The Augustan Satire: exemplified on Alexander Pope’s "The Rape of the Lock"

The Augustan Satire: exemplified on Alexander Pope’s

Author: Nadja Groß

Publisher: GRIN Verlag

Published: 2013-03-18

Total Pages: 13

ISBN-13: 3656393141

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Seminar paper from the year 2012 in the subject English Language and Literature Studies - Literature, grade: 2,7, University of Trier, course: Alexander Pope, language: English, abstract: “Pope is the standout poet of the eighteenth century. A master of form and register, a maestro of metre, and a doyden of wit, Pope will remain among the most read and most imitated writers in the English language” (Budge 2009, 54.) Alexander Pope is often referred to as one of the greatest critics of all times. He is a great author and his poems are commonly known in the world of Literature. His satirical style is brilliant and exemplified in many of his poems. In the following, I am going to analyze the Augustan poem “The Rape of the Lock”, specifically in terms of its satirical elements. Therefore, I want to start with a look at a few definitions of the Satire. Next, I will go into more detail by defining the Augustan Satire as a subgenre of Satire. After validating these two term’s definitions, there will be the actual analysis. Due to limitations of space, however, I cannot consider all of the satirical elements of the poem, and have decided to put my main focus on the role of Belinda.


Book Synopsis The Augustan Satire: exemplified on Alexander Pope’s "The Rape of the Lock" by : Nadja Groß

Download or read book The Augustan Satire: exemplified on Alexander Pope’s "The Rape of the Lock" written by Nadja Groß and published by GRIN Verlag. This book was released on 2013-03-18 with total page 13 pages. Available in PDF, EPUB and Kindle. Book excerpt: Seminar paper from the year 2012 in the subject English Language and Literature Studies - Literature, grade: 2,7, University of Trier, course: Alexander Pope, language: English, abstract: “Pope is the standout poet of the eighteenth century. A master of form and register, a maestro of metre, and a doyden of wit, Pope will remain among the most read and most imitated writers in the English language” (Budge 2009, 54.) Alexander Pope is often referred to as one of the greatest critics of all times. He is a great author and his poems are commonly known in the world of Literature. His satirical style is brilliant and exemplified in many of his poems. In the following, I am going to analyze the Augustan poem “The Rape of the Lock”, specifically in terms of its satirical elements. Therefore, I want to start with a look at a few definitions of the Satire. Next, I will go into more detail by defining the Augustan Satire as a subgenre of Satire. After validating these two term’s definitions, there will be the actual analysis. Due to limitations of space, however, I cannot consider all of the satirical elements of the poem, and have decided to put my main focus on the role of Belinda.

The Augustan Defence of Satire

The Augustan Defence of Satire

Author: Peter Kingsley Elkin

Publisher: Oxford University Press, USA

Published: 1973

Total Pages: 248

ISBN-13:

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Book Synopsis The Augustan Defence of Satire by : Peter Kingsley Elkin

Download or read book The Augustan Defence of Satire written by Peter Kingsley Elkin and published by Oxford University Press, USA. This book was released on 1973 with total page 248 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Augustan Satire

Augustan Satire

Author: Ian Jack

Publisher: Oxford University Press, USA

Published: 1978

Total Pages: 180

ISBN-13:

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Book Synopsis Augustan Satire by : Ian Jack

Download or read book Augustan Satire written by Ian Jack and published by Oxford University Press, USA. This book was released on 1978 with total page 180 pages. Available in PDF, EPUB and Kindle. Book excerpt:

The Difference Satire Makes

The Difference Satire Makes

Author: Fredric V. Bogel

Publisher: Cornell University Press

Published: 2012-04-20

Total Pages: 275

ISBN-13: 1501722255

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Offering both the first major revision of satiric rhetoric in decades and a critical account of the modern history of satire criticism, Fredric V. Bogel maintains that the central structure of the satiric mode has been misunderstood. Devoting attention to Augustan satiric texts and other examples of satire—from writings by Ben Jonson and Lord Byron to recent performance art—Bogel finds a complicated interaction between identification and distance, intimacy and repudiation.Drawing on anthropological insights and the writings of Kenneth Burke, Bogel articulates a rigorous, richly developed theory of satire. While accepting the view that the mode is built on the tension between satirist and satiric object, he asserts that an equally crucial relationship between the two is that of intimacy and identification; satire does not merely register a difference and proceed to attack in light of that difference. Rather, it must establish or produce difference.The book provides fresh analyses of eighteenth-century texts by Jonathan Swift, John Gay, Alexander Pope, Henry Fielding, and others. Bogel believes that the obsessive play between identification and distance and the fascination with imitation, parody, and mimicry which mark eighteenth-century satire are part of a larger cultural phenomenon in the Augustan era—a questioning of the very status of the category and of categorical distinctness and opposition.


