Download Beasts Without Representations Of The Werewolf In Selected Short Narratives Of The 19th Century full books in PDF, epub, and Kindle. Read online Beasts Without Representations Of The Werewolf In Selected Short Narratives Of The 19th Century ebook anywhere anytime directly on your device. Fast Download speed and no annoying ads. We cannot guarantee that every ebooks is available!
Bachelor Thesis from the year 2010 in the subject English Language and Literature Studies - Literature, grade: 1,5, Ruhr-University of Bochum, language: English, abstract: The thesis examines the different types of fictional werewolves that evolved in the English literature of the (late) 19th century and also argues in favor of an interpretation which reads those werewolves as representative of the Victorian middle class' fears and processes of identity formation.
Book Synopsis 'Beasts Without' - Representations of the Werewolf in Selected Short Narratives of the 19th Century by : Mate Madunic
Download or read book 'Beasts Without' - Representations of the Werewolf in Selected Short Narratives of the 19th Century written by Mate Madunic and published by GRIN Verlag. This book was released on 2010-06 with total page 73 pages. Available in PDF, EPUB and Kindle. Book excerpt: Bachelor Thesis from the year 2010 in the subject English Language and Literature Studies - Literature, grade: 1,5, Ruhr-University of Bochum, language: English, abstract: The thesis examines the different types of fictional werewolves that evolved in the English literature of the (late) 19th century and also argues in favor of an interpretation which reads those werewolves as representative of the Victorian middle class' fears and processes of identity formation.
This book will provide the first study of how the Gothic engages with ecocritical ideas. Ecocriticism has frequently explored images of environmental catastrophe, the wilderness, the idea of home, constructions of 'nature', and images of the post-apocalypse – images which are also central to a certain type of Gothic literature. By exploring the relationship between the ecocritical aspects of the Gothic and the Gothic elements of the ecocritical, this book provides a new way of looking at both the Gothic and ecocriticism. Writers discussed include Ann Radcliffe, Mary Shelley, Ambrose Bierce, Algernon Blackwood, Margaret Atwood, Cormac McCarthy, Dan Simmons and Rana Dasgupta. The volume thus explores writing and film across various national contexts including Britain, America and Canada, as well as giving due consideration to how such issues might be discussed within a global context.
Book Synopsis EcoGothic by : Andrew Smith
Download or read book EcoGothic written by Andrew Smith and published by Manchester University Press. This book was released on 2015-11-01 with total page 266 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book will provide the first study of how the Gothic engages with ecocritical ideas. Ecocriticism has frequently explored images of environmental catastrophe, the wilderness, the idea of home, constructions of 'nature', and images of the post-apocalypse – images which are also central to a certain type of Gothic literature. By exploring the relationship between the ecocritical aspects of the Gothic and the Gothic elements of the ecocritical, this book provides a new way of looking at both the Gothic and ecocriticism. Writers discussed include Ann Radcliffe, Mary Shelley, Ambrose Bierce, Algernon Blackwood, Margaret Atwood, Cormac McCarthy, Dan Simmons and Rana Dasgupta. The volume thus explores writing and film across various national contexts including Britain, America and Canada, as well as giving due consideration to how such issues might be discussed within a global context.
Seminar paper from the year 2005 in the subject English Language and Literature Studies - Culture and Applied Geography, grade: 2, University of Hannover, course: Peripheries in British 19th-Century History: Scotland and Ireland, 12 entries in the bibliography, language: English, abstract: If people around the globe are asked what they associate with Scotland or the Scots, tartan kilts, bagpipes, clans and the Highlands are the most common answers. Especially tourist interest concentrates on these landmarks of Scotland, which are said to be insignias of Scottish tradition, glory and identity, and which dominate the image of Scotland. But are these landmarks really linked to a tradition from times immemorial? Do they really represent a link to Scotland's Gaelic roots? This paper will investigate this question by introducing Eric Hobsbawm s term of "invented tradition" to denote and to outline the process of creation of these Scottish symbols. The following portrait of the historical background will show the social, political and economic developments in the 18th and 19th century which led to the invention of tradition as part of the creation of a Highland myth as a result of and as reaction to Scotland's union with England in 1707. Furthermore, the worldwide spreading of the Highland myth, which has determined the image of whole Scotland ever since, will be described. The paper will finish by showing contemporary parallels to the historic developments and trends, and suggesting further topics of investigation.
