Black American Literature Forum

Black American Literature Forum

Author:

Publisher:

Published: 1991

Total Pages: 452

ISBN-13:

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Provides image and full-text online access to back issues. Consult the online table of contents for specific holdings.


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Download or read book Black American Literature Forum written by and published by . This book was released on 1991 with total page 452 pages. Available in PDF, EPUB and Kindle. Book excerpt: Provides image and full-text online access to back issues. Consult the online table of contents for specific holdings.


Black American Literature Forum

Black American Literature Forum

Author: Joseph Weixlmann

Publisher:

Published: 1991

Total Pages: 900

ISBN-13:

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Book Synopsis Black American Literature Forum by : Joseph Weixlmann

Download or read book Black American Literature Forum written by Joseph Weixlmann and published by . This book was released on 1991 with total page 900 pages. Available in PDF, EPUB and Kindle. Book excerpt:


Black American Literature Forum

Black American Literature Forum

Author: Afaa Michael Weaver

Publisher:

Published: 1991

Total Pages: 211

ISBN-13:

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Book Synopsis Black American Literature Forum by : Afaa Michael Weaver

Download or read book Black American Literature Forum written by Afaa Michael Weaver and published by . This book was released on 1991 with total page 211 pages. Available in PDF, EPUB and Kindle. Book excerpt:


Negro American Literature Forum

Negro American Literature Forum

Author:

Publisher:

Published: 1976

Total Pages: 170

ISBN-13:

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Download or read book Negro American Literature Forum written by and published by . This book was released on 1976 with total page 170 pages. Available in PDF, EPUB and Kindle. Book excerpt:


Deans and Truants

Deans and Truants

Author: Gene Andrew Jarrett

Publisher: University of Pennsylvania Press

Published: 2013-03-01

Total Pages: 233

ISBN-13: 081220235X

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For a work to be considered African American literature, does it need to focus on black characters or political themes? Must it represent these within a specific stylistic range? Or is it enough for the author to be identified as African American? In Deans and Truants, Gene Andrew Jarrett traces the shifting definitions of African American literature and the authors who wrote beyond those boundaries at the cost of critical dismissal and, at times, obscurity. From the late nineteenth century to the end of the twentieth, de facto deans—critics and authors as different as William Howells, Alain Locke, Richard Wright, and Amiri Baraka—prescribed the shifting parameters of realism and racial subject matter appropriate to authentic African American literature, while truant authors such as Paul Laurence Dunbar, George S. Schuyler, Frank Yerby, and Toni Morrison—perhaps the most celebrated African American author of the twentieth century—wrote literature anomalous to those standards. Jarrett explores the issues at stake when Howells, the "Dean of American Letters," argues in 1896 that only Dunbar's "entirely black verse," written in dialect, "would succeed." Three decades later, Locke, the cultural arbiter of the Harlem Renaissance, stands in contrast to Schuyler, a journalist and novelist who questions the existence of a peculiarly black or "New Negro" art. Next, Wright's 1937 blueprint for African American writing sets the terms of the Chicago Renaissance, but Yerby's version of historical romance approaches race and realism in alternative literary ways. Finally, Deans and Truants measures the gravitational pull of the late 1960s Black Aesthetic in Baraka's editorial silence on Toni Morrison's first and only short story, "Recitatif." Drawing from a wealth of biographical, historical, and literary sources, Deans and Truants describes the changing notions of race, politics, and gender that framed and were framed by the authors and critics of African American culture for more than a century.


Book Synopsis Deans and Truants by : Gene Andrew Jarrett

Download or read book Deans and Truants written by Gene Andrew Jarrett and published by University of Pennsylvania Press. This book was released on 2013-03-01 with total page 233 pages. Available in PDF, EPUB and Kindle. Book excerpt: For a work to be considered African American literature, does it need to focus on black characters or political themes? Must it represent these within a specific stylistic range? Or is it enough for the author to be identified as African American? In Deans and Truants, Gene Andrew Jarrett traces the shifting definitions of African American literature and the authors who wrote beyond those boundaries at the cost of critical dismissal and, at times, obscurity. From the late nineteenth century to the end of the twentieth, de facto deans—critics and authors as different as William Howells, Alain Locke, Richard Wright, and Amiri Baraka—prescribed the shifting parameters of realism and racial subject matter appropriate to authentic African American literature, while truant authors such as Paul Laurence Dunbar, George S. Schuyler, Frank Yerby, and Toni Morrison—perhaps the most celebrated African American author of the twentieth century—wrote literature anomalous to those standards. Jarrett explores the issues at stake when Howells, the "Dean of American Letters," argues in 1896 that only Dunbar's "entirely black verse," written in dialect, "would succeed." Three decades later, Locke, the cultural arbiter of the Harlem Renaissance, stands in contrast to Schuyler, a journalist and novelist who questions the existence of a peculiarly black or "New Negro" art. Next, Wright's 1937 blueprint for African American writing sets the terms of the Chicago Renaissance, but Yerby's version of historical romance approaches race and realism in alternative literary ways. Finally, Deans and Truants measures the gravitational pull of the late 1960s Black Aesthetic in Baraka's editorial silence on Toni Morrison's first and only short story, "Recitatif." Drawing from a wealth of biographical, historical, and literary sources, Deans and Truants describes the changing notions of race, politics, and gender that framed and were framed by the authors and critics of African American culture for more than a century.