Book Synopsis The Difference Satire Makes by : Fredric V. Bogel

Download or read book The Difference Satire Makes written by Fredric V. Bogel and published by Cornell University Press. This book was released on 2012-04-20 with total page 275 pages. Available in PDF, EPUB and Kindle. Book excerpt: Offering both the first major revision of satiric rhetoric in decades and a critical account of the modern history of satire criticism, Fredric V. Bogel maintains that the central structure of the satiric mode has been misunderstood. Devoting attention to Augustan satiric texts and other examples of satire—from writings by Ben Jonson and Lord Byron to recent performance art—Bogel finds a complicated interaction between identification and distance, intimacy and repudiation.Drawing on anthropological insights and the writings of Kenneth Burke, Bogel articulates a rigorous, richly developed theory of satire. While accepting the view that the mode is built on the tension between satirist and satiric object, he asserts that an equally crucial relationship between the two is that of intimacy and identification; satire does not merely register a difference and proceed to attack in light of that difference. Rather, it must establish or produce difference.The book provides fresh analyses of eighteenth-century texts by Jonathan Swift, John Gay, Alexander Pope, Henry Fielding, and others. Bogel believes that the obsessive play between identification and distance and the fascination with imitation, parody, and mimicry which mark eighteenth-century satire are part of a larger cultural phenomenon in the Augustan era—a questioning of the very status of the category and of categorical distinctness and opposition.

The Cambridge Bibliography of English Literature

The Cambridge Bibliography of English Literature

Author: Frederick Wilse Bateson

Publisher: CUP Archive

Published: 1940

Total Pages: 736

ISBN-13:

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Book Synopsis The Cambridge Bibliography of English Literature by : Frederick Wilse Bateson

Download or read book The Cambridge Bibliography of English Literature written by Frederick Wilse Bateson and published by CUP Archive. This book was released on 1940 with total page 736 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Satire and Sentiment, 1660-1830

Satire and Sentiment, 1660-1830

Author: Claude Julien Rawson

Publisher: Yale University Press

Published: 2000-01-01

Total Pages: 332

ISBN-13: 9780300079166

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Claude Rawson examines the evolution of satirical writing in the period 1660-1830. In a sequence of linked chapters, some new and others revised substantially from earlier articles, he focuses on English writers from Rochester to Austen, both within a contemporaneous European context and as part of a tradition deriving from classical and sixteenth-century Humanist predecessors (Homer, Virgil, Erasmus, Montaigne) and leading to later writers like Flaubert and Yeats. Within the period 1660-1830 satire moved from an unusually dominant position to a relatively modest one, softened by the cult of 'sensibility' or 'sentiment'. The transition was connected with large social and cultural changes culminating in the French Revolution. Rawson's method is to concentrate on stress points, on evasions and internal contradictions, and on continuities and discontinuities with earlier and later periods and with literatures and modes of thought outside Britain.


Book Synopsis Satire and Sentiment, 1660-1830 by : Claude Julien Rawson

Download or read book Satire and Sentiment, 1660-1830 written by Claude Julien Rawson and published by Yale University Press. This book was released on 2000-01-01 with total page 332 pages. Available in PDF, EPUB and Kindle. Book excerpt: Claude Rawson examines the evolution of satirical writing in the period 1660-1830. In a sequence of linked chapters, some new and others revised substantially from earlier articles, he focuses on English writers from Rochester to Austen, both within a contemporaneous European context and as part of a tradition deriving from classical and sixteenth-century Humanist predecessors (Homer, Virgil, Erasmus, Montaigne) and leading to later writers like Flaubert and Yeats. Within the period 1660-1830 satire moved from an unusually dominant position to a relatively modest one, softened by the cult of 'sensibility' or 'sentiment'. The transition was connected with large social and cultural changes culminating in the French Revolution. Rawson's method is to concentrate on stress points, on evasions and internal contradictions, and on continuities and discontinuities with earlier and later periods and with literatures and modes of thought outside Britain.

