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The latest volume in Oberon's Howard Barker series comprises the plays Und, The Twelfth Battle of Isonzo, 12 Encounters With a Prodigy, Christ's Dog and Learning Kneeling. Howard Barker is Barker is an internationally renowned dramatist. There has been a recent resurgence of presentations of his plays in Britain, with particularly acclaimed productions at the Arcola theatre and the Hackney Empire in recent years. He has a sizable following on the European mainland.
Book Synopsis Barker: Plays Seven by : Howard Barker
Download or read book Barker: Plays Seven written by Howard Barker and published by Bloomsbury Publishing. This book was released on 2012-10-01 with total page 238 pages. Available in PDF, EPUB and Kindle. Book excerpt: The latest volume in Oberon's Howard Barker series comprises the plays Und, The Twelfth Battle of Isonzo, 12 Encounters With a Prodigy, Christ's Dog and Learning Kneeling. Howard Barker is Barker is an internationally renowned dramatist. There has been a recent resurgence of presentations of his plays in Britain, with particularly acclaimed productions at the Arcola theatre and the Hackney Empire in recent years. He has a sizable following on the European mainland.
This book explores questions of gender, desire, embodiment, and language in Barker’s oeuvre. With The Castle as a focal point, the scope extends considerably beyond this play to incorporate analysis and exploration of the Theatre of Catastrophe; questions of gender, subjectivity and desire; God/religion; aesthetics of the self; autonomy-heteronomy; ethics; and the relation between political and libidinal economy, at stake in 20 other plays by Barker (including Rome, The Power of the Dog, The Bite of the Night, Judith, Possibilities, I Saw Myself, Fence in Its Thousandth Year, The Gaoler’s Ache for the Nearly Dead, The Brilliance of the Servant, Golgo, among others).
Book Synopsis Body and Event in Howard Barker's Drama by : Alireza Fakhrkonandeh
Download or read book Body and Event in Howard Barker's Drama written by Alireza Fakhrkonandeh and published by Springer Nature. This book was released on 2019-11-09 with total page 151 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book explores questions of gender, desire, embodiment, and language in Barker’s oeuvre. With The Castle as a focal point, the scope extends considerably beyond this play to incorporate analysis and exploration of the Theatre of Catastrophe; questions of gender, subjectivity and desire; God/religion; aesthetics of the self; autonomy-heteronomy; ethics; and the relation between political and libidinal economy, at stake in 20 other plays by Barker (including Rome, The Power of the Dog, The Bite of the Night, Judith, Possibilities, I Saw Myself, Fence in Its Thousandth Year, The Gaoler’s Ache for the Nearly Dead, The Brilliance of the Servant, Golgo, among others).
Includes the plays Judith, (Uncle) Vanya, A House of Correction, Let Me and Lot and His God Barker's radical rewriting of Chekhov's classic Uncle Vanya brought him more controversy than most of his other works put together. Interrogating not so much Chekhov's text as the use to which society has put it, Barker turns Vanya's defeat into victory and converts a play of sadness into a tragedy of desire. A House of Correction is a meditation on cause and effect. Set on the eve of a war which may destroy a society, the seemingly arbitrary arrival of a messenger with a vital communication sets off an agonizing train of events in the lives of three desperate women. Few works of drama can have plumbed the depths of solitude and rage that characterize Let Me, a nightmare set on the frontiers of the Roman Empire during the barbarian invasions. Biblical narratives serve as the origin of two shorter works, of which Judith is a contemporary classic of cultural conflict, a reinterpretation of the status of the heroine in Israel's war of survival against the Assyrians. In Lot and His God, the imminent destruction of Sodom simultaneously licenses the moral decay of an angel and the erotic epiphany of an adored wife.