Black Literature and Literary Theory

Black Literature and Literary Theory

Author: Henry Louis Gates, Jr

Publisher: Routledge

Published: 2016-08-19

Total Pages: 343

ISBN-13: 1134838417

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The imaginative literature of African and Afro-American authors writing in Western languages has long been seen as standing outside the Western literary canon. In fact, however, black literature not only has a complex formal relation to that canon, but tends to revise and reflect Western rhetorical strategies even more than it echoes black vernacular literary forms. This book, first published in 1984, is divided into two sections, thus clarifying the nature of black literary theory on the one hand, and the features of black literary practice on the other. Rather than merely applying contemporary Western theory to black literature, these critics instead challenge and redefine the theory in order to make fresh, stimulating comments not only on black criticism and literature but also on the general state of criticism today.


Book Synopsis Black Literature and Literary Theory by : Henry Louis Gates, Jr

Download or read book Black Literature and Literary Theory written by Henry Louis Gates, Jr and published by Routledge. This book was released on 2016-08-19 with total page 343 pages. Available in PDF, EPUB and Kindle. Book excerpt: The imaginative literature of African and Afro-American authors writing in Western languages has long been seen as standing outside the Western literary canon. In fact, however, black literature not only has a complex formal relation to that canon, but tends to revise and reflect Western rhetorical strategies even more than it echoes black vernacular literary forms. This book, first published in 1984, is divided into two sections, thus clarifying the nature of black literary theory on the one hand, and the features of black literary practice on the other. Rather than merely applying contemporary Western theory to black literature, these critics instead challenge and redefine the theory in order to make fresh, stimulating comments not only on black criticism and literature but also on the general state of criticism today.


Afro-American Literature and Culture Since World War II

Afro-American Literature and Culture Since World War II

Author: Charles D. Peavy

Publisher: Gale Cengage

Published: 1979

Total Pages: 328

ISBN-13:

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Book Synopsis Afro-American Literature and Culture Since World War II by : Charles D. Peavy

Download or read book Afro-American Literature and Culture Since World War II written by Charles D. Peavy and published by Gale Cengage. This book was released on 1979 with total page 328 pages. Available in PDF, EPUB and Kindle. Book excerpt:


Remembering Generations

Remembering Generations

Author: Ashraf H. A. Rushdy

Publisher: Univ of North Carolina Press

Published: 2001

Total Pages: 228

ISBN-13: 9780807849170

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Slavery is America's family secret, a partially hidden phantom that continues to haunt our national imagination. Remembering Generations explores how three contemporary African American writers artistically represent this notion in novels about the


Book Synopsis Remembering Generations by : Ashraf H. A. Rushdy

Download or read book Remembering Generations written by Ashraf H. A. Rushdy and published by Univ of North Carolina Press. This book was released on 2001 with total page 228 pages. Available in PDF, EPUB and Kindle. Book excerpt: Slavery is America's family secret, a partially hidden phantom that continues to haunt our national imagination. Remembering Generations explores how three contemporary African American writers artistically represent this notion in novels about the


The Other Side of Terror

The Other Side of Terror

Author: Erica R. Edwards

Publisher: NYU Press

Published: 2021-08-10

Total Pages: 408

ISBN-13: 1479808407

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WINNER, 2022 John Hope Franklin Prize, given by the American Studies Association HONORABLE MENTION, 2022 Gloria E. Anzaldúa Book Prize, given by the National Women's Studies Association Reveals the troubling intimacy between Black women and the making of US global power The year 1968 marked both the height of the worldwide Black liberation struggle and a turning point for the global reach of American power, which was built on the counterinsurgency honed on Black and other oppressed populations at home. The next five decades saw the consolidation of the culture of the American empire through what Erica R. Edwards calls the “imperial grammars of blackness.” This is a story of state power at its most devious and most absurd, and, at the same time, a literary history of Black feminist radicalism at its most trenchant. Edwards reveals how the long war on terror, beginning with the late–Cold War campaign against organizations like the Black Panther Party for Self-Defense and the Black Liberation Army, has relied on the labor and the fantasies of Black women to justify the imperial spread of capitalism. Black feminist writers not only understood that this would demand a shift in racial gendered power, but crafted ways of surviving it. The Other Side of Terror offers an interdisciplinary Black feminist analysis of militarism, security, policing, diversity, representation, intersectionality, and resistance, while discussing a wide array of literary and cultural texts, from the unpublished work of Black radical feminist June Jordan to the memoirs of Condoleezza Rice to the television series Scandal. With clear, moving prose, Edwards chronicles Black feminist organizing and writing on “the other side of terror”, which tracked changes in racial power, transformed African American literature and Black studies, and predicted the crises of our current era with unsettling accuracy.


