warren's Who Speaks for the Negro?, to Mailer's "The White Negro" to Welty's "Where Is the Voice Coming From?" to Styron's Confessions of Nat Turner, reveal much about their own feeling in the moment even as they contribute to the national conversation that centered on race and democracy. By examining these works closely, Gray posits the argument that these writers significantly shaped discourse on civil rights as the movement was occurring but did so in ways that--intentionally or not--often relied upon a notion of the relative innocence of the South with regard to racial affairs, and on a construct of African Americans as politically and/or culturally na*ve. As these writers grappled with race and the myth of southern nobility, their work developed in ways that were simultaneously sympathetic of, and condescending to, black intellectual thought occurring at the same time.

Book Synopsis Civil Rights in the White Literary Imagination by : Jonathan W. Gray

Download or read book Civil Rights in the White Literary Imagination written by Jonathan W. Gray and published by Univ. Press of Mississippi. This book was released on 2013-02 with total page 176 pages. Available in PDF, EPUB and Kindle. Book excerpt: The statement, "The Civil Rights Movement changed America," though true, has become something of a cliché. Civil rights in the White Literary Imagination seeks to determine how, exactly, the Civil Rights Movement changed the literary possibilities of four iconic American writers: Robert Penn Warren, Norman Mailer, Eudora Welty, and William Styron. Each of these writers published significant works prior to the Brown v. Board of Education case in 1954 and the Montgomery Bus Boycott that began in December of the following year, making it possible to trace their evolution in reaction to these events. The work these writers crafted in response to the upheaval of the day, from Warren's Who Speaks for the Negro?, to Mailer's "The White Negro" to Welty's "Where Is the Voice Coming From?" to Styron's Confessions of Nat Turner, reveal much about their own feeling in the moment even as they contribute to the national conversation that centered on race and democracy. By examining these works closely, Gray posits the argument that these writers significantly shaped discourse on civil rights as the movement was occurring but did so in ways that--intentionally or not--often relied upon a notion of the relative innocence of the South with regard to racial affairs, and on a construct of African Americans as politically and/or culturally na*ve. As these writers grappled with race and the myth of southern nobility, their work developed in ways that were simultaneously sympathetic of, and condescending to, black intellectual thought occurring at the same time.

Literary Imagination

Author:

Publisher:

Published: 2003

Total Pages: 526

ISBN-13:

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Book Synopsis Literary Imagination by :

Download or read book Literary Imagination written by and published by . This book was released on 2003 with total page 526 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Imagining the Dead in British Literature and Culture, 1790–1848

Author: David McAllister

Publisher: Springer

Published: 2018-09-29

Total Pages: 227

ISBN-13: 3319977318

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This book offers the first account of the dead as an imagined community in the early nineteenth-century. It examines why Romantic and Victorian writers (including Wordsworth, Dickens, De Quincey, Godwin, and D’Israeli) believed that influencing the imaginative conception of the dead was a way to either advance, or resist, social and political reform. This interdisciplinary study contributes to the burgeoning field of Death Studies by drawing on the work of both canonical and lesser-known writers, reformers, and educationalists to show how both literary representation of the dead, and the burial and display of their corpses in churchyards, dissecting-rooms, and garden cemeteries, responded to developments in literary aesthetics, psychology, ethics, and political philosophy. Imagining the Dead in British Literature and Culture, 1790-1848 shows that whether they were lauded as exemplars or loathed as tyrants, rendered absent by burial, or made uncannily present through exhumation and display, the dead were central to debates about the shape and structure of British society as it underwent some of the most radical transformations in its history.

