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This dictionary consists of over 3000 entries on a range of British artists, from medieval manuscript illuminators to contemporary cartoonists. Its core is comprised of the entries focusing on British graphic artists and illustrators from the '2006 Benezit Dictionary of Artists' with an additional 90 revised and 60 new articles.
Book Synopsis Benezit Dictionary of British Graphic Artists and Illustrators by : Stephen Bury
Download or read book Benezit Dictionary of British Graphic Artists and Illustrators written by Stephen Bury and published by Oxford University Press, USA. This book was released on 2012-06-21 with total page 1341 pages. Available in PDF, EPUB and Kindle. Book excerpt: This dictionary consists of over 3000 entries on a range of British artists, from medieval manuscript illuminators to contemporary cartoonists. Its core is comprised of the entries focusing on British graphic artists and illustrators from the '2006 Benezit Dictionary of Artists' with an additional 90 revised and 60 new articles.
Features over three thousand entries on British artists, ranging from contemporary cartoonists to medieval manuscript illuminators. The majority of the content was chosen from the most recent edition of the Benezit Dictionary of Artists, with more than ninety revised entries and sixty new ones, primarily on 19th and 20th century artists.
Book Synopsis Benezit Dictionary of British Graphic Artists and Illustrators by : Emmanuel Bénézit
Download or read book Benezit Dictionary of British Graphic Artists and Illustrators written by Emmanuel Bénézit and published by . This book was released on 2012 with total page pages. Available in PDF, EPUB and Kindle. Book excerpt: Features over three thousand entries on British artists, ranging from contemporary cartoonists to medieval manuscript illuminators. The majority of the content was chosen from the most recent edition of the Benezit Dictionary of Artists, with more than ninety revised entries and sixty new ones, primarily on 19th and 20th century artists.
The Benezit Dictionary of British Graphic Artists and Illustrators consists of over 3,000 entries on a range of British artists, from medieval manuscript illuminators to contemporary cartoonists. Its core is comprised of the entries focusing on British graphic artists and illustrators from the 2006 Benezit Dictionary of Artists with an additional 90 revised and 60 new articles. The collection highlights the rich history of British printmaking-both fine art prints and mass print media-and related activities in the production and illustration of printed books and manuscripts.
Book Synopsis Benezit Dictionary of British Graphic Artists and Illustrators by :
Download or read book Benezit Dictionary of British Graphic Artists and Illustrators written by and published by OUP USA. This book was released on 2012-06-21 with total page 1000 pages. Available in PDF, EPUB and Kindle. Book excerpt: The Benezit Dictionary of British Graphic Artists and Illustrators consists of over 3,000 entries on a range of British artists, from medieval manuscript illuminators to contemporary cartoonists. Its core is comprised of the entries focusing on British graphic artists and illustrators from the 2006 Benezit Dictionary of Artists with an additional 90 revised and 60 new articles. The collection highlights the rich history of British printmaking-both fine art prints and mass print media-and related activities in the production and illustration of printed books and manuscripts.
Book Synopsis Dictionnaire Critique Et Documentaire Des Peintres, Sculpteurs, Dessinateurs & Graveurs de Tous Les Temps Et de Tous Les Pays: D-K by : Emmanuel Bénézit
Download or read book Dictionnaire Critique Et Documentaire Des Peintres, Sculpteurs, Dessinateurs & Graveurs de Tous Les Temps Et de Tous Les Pays: D-K written by Emmanuel Bénézit and published by . This book was released on 1911 with total page pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book The Dictionary of Art written by and published by . This book was released on 2002 with total page pages. Available in PDF, EPUB and Kindle. Book excerpt:
This book is for art market researchers at all levels. A brief overview of the global art market and its major stakeholders precedes an analysis of the various sales venues (auction, commercial gallery, etc.). Library research skills are reviewed, and advanced methods are explored in a chapter devoted to basic market research. Because the monetary value of artwork cannot be established without reference to the aesthetic qualities and art historical significance of our subject works, two substantial chapters detail the processes involved in researching and documenting the fine and decorative arts, respectively, and provide annotated bibliographies. Methods for assigning values for art objects are explored, and sources of price data, both in print and online, are identified and described in detail. In recent years, art historical scholarship increasingly has addressed issues related to the history of art and its markets: a chapter on resources for the historian of the art market offers a wide range of sources. Finally, provenance and art law are discussed, with particular reference to their relevance to dealers, collectors, artists and other art market stakeholders.
Book Synopsis Art Market Research by : Tom McNulty
Download or read book Art Market Research written by Tom McNulty and published by McFarland. This book was released on 2013-12-19 with total page 333 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book is for art market researchers at all levels. A brief overview of the global art market and its major stakeholders precedes an analysis of the various sales venues (auction, commercial gallery, etc.). Library research skills are reviewed, and advanced methods are explored in a chapter devoted to basic market research. Because the monetary value of artwork cannot be established without reference to the aesthetic qualities and art historical significance of our subject works, two substantial chapters detail the processes involved in researching and documenting the fine and decorative arts, respectively, and provide annotated bibliographies. Methods for assigning values for art objects are explored, and sources of price data, both in print and online, are identified and described in detail. In recent years, art historical scholarship increasingly has addressed issues related to the history of art and its markets: a chapter on resources for the historian of the art market offers a wide range of sources. Finally, provenance and art law are discussed, with particular reference to their relevance to dealers, collectors, artists and other art market stakeholders.
