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Baroque Visual Rhetoric probes the Baroque s combination of style and message and the methodological basis on which the critical art historian comes to establish that meaning."
Book Synopsis Baroque Visual Rhetoric by : Vernon Hyde Minor
Download or read book Baroque Visual Rhetoric written by Vernon Hyde Minor and published by University of Toronto Press. This book was released on 2016-01-01 with total page 285 pages. Available in PDF, EPUB and Kindle. Book excerpt: Baroque Visual Rhetoric probes the Baroque s combination of style and message and the methodological basis on which the critical art historian comes to establish that meaning."
"The Baroque painter Artemisia Gentileschi is one of the most famous female painters of Western history. She is known for her use of dramatic visual narrative and Caravaggisti techniques, for being the victim of sexual assault at the age of seventeen, and for supporting herself with an artistic career during a time when women rarely had the ability to do so. Her paintings are particularly famous for being notably different than her male peers' work. Gentileschi's female subjects are given strong narrative focus and realistic physicality and emotion. Her heroines are less idealized, less demonized, and more humanized than they are in depictions by other Baroque - predominantly male - painters. Gentileschi's Judith Slaying Holofernes especially differs drastically from most other paintings inspired by the same story, including one by the Baroque artistic leader of the time, Caravaggio. Why did she paint her women differently than most other Baroque painters? I theorize that she is operating as a visual rhetor, crafting a message on the complexity of women, and presenting it to the patriarchal world. Using Lloyd Bitzer's theory of the rhetorical situation, I examine how Gentileschi understood her own effectiveness as a rhetor, how she navigated constraints placed upon her rhetoric, and how she crafted her paintings so they could best reach her rhetorical audience. She depicted a reality in which women were multifaceted, fully realized individuals and presented it to a society which believed the opposite. In this way, her art was a message of ideological and even political dissent"--Provided by author.
Book Synopsis Artemisia Gentileschi and the Visual Rhetoric of a Woman's Voice in Baroque Art by : Paige Dempsey
Download or read book Artemisia Gentileschi and the Visual Rhetoric of a Woman's Voice in Baroque Art written by Paige Dempsey and published by . This book was released on 2018 with total page 76 pages. Available in PDF, EPUB and Kindle. Book excerpt: "The Baroque painter Artemisia Gentileschi is one of the most famous female painters of Western history. She is known for her use of dramatic visual narrative and Caravaggisti techniques, for being the victim of sexual assault at the age of seventeen, and for supporting herself with an artistic career during a time when women rarely had the ability to do so. Her paintings are particularly famous for being notably different than her male peers' work. Gentileschi's female subjects are given strong narrative focus and realistic physicality and emotion. Her heroines are less idealized, less demonized, and more humanized than they are in depictions by other Baroque - predominantly male - painters. Gentileschi's Judith Slaying Holofernes especially differs drastically from most other paintings inspired by the same story, including one by the Baroque artistic leader of the time, Caravaggio. Why did she paint her women differently than most other Baroque painters? I theorize that she is operating as a visual rhetor, crafting a message on the complexity of women, and presenting it to the patriarchal world. Using Lloyd Bitzer's theory of the rhetorical situation, I examine how Gentileschi understood her own effectiveness as a rhetor, how she navigated constraints placed upon her rhetoric, and how she crafted her paintings so they could best reach her rhetorical audience. She depicted a reality in which women were multifaceted, fully realized individuals and presented it to a society which believed the opposite. In this way, her art was a message of ideological and even political dissent"--Provided by author.
This book describes the waning days of the baroque.
Book Synopsis The Death of the Baroque and the Rhetoric of Good Taste by : Vernon Hyde Minor
Download or read book The Death of the Baroque and the Rhetoric of Good Taste written by Vernon Hyde Minor and published by Cambridge University Press. This book was released on 2006 with total page 212 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book describes the waning days of the baroque.