Book Synopsis Imagining the Dead in British Literature and Culture, 1790–1848 by : David McAllister

Download or read book Imagining the Dead in British Literature and Culture, 1790–1848 written by David McAllister and published by Springer. This book was released on 2018-09-29 with total page 227 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book offers the first account of the dead as an imagined community in the early nineteenth-century. It examines why Romantic and Victorian writers (including Wordsworth, Dickens, De Quincey, Godwin, and D’Israeli) believed that influencing the imaginative conception of the dead was a way to either advance, or resist, social and political reform. This interdisciplinary study contributes to the burgeoning field of Death Studies by drawing on the work of both canonical and lesser-known writers, reformers, and educationalists to show how both literary representation of the dead, and the burial and display of their corpses in churchyards, dissecting-rooms, and garden cemeteries, responded to developments in literary aesthetics, psychology, ethics, and political philosophy. Imagining the Dead in British Literature and Culture, 1790-1848 shows that whether they were lauded as exemplars or loathed as tyrants, rendered absent by burial, or made uncannily present through exhumation and display, the dead were central to debates about the shape and structure of British society as it underwent some of the most radical transformations in its history.

The Literary Imagination in Jewish Antiquity

Author: Eva Mroczek

Publisher: Oxford University Press

Published: 2016

Total Pages: 282

ISBN-13: 0190279834

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The discovery of the Dead Sea Scrolls revealed a world of early Jewish writing larger than the Bible: from multiple versions of biblical texts to 'revealed' books not found in our canon. But despite this diversity, the way we read Second Temple Jewish literature remains constrained by two anachronistic categories: a theological one, 'Bible,' and a bibliographic one, 'book.' 'The Literary Imagination in Jewish Antiquity' suggests ways of thinking about how Jews understood their own literature before these categories had emerged.

Book Synopsis The Literary Imagination in Jewish Antiquity by : Eva Mroczek

Download or read book The Literary Imagination in Jewish Antiquity written by Eva Mroczek and published by Oxford University Press. This book was released on 2016 with total page 282 pages. Available in PDF, EPUB and Kindle. Book excerpt: The discovery of the Dead Sea Scrolls revealed a world of early Jewish writing larger than the Bible: from multiple versions of biblical texts to 'revealed' books not found in our canon. But despite this diversity, the way we read Second Temple Jewish literature remains constrained by two anachronistic categories: a theological one, 'Bible,' and a bibliographic one, 'book.' 'The Literary Imagination in Jewish Antiquity' suggests ways of thinking about how Jews understood their own literature before these categories had emerged.

Incest and the Literary Imagination

Author: Elizabeth Barnes

Publisher:

Published: 2002

Total Pages: 382

ISBN-13: 9780813025407

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"Its range--both chronological and methodological--as well as the consistently high quality of its essays makes this collection stand out. A timely and important collection . . . on literary representations of incest [that will] become the touchstone for further work in the field."--Teresa A. Goddu, Vanderbilt University "These original and provocative essays fill a significant gap in our literary histories of sex and gender."--Bruce Burgett, University of Washington, Bothell This wide-ranging collection tracks the contradictory roles of incest in Anglo-American literature, politics, and culture from the Middle Ages, a period Elizabeth Barnes states is considered unrivaled for its "unblinking acceptance of many varieties of incest," to the present. Barnes explicates the role of incest in Anglo-American literature and culture, and in doing so sheds new light on the familiar story of incest as a vice of barbarians and a privilege of the elite. This unprecedented critical treatment of the subject speaks comprehensively to the greater attention placed on the occurrence of incest in the last several decades even as it provides a critical grasp of the topic from complex theoretical and historically nuanced perspectives. The essays range across a variety of methodological approaches--including psychoanalytic, cultural-historical, biographical, and queer theoretical. In this seminal work in the field, Elizabeth Barnes clarifies the role of literature as a privileged site for the inquiry into incest. She links literature's ability to "tell trauma"--a theoretical issue of the book--to the personal, political, and cultural approaches to incest that the volume addresses. The result is a collection, unlike many of such broad scope, whose essays flow seamlessly and coherently from one focus to the next. Contents Part I. The Royal Privilege of Incest 1. "Worse Than Bogery": Incest Stories in Middle English Literature, by Elizabeth Archibald 2. Incest and Authority in Pericles, Prince of Tyre, by Susan Frye 3. Sexual and Social Mobility in The Duchess of Malfi, by Frank Whigham 4. Incest and Class: 'Tis Pity She's a Whore and the Borgias, by Lisa Hopkins Part II. The Fall of the Fathers 5. The Ambivalence of Nature's Law: Representations of Incest in Dryden and His English Contemporaries, by T.G.A. Nelson 6. Natural and National Unions: Incest and Sympathy in the Early Republic, by Elizabeth Barnes 7. Temperance in the Bed of a Child: Incest and Social Order in Nineteenth-Century America, by Karen Sanchez-Eppler Part III. The Silence of the Daughters 8. Incest in the Story of Tancredi: Christine de Pizan's Poetics of Euphemism, by Elizabeth Allen 9. "Don't Say Such Foolish Things, Dear": Speaking Incest in The Voyage Out, by Jen Shelton 10. "Father, Don't You See I'm Burning?": Identification and Remembering in H.D.'s World War II Writing, by Madelyn Detloff Part IV. Incest in the House of Culture 11. Telling Fact from Fiction: Dorothy Allison's Disciplinary Stories, by Gillian Harkins 12. "Hereisthehouse": Cultural Spaces of Incest in The Bluest Eye, by Minrose C. Gwin 13. Sexual Trauma/Queer Memory: Incest, Lesbianism, and Therapeutic Culture, by Ann Cvetkovich 14. The New Face of Incest?: Race, Class, and the Controversy over Kathryn Harrison's The Kiss, by Mako Yoshikawa Elizabeth L. Barnes is associate professor of English at the College of William and Mary.