Book Synopsis Barker: Plays Six by : Howard Barker
Download or read book Barker: Plays Six written by Howard Barker and published by Bloomsbury Publishing. This book was released on 2012-05-03 with total page 352 pages. Available in PDF, EPUB and Kindle. Book excerpt: Includes the plays Judith, (Uncle) Vanya, A House of Correction, Let Me and Lot and His God Barker's radical rewriting of Chekhov's classic Uncle Vanya brought him more controversy than most of his other works put together. Interrogating not so much Chekhov's text as the use to which society has put it, Barker turns Vanya's defeat into victory and converts a play of sadness into a tragedy of desire. A House of Correction is a meditation on cause and effect. Set on the eve of a war which may destroy a society, the seemingly arbitrary arrival of a messenger with a vital communication sets off an agonizing train of events in the lives of three desperate women. Few works of drama can have plumbed the depths of solitude and rage that characterize Let Me, a nightmare set on the frontiers of the Roman Empire during the barbarian invasions. Biblical narratives serve as the origin of two shorter works, of which Judith is a contemporary classic of cultural conflict, a reinterpretation of the status of the heroine in Israel's war of survival against the Assyrians. In Lot and His God, the imminent destruction of Sodom simultaneously licenses the moral decay of an angel and the erotic epiphany of an adored wife.
Includes the plays The Last Supper, Seven Lears, Hated Nightfall and Wounds to the Face Howard Barker is one of the most significant and controversial dramatists of his time. His plays challenge, unsettle and expose. Both The Last Supper and Seven Lears exemplify Barker's way with great religious and literary stories, the first placing the willful suicide of a Christ-like prophet, Lvov, in the context of modern chaos, illuminating his moral ambiguities with comic or painful parables, the second taking its inspiration from the significant absence in Shakespeare's play, that of Lear's wife, the queen whose murder is here discerned as the origin as the great family tragedy. The execution of the Russian royal family remains shrouded in mystery - not least that of the identity of two bodies discovered in the mass grave years after the event. In Hated Nightfall Barker's speculative imagination leads him to identify these as the children's tutor, Dancer, and a recalcitrant servant, Jane. Dancer is perhaps Barker's archetypal hero, febrile, iconoclastic, yet in search of a self-sacrifice nothing appears to justify. In Wounds to the Face, our complex and sometimes violent relations with our own physiognomy form the psychological link between related scenes of wounding, notoriety, shame and vanity in a play of kaleidoscopic energy and imagery.
Book Synopsis Barker: Plays Five by : Howard Barker
Download or read book Barker: Plays Five written by Howard Barker and published by Bloomsbury Publishing. This book was released on 2012-05-03 with total page 322 pages. Available in PDF, EPUB and Kindle. Book excerpt: Includes the plays The Last Supper, Seven Lears, Hated Nightfall and Wounds to the Face Howard Barker is one of the most significant and controversial dramatists of his time. His plays challenge, unsettle and expose. Both The Last Supper and Seven Lears exemplify Barker's way with great religious and literary stories, the first placing the willful suicide of a Christ-like prophet, Lvov, in the context of modern chaos, illuminating his moral ambiguities with comic or painful parables, the second taking its inspiration from the significant absence in Shakespeare's play, that of Lear's wife, the queen whose murder is here discerned as the origin as the great family tragedy. The execution of the Russian royal family remains shrouded in mystery - not least that of the identity of two bodies discovered in the mass grave years after the event. In Hated Nightfall Barker's speculative imagination leads him to identify these as the children's tutor, Dancer, and a recalcitrant servant, Jane. Dancer is perhaps Barker's archetypal hero, febrile, iconoclastic, yet in search of a self-sacrifice nothing appears to justify. In Wounds to the Face, our complex and sometimes violent relations with our own physiognomy form the psychological link between related scenes of wounding, notoriety, shame and vanity in a play of kaleidoscopic energy and imagery.