The Practice of Satire in England, 1658–1770

The Practice of Satire in England, 1658–1770

Author: Ashley Marshall

Publisher: JHU Press

Published: 2013-06-28

Total Pages: 452

ISBN-13: 1421408171

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An exhaustive study of satire in the long eighteenth century. Outstanding Academic Title, Choice In The Practice of Satire in England, 1658–1770, Ashley Marshall explores how satire was conceived and understood by writers and readers of the period. Her account is based on a reading of some 3,000 works, ranging from one-page squibs to novels. The objective is not to recuperate particular minor works but to recover the satiric milieu—to resituate the masterpieces amid the hundreds of other works alongside which they were originally written and read. The long eighteenth century is generally hailed as the great age of satire, and as such, it has received much critical attention. However, scholars have focused almost exclusively on a small number of canonical works, such as Gulliver's Travels and The Dunciad, and have not looked for continuity over time. Marshall revises the standard account of eighteenth-century satire, revealing it to be messy, confused, and discontinuous, exhibiting radical and rapid changes over time. The true history of satire in its great age is not a history at all. Rather, it is a collection of episodic little histories.


Book Synopsis The Practice of Satire in England, 1658–1770 by : Ashley Marshall

Download or read book The Practice of Satire in England, 1658–1770 written by Ashley Marshall and published by JHU Press. This book was released on 2013-06-28 with total page 452 pages. Available in PDF, EPUB and Kindle. Book excerpt: An exhaustive study of satire in the long eighteenth century. Outstanding Academic Title, Choice In The Practice of Satire in England, 1658–1770, Ashley Marshall explores how satire was conceived and understood by writers and readers of the period. Her account is based on a reading of some 3,000 works, ranging from one-page squibs to novels. The objective is not to recuperate particular minor works but to recover the satiric milieu—to resituate the masterpieces amid the hundreds of other works alongside which they were originally written and read. The long eighteenth century is generally hailed as the great age of satire, and as such, it has received much critical attention. However, scholars have focused almost exclusively on a small number of canonical works, such as Gulliver's Travels and The Dunciad, and have not looked for continuity over time. Marshall revises the standard account of eighteenth-century satire, revealing it to be messy, confused, and discontinuous, exhibiting radical and rapid changes over time. The true history of satire in its great age is not a history at all. Rather, it is a collection of episodic little histories.

English formal satire

English formal satire

Author: Doris C. Powers

Publisher: Walter de Gruyter GmbH & Co KG

Published: 2019-03-01

Total Pages: 216

ISBN-13: 3111342492

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To celebrate the 270th anniversary of the De Gruyter publishing house, the company is providing permanent open access to 270 selected treasures from the De Gruyter Book Archive. Titles will be made available to anyone, anywhere at any time that might be interested. The DGBA project seeks to digitize the entire backlist of titles published since 1749 to ensure that future generations have digital access to the high-quality primary sources that De Gruyter has published over the centuries.


Book Synopsis English formal satire by : Doris C. Powers

Download or read book English formal satire written by Doris C. Powers and published by Walter de Gruyter GmbH & Co KG. This book was released on 2019-03-01 with total page 216 pages. Available in PDF, EPUB and Kindle. Book excerpt: To celebrate the 270th anniversary of the De Gruyter publishing house, the company is providing permanent open access to 270 selected treasures from the De Gruyter Book Archive. Titles will be made available to anyone, anywhere at any time that might be interested. The DGBA project seeks to digitize the entire backlist of titles published since 1749 to ensure that future generations have digital access to the high-quality primary sources that De Gruyter has published over the centuries.