Book Synopsis Incest and the Literary Imagination by : Elizabeth Barnes

Download or read book Incest and the Literary Imagination written by Elizabeth Barnes and published by . This book was released on 2002 with total page 382 pages. Available in PDF, EPUB and Kindle. Book excerpt: "Its range--both chronological and methodological--as well as the consistently high quality of its essays makes this collection stand out. A timely and important collection . . . on literary representations of incest [that will] become the touchstone for further work in the field."--Teresa A. Goddu, Vanderbilt University "These original and provocative essays fill a significant gap in our literary histories of sex and gender."--Bruce Burgett, University of Washington, Bothell This wide-ranging collection tracks the contradictory roles of incest in Anglo-American literature, politics, and culture from the Middle Ages, a period Elizabeth Barnes states is considered unrivaled for its "unblinking acceptance of many varieties of incest," to the present. Barnes explicates the role of incest in Anglo-American literature and culture, and in doing so sheds new light on the familiar story of incest as a vice of barbarians and a privilege of the elite. This unprecedented critical treatment of the subject speaks comprehensively to the greater attention placed on the occurrence of incest in the last several decades even as it provides a critical grasp of the topic from complex theoretical and historically nuanced perspectives. The essays range across a variety of methodological approaches--including psychoanalytic, cultural-historical, biographical, and queer theoretical. In this seminal work in the field, Elizabeth Barnes clarifies the role of literature as a privileged site for the inquiry into incest. She links literature's ability to "tell trauma"--a theoretical issue of the book--to the personal, political, and cultural approaches to incest that the volume addresses. The result is a collection, unlike many of such broad scope, whose essays flow seamlessly and coherently from one focus to the next. Contents Part I. The Royal Privilege of Incest 1. "Worse Than Bogery": Incest Stories in Middle English Literature, by Elizabeth Archibald 2. Incest and Authority in Pericles, Prince of Tyre, by Susan Frye 3. Sexual and Social Mobility in The Duchess of Malfi, by Frank Whigham 4. Incest and Class: 'Tis Pity She's a Whore and the Borgias, by Lisa Hopkins Part II. The Fall of the Fathers 5. The Ambivalence of Nature's Law: Representations of Incest in Dryden and His English Contemporaries, by T.G.A. Nelson 6. Natural and National Unions: Incest and Sympathy in the Early Republic, by Elizabeth Barnes 7. Temperance in the Bed of a Child: Incest and Social Order in Nineteenth-Century America, by Karen Sanchez-Eppler Part III. The Silence of the Daughters 8. Incest in the Story of Tancredi: Christine de Pizan's Poetics of Euphemism, by Elizabeth Allen 9. "Don't Say Such Foolish Things, Dear": Speaking Incest in The Voyage Out, by Jen Shelton 10. "Father, Don't You See I'm Burning?": Identification and Remembering in H.D.'s World War II Writing, by Madelyn Detloff Part IV. Incest in the House of Culture 11. Telling Fact from Fiction: Dorothy Allison's Disciplinary Stories, by Gillian Harkins 12. "Hereisthehouse": Cultural Spaces of Incest in The Bluest Eye, by Minrose C. Gwin 13. Sexual Trauma/Queer Memory: Incest, Lesbianism, and Therapeutic Culture, by Ann Cvetkovich 14. The New Face of Incest?: Race, Class, and the Controversy over Kathryn Harrison's The Kiss, by Mako Yoshikawa Elizabeth L. Barnes is associate professor of English at the College of William and Mary.

