Author: Fiona Kerlogue
Publisher: Národní muzeum
Published: 2021-01-01
Total Pages: 161
ISBN-13: 8070366796
DOWNLOAD EBOOKThe batik of Java has a special place in museum textile collections and aspects of the art of batik have been discussed at length in countless publications. This study, based on the batik collections of the Náprstek Museum, raises a number of questions which have been so far underexplored. How strong is the evidence for the early manufacture of batik in Java? How and when did batik-making become widely practised there? Was it made by village women for their own use? How and why did batik develop into an industry employing thousands of people, filling warehouses with stock to be distributed throughout the Indonesian archipelago? What was the effect of the introduction of wax printing and of aniline dyes? It is often asserted that batik carries deep meaning. To what extent is this really the case? When did batik depicting wayang or shadow puppet figures start to be made, and who for? What was the role of calligraphy batiks? And what was it that drew European collectors to batik in the early 20th century? What local circumstances governedtheir choices? In a series of essays, this volume explores these questions, drawing on contemporary sources and providing a wealth of new insights.
Book Synopsis Batik. Traces through time by : Fiona Kerlogue
Download or read book Batik. Traces through time written by Fiona Kerlogue and published by Národní muzeum. This book was released on 2021-01-01 with total page 161 pages. Available in PDF, EPUB and Kindle. Book excerpt: The batik of Java has a special place in museum textile collections and aspects of the art of batik have been discussed at length in countless publications. This study, based on the batik collections of the Náprstek Museum, raises a number of questions which have been so far underexplored. How strong is the evidence for the early manufacture of batik in Java? How and when did batik-making become widely practised there? Was it made by village women for their own use? How and why did batik develop into an industry employing thousands of people, filling warehouses with stock to be distributed throughout the Indonesian archipelago? What was the effect of the introduction of wax printing and of aniline dyes? It is often asserted that batik carries deep meaning. To what extent is this really the case? When did batik depicting wayang or shadow puppet figures start to be made, and who for? What was the role of calligraphy batiks? And what was it that drew European collectors to batik in the early 20th century? What local circumstances governedtheir choices? In a series of essays, this volume explores these questions, drawing on contemporary sources and providing a wealth of new insights.
