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"A complete and detailed guide to crime on film: prison dramas, film noir, heist movies, juvenile delinquents, serial killers, bank robbers, and many other subgenres and motifs. The historical and social background to movie crime is covered by articles on the FBI, the Mafia, the Japanese yakuza, prohibition, boxing, union rackets, drugs, poisoning, prostitution, and many other topics."--Cover.
Book Synopsis The BFI Companion to Crime by : Phil Hardy
Download or read book The BFI Companion to Crime written by Phil Hardy and published by Univ of California Press. This book was released on 1997 with total page 360 pages. Available in PDF, EPUB and Kindle. Book excerpt: "A complete and detailed guide to crime on film: prison dramas, film noir, heist movies, juvenile delinquents, serial killers, bank robbers, and many other subgenres and motifs. The historical and social background to movie crime is covered by articles on the FBI, the Mafia, the Japanese yakuza, prohibition, boxing, union rackets, drugs, poisoning, prostitution, and many other topics."--Cover.
Published to coincide with a crimefest at the National Film Theatre in London, this heavily-illustrated reference book offers a guide to all forms of crime on film. It contains 500 entries on crime cinema classics and the cult films of the genre, including many from Europe and the Far East.
Book Synopsis Bfi Companion to Crime by : Phil Hardy
Download or read book Bfi Companion to Crime written by Phil Hardy and published by Burns & Oates. This book was released on 1998-01 with total page 356 pages. Available in PDF, EPUB and Kindle. Book excerpt: Published to coincide with a crimefest at the National Film Theatre in London, this heavily-illustrated reference book offers a guide to all forms of crime on film. It contains 500 entries on crime cinema classics and the cult films of the genre, including many from Europe and the Far East.
Robbers, gangsters, murderers, and criminals of every description have long been a staple of popular entertainment. Movies are no exception, and film buffs and scholars alike now have a complete guide to the vast array of films that make up the fascinating world of crime cinema. The BFI Companion to Crime offers detailed information on the sub-genres and motifs of movies dealing with criminals and their behavior: prison dramas, heist stories, kidnappings, the exploits of serial killers, juvenile delinquents, and hired guns. Phil Hardy also includes articles on the historical and social background of crime movies. The Mafia, the Japanese yakuza, the FBI, and the underworld of union rackets, prostitution, and drugs are some of the topics covered. Fictional characters such as Sherlock Holmes, Inspector Maigret, Philip Marlow, and Pretty Boy Floyd appear in these pages, along with the literary sources of many crime films. The works of Graham Greene, Dashiell Hammett, Mickey Spillane, and Eric Ambler are among those featured. Abundantly illustrated with more than 500 photographs, this is the book for film enthusiasts and anyone interested in the crime genre.
Book Synopsis The BFI Companion to Crime by : Phil Hardy
Download or read book The BFI Companion to Crime written by Phil Hardy and published by A&C Black. This book was released on 1997-01-01 with total page 360 pages. Available in PDF, EPUB and Kindle. Book excerpt: Robbers, gangsters, murderers, and criminals of every description have long been a staple of popular entertainment. Movies are no exception, and film buffs and scholars alike now have a complete guide to the vast array of films that make up the fascinating world of crime cinema. The BFI Companion to Crime offers detailed information on the sub-genres and motifs of movies dealing with criminals and their behavior: prison dramas, heist stories, kidnappings, the exploits of serial killers, juvenile delinquents, and hired guns. Phil Hardy also includes articles on the historical and social background of crime movies. The Mafia, the Japanese yakuza, the FBI, and the underworld of union rackets, prostitution, and drugs are some of the topics covered. Fictional characters such as Sherlock Holmes, Inspector Maigret, Philip Marlow, and Pretty Boy Floyd appear in these pages, along with the literary sources of many crime films. The works of Graham Greene, Dashiell Hammett, Mickey Spillane, and Eric Ambler are among those featured. Abundantly illustrated with more than 500 photographs, this is the book for film enthusiasts and anyone interested in the crime genre.
