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Collecting the best of international Beethoven studies, Beethoven Forum promotes and sustains the high level of scholarship inspired by Beethoven's extraordinary works.
Book Synopsis Beethoven Forum by : Beethoven Forum
Download or read book Beethoven Forum written by Beethoven Forum and published by U of Nebraska Press. This book was released on 2000-03-01 with total page 250 pages. Available in PDF, EPUB and Kindle. Book excerpt: Collecting the best of international Beethoven studies, Beethoven Forum promotes and sustains the high level of scholarship inspired by Beethoven's extraordinary works.
This inaugural volume of Beethoven Forum presents the work of ten leading scholars who focus on an array of matters that clearly illustrate the vitality of current thought on Beethoven. Scott Burnham leads off the collection with a discussion of the reception of Beethoven's Third Symphony, the Eroica, a composition that continues to spur new interpretations. In succeeding chapters James Webster analyzes the formal sophistication of Beethoven's most influential and idiosyncratic creation, the last movement of his Ninth Symphony; Roger Kamien and William Kinderman examine piano sonatas; David Smyth and Richard Kramer investigate string quartets; Robert Freeman discusses his discovery of previously unknown cadenzas for Beethoven's piano concertos; Theodore Albrecht relates Beethoven's reading of Shakespeare to Beethoven's own life, and both to the "Tempest" Sonata; and Nicholas Marston uses Barry Cooper's recent work on Beethoven as the basis for a consideration of value of sketch studies. In an especially innovating article Julia Moore discusses the economic forces that shaped Beethoven's career. An annual series, Beethoven Forum will serve as an international venue for articles, notes, queries, critical exchanges, and reviews.
Book Synopsis Beethoven Forum by : Christopher Reynolds
Download or read book Beethoven Forum written by Christopher Reynolds and published by U of Nebraska Press. This book was released on 1992-01-01 with total page 270 pages. Available in PDF, EPUB and Kindle. Book excerpt: This inaugural volume of Beethoven Forum presents the work of ten leading scholars who focus on an array of matters that clearly illustrate the vitality of current thought on Beethoven. Scott Burnham leads off the collection with a discussion of the reception of Beethoven's Third Symphony, the Eroica, a composition that continues to spur new interpretations. In succeeding chapters James Webster analyzes the formal sophistication of Beethoven's most influential and idiosyncratic creation, the last movement of his Ninth Symphony; Roger Kamien and William Kinderman examine piano sonatas; David Smyth and Richard Kramer investigate string quartets; Robert Freeman discusses his discovery of previously unknown cadenzas for Beethoven's piano concertos; Theodore Albrecht relates Beethoven's reading of Shakespeare to Beethoven's own life, and both to the "Tempest" Sonata; and Nicholas Marston uses Barry Cooper's recent work on Beethoven as the basis for a consideration of value of sketch studies. In an especially innovating article Julia Moore discusses the economic forces that shaped Beethoven's career. An annual series, Beethoven Forum will serve as an international venue for articles, notes, queries, critical exchanges, and reviews.
Glenn Stanley opens Beethoven Forum 6 with a consideration of the “piano sonata culture” of the late eighteenth century and how Beethoven’s sonatas influenced this culture. Lawrence Kramer explores the "Tempest" sonata and the way it exemplifies "one of the leading intellectual projects of the Enlightenment, the project of speculative anthropology or 'universal history.'" Elaine R. Sisman examines the "lyrical," "small-scale" sonatas of Beethoven’s middle period in relation to his renewed preoccupation with the idea of "fantasia." Nicholas Marston concludes the volume’s consideration of the piano sonatas with a study of the development of a musical idea in the "Hammerklavier" sonata. Birgit Lodes examines the relationship between the human and the divine as they are represented in the Gloria of Beethoven’s great mass, the Missa solemnis. In a second article on this late masterpiece, Norbert Gertsch describes a subscription copy of the Missa solemnis—a copy that Beethoven had corrected—and its significance for a future scholarly edition of the work. Maynard Solomon offers a commentary, transcription, and translation of a papal document concerning the marriage of Beethoven’s great-uncle Cornelius. In a review article, Nicholas Marston discusses the recent edition of the Landsberg 5 sketchbook and future prospects for sketchbook editions. Robert Levin concludes the volume with a review of Performing Beethoven, edited by Robin Stowell.