Book Synopsis The Highland Myth as an Invented Tradition of 18th and 19th Century and Its Significance for the Image of Scotland by : Marco Sievers
Download or read book The Highland Myth as an Invented Tradition of 18th and 19th Century and Its Significance for the Image of Scotland written by Marco Sievers and published by GRIN Verlag. This book was released on 2007-10 with total page 64 pages. Available in PDF, EPUB and Kindle. Book excerpt: Seminar paper from the year 2005 in the subject English Language and Literature Studies - Culture and Applied Geography, grade: 2, University of Hannover, course: Peripheries in British 19th-Century History: Scotland and Ireland, 12 entries in the bibliography, language: English, abstract: If people around the globe are asked what they associate with Scotland or the Scots, tartan kilts, bagpipes, clans and the Highlands are the most common answers. Especially tourist interest concentrates on these landmarks of Scotland, which are said to be insignias of Scottish tradition, glory and identity, and which dominate the image of Scotland. But are these landmarks really linked to a tradition from times immemorial? Do they really represent a link to Scotland's Gaelic roots? This paper will investigate this question by introducing Eric Hobsbawm s term of "invented tradition" to denote and to outline the process of creation of these Scottish symbols. The following portrait of the historical background will show the social, political and economic developments in the 18th and 19th century which led to the invention of tradition as part of the creation of a Highland myth as a result of and as reaction to Scotland's union with England in 1707. Furthermore, the worldwide spreading of the Highland myth, which has determined the image of whole Scotland ever since, will be described. The paper will finish by showing contemporary parallels to the historic developments and trends, and suggesting further topics of investigation.
Essay from the year 2019 in the subject Literature - Basics, grade: B, The Chinese University of Hong Kong, language: English, abstract: In this essay, the author will first look at the background in which The Werewolf is set (the story Little Red Riding Hood), and will analyze the message of the story by looking at how The Werewolf is different from it. According to Barry (2017), the structuralists use scientific methods to analyze a literary work. They look into the conventions of the genre, the history or different forms of art (including other literature) that the literary work refers to. They think that there will be an absolute answer in what the literature wants to tell the audience, if we study close and careful enough on the context.
Book Synopsis Structuralism and Feminism Applied. Angela Carter’s "The Werewolf" by : Kwan Lung Chan
Download or read book Structuralism and Feminism Applied. Angela Carter’s "The Werewolf" written by Kwan Lung Chan and published by GRIN Verlag. This book was released on 2020-09-25 with total page 5 pages. Available in PDF, EPUB and Kindle. Book excerpt: Essay from the year 2019 in the subject Literature - Basics, grade: B, The Chinese University of Hong Kong, language: English, abstract: In this essay, the author will first look at the background in which The Werewolf is set (the story Little Red Riding Hood), and will analyze the message of the story by looking at how The Werewolf is different from it. According to Barry (2017), the structuralists use scientific methods to analyze a literary work. They look into the conventions of the genre, the history or different forms of art (including other literature) that the literary work refers to. They think that there will be an absolute answer in what the literature wants to tell the audience, if we study close and careful enough on the context.
Despite the enormous amount of material about Nazism, there has been no substantial work on its emblem, the swastika. This original contribution examines the popular appeal of the archaic image of the swastika: the tradition of the symbol.
Book Synopsis The Swastika by : Malcolm Quinn
Download or read book The Swastika written by Malcolm Quinn and published by Routledge. This book was released on 2005-07-26 with total page 209 pages. Available in PDF, EPUB and Kindle. Book excerpt: Despite the enormous amount of material about Nazism, there has been no substantial work on its emblem, the swastika. This original contribution examines the popular appeal of the archaic image of the swastika: the tradition of the symbol.
'Reader, I buried him.' So begins Sherri Browning Erwin's affectionate, funny and brilliantly clever monster mash-up of everyone's favourite literary classic. Mrs Reed and her children are vampires, Lowood is run by a voodoo headmaster who is turning his pupils into the walking dead, Mr Rochester's first wife is a werewolf, and Jane must learn to embrace her destiny as a slayer of evil before she can win her heart's desire. What's not to love? Jane Slayreis the one classic which can give Pride and Prejudice and Zombiesa run for its money, and Sherri Browning Erwin's masterful take on a timeless tale will delight monster fans and lovers of Charlotte Bronte alike.
Book Synopsis Jane Slayre by : Charlotte Bronte
Download or read book Jane Slayre written by Charlotte Bronte and published by Simon and Schuster. This book was released on 2010-04-29 with total page 408 pages. Available in PDF, EPUB and Kindle. Book excerpt: 'Reader, I buried him.' So begins Sherri Browning Erwin's affectionate, funny and brilliantly clever monster mash-up of everyone's favourite literary classic. Mrs Reed and her children are vampires, Lowood is run by a voodoo headmaster who is turning his pupils into the walking dead, Mr Rochester's first wife is a werewolf, and Jane must learn to embrace her destiny as a slayer of evil before she can win her heart's desire. What's not to love? Jane Slayreis the one classic which can give Pride and Prejudice and Zombiesa run for its money, and Sherri Browning Erwin's masterful take on a timeless tale will delight monster fans and lovers of Charlotte Bronte alike.
Judith Still analyses Derrida's late writings on animals, especially his seminars The Beast and the Sovereign, to explore ethical questions of how humans treat animals and how we treat outsiders, from slaves to terrorists.
Book Synopsis Derrida and Other Animals by : Judith Still
Download or read book Derrida and Other Animals written by Judith Still and published by Edinburgh University Press. This book was released on 2015-07-13 with total page 416 pages. Available in PDF, EPUB and Kindle. Book excerpt: Judith Still analyses Derrida's late writings on animals, especially his seminars The Beast and the Sovereign, to explore ethical questions of how humans treat animals and how we treat outsiders, from slaves to terrorists.
Bridging the fields of conservation, art history, and museum curating, this volume contains the principal papers from an international symposium titled "Historical Painting Techniques, Materials, and Studio Practice" at the University of Leiden in Amsterdam, Netherlands, from June 26 to 29, 1995. The symposium—designed for art historians, conservators, conservation scientists, and museum curators worldwide—was organized by the Department of Art History at the University of Leiden and the Art History Department of the Central Research Laboratory for Objects of Art and Science in Amsterdam. Twenty-five contributors representing museums and conservation institutions throughout the world provide recent research on historical painting techniques, including wall painting and polychrome sculpture. Topics cover the latest art historical research and scientific analyses of original techniques and materials, as well as historical sources, such as medieval treatises and descriptions of painting techniques in historical literature. Chapters include the painting methods of Rembrandt and Vermeer, Dutch 17th-century landscape painting, wall paintings in English churches, Chinese paintings on paper and canvas, and Tibetan thangkas. Color plates and black-and-white photographs illustrate works from the Middle Ages to the 20th century.
Book Synopsis Historical Painting Techniques, Materials, and Studio Practice by : Arie Wallert
Download or read book Historical Painting Techniques, Materials, and Studio Practice written by Arie Wallert and published by Getty Publications. This book was released on 1995-08-24 with total page 241 pages. Available in PDF, EPUB and Kindle. Book excerpt: Bridging the fields of conservation, art history, and museum curating, this volume contains the principal papers from an international symposium titled "Historical Painting Techniques, Materials, and Studio Practice" at the University of Leiden in Amsterdam, Netherlands, from June 26 to 29, 1995. The symposium—designed for art historians, conservators, conservation scientists, and museum curators worldwide—was organized by the Department of Art History at the University of Leiden and the Art History Department of the Central Research Laboratory for Objects of Art and Science in Amsterdam. Twenty-five contributors representing museums and conservation institutions throughout the world provide recent research on historical painting techniques, including wall painting and polychrome sculpture. Topics cover the latest art historical research and scientific analyses of original techniques and materials, as well as historical sources, such as medieval treatises and descriptions of painting techniques in historical literature. Chapters include the painting methods of Rembrandt and Vermeer, Dutch 17th-century landscape painting, wall paintings in English churches, Chinese paintings on paper and canvas, and Tibetan thangkas. Color plates and black-and-white photographs illustrate works from the Middle Ages to the 20th century.
Diploma Thesis from the year 2007 in the subject English Language and Literature Studies - Literature, grade: Gut, University of Vienna (Institut für Anglistik und Amerikanistk), language: English, abstract: Based on a variety of social and cultural confinements regarding the depiction of certain parts of the female body in literature, 19th century British novelists had to concentrate on those bodily attributes of women which were considered proper and decent to be displayed in writing. Answering the social rules prohibiting the public exhibition of female passions and feelings, such as sexual arousal, love or wrath, authors turned to methods of substituting the direct reference to those very emotions, thereby employing the parts of the female body they could with a clear conscience depict in their interpretations. This method of illustrating the female body in connection with women's emotional state is going to be discussed on the basis of Jane Austen's novels Sense and Sensibility and Pride and Prejudice, Charlotte Brontё's Jane Eyre and the short novel Daisy Miller by Henry James. A prominent feature of 19th century literature, used to demonstrate the interdependency of mind and body, is illness. The body suffering from physical as well as mental diseases is frequently instrumentalized by novelists as a messenger delivering information about a person's emotional condition. Additionally, 19th century authors tend to use illness as a starting point for character and plot changes as well as romantic relationships between men and women, and refer to a character's sickness as his or her lawful punishment for improper conduct. One of the most important tools for novelists in revealing their characters' thoughts and emotions is the female complexion. Frequently subject to blushing or turning pale, the female face functions as an apt communicator of a woman's mind and heart. A blush can uncover a character's romantic affections, embarrassment, guilty conscience, exciteme
Book Synopsis The Narrative Construction of the Female Body in the British Novel of the 19th Century by : Dagmar Hecher
Download or read book The Narrative Construction of the Female Body in the British Novel of the 19th Century written by Dagmar Hecher and published by GRIN Verlag. This book was released on 2007-07 with total page 141 pages. Available in PDF, EPUB and Kindle. Book excerpt: Diploma Thesis from the year 2007 in the subject English Language and Literature Studies - Literature, grade: Gut, University of Vienna (Institut für Anglistik und Amerikanistk), language: English, abstract: Based on a variety of social and cultural confinements regarding the depiction of certain parts of the female body in literature, 19th century British novelists had to concentrate on those bodily attributes of women which were considered proper and decent to be displayed in writing. Answering the social rules prohibiting the public exhibition of female passions and feelings, such as sexual arousal, love or wrath, authors turned to methods of substituting the direct reference to those very emotions, thereby employing the parts of the female body they could with a clear conscience depict in their interpretations. This method of illustrating the female body in connection with women's emotional state is going to be discussed on the basis of Jane Austen's novels Sense and Sensibility and Pride and Prejudice, Charlotte Brontё's Jane Eyre and the short novel Daisy Miller by Henry James. A prominent feature of 19th century literature, used to demonstrate the interdependency of mind and body, is illness. The body suffering from physical as well as mental diseases is frequently instrumentalized by novelists as a messenger delivering information about a person's emotional condition. Additionally, 19th century authors tend to use illness as a starting point for character and plot changes as well as romantic relationships between men and women, and refer to a character's sickness as his or her lawful punishment for improper conduct. One of the most important tools for novelists in revealing their characters' thoughts and emotions is the female complexion. Frequently subject to blushing or turning pale, the female face functions as an apt communicator of a woman's mind and heart. A blush can uncover a character's romantic affections, embarrassment, guilty conscience, exciteme
His heart could be captured--but his passion could never be tamed.... From the acclaimed author of Prince of Shadows and Body and Soul comes the first novel in a powerful new trilogy, the story of a noble clan whose elegance belies a savage secret--and a man who will stop at nothing to preserve his family's dynasty forevermore--. Braden Forster, Earl of Greyburn, has devoted his life to restoring the purity of his clan's werewolf blood. He spent years searching in vain for a distant American cousin, a woman whose pure wolf bloodline is a vital link in his family's heritage. Braden had thought Cassidy Holt was lost forever--until she appeared one rainy night on the steps of his London mansion...her raven hair in disarray, her skin scented with sunlight and sagebrush. As Braden whisks young Cassidy to his family's secluded country estate, both can sense their undeniable attraction. But Cassidy soon learns that they can never satisfy their mutual passion; Braden has already betrothed her to another. Her only hope of claiming the one man she'll always love is to unravel the dark and lustful secrets of his past--.
Book Synopsis Touch of the Wolf by : Susan Krinard
Download or read book Touch of the Wolf written by Susan Krinard and published by Bantam. This book was released on 2010-01-13 with total page 418 pages. Available in PDF, EPUB and Kindle. Book excerpt: His heart could be captured--but his passion could never be tamed.... From the acclaimed author of Prince of Shadows and Body and Soul comes the first novel in a powerful new trilogy, the story of a noble clan whose elegance belies a savage secret--and a man who will stop at nothing to preserve his family's dynasty forevermore--. Braden Forster, Earl of Greyburn, has devoted his life to restoring the purity of his clan's werewolf blood. He spent years searching in vain for a distant American cousin, a woman whose pure wolf bloodline is a vital link in his family's heritage. Braden had thought Cassidy Holt was lost forever--until she appeared one rainy night on the steps of his London mansion...her raven hair in disarray, her skin scented with sunlight and sagebrush. As Braden whisks young Cassidy to his family's secluded country estate, both can sense their undeniable attraction. But Cassidy soon learns that they can never satisfy their mutual passion; Braden has already betrothed her to another. Her only hope of claiming the one man she'll always love is to unravel the dark and lustful secrets of his past--.