By broadening the focus beyond classic English detective fiction, the American 'hard-boiled' crime novel and the gangster movie, Crime Culture breathes new life into staple themes of crime fiction and cinema. Leading international scholars from the fields of literary and cultural studies analyze a range of literature and film, from neglected examples of film noir and 'true crime', crime fiction by female African American writers, to reality TV, recent films such as Elephant, Collateral and The Departed, and contemporary fiction by J. G. Ballard, Kazuo Ishiguro, and Margaret Atwood. They offer groundbreaking interpretations of new elements such as the mythology of the hitman, technology and the image, and the cultural impact of 'senseless' murders and reveal why crime is a powerful way of making sense of the broader concerns shaping modern culture and society.
Book Synopsis Crime Culture by : Bran Nicol
Download or read book Crime Culture written by Bran Nicol and published by Bloomsbury Publishing. This book was released on 2010-11-03 with total page 248 pages. Available in PDF, EPUB and Kindle. Book excerpt: By broadening the focus beyond classic English detective fiction, the American 'hard-boiled' crime novel and the gangster movie, Crime Culture breathes new life into staple themes of crime fiction and cinema. Leading international scholars from the fields of literary and cultural studies analyze a range of literature and film, from neglected examples of film noir and 'true crime', crime fiction by female African American writers, to reality TV, recent films such as Elephant, Collateral and The Departed, and contemporary fiction by J. G. Ballard, Kazuo Ishiguro, and Margaret Atwood. They offer groundbreaking interpretations of new elements such as the mythology of the hitman, technology and the image, and the cultural impact of 'senseless' murders and reveal why crime is a powerful way of making sense of the broader concerns shaping modern culture and society.
The crime film genre consists of detective films, gangster films, suspense thrillers, film noir, and caper films and is produced throughout the world. Crime film was there at the birth of cinema, and it has accompanied cinema over more than a century of history, passing from silent films to talkies, from black-and-white to color. The genre includes such classics as The Maltese Falcon, The Godfather, Gaslight, The French Connection, and Serpico, as well as more recent successes like Seven, Drive, and L.A. Confidential. The Historical Dictionary of Crime Films covers the history of this genre through a chronology, an introductory essay, and an extensive bibliography. The dictionary section has over 300 cross-referenced entries on key films, directors, performers, and studios. This book is an excellent access point for students, researchers, and anyone wanting to know more about crime cinema. -- from Amazon.com.
Book Synopsis Historical Dictionary of Crime Films by : Geoff Mayer
Download or read book Historical Dictionary of Crime Films written by Geoff Mayer and published by Scarecrow Press. This book was released on 2012 with total page 515 pages. Available in PDF, EPUB and Kindle. Book excerpt: The crime film genre consists of detective films, gangster films, suspense thrillers, film noir, and caper films and is produced throughout the world. Crime film was there at the birth of cinema, and it has accompanied cinema over more than a century of history, passing from silent films to talkies, from black-and-white to color. The genre includes such classics as The Maltese Falcon, The Godfather, Gaslight, The French Connection, and Serpico, as well as more recent successes like Seven, Drive, and L.A. Confidential. The Historical Dictionary of Crime Films covers the history of this genre through a chronology, an introductory essay, and an extensive bibliography. The dictionary section has over 300 cross-referenced entries on key films, directors, performers, and studios. This book is an excellent access point for students, researchers, and anyone wanting to know more about crime cinema. -- from Amazon.com.