Book Synopsis The Other Side of Terror by : Erica R. Edwards

Download or read book The Other Side of Terror written by Erica R. Edwards and published by NYU Press. This book was released on 2021-08-10 with total page 408 pages. Available in PDF, EPUB and Kindle. Book excerpt: WINNER, 2022 John Hope Franklin Prize, given by the American Studies Association HONORABLE MENTION, 2022 Gloria E. Anzaldúa Book Prize, given by the National Women's Studies Association Reveals the troubling intimacy between Black women and the making of US global power The year 1968 marked both the height of the worldwide Black liberation struggle and a turning point for the global reach of American power, which was built on the counterinsurgency honed on Black and other oppressed populations at home. The next five decades saw the consolidation of the culture of the American empire through what Erica R. Edwards calls the “imperial grammars of blackness.” This is a story of state power at its most devious and most absurd, and, at the same time, a literary history of Black feminist radicalism at its most trenchant. Edwards reveals how the long war on terror, beginning with the late–Cold War campaign against organizations like the Black Panther Party for Self-Defense and the Black Liberation Army, has relied on the labor and the fantasies of Black women to justify the imperial spread of capitalism. Black feminist writers not only understood that this would demand a shift in racial gendered power, but crafted ways of surviving it. The Other Side of Terror offers an interdisciplinary Black feminist analysis of militarism, security, policing, diversity, representation, intersectionality, and resistance, while discussing a wide array of literary and cultural texts, from the unpublished work of Black radical feminist June Jordan to the memoirs of Condoleezza Rice to the television series Scandal. With clear, moving prose, Edwards chronicles Black feminist organizing and writing on “the other side of terror”, which tracked changes in racial power, transformed African American literature and Black studies, and predicted the crises of our current era with unsettling accuracy.


Black Voices

Black Voices

Author: Various

Publisher: Penguin

Published: 2001-04-01

Total Pages: 818

ISBN-13: 0451527828

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“If you don’t know my name, you don’t know your own.”—James Baldwin An anthology of African-American literature featuring contributions from some of the most prominent Black and African-American authors of our time, including James Baldwin, Arna Bontemps, Gwendolyn Brooks, W. E. B. Du Bois, Ralph Ellison, Langston Hughes, Leroi Jones, Margaret Walker, Richard Wright, Malcom X, and many more. Featuring fiction, poetry, autobiography, and literary criticism, Black Voices captures the diverse and powerful words of a literary explosion, the ramifications of which can be seen and heard in the works of today’s African-American artists. A comprehensive and impressive primer, this anthology presents some of the greatest and most enduring work born out of the African-American experience in the United States. Contributors Also Include: Sterling A. Brown Charles W. Chesnutt John Henrik Clarke Countee Cullen Frederick Douglass Paul Laurence Dunbar James Weldon Johnson Naomi Long Madgett Paule Marshall Clarence Major Claude McKay Ann Petry Dudley Randall J. Saunders Redding Jean Toomer Darwin T. Turner Lerone Bennett, Jr. Frank London Brown Arthur P. Davis Frank Marshall Davis Owen Dodson Mari Evans Rudolph Fisher Dan Georgakas Robert Hayden Frank Horne Blyden Jackson Lance Jeffers Fenton Johnson George E. Kent Alain Locke Diane Oliver Stanley Sanders Richard G. Stern Sterling Stuckey Melvin B. Tolson


Book Synopsis Black Voices by : Various

Download or read book Black Voices written by Various and published by Penguin. This book was released on 2001-04-01 with total page 818 pages. Available in PDF, EPUB and Kindle. Book excerpt: “If you don’t know my name, you don’t know your own.”—James Baldwin An anthology of African-American literature featuring contributions from some of the most prominent Black and African-American authors of our time, including James Baldwin, Arna Bontemps, Gwendolyn Brooks, W. E. B. Du Bois, Ralph Ellison, Langston Hughes, Leroi Jones, Margaret Walker, Richard Wright, Malcom X, and many more. Featuring fiction, poetry, autobiography, and literary criticism, Black Voices captures the diverse and powerful words of a literary explosion, the ramifications of which can be seen and heard in the works of today’s African-American artists. A comprehensive and impressive primer, this anthology presents some of the greatest and most enduring work born out of the African-American experience in the United States. Contributors Also Include: Sterling A. Brown Charles W. Chesnutt John Henrik Clarke Countee Cullen Frederick Douglass Paul Laurence Dunbar James Weldon Johnson Naomi Long Madgett Paule Marshall Clarence Major Claude McKay Ann Petry Dudley Randall J. Saunders Redding Jean Toomer Darwin T. Turner Lerone Bennett, Jr. Frank London Brown Arthur P. Davis Frank Marshall Davis Owen Dodson Mari Evans Rudolph Fisher Dan Georgakas Robert Hayden Frank Horne Blyden Jackson Lance Jeffers Fenton Johnson George E. Kent Alain Locke Diane Oliver Stanley Sanders Richard G. Stern Sterling Stuckey Melvin B. Tolson