Book Synopsis Beethoven Forum by : Glenn Stanley
Download or read book Beethoven Forum written by Glenn Stanley and published by U of Nebraska Press. This book was released on 1998-01-01 with total page 284 pages. Available in PDF, EPUB and Kindle. Book excerpt: Glenn Stanley opens Beethoven Forum 6 with a consideration of the “piano sonata culture” of the late eighteenth century and how Beethoven’s sonatas influenced this culture. Lawrence Kramer explores the "Tempest" sonata and the way it exemplifies "one of the leading intellectual projects of the Enlightenment, the project of speculative anthropology or 'universal history.'" Elaine R. Sisman examines the "lyrical," "small-scale" sonatas of Beethoven’s middle period in relation to his renewed preoccupation with the idea of "fantasia." Nicholas Marston concludes the volume’s consideration of the piano sonatas with a study of the development of a musical idea in the "Hammerklavier" sonata. Birgit Lodes examines the relationship between the human and the divine as they are represented in the Gloria of Beethoven’s great mass, the Missa solemnis. In a second article on this late masterpiece, Norbert Gertsch describes a subscription copy of the Missa solemnis—a copy that Beethoven had corrected—and its significance for a future scholarly edition of the work. Maynard Solomon offers a commentary, transcription, and translation of a papal document concerning the marriage of Beethoven’s great-uncle Cornelius. In a review article, Nicholas Marston discusses the recent edition of the Landsberg 5 sketchbook and future prospects for sketchbook editions. Robert Levin concludes the volume with a review of Performing Beethoven, edited by Robin Stowell.
The essays in this volume grew out of an international Beethoven conference held in honor of Lewis Lockwood at Harvard University in 1996. Michelle Fillion?s opening essay explores the Mass in C and its turn away from the ?heroic? style of the ?middle-period? works. In ?Beethoven and the Aesthetic State,? Karol Berger reflects on the manner in which the composer?s music often shifts back and forth between a ?real? and an ?imagined? world. William Drabkin examines the role of the cello part in Beethoven's late quartets, particularly in regard to the elusive parameter of texture. Richard Kramer?s reading of the song Resignation (1818) opens new perspectives on the idea of a ?late? style in the composer?s output. ø In ?Beethoven's ?Expressive? Markings,? Leo Treitler demonstrates how seemingly straightforward directions to performers about tempo, mood, or dynamics raise fundamental questions about the relationship between music and language. Michael C. Tusa reviews more than a century of attempts to relate form and content in the last movement of the Ninth Symphony and offers a new interpretation on the idea of the choral finale as a kind of four-movement symphony in its own right. Maynard Solomon?s essay on the ?Diabelli? variations argues that the theme itself, although simple, is by no means trivial and indeed is ?perfectly suited to unpacking issues of firstness and lastness and their interchangeability.? William Drabkin concludes the volume with a review essay on Beethoven: Interpretationen seiner Werke, edited by Albrecht Riethm_ller, Carl Dahlhaus, and Alexander Ringer.