Civil Rights in the White Literary Imagination

Author: Jonathan W. Gray

Publisher: Univ. Press of Mississippi

Published: 2013-01-14

Total Pages: 218

ISBN-13: 1626742618

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The statement, “The Civil Rights Movement changed America,” though true, has become something of a cliché. Civil Rights in the White Literary Imagination seeks to determine how, exactly, the Civil Rights Movement changed the literary possibilities of four iconic American writers: Robert Penn Warren, Norman Mailer, Eudora Welty, and William Styron. Each of these writers published significant works prior to the Brown v. Board of Education case in 1954 and the Montgomery Bus Boycott that began in December of the following year, making it possible to trace their evolution in reaction to these events. The work these writers crafted in response to the upheaval of the day, from Warren's Who Speaks for the Negro?, to Mailer's “The White Negro” to Welty's “Where Is the Voice Coming From?” to Styron's Confessions of Nat Turner, reveal much about their own feeling in the moment even as they contribute to the national conversation that centered on race and democracy. By examining these works closely, Gray posits the argument that these writers significantly shaped discourse on civil rights as the movement was occurring but did so in ways that—intentionally or not—often relied upon a notion of the relative innocence of the South with regard to racial affairs, and on a construct of African Americans as politically and/or culturally naive. As these writers grappled with race and the myth of southern nobility, their work developed in ways that were simultaneously sympathetic of, and condescending to, black intellectual thought occurring at the same time.

Book Synopsis Civil Rights in the White Literary Imagination by : Jonathan W. Gray

Download or read book Civil Rights in the White Literary Imagination written by Jonathan W. Gray and published by Univ. Press of Mississippi. This book was released on 2013-01-14 with total page 218 pages. Available in PDF, EPUB and Kindle. Book excerpt: The statement, “The Civil Rights Movement changed America,” though true, has become something of a cliché. Civil Rights in the White Literary Imagination seeks to determine how, exactly, the Civil Rights Movement changed the literary possibilities of four iconic American writers: Robert Penn Warren, Norman Mailer, Eudora Welty, and William Styron. Each of these writers published significant works prior to the Brown v. Board of Education case in 1954 and the Montgomery Bus Boycott that began in December of the following year, making it possible to trace their evolution in reaction to these events. The work these writers crafted in response to the upheaval of the day, from Warren's Who Speaks for the Negro?, to Mailer's “The White Negro” to Welty's “Where Is the Voice Coming From?” to Styron's Confessions of Nat Turner, reveal much about their own feeling in the moment even as they contribute to the national conversation that centered on race and democracy. By examining these works closely, Gray posits the argument that these writers significantly shaped discourse on civil rights as the movement was occurring but did so in ways that—intentionally or not—often relied upon a notion of the relative innocence of the South with regard to racial affairs, and on a construct of African Americans as politically and/or culturally naive. As these writers grappled with race and the myth of southern nobility, their work developed in ways that were simultaneously sympathetic of, and condescending to, black intellectual thought occurring at the same time.