Broad in scope, this interdisciplinary collection of original scholarship on historical film features essays that explore the many facets of this expanding field and provide a platform for promising avenues of research. Offers a unique collection of cutting edge research that questions the intention behind and influence of historical film Essays range in scope from inclusive broad-ranging subjects such as political contexts, to focused assessments of individual films and auteurs Prefaced with an introductory survey of the field by its two distinguished editors Features interdisciplinary contributions from scholars in the fields of History, Film Studies, Anthropology, and Cultural and Literary Studies
Book Synopsis A Companion to the Historical Film by : Robert A. Rosenstone
Download or read book A Companion to the Historical Film written by Robert A. Rosenstone and published by John Wiley & Sons. This book was released on 2015-12-02 with total page 597 pages. Available in PDF, EPUB and Kindle. Book excerpt: Broad in scope, this interdisciplinary collection of original scholarship on historical film features essays that explore the many facets of this expanding field and provide a platform for promising avenues of research. Offers a unique collection of cutting edge research that questions the intention behind and influence of historical film Essays range in scope from inclusive broad-ranging subjects such as political contexts, to focused assessments of individual films and auteurs Prefaced with an introductory survey of the field by its two distinguished editors Features interdisciplinary contributions from scholars in the fields of History, Film Studies, Anthropology, and Cultural and Literary Studies
Featuring rumpled PIs, shyster lawyers, corrupt politicians, double-crossers, femmes fatales, and, of course, losers who find themselves down on their luck yet again, film noir is a perennially popular cinematic genre. This extensive encyclopedia describes movies from noir's earliest days – and even before, looking at some of noir's ancestors in US and European cinema – as well as noir's more recent offshoots, from neonoirs to erotic thrillers. Entries are arranged alphabetically, covering movies from all over the world – from every continent save Antarctica – with briefer details provided for several hundred additional movies within those entries. A copious appendix contains filmographies of prominent directors, actors, and writers. With coverage of blockbusters and program fillers from Going Straight (US 1916) to Broken City (US 2013) via Nora Inu (Japan 1949), O Anthropos tou Trainou (Greece 1958), El Less Wal Kilab (Egypt 1962), Reportaje a la Muerte (Peru 1993), Zift (Bulgaria 2008), and thousands more, A Comprehensive Encyclopedia of Film Noir is an engrossing and essential reference work that should be on the shelves of every cinephile.
Book Synopsis A Comprehensive Encyclopedia of Film Noir by : John Grant
Download or read book A Comprehensive Encyclopedia of Film Noir written by John Grant and published by Rowman & Littlefield. This book was released on 2023-09-21 with total page 830 pages. Available in PDF, EPUB and Kindle. Book excerpt: Featuring rumpled PIs, shyster lawyers, corrupt politicians, double-crossers, femmes fatales, and, of course, losers who find themselves down on their luck yet again, film noir is a perennially popular cinematic genre. This extensive encyclopedia describes movies from noir's earliest days – and even before, looking at some of noir's ancestors in US and European cinema – as well as noir's more recent offshoots, from neonoirs to erotic thrillers. Entries are arranged alphabetically, covering movies from all over the world – from every continent save Antarctica – with briefer details provided for several hundred additional movies within those entries. A copious appendix contains filmographies of prominent directors, actors, and writers. With coverage of blockbusters and program fillers from Going Straight (US 1916) to Broken City (US 2013) via Nora Inu (Japan 1949), O Anthropos tou Trainou (Greece 1958), El Less Wal Kilab (Egypt 1962), Reportaje a la Muerte (Peru 1993), Zift (Bulgaria 2008), and thousands more, A Comprehensive Encyclopedia of Film Noir is an engrossing and essential reference work that should be on the shelves of every cinephile.
This book surveys the entire range of crime films, including important subgenres such as the gangster film, the private eye film, film noir, as well as the victim film, the erotic thriller, and the crime comedy. Focusing on ten films that span the range of the twentieth century, Thomas Leitch traces the transformation of the three leading figures that are common to all crime films: the criminal, the victim and the avenger. Analyzing how each of the subgenres establishes oppositions among its ritual antagonists, he shows how the distinctions among them become blurred throughout the course of the century. This blurring, Leitch maintains, reflects and fosters a deep social ambivalence towards crime and criminals, while the criminal, victim and avenger characters effectively map the shifting relations between subgenres, such as the erotic thriller and the police film, within the larger genre of crime film that informs them all.
Book Synopsis Crime Films by : Thomas Leitch
Download or read book Crime Films written by Thomas Leitch and published by Cambridge University Press. This book was released on 2002-08-15 with total page 404 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book surveys the entire range of crime films, including important subgenres such as the gangster film, the private eye film, film noir, as well as the victim film, the erotic thriller, and the crime comedy. Focusing on ten films that span the range of the twentieth century, Thomas Leitch traces the transformation of the three leading figures that are common to all crime films: the criminal, the victim and the avenger. Analyzing how each of the subgenres establishes oppositions among its ritual antagonists, he shows how the distinctions among them become blurred throughout the course of the century. This blurring, Leitch maintains, reflects and fosters a deep social ambivalence towards crime and criminals, while the criminal, victim and avenger characters effectively map the shifting relations between subgenres, such as the erotic thriller and the police film, within the larger genre of crime film that informs them all.
In this book the author examines how women detectives are portrayed in film, in literature and on TV. Chapters examine the portrayal of female investigators in each of these four genres: the Gothic novel, the lesbian detective novel, television and film.
Book Synopsis The Female Investigator in Literature, Film, and Popular Culture by : Lisa M. Dresner
Download or read book The Female Investigator in Literature, Film, and Popular Culture written by Lisa M. Dresner and published by McFarland. This book was released on 2014-12-24 with total page 241 pages. Available in PDF, EPUB and Kindle. Book excerpt: In this book the author examines how women detectives are portrayed in film, in literature and on TV. Chapters examine the portrayal of female investigators in each of these four genres: the Gothic novel, the lesbian detective novel, television and film.
Charlotte Brunsdon's illuminating study explores the variety of cinematic 'Londons' that appear in films made since 1945. Brunsdon traces the familiar ways that film-makers establish that a film is set in London, by use of recognisable landmarks and the city's shorthand iconography of red buses and black taxis, as well as the ways in which these icons are avoided. She looks at London weather – fog and rain – and everyday locations like the pub and the housing estate, while also examining the recurring patterns of representation associated with films set in the East and West Ends of London, from Spring in Park Lane (1948) to Mona Lisa (1986), and from Night and the City (1950) to From Hell (2001). Brunsdon provides a detailed analysis of a selection of films, exploring their contribution to the cinematic geography of London, and showing the ways in which feature films have responded to, and created, changing views of the city. She traces London's transformation from imperial capital to global city through the different ways in which the local is imagined in films ranging from Ealing comedies to Pressure (1974), as well as through the shifting imagery of the River Thames and the Docks. She addresses the role of cinematic genres such as horror and film noir in the constitution of the cinematic city, as well as the recurrence of figures such as the cockney, the gangster and the housewife. Challenging the view that London is not a particularly cinematic city, Brunsdon demonstrates that many London-set films offer their own meditation on the complex relationships between the cinema and the city.
Book Synopsis London in Cinema by : Charlotte Brunsdon
Download or read book London in Cinema written by Charlotte Brunsdon and published by Bloomsbury Publishing. This book was released on 2019-07-25 with total page 256 pages. Available in PDF, EPUB and Kindle. Book excerpt: Charlotte Brunsdon's illuminating study explores the variety of cinematic 'Londons' that appear in films made since 1945. Brunsdon traces the familiar ways that film-makers establish that a film is set in London, by use of recognisable landmarks and the city's shorthand iconography of red buses and black taxis, as well as the ways in which these icons are avoided. She looks at London weather – fog and rain – and everyday locations like the pub and the housing estate, while also examining the recurring patterns of representation associated with films set in the East and West Ends of London, from Spring in Park Lane (1948) to Mona Lisa (1986), and from Night and the City (1950) to From Hell (2001). Brunsdon provides a detailed analysis of a selection of films, exploring their contribution to the cinematic geography of London, and showing the ways in which feature films have responded to, and created, changing views of the city. She traces London's transformation from imperial capital to global city through the different ways in which the local is imagined in films ranging from Ealing comedies to Pressure (1974), as well as through the shifting imagery of the River Thames and the Docks. She addresses the role of cinematic genres such as horror and film noir in the constitution of the cinematic city, as well as the recurrence of figures such as the cockney, the gangster and the housewife. Challenging the view that London is not a particularly cinematic city, Brunsdon demonstrates that many London-set films offer their own meditation on the complex relationships between the cinema and the city.