Botticelli, Holbein, Leonardo, Dürer, Michelangelo: the names are familiar, as are the works, such as the Last Supper fresco, or the monumental marble statue of David. But who were these artists, why did they produce such memorable images, and how would their original beholders have viewed these objects? Was the Renaissance only about great masters and masterpieces, or were "mistresses" also involved, such as women artists and patrons? And what about the 'minor'-pieces that Renaissance men and women would have encountered in homes, churches and civic spaces? This exciting and stimulating volume will answer such questions by considering both famous and lesser-known artists, patrons and works of art within the cultural and historical context of Renaissance Europe. ABOUT THE SERIES: The Very Short Introductions series from Oxford University Press contains hundreds of titles in almost every subject area. These pocket-sized books are the perfect way to get ahead in a new subject quickly. Our expert authors combine facts, analysis, perspective, new ideas, and enthusiasm to make interesting and challenging topics highly readable.
Book Synopsis Renaissance Art: A Very Short Introduction by : Geraldine A Johnson
Download or read book Renaissance Art: A Very Short Introduction written by Geraldine A Johnson and published by OUP Oxford. This book was released on 2005-04-21 with total page 177 pages. Available in PDF, EPUB and Kindle. Book excerpt: Botticelli, Holbein, Leonardo, Dürer, Michelangelo: the names are familiar, as are the works, such as the Last Supper fresco, or the monumental marble statue of David. But who were these artists, why did they produce such memorable images, and how would their original beholders have viewed these objects? Was the Renaissance only about great masters and masterpieces, or were "mistresses" also involved, such as women artists and patrons? And what about the 'minor'-pieces that Renaissance men and women would have encountered in homes, churches and civic spaces? This exciting and stimulating volume will answer such questions by considering both famous and lesser-known artists, patrons and works of art within the cultural and historical context of Renaissance Europe. ABOUT THE SERIES: The Very Short Introductions series from Oxford University Press contains hundreds of titles in almost every subject area. These pocket-sized books are the perfect way to get ahead in a new subject quickly. Our expert authors combine facts, analysis, perspective, new ideas, and enthusiasm to make interesting and challenging topics highly readable.
"As boundaries slowly dissolve and interactive realities become evident, the cultures of India and Pakistan are beginning to draw attention. Recent exchanges have taken place in the realm of music, cinema, and other cultural forms. Moreover, both nations share a heritage of Mughal miniatures, Rajasthani and Pahari art, and are bound together by history and the problematics of the present. The contemporary art of the two countries, in all its vitality, today has a new identity. The illustrated book reveals the heterogenous, complex, and vibrant life of the subcontinent of South Asia that is reflected through both Pakistani and Indian art." "In the first part of the book, Salima Hashmi introduces the art practices of Pakistan, since Partition, and their historical background. She goes on to discuss the subversive work of women artists, who have recently asserted themselves. The section ends with an overview of artists who have blended rather uniquely the miniature tradition with contemporary trends." "The second part by Yashodhara Dalmia, begins with the historical development of art in India from the turn of the twentieth-century to the present. There follows a focus on the Progressive Artists' Group, which leaned heavily towards modernism in the fifties, and remains of paramount importance today."--Jacket.
Book Synopsis Memory, Metaphor, Mutations by : Yashodhara Dalmia
Download or read book Memory, Metaphor, Mutations written by Yashodhara Dalmia and published by Oxford University Press, USA. This book was released on 2007 with total page 248 pages. Available in PDF, EPUB and Kindle. Book excerpt: "As boundaries slowly dissolve and interactive realities become evident, the cultures of India and Pakistan are beginning to draw attention. Recent exchanges have taken place in the realm of music, cinema, and other cultural forms. Moreover, both nations share a heritage of Mughal miniatures, Rajasthani and Pahari art, and are bound together by history and the problematics of the present. The contemporary art of the two countries, in all its vitality, today has a new identity. The illustrated book reveals the heterogenous, complex, and vibrant life of the subcontinent of South Asia that is reflected through both Pakistani and Indian art." "In the first part of the book, Salima Hashmi introduces the art practices of Pakistan, since Partition, and their historical background. She goes on to discuss the subversive work of women artists, who have recently asserted themselves. The section ends with an overview of artists who have blended rather uniquely the miniature tradition with contemporary trends." "The second part by Yashodhara Dalmia, begins with the historical development of art in India from the turn of the twentieth-century to the present. There follows a focus on the Progressive Artists' Group, which leaned heavily towards modernism in the fifties, and remains of paramount importance today."--Jacket.
Despite the boom in scholarship in both Comics Studies and Memory Studies, the two fields rarely interact—especially with issues beyond the representation of traumatic and autobiographical memories in comics. With a focus on the roles played by styles and archives—in their physical and metaphorical manifestations—this edited volume offers an original intervention, highlighting several novel ways of thinking about comics and memory as comics memory. Bringing together scholars as well as cultural actors, the contributions combine studies on European and North American comics and offer a representative overview of the main comics genres and forms, including superheroes, Westerns, newspaper comics, diary comics, comics reportage and alternative comics. In considering the many manifestations of memory in comics as well as the functioning and influence of institutions, public and private practices, the book exemplifies new possibilities for understanding the complex entanglements of memory and comics.
Book Synopsis Comics Memory by : Maaheen Ahmed
Download or read book Comics Memory written by Maaheen Ahmed and published by Springer. This book was released on 2018-08-01 with total page 290 pages. Available in PDF, EPUB and Kindle. Book excerpt: Despite the boom in scholarship in both Comics Studies and Memory Studies, the two fields rarely interact—especially with issues beyond the representation of traumatic and autobiographical memories in comics. With a focus on the roles played by styles and archives—in their physical and metaphorical manifestations—this edited volume offers an original intervention, highlighting several novel ways of thinking about comics and memory as comics memory. Bringing together scholars as well as cultural actors, the contributions combine studies on European and North American comics and offer a representative overview of the main comics genres and forms, including superheroes, Westerns, newspaper comics, diary comics, comics reportage and alternative comics. In considering the many manifestations of memory in comics as well as the functioning and influence of institutions, public and private practices, the book exemplifies new possibilities for understanding the complex entanglements of memory and comics.
Slavery, Geography and Empire in Nineteenth-Century Marine Landscapes of Montreal and Jamaica is among the first Slavery Studies books - and the first in Art History - to juxtapose temperate and tropical slavery. Charmaine A. Nelson explores the central role of geography and its racialized representation as landscape art in imperial conquest. One could easily assume that nineteenth-century Montreal and Jamaica were worlds apart, but through her astute examination of marine landscape art, the author re-connects these two significant British island colonies, sites of colonial ports with profound economic and military value. Through an analysis of prints, illustrated travel books, and maps, the author exposes the fallacy of their disconnection, arguing instead that the separation of these colonies was a retroactive fabrication designed in part to rid Canada of its deeply colonial history as an integral part of Britain's global trading network which enriched the motherland through extensive trade in crops produced by enslaved workers on tropical plantations. The first study to explore James Hakewill's Jamaican landscapes and William Clark's Antiguan genre studies in depth, it also examines the Montreal landscapes of artists including Thomas Davies, Robert Sproule, George Heriot and James Duncan. Breaking new ground, Nelson reveals how gender and race mediated the aesthetic and scientific access of such - mainly white, male - artists. She analyzes this moment of deep political crisis for British slave owners (between the end of the slave trade in 1807 and complete abolition in 1833) who employed visual culture to imagine spaces free of conflict and to alleviate their pervasive anxiety about slave resistance. Nelson explores how vision and cartographic knowledge translated into authority, which allowed colonizers to 'civilize' the terrains of the so-called New World, while belying the oppression of slavery and indigenous displacement.
Book Synopsis Slavery, Geography and Empire in Nineteenth-Century Marine Landscapes of Montreal and Jamaica by : CharmaineA. Nelson
Download or read book Slavery, Geography and Empire in Nineteenth-Century Marine Landscapes of Montreal and Jamaica written by CharmaineA. Nelson and published by Routledge. This book was released on 2017-07-05 with total page 443 pages. Available in PDF, EPUB and Kindle. Book excerpt: Slavery, Geography and Empire in Nineteenth-Century Marine Landscapes of Montreal and Jamaica is among the first Slavery Studies books - and the first in Art History - to juxtapose temperate and tropical slavery. Charmaine A. Nelson explores the central role of geography and its racialized representation as landscape art in imperial conquest. One could easily assume that nineteenth-century Montreal and Jamaica were worlds apart, but through her astute examination of marine landscape art, the author re-connects these two significant British island colonies, sites of colonial ports with profound economic and military value. Through an analysis of prints, illustrated travel books, and maps, the author exposes the fallacy of their disconnection, arguing instead that the separation of these colonies was a retroactive fabrication designed in part to rid Canada of its deeply colonial history as an integral part of Britain's global trading network which enriched the motherland through extensive trade in crops produced by enslaved workers on tropical plantations. The first study to explore James Hakewill's Jamaican landscapes and William Clark's Antiguan genre studies in depth, it also examines the Montreal landscapes of artists including Thomas Davies, Robert Sproule, George Heriot and James Duncan. Breaking new ground, Nelson reveals how gender and race mediated the aesthetic and scientific access of such - mainly white, male - artists. She analyzes this moment of deep political crisis for British slave owners (between the end of the slave trade in 1807 and complete abolition in 1833) who employed visual culture to imagine spaces free of conflict and to alleviate their pervasive anxiety about slave resistance. Nelson explores how vision and cartographic knowledge translated into authority, which allowed colonizers to 'civilize' the terrains of the so-called New World, while belying the oppression of slavery and indigenous displacement.