Questioning whether the impulse to adapt Shakespeare has changed over time, Lynne Bradley argues for restoring a sense of historicity to the study of adaptation. Bradley compares Nahum Tate's History of King Lear (1681), adaptations by David Garrick in the mid-eighteenth century, and nineteenth-century Shakespeare burlesques to twentieth-century theatrical rewritings of King Lear, and suggests latter-day adaptations should be viewed as a unique genre that allows playwrights to express modern subject positions with regard to their literary heritage while also participating in broader debates about art and society. In identifying and relocating different adaptive gestures within this historical framework, Bradley explores the link between the critical and the creative in the history of Shakespearean adaptation. Focusing on works such as Gordon Bottomley's King Lear's Wife (1913), Edward Bond's Lear (1971), Howard Barker's Seven Lears (1989), and the Women's Theatre Group's Lear's Daughters (1987), Bradley theorizes that modern rewritings of Shakespeare constitute a new type of textual interaction based on a simultaneous double-gesture of collaboration and rejection. She suggests that this new interaction provides constituent groups, such as the feminist collective who wrote Lear's Daughters, a strategy to acknowledge their debt to Shakespeare while writing against the traditional and negative representations of femininity they see reflected in his plays.
Book Synopsis Adapting King Lear for the Stage by : Dr Lynne Bradley
Download or read book Adapting King Lear for the Stage written by Dr Lynne Bradley and published by Ashgate Publishing, Ltd.. This book was released on 2013-04-28 with total page 284 pages. Available in PDF, EPUB and Kindle. Book excerpt: Questioning whether the impulse to adapt Shakespeare has changed over time, Lynne Bradley argues for restoring a sense of historicity to the study of adaptation. Bradley compares Nahum Tate's History of King Lear (1681), adaptations by David Garrick in the mid-eighteenth century, and nineteenth-century Shakespeare burlesques to twentieth-century theatrical rewritings of King Lear, and suggests latter-day adaptations should be viewed as a unique genre that allows playwrights to express modern subject positions with regard to their literary heritage while also participating in broader debates about art and society. In identifying and relocating different adaptive gestures within this historical framework, Bradley explores the link between the critical and the creative in the history of Shakespearean adaptation. Focusing on works such as Gordon Bottomley's King Lear's Wife (1913), Edward Bond's Lear (1971), Howard Barker's Seven Lears (1989), and the Women's Theatre Group's Lear's Daughters (1987), Bradley theorizes that modern rewritings of Shakespeare constitute a new type of textual interaction based on a simultaneous double-gesture of collaboration and rejection. She suggests that this new interaction provides constituent groups, such as the feminist collective who wrote Lear's Daughters, a strategy to acknowledge their debt to Shakespeare while writing against the traditional and negative representations of femininity they see reflected in his plays.
Fifteen essays on the style, language and vision of one of Britain’s most influential and controversial playwrights. Focusing on different aspects of what Barker has called the Theatre of Catastrophe, an international range of academics offer illuminating interpretations of his work. Includes analyses of the political, moral and historical aspects of his writing, its poetry and eroticism, its depiction of the figure of the artist, and Barker’s writing in performance. Includes contributions from Elisabeth Angel-Perez, Mary Karen Dahl, Helen Iball, Christine Kiehl, Charles Lamb, Chris Megson, Roger Owen, Dan Rebellato, James Reynolds, Elizabeth Sakellaridou, Andy Smith, Liz Tomlin, Heiner Zimmerman.
Book Synopsis Theatre of Catastrophe by : Karoline Gritzner
Download or read book Theatre of Catastrophe written by Karoline Gritzner and published by Bloomsbury Publishing. This book was released on 2016-03-02 with total page 333 pages. Available in PDF, EPUB and Kindle. Book excerpt: Fifteen essays on the style, language and vision of one of Britain’s most influential and controversial playwrights. Focusing on different aspects of what Barker has called the Theatre of Catastrophe, an international range of academics offer illuminating interpretations of his work. Includes analyses of the political, moral and historical aspects of his writing, its poetry and eroticism, its depiction of the figure of the artist, and Barker’s writing in performance. Includes contributions from Elisabeth Angel-Perez, Mary Karen Dahl, Helen Iball, Christine Kiehl, Charles Lamb, Chris Megson, Roger Owen, Dan Rebellato, James Reynolds, Elizabeth Sakellaridou, Andy Smith, Liz Tomlin, Heiner Zimmerman.