In this provocative revisionist work, Evonne Levy brings fresh theoretical perspectives to the study of the "propagandistic" art and architecture of the Jesuit order as exemplified by its late Baroque Roman church interiors. The first extensive analysis of the aims, mechanisms, and effects of Jesuit art and architecture, this original and sophisticated study also evaluates how the term "propaganda" functions in art history, distinguishes it from rhetoric, and proposes a precise use of the term for the visual arts for the first time. Levy begins by looking at Nazi architecture as a gateway to the emotional and ethical issues raised by the term "propaganda." Jesuit art once stirred similar passions, as she shows in a discussion of the controversial nineteenth-century rubric the "Jesuit Style." She then considers three central aspects of Jesuit art as essential components of propaganda: authorship, message, and diffusion. Levy tests her theoretical formulations against a broad range of documents and works of art, including the Chapel of St. Ignatius and other major works in Rome by Andrea Pozzo as well as chapels in Central Europe and Poland. Innovative in bringing a broad range of social and critical theory to bear on Baroque art and architecture in Europe and beyond, Levy’s work highlights the subject-forming capacity of early modern Catholic art and architecture while establishing "propaganda" as a productive term for art history.
Book Synopsis Propaganda and the Jesuit Baroque by : Evonne Levy
Download or read book Propaganda and the Jesuit Baroque written by Evonne Levy and published by Univ of California Press. This book was released on 2004-04-14 with total page 372 pages. Available in PDF, EPUB and Kindle. Book excerpt: In this provocative revisionist work, Evonne Levy brings fresh theoretical perspectives to the study of the "propagandistic" art and architecture of the Jesuit order as exemplified by its late Baroque Roman church interiors. The first extensive analysis of the aims, mechanisms, and effects of Jesuit art and architecture, this original and sophisticated study also evaluates how the term "propaganda" functions in art history, distinguishes it from rhetoric, and proposes a precise use of the term for the visual arts for the first time. Levy begins by looking at Nazi architecture as a gateway to the emotional and ethical issues raised by the term "propaganda." Jesuit art once stirred similar passions, as she shows in a discussion of the controversial nineteenth-century rubric the "Jesuit Style." She then considers three central aspects of Jesuit art as essential components of propaganda: authorship, message, and diffusion. Levy tests her theoretical formulations against a broad range of documents and works of art, including the Chapel of St. Ignatius and other major works in Rome by Andrea Pozzo as well as chapels in Central Europe and Poland. Innovative in bringing a broad range of social and critical theory to bear on Baroque art and architecture in Europe and beyond, Levy’s work highlights the subject-forming capacity of early modern Catholic art and architecture while establishing "propaganda" as a productive term for art history.
This book examines the creative exchanges between architects, artists and intellectuals, from the Early Renaissance to the beginning of the Enlightenment, in the forging of relationships between architecture and emerging concepts of language in early modern Italy. The study extends across the spectrum of linguistic disputes during this time – among members of the clergy, humanists, philosophers and polymaths – on issues of grammar, rhetoric, philology, etymology and epigraphy, and how these disputes paralleled and informed important developments in architectural thinking and practice. Drawing upon a wealth of primary source material, such as humanist tracts, philosophical works, architectural/antiquarian treatises, epigraphic/philological studies, religious sermons and grammaticae, the book traces key periods when the emerging field of linguistics in early modern Italy impacted on the theory, design and symbolism of buildings.
Book Synopsis Architecture and the Language Debate by : Nicholas Temple
Download or read book Architecture and the Language Debate written by Nicholas Temple and published by Routledge. This book was released on 2020-01-28 with total page 276 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book examines the creative exchanges between architects, artists and intellectuals, from the Early Renaissance to the beginning of the Enlightenment, in the forging of relationships between architecture and emerging concepts of language in early modern Italy. The study extends across the spectrum of linguistic disputes during this time – among members of the clergy, humanists, philosophers and polymaths – on issues of grammar, rhetoric, philology, etymology and epigraphy, and how these disputes paralleled and informed important developments in architectural thinking and practice. Drawing upon a wealth of primary source material, such as humanist tracts, philosophical works, architectural/antiquarian treatises, epigraphic/philological studies, religious sermons and grammaticae, the book traces key periods when the emerging field of linguistics in early modern Italy impacted on the theory, design and symbolism of buildings.