Print, Visuality, and Gender in Eighteenth-Century Satire

Print, Visuality, and Gender in Eighteenth-Century Satire

Author: Katherine Mannheimer

Publisher: Routledge

Published: 2012-05-23

Total Pages: 248

ISBN-13: 1136728562

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This study interprets eighteenth-century satire’s famous typographical obsession as a fraught response to the Enlightenment’s "ocularcentric" epistemological paradigms, as well as to a print-cultural moment identified by book-historians as increasingly "visual" — a moment at which widespread attention was being paid, for the first time, to format, layout, and eye-catching advertising strategies. On the one hand, the Augustans were convinced of the ability of their elaborately printed texts to function as a kind of optical machinery rivaling that of the New Science, enhancing readers’ physical but also moral vision. On the other hand, they feared that an overly scrutinizing gaze might undermine the viewer’s natural faculty for candor and sympathy, delight and desire. In readings of Pope, Swift, and Montagu, Mannheimer shows how this distrust of the empirical gaze led to a reconsideration of the ethics, and most specifically the gender politics, of ocularcentrism. Whereas Montagu effected this reconsideration by directly satirizing both the era’s faith in the visual and its attendant publishing strategies, Pope and Swift pursued their critique via print itself: thus whether via facing-page translations, fictional editors, or disingenuous footnotes, these writers sought to ensure that typography never became either a mere tool of (or target for) the objectifying gaze, but rather that it remained a dynamic and interactive medium by which readers could learn both to see and to see themselves seeing.


Book Synopsis Print, Visuality, and Gender in Eighteenth-Century Satire by : Katherine Mannheimer

Download or read book Print, Visuality, and Gender in Eighteenth-Century Satire written by Katherine Mannheimer and published by Routledge. This book was released on 2012-05-23 with total page 248 pages. Available in PDF, EPUB and Kindle. Book excerpt: This study interprets eighteenth-century satire’s famous typographical obsession as a fraught response to the Enlightenment’s "ocularcentric" epistemological paradigms, as well as to a print-cultural moment identified by book-historians as increasingly "visual" — a moment at which widespread attention was being paid, for the first time, to format, layout, and eye-catching advertising strategies. On the one hand, the Augustans were convinced of the ability of their elaborately printed texts to function as a kind of optical machinery rivaling that of the New Science, enhancing readers’ physical but also moral vision. On the other hand, they feared that an overly scrutinizing gaze might undermine the viewer’s natural faculty for candor and sympathy, delight and desire. In readings of Pope, Swift, and Montagu, Mannheimer shows how this distrust of the empirical gaze led to a reconsideration of the ethics, and most specifically the gender politics, of ocularcentrism. Whereas Montagu effected this reconsideration by directly satirizing both the era’s faith in the visual and its attendant publishing strategies, Pope and Swift pursued their critique via print itself: thus whether via facing-page translations, fictional editors, or disingenuous footnotes, these writers sought to ensure that typography never became either a mere tool of (or target for) the objectifying gaze, but rather that it remained a dynamic and interactive medium by which readers could learn both to see and to see themselves seeing.

The Triumph of Augustan Poetics

The Triumph of Augustan Poetics

Author: Blanford Parker

Publisher: Cambridge University Press

Published: 1998-06-11

Total Pages: 282

ISBN-13: 9780521590884

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The Triumph of Augustan Poetics offers an important re-evaluation of the transition from Baroque to Augustan in English literature. Starting with Butler's Hudibras, Blanford Parker describes Augustan satire as a movement away from the 'controversial disputation' of the seventeenth century to a general satire which ridicules Protestant, Anglican and Catholic in equal measure, as well as the poetic traditions that supported them. Once the dominant forms of late medieval and Baroque thought - analogical and fideist, a fully symbolic world and an empty wilderness - were erased, a novel space for the imagination was created. Here a 'literalism' new to European thought can be seen to have replaced the general satire, and at this moment Pope and Thomson create a new art of natural and quotidian description, in parallel with the rise of the novel. Parker's account concludes with the ambiguous or hostile reaction to this new mode seen in the works of Samuel Johnson and others.


Book Synopsis The Triumph of Augustan Poetics by : Blanford Parker

Download or read book The Triumph of Augustan Poetics written by Blanford Parker and published by Cambridge University Press. This book was released on 1998-06-11 with total page 282 pages. Available in PDF, EPUB and Kindle. Book excerpt: The Triumph of Augustan Poetics offers an important re-evaluation of the transition from Baroque to Augustan in English literature. Starting with Butler's Hudibras, Blanford Parker describes Augustan satire as a movement away from the 'controversial disputation' of the seventeenth century to a general satire which ridicules Protestant, Anglican and Catholic in equal measure, as well as the poetic traditions that supported them. Once the dominant forms of late medieval and Baroque thought - analogical and fideist, a fully symbolic world and an empty wilderness - were erased, a novel space for the imagination was created. Here a 'literalism' new to European thought can be seen to have replaced the general satire, and at this moment Pope and Thomson create a new art of natural and quotidian description, in parallel with the rise of the novel. Parker's account concludes with the ambiguous or hostile reaction to this new mode seen in the works of Samuel Johnson and others.