Howard Barker and The Wrestling School have been seen as marginal to the major concerns of British theatre, problematic in their staging and challenging in the ideas they explore. Yet Barker's writing career spans six decades, he is the only living writer to have been accorded an entire season with the Royal Shakespeare Company, and The Wrestling School produces theatre of such a striking quality that it earned continuous Arts Council funding for nearly 20 years. Wrestling with Catastrophe challenges existing ways of reading Barker's theatre practice and plays and provides new ways into his work. It brings together conversations with theatre makers from in and outside The Wrestling School, with first-hand accounts of the company's practice, and a selection of critical readings. The book's combining of testimony from key Wrestling School practitioners with alternative practical perspectives, and with analysis by both established and emerging scholars, ensures that a spectrum of understanding emerges that is rich in both breadth and depth. In its consideration of the full range of Barker's aesthetic concerns - including text, direction, design, acting, narrative form, poetry, appropriation, painting, photography, electronic media, technology, puppetry, and theatre space - the volume makes a radical re-evaluation of Barker's theatre possible.
Book Synopsis Howard Barker's Theatre: Wrestling with Catastrophe by : James Reynolds
Download or read book Howard Barker's Theatre: Wrestling with Catastrophe written by James Reynolds and published by Bloomsbury Publishing. This book was released on 2015-07-30 with total page 297 pages. Available in PDF, EPUB and Kindle. Book excerpt: Howard Barker and The Wrestling School have been seen as marginal to the major concerns of British theatre, problematic in their staging and challenging in the ideas they explore. Yet Barker's writing career spans six decades, he is the only living writer to have been accorded an entire season with the Royal Shakespeare Company, and The Wrestling School produces theatre of such a striking quality that it earned continuous Arts Council funding for nearly 20 years. Wrestling with Catastrophe challenges existing ways of reading Barker's theatre practice and plays and provides new ways into his work. It brings together conversations with theatre makers from in and outside The Wrestling School, with first-hand accounts of the company's practice, and a selection of critical readings. The book's combining of testimony from key Wrestling School practitioners with alternative practical perspectives, and with analysis by both established and emerging scholars, ensures that a spectrum of understanding emerges that is rich in both breadth and depth. In its consideration of the full range of Barker's aesthetic concerns - including text, direction, design, acting, narrative form, poetry, appropriation, painting, photography, electronic media, technology, puppetry, and theatre space - the volume makes a radical re-evaluation of Barker's theatre possible.
Barker has been acclaimed as 'England's greatest living dramatist' in The Times and as 'the Shakespeare of our age' by Sarah Kane. His uniquely stylish work brings together startlingly original forms of classical discipline, moral ruthlessness and catastrophic eroticism. This study considers the full range of his theatrical achievements.
Book Synopsis Howard Barker: Ecstasy and Death by : D. Rabey
Download or read book Howard Barker: Ecstasy and Death written by D. Rabey and published by Springer. This book was released on 2009-04-17 with total page 289 pages. Available in PDF, EPUB and Kindle. Book excerpt: Barker has been acclaimed as 'England's greatest living dramatist' in The Times and as 'the Shakespeare of our age' by Sarah Kane. His uniquely stylish work brings together startlingly original forms of classical discipline, moral ruthlessness and catastrophic eroticism. This study considers the full range of his theatrical achievements.
Book Synopsis Granville Barker, a Secret Life by : Eric Salmon
Download or read book Granville Barker, a Secret Life written by Eric Salmon and published by Fairleigh Dickinson Univ Press. This book was released on 1983 with total page 384 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Plays and Players written by and published by . This book was released on 1992 with total page 1072 pages. Available in PDF, EPUB and Kindle. Book excerpt:
