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This publication contains details of a new up-and-coming generation of composers. It provides information on 318 composers and as such is a standard reference word on local composers.
Book Synopsis Black Composers of Southern Africa by : Yvonne Huskisson
Download or read book Black Composers of Southern Africa written by Yvonne Huskisson and published by HSRC Press. This book was released on 1992 with total page 128 pages. Available in PDF, EPUB and Kindle. Book excerpt: This publication contains details of a new up-and-coming generation of composers. It provides information on 318 composers and as such is a standard reference word on local composers.
Book Synopsis The Bantu Composers of Southern Africa by : Yvonne Huskisson
Download or read book The Bantu Composers of Southern Africa written by Yvonne Huskisson and published by . This book was released on 1969 with total page 380 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Book Synopsis The Bantu composers of Southern Africa by : Yvonne Huskisson
Download or read book The Bantu composers of Southern Africa written by Yvonne Huskisson and published by . This book was released on 1969 with total page 28 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Grové was arguably the first composer to incorporate Black African elements into the fabric of his music, venturing far beyond mere couleur locale to forge a creative synthesis of the indigenous and the "Western". His vast oeuvre encompasses every genre, from opera and ballet to chamber music, orchestral works and song. But he is also a fine essayist, and his short fiction has received praise from André P. Brink. This is the first study of its kind to be devoted to a South African composer.
Book Synopsis A Composer in Africa by : Stephanus Muller
Download or read book A Composer in Africa written by Stephanus Muller and published by AFRICAN SUN MeDIA. This book was released on 2006-01-01 with total page 184 pages. Available in PDF, EPUB and Kindle. Book excerpt: Grové was arguably the first composer to incorporate Black African elements into the fabric of his music, venturing far beyond mere couleur locale to forge a creative synthesis of the indigenous and the "Western". His vast oeuvre encompasses every genre, from opera and ballet to chamber music, orchestral works and song. But he is also a fine essayist, and his short fiction has received praise from André P. Brink. This is the first study of its kind to be devoted to a South African composer.
The present Reader is a selection of texts on South African music which are chosen not only for their importance or the frequency of citations, but with the express purpose of providing the reader with a deep understanding of the music itself. Consequently, there are readings that are chosen because they have been influential, but there are also many which, though published, have not enjoyed very wide circulation. There are those which are of obvious historic interest, and others which speak to contemporary issues. Among other things, the volume provides an excellent sense of the varying ideologies and approaches that determine the relationship between author and subject. The reader is indispensable to scholars and enthusiasts of South African music and it is of great interest to ethnomusicologists more generally. It is also an excellent resource for those who do not have immediate access to harder-to-find articles, and is perhaps most vital to those who are looking to find a way into the world of South African music.
Book Synopsis The World of South African Music by : Christine Lucia
Download or read book The World of South African Music written by Christine Lucia and published by Cambridge Scholars Publishing. This book was released on 2009-03-26 with total page 383 pages. Available in PDF, EPUB and Kindle. Book excerpt: The present Reader is a selection of texts on South African music which are chosen not only for their importance or the frequency of citations, but with the express purpose of providing the reader with a deep understanding of the music itself. Consequently, there are readings that are chosen because they have been influential, but there are also many which, though published, have not enjoyed very wide circulation. There are those which are of obvious historic interest, and others which speak to contemporary issues. Among other things, the volume provides an excellent sense of the varying ideologies and approaches that determine the relationship between author and subject. The reader is indispensable to scholars and enthusiasts of South African music and it is of great interest to ethnomusicologists more generally. It is also an excellent resource for those who do not have immediate access to harder-to-find articles, and is perhaps most vital to those who are looking to find a way into the world of South African music.
Book Synopsis Four South African Composers by : Cosmo Grenville Henning
Download or read book Four South African Composers written by Cosmo Grenville Henning and published by . This book was released on 1975 with total page 64 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Focus: Music of South Africa provides an in-depth look at the full spectrum of South African music, a musical culture that epitomizes the enormous ethnic, religious, linguistic, class, and gender diversity of the nation itself. Drawing on extensive field and archival research, as well as her own personal experiences, noted ethnomusicologist and South African native Carol A. Muller looks at how South Africans have used music to express a sense of place in South Africa, on the African continent, and around the world. Part One, Creating Connections, provides introductory materials for the study of South African Music. Part Two, Musical Migrations, moves to a more focused overview of significant musical styles in twentieth-century South Africa -- particularly those known through world circuits. Part Three, Focusing In, takes the reader into the heart of two musical cultures with case studies on South African jazz and the music of the Zulu-language followers of Isaiah Shembe. The accompanying downloadable resources offer vivid examples of traditional, popular, and classical South African musical styles.
Book Synopsis Focus: Music of South Africa by : Carol A. Muller
Download or read book Focus: Music of South Africa written by Carol A. Muller and published by Routledge. This book was released on 2010-04-15 with total page 359 pages. Available in PDF, EPUB and Kindle. Book excerpt: Focus: Music of South Africa provides an in-depth look at the full spectrum of South African music, a musical culture that epitomizes the enormous ethnic, religious, linguistic, class, and gender diversity of the nation itself. Drawing on extensive field and archival research, as well as her own personal experiences, noted ethnomusicologist and South African native Carol A. Muller looks at how South Africans have used music to express a sense of place in South Africa, on the African continent, and around the world. Part One, Creating Connections, provides introductory materials for the study of South African Music. Part Two, Musical Migrations, moves to a more focused overview of significant musical styles in twentieth-century South Africa -- particularly those known through world circuits. Part Three, Focusing In, takes the reader into the heart of two musical cultures with case studies on South African jazz and the music of the Zulu-language followers of Isaiah Shembe. The accompanying downloadable resources offer vivid examples of traditional, popular, and classical South African musical styles.
Including thirty-nine pieces for voice and piano created since 1968 by eighteen artists, ANew Anthology of Art Songs by African American Composers navigates a varied musical terrain from classical European traditions to jazz and spirituals. With nearly half of the featured songs composed by women and with others by lesser-known and emerging composers, this important collection offers a diverse, representative sampling of African American art songs and works to secure the places of these songs and artists in the canon of contemporary American music.
Book Synopsis A New Anthology of Art Songs by African American Composers by : Margaret R. Simmons
Download or read book A New Anthology of Art Songs by African American Composers written by Margaret R. Simmons and published by SIU Press. This book was released on 2004 with total page 220 pages. Available in PDF, EPUB and Kindle. Book excerpt: Including thirty-nine pieces for voice and piano created since 1968 by eighteen artists, ANew Anthology of Art Songs by African American Composers navigates a varied musical terrain from classical European traditions to jazz and spirituals. With nearly half of the featured songs composed by women and with others by lesser-known and emerging composers, this important collection offers a diverse, representative sampling of African American art songs and works to secure the places of these songs and artists in the canon of contemporary American music.
Following the pattern established with his pioneering work, Woodwind Music of Black Composers, Aaron Horne now presents a comparable work for the string music of Black composers. Composers from Africa as well as the Diaspora are covered in this, the most comprehensive work on the topic yet published. Organized in alphabetical order by composer, each entry provides information, where available, on the composer's life and career, and then details all works that include strings as well as information about commission, premiere, and composer bibliography and discography. The volume includes a string index, as well as a general discography and bibliography. This work should prove invaluable for scholars examining the impact of Black composers on classical music, opera, and ballet, and it will be equally valuable to those devising repertoire for teaching and concert purposes.
Book Synopsis String Music of Black Composers by :
Download or read book String Music of Black Composers written by and published by Greenwood. This book was released on 1991-10-16 with total page 360 pages. Available in PDF, EPUB and Kindle. Book excerpt: Following the pattern established with his pioneering work, Woodwind Music of Black Composers, Aaron Horne now presents a comparable work for the string music of Black composers. Composers from Africa as well as the Diaspora are covered in this, the most comprehensive work on the topic yet published. Organized in alphabetical order by composer, each entry provides information, where available, on the composer's life and career, and then details all works that include strings as well as information about commission, premiere, and composer bibliography and discography. The volume includes a string index, as well as a general discography and bibliography. This work should prove invaluable for scholars examining the impact of Black composers on classical music, opera, and ballet, and it will be equally valuable to those devising repertoire for teaching and concert purposes.
For several centuries Cape Town has accommodated a great variety of musical genres which have usually been associated with specific population groups living in and around the city. Musical styles and genres produced in Cape Town have therefore been assigned an "identity" which is first and foremost social. This volume tries to question the relationship established between musical styles and genres, and social - in this case pseudo-racial - identities. In Sounding the Cape, Denis-Constant Martin recomposes and examines through the theoretical prism of creolisation the history of music in Cape Town, deploying analytical tools borrowed from the most recent studies of identity configurations. He demonstrates that musical creation in the Mother City, and in South Africa, has always been nurtured by contacts, exchanges and innovations whatever the efforts made by racist powers to separate and divide people according to their origin. Musicians interviewed at the dawn of the 21st century confirm that mixture and blending characterise all Cape Town's musics. They also emphasise the importance of a rhythmic pattern particular to Cape Town, the ghoema beat, whose origins are obviously mixed. The study of music demonstrates that the history of Cape Town, and of South Africa as a whole, undeniably fostered creole societies. Yet, twenty years after the collapse of apartheid, these societies are still divided along lines that combine economic factors and "racial" categorisations. Martin concludes that, were music given a greater importance in educational and cultural policies, it could contribute to fighting these divisions and promote the notion of a nation that, in spite of the violence of racism and apartheid, has managed to invent a unique common culture.
Book Synopsis Sounding the Cape by : Denis Martin
Download or read book Sounding the Cape written by Denis Martin and published by African Minds. This book was released on 2013 with total page 471 pages. Available in PDF, EPUB and Kindle. Book excerpt: For several centuries Cape Town has accommodated a great variety of musical genres which have usually been associated with specific population groups living in and around the city. Musical styles and genres produced in Cape Town have therefore been assigned an "identity" which is first and foremost social. This volume tries to question the relationship established between musical styles and genres, and social - in this case pseudo-racial - identities. In Sounding the Cape, Denis-Constant Martin recomposes and examines through the theoretical prism of creolisation the history of music in Cape Town, deploying analytical tools borrowed from the most recent studies of identity configurations. He demonstrates that musical creation in the Mother City, and in South Africa, has always been nurtured by contacts, exchanges and innovations whatever the efforts made by racist powers to separate and divide people according to their origin. Musicians interviewed at the dawn of the 21st century confirm that mixture and blending characterise all Cape Town's musics. They also emphasise the importance of a rhythmic pattern particular to Cape Town, the ghoema beat, whose origins are obviously mixed. The study of music demonstrates that the history of Cape Town, and of South Africa as a whole, undeniably fostered creole societies. Yet, twenty years after the collapse of apartheid, these societies are still divided along lines that combine economic factors and "racial" categorisations. Martin concludes that, were music given a greater importance in educational and cultural policies, it could contribute to fighting these divisions and promote the notion of a nation that, in spite of the violence of racism and apartheid, has managed to invent a unique common culture.