Perspective determines how we, as viewers, perceive painting. We can convince ourselves that a painting of a bowl of fruit or a man in a room appears to be real by the way these objects are rendered. Likewise, the trick of perspective can prevent us from being absorbed in a scene. Connecting contemporary critical theory with close readings of seventeenth-century Dutch visual culture, The Rhetoric of Perspective puts forth the claim that painting is a form of thinking and that perspective functions as the language of the image. Aided by a stunning full-color gallery, Hanneke Grootenboer proposes a new theory of perspective based on the phenomenological aspects of non-narrative still-life, trompe l'oeil, and anamorphic imagery. Drawing on playful and mesmerizing baroque images, Grootenboer characterizes what she calls their "sophisticated deceit," asserting that painting is more about visual representation than about its supposed objects. Offering an original theory of perspective's impact on pictorial representation, the act of looking, and the understanding of truth in painting, Grootenboer shows how these paintings both question the status of representation and explore the limits and credibility of perception. “An elegant and honourable synthesis.”—Keith Miller, Times Literary Supplement
Book Synopsis The Rhetoric of Perspective by : Hanneke Grootenboer
Download or read book The Rhetoric of Perspective written by Hanneke Grootenboer and published by University of Chicago Press. This book was released on 2006-12-31 with total page 222 pages. Available in PDF, EPUB and Kindle. Book excerpt: Perspective determines how we, as viewers, perceive painting. We can convince ourselves that a painting of a bowl of fruit or a man in a room appears to be real by the way these objects are rendered. Likewise, the trick of perspective can prevent us from being absorbed in a scene. Connecting contemporary critical theory with close readings of seventeenth-century Dutch visual culture, The Rhetoric of Perspective puts forth the claim that painting is a form of thinking and that perspective functions as the language of the image. Aided by a stunning full-color gallery, Hanneke Grootenboer proposes a new theory of perspective based on the phenomenological aspects of non-narrative still-life, trompe l'oeil, and anamorphic imagery. Drawing on playful and mesmerizing baroque images, Grootenboer characterizes what she calls their "sophisticated deceit," asserting that painting is more about visual representation than about its supposed objects. Offering an original theory of perspective's impact on pictorial representation, the act of looking, and the understanding of truth in painting, Grootenboer shows how these paintings both question the status of representation and explore the limits and credibility of perception. “An elegant and honourable synthesis.”—Keith Miller, Times Literary Supplement
"Traditional surveys of the period divide their material strictly by countries and chronological periods. By contrast, Vernon Minor looks at the prevalent themes of Baroque and Rococo artistic production through the lens of the dominant institutions of the day. The ideologies of the Counter-Reformation Church, the court of Louis Quatorze and the mercantile economy of the Calvinist Dutch are implicit in much of the painting, sculpture and architecture of the epoch."--BOOK JACKET.
Book Synopsis Baroque & Rococo by : Vernon Hyde Minor
Download or read book Baroque & Rococo written by Vernon Hyde Minor and published by Prentice Hall. This book was released on 1999 with total page 408 pages. Available in PDF, EPUB and Kindle. Book excerpt: "Traditional surveys of the period divide their material strictly by countries and chronological periods. By contrast, Vernon Minor looks at the prevalent themes of Baroque and Rococo artistic production through the lens of the dominant institutions of the day. The ideologies of the Counter-Reformation Church, the court of Louis Quatorze and the mercantile economy of the Calvinist Dutch are implicit in much of the painting, sculpture and architecture of the epoch."--BOOK JACKET.
Main description: The volume presents a cultural history of renaissance rhetoric with special emphasis on literary theory with its aspects of imagination (inventio), generictheory (dispositio), style (elocutio), mnemonic architecture (memoria), representation (actio) (with Shakespeare's works as illustrations). Special attention is given to the intermedial rhetoric of painting and music and the rhetorical ideology of culture.
Book Synopsis Rhetoric and Renaissance Culture by : Heinrich F. Plett
Download or read book Rhetoric and Renaissance Culture written by Heinrich F. Plett and published by Walter de Gruyter. This book was released on 2004 with total page 600 pages. Available in PDF, EPUB and Kindle. Book excerpt: Main description: The volume presents a cultural history of renaissance rhetoric with special emphasis on literary theory with its aspects of imagination (inventio), generictheory (dispositio), style (elocutio), mnemonic architecture (memoria), representation (actio) (with Shakespeare's works as illustrations). Special attention is given to the intermedial rhetoric of painting and music and the rhetorical ideology of culture.