Book Synopsis Beethoven Forum by : Mark Evan Bonds
Download or read book Beethoven Forum written by Mark Evan Bonds and published by U of Nebraska Press. This book was released on 1999-01-01 with total page 196 pages. Available in PDF, EPUB and Kindle. Book excerpt: The essays in this volume grew out of an international Beethoven conference held in honor of Lewis Lockwood at Harvard University in 1996. Michelle Fillion?s opening essay explores the Mass in C and its turn away from the ?heroic? style of the ?middle-period? works. In ?Beethoven and the Aesthetic State,? Karol Berger reflects on the manner in which the composer?s music often shifts back and forth between a ?real? and an ?imagined? world. William Drabkin examines the role of the cello part in Beethoven's late quartets, particularly in regard to the elusive parameter of texture. Richard Kramer?s reading of the song Resignation (1818) opens new perspectives on the idea of a ?late? style in the composer?s output. ø In ?Beethoven's ?Expressive? Markings,? Leo Treitler demonstrates how seemingly straightforward directions to performers about tempo, mood, or dynamics raise fundamental questions about the relationship between music and language. Michael C. Tusa reviews more than a century of attempts to relate form and content in the last movement of the Ninth Symphony and offers a new interpretation on the idea of the choral finale as a kind of four-movement symphony in its own right. Maynard Solomon?s essay on the ?Diabelli? variations argues that the theme itself, although simple, is by no means trivial and indeed is ?perfectly suited to unpacking issues of firstness and lastness and their interchangeability.? William Drabkin concludes the volume with a review essay on Beethoven: Interpretationen seiner Werke, edited by Albrecht Riethm_ller, Carl Dahlhaus, and Alexander Ringer.
The opening essay by James Webster, "Beethoven in Vienna, 1792-1802: Anø'Early' Period?", evaluates the critical tradition of dividing Beethoven?s career into three periods?early, middle, and late?and shows both their artificiality andøtheir implications, including a tendency to undervalue early works. J_rgen May?s essay "Beethoven and Prince Karl Lichnowsky," considers Beethoven?s relations with one of the first of his most important patrons. In "Beethoven before 1800: The Mozart Legacy," Lewis Lockwood examines Beethoven?s sketchbooks to describe how Beethoven composed with and against models from Mozart. Glenn Stanley's essay, "The 'wirklich gantz neue Mainer' and the Path to It: Beethoven's Variations for Piano, 1783-1802," surveys Beethoven?s sets of piano variations written in his first decade in Vienna and argues the importance of the variations in Beethoven's progress as a composer. In 'Pathos and the Pathätique," Elaine R. Sisman provides a historical and aesthetic analysis of one of Beethoven?s most popular piano sonatas. The composition of one of Beethoven's most popular violin sonatas, the "Spring" sonata is traced in the sketchbooks by Carl Schachter in "The Sketches of the Sonata for Piano and Violin, Op. 24." Nicholas Marston's "Stylistic Advance, Strategic Retreat: Beethoven's Sketches for the Finale,"øalso pays precise attention to Beethoven's sketches to discover how the composition of the Second Symphony illuminates Beethoven's work on an "underlying idea." In "Hybrid Themes: Toward a Refinement in the Classification of Classical Theme Types,"øWilliam E. Caplin defines "hybrid themes" and shows their variety in Beethoven?s early compositions. William Kinderman concludes the volume with a review article onøKlaus Kropfinger?s Wagner and Beethoven and its study of the "battle for Beethoven" that racked nineteenth-century European music.
Book Synopsis Beethoven Forum by : Beethoven Forum
Download or read book Beethoven Forum written by Beethoven Forum and published by U of Nebraska Press. This book was released on 1994-01-01 with total page 210 pages. Available in PDF, EPUB and Kindle. Book excerpt: The opening essay by James Webster, "Beethoven in Vienna, 1792-1802: Anø'Early' Period?", evaluates the critical tradition of dividing Beethoven?s career into three periods?early, middle, and late?and shows both their artificiality andøtheir implications, including a tendency to undervalue early works. J_rgen May?s essay "Beethoven and Prince Karl Lichnowsky," considers Beethoven?s relations with one of the first of his most important patrons. In "Beethoven before 1800: The Mozart Legacy," Lewis Lockwood examines Beethoven?s sketchbooks to describe how Beethoven composed with and against models from Mozart. Glenn Stanley's essay, "The 'wirklich gantz neue Mainer' and the Path to It: Beethoven's Variations for Piano, 1783-1802," surveys Beethoven?s sets of piano variations written in his first decade in Vienna and argues the importance of the variations in Beethoven's progress as a composer. In 'Pathos and the Pathätique," Elaine R. Sisman provides a historical and aesthetic analysis of one of Beethoven?s most popular piano sonatas. The composition of one of Beethoven's most popular violin sonatas, the "Spring" sonata is traced in the sketchbooks by Carl Schachter in "The Sketches of the Sonata for Piano and Violin, Op. 24." Nicholas Marston's "Stylistic Advance, Strategic Retreat: Beethoven's Sketches for the Finale,"øalso pays precise attention to Beethoven's sketches to discover how the composition of the Second Symphony illuminates Beethoven's work on an "underlying idea." In "Hybrid Themes: Toward a Refinement in the Classification of Classical Theme Types,"øWilliam E. Caplin defines "hybrid themes" and shows their variety in Beethoven?s early compositions. William Kinderman concludes the volume with a review article onøKlaus Kropfinger?s Wagner and Beethoven and its study of the "battle for Beethoven" that racked nineteenth-century European music.
Few composers even begin to approach Beethoven's pervasive presence in modern Western culture, from the concert hall to the comic strip. Edited by a cultural historian and a music theorist, Beethoven and His World gathers eminent scholars from several disciplines who collectively speak to the range of Beethoven's importance and of our perennial fascination with him. The contributors address Beethoven's musical works and their cultural contexts. Reinhold Brinkmann explores the post-revolutionary context of Beethoven's "Eroica" Symphony, while Lewis Lockwood establishes a typology of heroism in works like Fidelio. Elaine Sisman, Nicholas Marston, and Glenn Stanley discuss issues of temporality, memory, and voice in works at the threshold of Beethoven's late style, such as An die Ferne Geliebte, the Cello Sonata op. 102, no. 1, and the somewhat later Piano Sonata op. 109. Peering behind the scenes into Beethoven's workshop, Tilman Skowroneck explains how the young Beethoven chose his pianos, and William Kinderman shows Beethoven in the process of sketching and revising his compositions. The volume concludes with four essays engaging the broader question of reception of Beethoven's impact on his world and ours. Christopher Gibbs' study of Beethoven's funeral and its aftermath features documentary material appearing in English for the first time; art historian Alessandra Comini offers an illustrated discussion of Beethoven's ubiquitous and iconic frown; Sanna Pederson takes up the theme of masculinity in critical representations of Beethoven; and Leon Botstein examines the aesthetics and politics of hearing extramusical narratives and plots in Beethoven's music. Bringing together varied and fresh approaches to the West's most celebrated composer, this collection of essays provides music lovers with an enriched understanding of Beethoven--as man, musician, and phenomenon.
Book Synopsis Beethoven and His World by : Scott Burnham
Download or read book Beethoven and His World written by Scott Burnham and published by Princeton University Press. This book was released on 2020-09-01 with total page 398 pages. Available in PDF, EPUB and Kindle. Book excerpt: Few composers even begin to approach Beethoven's pervasive presence in modern Western culture, from the concert hall to the comic strip. Edited by a cultural historian and a music theorist, Beethoven and His World gathers eminent scholars from several disciplines who collectively speak to the range of Beethoven's importance and of our perennial fascination with him. The contributors address Beethoven's musical works and their cultural contexts. Reinhold Brinkmann explores the post-revolutionary context of Beethoven's "Eroica" Symphony, while Lewis Lockwood establishes a typology of heroism in works like Fidelio. Elaine Sisman, Nicholas Marston, and Glenn Stanley discuss issues of temporality, memory, and voice in works at the threshold of Beethoven's late style, such as An die Ferne Geliebte, the Cello Sonata op. 102, no. 1, and the somewhat later Piano Sonata op. 109. Peering behind the scenes into Beethoven's workshop, Tilman Skowroneck explains how the young Beethoven chose his pianos, and William Kinderman shows Beethoven in the process of sketching and revising his compositions. The volume concludes with four essays engaging the broader question of reception of Beethoven's impact on his world and ours. Christopher Gibbs' study of Beethoven's funeral and its aftermath features documentary material appearing in English for the first time; art historian Alessandra Comini offers an illustrated discussion of Beethoven's ubiquitous and iconic frown; Sanna Pederson takes up the theme of masculinity in critical representations of Beethoven; and Leon Botstein examines the aesthetics and politics of hearing extramusical narratives and plots in Beethoven's music. Bringing together varied and fresh approaches to the West's most celebrated composer, this collection of essays provides music lovers with an enriched understanding of Beethoven--as man, musician, and phenomenon.
