Download Beyond The Art Of Finger Dexterity full books in PDF, epub, and Kindle. Read online Beyond The Art Of Finger Dexterity ebook anywhere anytime directly on your device. Fast Download speed and no annoying ads. We cannot guarantee that every ebooks is available!
Carl Czerny was a highly successful composer of popular piano music, and his pedagogical works remain fundamental to the training of pianists. But Czerny's reputation in these areas has obscured the remarkable breadth of his activity, and especially his work as a composer of serious music. This collection aims to address this.
Book Synopsis Beyond the Art of Finger Dexterity by : David Gramit
Download or read book Beyond the Art of Finger Dexterity written by David Gramit and published by University Rochester Press. This book was released on 2008 with total page 302 pages. Available in PDF, EPUB and Kindle. Book excerpt: Carl Czerny was a highly successful composer of popular piano music, and his pedagogical works remain fundamental to the training of pianists. But Czerny's reputation in these areas has obscured the remarkable breadth of his activity, and especially his work as a composer of serious music. This collection aims to address this.
These 50 excellent and systematic exercises Czerny devised for developing finger dexterity are as useful today as when they were first written. Each exercise is preceded by a statement of specific goals. Exercises range from achieving even finger action with a quiet hand to virtuoso studies that emphasize affectations such as the bravura touch.
Book Synopsis The Art of Finger Dexterity, Op. 740 (Complete) by : Carl Czerny
Download or read book The Art of Finger Dexterity, Op. 740 (Complete) written by Carl Czerny and published by Alfred Music. This book was released on 2005-05-03 with total page 208 pages. Available in PDF, EPUB and Kindle. Book excerpt: These 50 excellent and systematic exercises Czerny devised for developing finger dexterity are as useful today as when they were first written. Each exercise is preceded by a statement of specific goals. Exercises range from achieving even finger action with a quiet hand to virtuoso studies that emphasize affectations such as the bravura touch.
Carl Czerny (1791--1857) was an Austrian pianist, composer and teacher. Today he is best remembered for his volumes of tudes for the piano. Czerny's music was greatly influenced by his teachers, Clementi, Hummel, Salieri and Beethoven. This book contains Czerny's Opus 740 (Book 1), "The Art of Finger Dexterity," Exercises 1-8.
Book Synopsis The Art of Finger Dexterity, Op. 740, Bk 1 by :
Download or read book The Art of Finger Dexterity, Op. 740, Bk 1 written by and published by Alfred Music Publishing. This book was released on 1985-03 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt: Carl Czerny (1791--1857) was an Austrian pianist, composer and teacher. Today he is best remembered for his volumes of tudes for the piano. Czerny's music was greatly influenced by his teachers, Clementi, Hummel, Salieri and Beethoven. This book contains Czerny's Opus 740 (Book 1), "The Art of Finger Dexterity," Exercises 1-8.
Expertly arranged piano exercises by Carl Czerny from the Kalmus Edition series. These Intermediate / Advanced Exercises are from the Classical and Romantic eras.
Book Synopsis Art of Finger Dexterity, Op. 740, Complete by : Carl Czerny
Download or read book Art of Finger Dexterity, Op. 740, Complete written by Carl Czerny and published by Alfred Music. This book was released on 1996-02-01 with total page 180 pages. Available in PDF, EPUB and Kindle. Book excerpt: Expertly arranged piano exercises by Carl Czerny from the Kalmus Edition series. These Intermediate / Advanced Exercises are from the Classical and Romantic eras.
Drawing on a wealth of unpublished sources surrounding Kinkel, this book explores the extent to which Kinkel's Lieder reflect and transcend compositional-aesthetic, cultural, and socio-political facets typically associated with the first half of the nineteenth century.
Book Synopsis The Songs of Johanna Kinkel by : Anja Bunzel
Download or read book The Songs of Johanna Kinkel written by Anja Bunzel and published by Boydell & Brewer. This book was released on 2020 with total page 306 pages. Available in PDF, EPUB and Kindle. Book excerpt: Drawing on a wealth of unpublished sources surrounding Kinkel, this book explores the extent to which Kinkel's Lieder reflect and transcend compositional-aesthetic, cultural, and socio-political facets typically associated with the first half of the nineteenth century.
The use of historical recordings as primary sources is relatively well established in both musicology and performance studies and has demonstrated how early recording technologies transformed the ways in which musicians and audiences engaged with music. This edited volume offers a timely snapshot of a wide range of contemporary research in the area of performance practice and performance histories, inviting readers to consider the wide range of research methods that are used in this ever-expanding area of scholarship. The volume brings together a diverse team of researchers who all use early recordings as their primary source to research performance in its broadest sense in a wide range of repertoires within and on the margins of the classical canon – from the analysis of specific performing practices and parameters in certain repertoires, to broader contextual issues that call attention to the relationship between recorded performance and topics such as analysis, notation and composition. Including a range of accessible music examples, which allow readers to experience the music under discussion, this book is designed to engage with academic and non-academic readers alike, being an ideal research aid for students, scholars and performers, as well as an interesting read for early sound recording enthusiasts.
Book Synopsis Early Sound Recordings by : Eva Moreda Rodriguez
Download or read book Early Sound Recordings written by Eva Moreda Rodriguez and published by Taylor & Francis. This book was released on 2023-02-28 with total page 279 pages. Available in PDF, EPUB and Kindle. Book excerpt: The use of historical recordings as primary sources is relatively well established in both musicology and performance studies and has demonstrated how early recording technologies transformed the ways in which musicians and audiences engaged with music. This edited volume offers a timely snapshot of a wide range of contemporary research in the area of performance practice and performance histories, inviting readers to consider the wide range of research methods that are used in this ever-expanding area of scholarship. The volume brings together a diverse team of researchers who all use early recordings as their primary source to research performance in its broadest sense in a wide range of repertoires within and on the margins of the classical canon – from the analysis of specific performing practices and parameters in certain repertoires, to broader contextual issues that call attention to the relationship between recorded performance and topics such as analysis, notation and composition. Including a range of accessible music examples, which allow readers to experience the music under discussion, this book is designed to engage with academic and non-academic readers alike, being an ideal research aid for students, scholars and performers, as well as an interesting read for early sound recording enthusiasts.
This collection of nine essays investigates the consumption of music during the long eighteenth century, providing insights into the activities of composers, performers, patrons, publishers, theorists, impresarios, and critics.
Book Synopsis Consuming Music by : Emily H. Green
Download or read book Consuming Music written by Emily H. Green and published by Boydell & Brewer. This book was released on 2017 with total page 266 pages. Available in PDF, EPUB and Kindle. Book excerpt: This collection of nine essays investigates the consumption of music during the long eighteenth century, providing insights into the activities of composers, performers, patrons, publishers, theorists, impresarios, and critics.
Featuring 28 music examples this book takes an innovative approach to analyzing and interpreting nineteenth-century German song, offering new perspectives on Robert Schumann's Lieder and song cycles. Robert Schumann's Lieder are among the richest and most complex songs in the repertoire and have long raised questions and stimulated discussion among scholars, performers, and listeners. Among the wide range of methodologies that have been used to understand and interpret his songs, one that has been conspicuously absent is an approach based on narratology (the theory and study of narrative texts). Proceeding from the premise that the performance of a Lied is a narrative act, in which the singer and pianist together function as a narrator, Andrew Weaver's groundbreaking study proposes a comprehensive theory of narratology for the German Romantic Lied and song cycle, using Schumann's complete song oeuvre as the test case. The theory, grounded in the work of narratologist Mieke Bal but also drawing upon recent work in literary theory and musicology, illuminates how music can open up new meanings for the poem, as well as how a narratological analysis of the poem can help us understand the music. Weaver's book offers new insights into Schumann's Lieder and the poetry he set while simultaneously proposing a methodology applicable to the analysis and interpretation of a wide range of works, including not only the rich treasury of German Lieder but also potentially any genre of accompanied song in any language from the Middle Ages to the present day.
Book Synopsis Narrative and Robert Schumann's Songs by : Andrew H. Weaver
Download or read book Narrative and Robert Schumann's Songs written by Andrew H. Weaver and published by Boydell & Brewer. This book was released on 2024 with total page 309 pages. Available in PDF, EPUB and Kindle. Book excerpt: Featuring 28 music examples this book takes an innovative approach to analyzing and interpreting nineteenth-century German song, offering new perspectives on Robert Schumann's Lieder and song cycles. Robert Schumann's Lieder are among the richest and most complex songs in the repertoire and have long raised questions and stimulated discussion among scholars, performers, and listeners. Among the wide range of methodologies that have been used to understand and interpret his songs, one that has been conspicuously absent is an approach based on narratology (the theory and study of narrative texts). Proceeding from the premise that the performance of a Lied is a narrative act, in which the singer and pianist together function as a narrator, Andrew Weaver's groundbreaking study proposes a comprehensive theory of narratology for the German Romantic Lied and song cycle, using Schumann's complete song oeuvre as the test case. The theory, grounded in the work of narratologist Mieke Bal but also drawing upon recent work in literary theory and musicology, illuminates how music can open up new meanings for the poem, as well as how a narratological analysis of the poem can help us understand the music. Weaver's book offers new insights into Schumann's Lieder and the poetry he set while simultaneously proposing a methodology applicable to the analysis and interpretation of a wide range of works, including not only the rich treasury of German Lieder but also potentially any genre of accompanied song in any language from the Middle Ages to the present day.
This biography of the musician Franz Liszt contributes to our understanding of national identity formation and its interaction with cosmopolitanism. Liszt exemplified the nineteenth-century quest for subjective definition and fulfillment. Seeking to gain agency, authority, and community, Liszt experimented with various subject positions from which to forward his goals. The stances he selected, anchored in ideas about nation, religion, and art, allowed him to retain his cosmopolitan sensibility while making specific aesthetic and creative claims. Quinn’s analysis of Liszt’s correspondence and musical criticism, as well as of contemporary reviews of his performances, compositions, and essays, demonstrates the lack of a nationalist exclusivity in Liszt’s life was a historical phenomenon rather than a personal quirk as previous scholarship has often claimed.
Book Synopsis Franz Liszt by : Erika Quinn
Download or read book Franz Liszt written by Erika Quinn and published by BRILL. This book was released on 2014-08-07 with total page 286 pages. Available in PDF, EPUB and Kindle. Book excerpt: This biography of the musician Franz Liszt contributes to our understanding of national identity formation and its interaction with cosmopolitanism. Liszt exemplified the nineteenth-century quest for subjective definition and fulfillment. Seeking to gain agency, authority, and community, Liszt experimented with various subject positions from which to forward his goals. The stances he selected, anchored in ideas about nation, religion, and art, allowed him to retain his cosmopolitan sensibility while making specific aesthetic and creative claims. Quinn’s analysis of Liszt’s correspondence and musical criticism, as well as of contemporary reviews of his performances, compositions, and essays, demonstrates the lack of a nationalist exclusivity in Liszt’s life was a historical phenomenon rather than a personal quirk as previous scholarship has often claimed.
In her study of music-making in the Edwardian novel, Cecilia Björkén-Nyberg argues that the invention and development of the player piano had a significant effect on the perception, performance and appreciation of music during the period. In contrast to existing devices for producing music mechanically such as the phonograph and gramophone, the player piano granted its operator freedom of individual expression by permitting the performer to modify the tempo. Because the traditional piano was the undisputed altar of domestic and highly gendered music-making, Björkén-Nyberg suggests, the potential for intervention by the mechanical piano's operator had a subversive effect on traditional notions about the status of the musical work itself and about the people who were variously defined by their relationship to it. She examines works by Dorothy Richardson, E.M. Forster, Henry Handel Richardson, Max Beerbohm and Compton Mackenzie, among others, contending that Edwardian fiction with music as a subject undermined the prevalent antithesis, expressed in contemporary music literature, between a nineteenth-century conception of music as a means of transcendence and the increasing mechanisation of music as represented by the player piano. Her timely survey of the player piano in the context of Edwardian commercial and technical discourse draws on a rich array of archival materials to shed new light on the historically conditioned activity of music-making in early twentieth-century fiction.
Book Synopsis The Player Piano and the Edwardian Novel by : Cecilia Björkén-Nyberg
Download or read book The Player Piano and the Edwardian Novel written by Cecilia Björkén-Nyberg and published by Routledge. This book was released on 2016-03-03 with total page 222 pages. Available in PDF, EPUB and Kindle. Book excerpt: In her study of music-making in the Edwardian novel, Cecilia Björkén-Nyberg argues that the invention and development of the player piano had a significant effect on the perception, performance and appreciation of music during the period. In contrast to existing devices for producing music mechanically such as the phonograph and gramophone, the player piano granted its operator freedom of individual expression by permitting the performer to modify the tempo. Because the traditional piano was the undisputed altar of domestic and highly gendered music-making, Björkén-Nyberg suggests, the potential for intervention by the mechanical piano's operator had a subversive effect on traditional notions about the status of the musical work itself and about the people who were variously defined by their relationship to it. She examines works by Dorothy Richardson, E.M. Forster, Henry Handel Richardson, Max Beerbohm and Compton Mackenzie, among others, contending that Edwardian fiction with music as a subject undermined the prevalent antithesis, expressed in contemporary music literature, between a nineteenth-century conception of music as a means of transcendence and the increasing mechanisation of music as represented by the player piano. Her timely survey of the player piano in the context of Edwardian commercial and technical discourse draws on a rich array of archival materials to shed new light on the historically conditioned activity of music-making in early twentieth-century fiction.