Christine Buci-Glucksmann’s The Madness of Vision is one of the most influential studies in phenomenological aesthetics of the baroque. Integrating the work of Merleau-Ponty with Lacanian psychoanalysis, Renaissance studies in optics, and twentieth-century mathematics, the author asserts the materiality of the body and world in her aesthetic theory. All vision is embodied vision, with the body and the emotions continually at play on the visual field. Thus vision, once considered a clear, uniform, and totalizing way of understanding the material world, actually dazzles and distorts the perception of reality. In each of the nine essays that form The Madness of Vision Buci-Glucksmann develops her theoretical argument via a study of a major painting, sculpture, or influential visual image—Arabic script, Bettini’s “The Eye of Cardinal Colonna,” Bernini’s Saint Teresa and his 1661 fireworks display to celebrate the birth of the French dauphin, Caravaggio’s Judith Beheading Holofernes, the Paris arcades, and Arnulf Rainer’s self-portrait, among others—and deftly crosses historical, national, and artistic boundaries to address Gracián’s El Criticón; Monteverdi’s opera Orfeo; the poetry of Hafiz, John Donne, and Baudelaire; as well as baroque architecture and Anselm Kiefer’s Holocaust paintings. In doing so, Buci-Glucksmann makes the case for the pervasive influence of the baroque throughout history and the continuing importance of the baroque in contemporary arts.
Book Synopsis The Madness of Vision by : Christine Buci-Glucksmann
Download or read book The Madness of Vision written by Christine Buci-Glucksmann and published by Ohio University Press. This book was released on 2013-01-27 with total page 195 pages. Available in PDF, EPUB and Kindle. Book excerpt: Christine Buci-Glucksmann’s The Madness of Vision is one of the most influential studies in phenomenological aesthetics of the baroque. Integrating the work of Merleau-Ponty with Lacanian psychoanalysis, Renaissance studies in optics, and twentieth-century mathematics, the author asserts the materiality of the body and world in her aesthetic theory. All vision is embodied vision, with the body and the emotions continually at play on the visual field. Thus vision, once considered a clear, uniform, and totalizing way of understanding the material world, actually dazzles and distorts the perception of reality. In each of the nine essays that form The Madness of Vision Buci-Glucksmann develops her theoretical argument via a study of a major painting, sculpture, or influential visual image—Arabic script, Bettini’s “The Eye of Cardinal Colonna,” Bernini’s Saint Teresa and his 1661 fireworks display to celebrate the birth of the French dauphin, Caravaggio’s Judith Beheading Holofernes, the Paris arcades, and Arnulf Rainer’s self-portrait, among others—and deftly crosses historical, national, and artistic boundaries to address Gracián’s El Criticón; Monteverdi’s opera Orfeo; the poetry of Hafiz, John Donne, and Baudelaire; as well as baroque architecture and Anselm Kiefer’s Holocaust paintings. In doing so, Buci-Glucksmann makes the case for the pervasive influence of the baroque throughout history and the continuing importance of the baroque in contemporary arts.
Michael Ann Holly asserts that historical interpretation of the pictorial arts is always the intellectual product of a dynamic exchange between past and present. Recent theory emphasizes the subjectivity of the historian and the ways in which any interpretation betrays the presence of an interpreter. In Past Looking, she challenges that view, arguing that historical objects of representational art are actively engaged in prefiguring the kinds of histories that can be written about them. Holly directs her attention to early modern works of visual art and their rhetorical roles in legislating the kind of tales told bout them by a few classic cultural commentaries of the nineteenth and twentieth centuries: Burckhardt's synchronic vision of the Italian Renaissance, Wölfflin's exemplification of the Baroque, Schapiro's and Freud's dispute over the meanings of Leonardo's art, and Panofsky's exegesis of the disguised symbolism of Northern Renaissance painting.
Book Synopsis Past Looking by : Michael Ann Holly
Download or read book Past Looking written by Michael Ann Holly and published by Cornell University Press. This book was released on 2018-09-05 with total page 234 pages. Available in PDF, EPUB and Kindle. Book excerpt: Michael Ann Holly asserts that historical interpretation of the pictorial arts is always the intellectual product of a dynamic exchange between past and present. Recent theory emphasizes the subjectivity of the historian and the ways in which any interpretation betrays the presence of an interpreter. In Past Looking, she challenges that view, arguing that historical objects of representational art are actively engaged in prefiguring the kinds of histories that can be written about them. Holly directs her attention to early modern works of visual art and their rhetorical roles in legislating the kind of tales told bout them by a few classic cultural commentaries of the nineteenth and twentieth centuries: Burckhardt's synchronic vision of the Italian Renaissance, Wölfflin's exemplification of the Baroque, Schapiro's and Freud's dispute over the meanings of Leonardo's art, and Panofsky's exegesis of the disguised symbolism of Northern Renaissance painting.