Download or read book Beethoven Forum written by and published by . This book was released on 1992 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt:
The Grosse Fuge, composed by Ludwig van Beethoven in his late period, has an involved and complicated history. Written for a string quartet but published as an independent work, the piece raises interesting questions about whether music without words can have meaning, and invokes speculation about the composer and his frame of mind when he wrote it. Kahn looks closely at the musical, aesthetic, philosophical, and historical problems the work raises, considering its history, structure and development, meaning, and response among critics and contemporaries. Kahn also studies Beethoven's difficulties with publishers and sponsors, his everyday life, and his character in light of recent advances in the pharmacology of depressive illness. The book places both Beethoven and the Grosse Fuge in their historic and social contexts, arguing that Beethoven intended the Fuge as the finale of his String Quartet Opus 130 and created a substitute finale for the quartet at his publisher's urging; not because he was unhappy with the work. Beethoven is examined as a freelance musician: a vocation whose members were frequently excluded from society and the protection of its laws, including respect for copyright. Viewed in this light, Beethoven's famous quirks and resentments become understandable, even rational. Kahn also devotes a chapter to the phenomenon of synesthesia—a sense of motion through three-dimensional volumes of space—examining how some works of Western music can evoke synesthesia in listeners. He also speculates that Beethoven's creative dry spell in his late 40s was caused by an extended bout with clinical depression. Written for a general audience and including a bibliography and index, this fascinating study will interest scholars and fans of classical music and Beethoven.
Book Synopsis Beethoven and the Grosse Fuge by : Robert S. Kahn
Download or read book Beethoven and the Grosse Fuge written by Robert S. Kahn and published by Scarecrow Press. This book was released on 2010-06-01 with total page 180 pages. Available in PDF, EPUB and Kindle. Book excerpt: The Grosse Fuge, composed by Ludwig van Beethoven in his late period, has an involved and complicated history. Written for a string quartet but published as an independent work, the piece raises interesting questions about whether music without words can have meaning, and invokes speculation about the composer and his frame of mind when he wrote it. Kahn looks closely at the musical, aesthetic, philosophical, and historical problems the work raises, considering its history, structure and development, meaning, and response among critics and contemporaries. Kahn also studies Beethoven's difficulties with publishers and sponsors, his everyday life, and his character in light of recent advances in the pharmacology of depressive illness. The book places both Beethoven and the Grosse Fuge in their historic and social contexts, arguing that Beethoven intended the Fuge as the finale of his String Quartet Opus 130 and created a substitute finale for the quartet at his publisher's urging; not because he was unhappy with the work. Beethoven is examined as a freelance musician: a vocation whose members were frequently excluded from society and the protection of its laws, including respect for copyright. Viewed in this light, Beethoven's famous quirks and resentments become understandable, even rational. Kahn also devotes a chapter to the phenomenon of synesthesia—a sense of motion through three-dimensional volumes of space—examining how some works of Western music can evoke synesthesia in listeners. He also speculates that Beethoven's creative dry spell in his late 40s was caused by an extended bout with clinical depression. Written for a general audience and including a bibliography and index, this fascinating study will interest scholars and fans of classical music and Beethoven.