Thinking Literature across Continents

Author: Ranjan Ghosh

Publisher: Duke University Press

Published: 2016-11-11

Total Pages: 320

ISBN-13: 0822373696

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Thinking Literature across Continents finds Ranjan Ghosh and J. Hillis Miller—two thinkers from different continents, cultures, training, and critical perspectives—debating and reflecting upon what literature is and why it matters. Ghosh and Miller do not attempt to formulate a joint theory of literature; rather, they allow their different backgrounds and lively disagreements to stimulate generative dialogue on poetry, world literature, pedagogy, and the ethics of literature. Addressing a varied literary context ranging from Victorian literature, Chinese literary criticism and philosophy, and continental philosophy to Sanskrit poetics and modern European literature, Ghosh offers a transnational theory of literature while Miller emphasizes the need to account for what a text says and how it says it. Thinking Literature across Continents highlights two minds continually discovering new paths of communication and two literary and cultural traditions intersecting in productive and compelling ways.

Book Synopsis Thinking Literature across Continents by : Ranjan Ghosh

Download or read book Thinking Literature across Continents written by Ranjan Ghosh and published by Duke University Press. This book was released on 2016-11-11 with total page 320 pages. Available in PDF, EPUB and Kindle. Book excerpt: Thinking Literature across Continents finds Ranjan Ghosh and J. Hillis Miller—two thinkers from different continents, cultures, training, and critical perspectives—debating and reflecting upon what literature is and why it matters. Ghosh and Miller do not attempt to formulate a joint theory of literature; rather, they allow their different backgrounds and lively disagreements to stimulate generative dialogue on poetry, world literature, pedagogy, and the ethics of literature. Addressing a varied literary context ranging from Victorian literature, Chinese literary criticism and philosophy, and continental philosophy to Sanskrit poetics and modern European literature, Ghosh offers a transnational theory of literature while Miller emphasizes the need to account for what a text says and how it says it. Thinking Literature across Continents highlights two minds continually discovering new paths of communication and two literary and cultural traditions intersecting in productive and compelling ways.

Premodern Ecologies in the Modern Literary Imagination

Author: Vin Nardizzi

Publisher: University of Toronto Press

Published: 2019-04-18

Total Pages: 357

ISBN-13: 1487504144

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Premodern Ecologies in the Modern Literary Imagination explores how the cognitive and physical landscapes in which scholars conduct research, write, and teach have shaped their understandings of medieval and Renaissance English literary "oecologies." The collection strives to practice what Ursula K. Heise calls "eco-cosmopolitanism," a method that imagines forms of local environmentalism as a defense against the interventions of open-market global networks. It also expands the idea's possibilities and identifies its limitations through critical studies of premodern texts, artefacts, and environmental history. The essays connect real environments and their imaginative (re)creations and affirm the urgency of reorienting humanity's responsiveness to, and responsibility for, the historical links between human and non-human existence. The discussion of ways in which meditation on scholarly place and time can deepen ecocritical work offers an innovative and engaging approach that will appeal to both ecocritics generally and to medieval and early modern scholars.

Book Synopsis Premodern Ecologies in the Modern Literary Imagination by : Vin Nardizzi

Download or read book Premodern Ecologies in the Modern Literary Imagination written by Vin Nardizzi and published by University of Toronto Press. This book was released on 2019-04-18 with total page 357 pages. Available in PDF, EPUB and Kindle. Book excerpt: Premodern Ecologies in the Modern Literary Imagination explores how the cognitive and physical landscapes in which scholars conduct research, write, and teach have shaped their understandings of medieval and Renaissance English literary "oecologies." The collection strives to practice what Ursula K. Heise calls "eco-cosmopolitanism," a method that imagines forms of local environmentalism as a defense against the interventions of open-market global networks. It also expands the idea's possibilities and identifies its limitations through critical studies of premodern texts, artefacts, and environmental history. The essays connect real environments and their imaginative (re)creations and affirm the urgency of reorienting humanity's responsiveness to, and responsibility for, the historical links between human and non-human existence. The discussion of ways in which meditation on scholarly place and time can deepen ecocritical work offers an innovative and engaging approach that will appeal to both ecocritics generally and to medieval and early modern scholars.