In this provocative analysis of Beethoven's late style, Stephen Rumph demonstrates how deeply political events shaped the composer's music, from his early enthusiasm for the French Revolution to his later entrenchment during the Napoleonic era. Impressive in its breadth of research as well as for its devotion to interdisciplinary work in music history, Beethoven after Napoleon challenges accepted views by illustrating the influence of German Romantic political thought in the formation of the artist's mature style. Beethoven's political views, Rumph argues, were not quite as liberal as many have assumed. While scholars agree that the works of the Napoleonic era such as the Eroica Symphony or Fidelio embody enlightened, revolutionary ideals of progress, freedom, and humanism, Beethoven's later works have attracted less political commentary. Rumph contends that the later works show clear affinities with a native German ideology that exalted history, religion, and the organic totality of state and society. He claims that as the Napoleonic Wars plunged Europe into political and economic turmoil, Beethoven's growing antipathy to the French mirrored the experience of his Romantic contemporaries. Rumph maintains that Beethoven's turn inward is no pessimistic retreat but a positive affirmation of new conservative ideals.
Book Synopsis Beethoven after Napoleon by : Stephen Rumph
Download or read book Beethoven after Napoleon written by Stephen Rumph and published by Univ of California Press. This book was released on 2004-08-15 with total page 307 pages. Available in PDF, EPUB and Kindle. Book excerpt: In this provocative analysis of Beethoven's late style, Stephen Rumph demonstrates how deeply political events shaped the composer's music, from his early enthusiasm for the French Revolution to his later entrenchment during the Napoleonic era. Impressive in its breadth of research as well as for its devotion to interdisciplinary work in music history, Beethoven after Napoleon challenges accepted views by illustrating the influence of German Romantic political thought in the formation of the artist's mature style. Beethoven's political views, Rumph argues, were not quite as liberal as many have assumed. While scholars agree that the works of the Napoleonic era such as the Eroica Symphony or Fidelio embody enlightened, revolutionary ideals of progress, freedom, and humanism, Beethoven's later works have attracted less political commentary. Rumph contends that the later works show clear affinities with a native German ideology that exalted history, religion, and the organic totality of state and society. He claims that as the Napoleonic Wars plunged Europe into political and economic turmoil, Beethoven's growing antipathy to the French mirrored the experience of his Romantic contemporaries. Rumph maintains that Beethoven's turn inward is no pessimistic retreat but a positive affirmation of new conservative ideals.
Compiled here are reviews, reports, notes, and essays found in German-language periodicals published between 1783 and 1830. The documents are translated into English with copious notes and annotations, an introductory essay, and indexes of names, subjects, and works. This volume contains a general section and documents on specific opus numbers up to opus 54, with musical examples redrawn from the original publications. ø The collection brings to light contemporary perceptions of Beethoven?s music, including matters such as audience, setting, facilities, orchestra, instruments, and performers as well as the relationship of Beethoven?s music to theoretical and critical ideas of the eighteenth and nineteenth centuries. These documents, most of which appear in English for the first time, present a wide spectrum of insights into the perceptions that Beethoven?s contemporaries had of his monumental music.
Book Synopsis The Critical Reception of Beethoven's Compositions by His German Contemporaries by : Wayne M. Senner
Download or read book The Critical Reception of Beethoven's Compositions by His German Contemporaries written by Wayne M. Senner and published by U of Nebraska Press. This book was released on 1999-05-25 with total page 296 pages. Available in PDF, EPUB and Kindle. Book excerpt: Compiled here are reviews, reports, notes, and essays found in German-language periodicals published between 1783 and 1830. The documents are translated into English with copious notes and annotations, an introductory essay, and indexes of names, subjects, and works. This volume contains a general section and documents on specific opus numbers up to opus 54, with musical examples redrawn from the original publications. ø The collection brings to light contemporary perceptions of Beethoven?s music, including matters such as audience, setting, facilities, orchestra, instruments, and performers as well as the relationship of Beethoven?s music to theoretical and critical ideas of the eighteenth and nineteenth centuries. These documents, most of which appear in English for the first time, present a wide spectrum of insights into the perceptions that Beethoven?s contemporaries had of his monumental music.
