British Writers of the Thirties

British Writers of the Thirties

Author: Valentine Cunningham

Publisher: Oxford University Press, USA

Published: 1988

Total Pages: 530

ISBN-13: 9780192826558

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This wide-ranging study of British writers and poets of the 1930s--including Auden, Isherwood, Spender, Waugh, and Greene-- examines the masterpieces of that momentous decade, not in linguistic isolation, but in the contexts--social, political, historical, ideological, and personal--in which they were composed. Cunningham maps out the dominant images and concerns, nothing less than the central obsessions and imposing images of the '30s imagination. He analyzes the obsession with violence, the "destructive element" of post-World War consciousness; the cult of youth, of schools and schoolmasters; the infatuation with heroes--flyers, mountaineers, and racing car drivers--and the related concern about "being small," weak, or neurotic in an age of mass politics. In order to illustrate this kaleidoscope of themes, Cunningham examines not only the canonical texts, but also "minor" forms and writings, including detective stories, films, and popular songs, showing how these neglected genres also illuminate the work of this period.


Book Synopsis British Writers of the Thirties by : Valentine Cunningham

Download or read book British Writers of the Thirties written by Valentine Cunningham and published by Oxford University Press, USA. This book was released on 1988 with total page 530 pages. Available in PDF, EPUB and Kindle. Book excerpt: This wide-ranging study of British writers and poets of the 1930s--including Auden, Isherwood, Spender, Waugh, and Greene-- examines the masterpieces of that momentous decade, not in linguistic isolation, but in the contexts--social, political, historical, ideological, and personal--in which they were composed. Cunningham maps out the dominant images and concerns, nothing less than the central obsessions and imposing images of the '30s imagination. He analyzes the obsession with violence, the "destructive element" of post-World War consciousness; the cult of youth, of schools and schoolmasters; the infatuation with heroes--flyers, mountaineers, and racing car drivers--and the related concern about "being small," weak, or neurotic in an age of mass politics. In order to illustrate this kaleidoscope of themes, Cunningham examines not only the canonical texts, but also "minor" forms and writings, including detective stories, films, and popular songs, showing how these neglected genres also illuminate the work of this period.

A History of 1930s British Literature

A History of 1930s British Literature

Author: Benjamin Kohlmann

Publisher: Cambridge University Press

Published: 2019-05-16

Total Pages:

ISBN-13: 1316998762

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This History offers a new and comprehensive picture of 1930s British literature. The '30s have often been cast as a literary-historical anomaly, either as a 'low, dishonest decade', a doomed experiment in combining art and politics, or as a 'late modernist' afterthought to the intense period of artistic experimentation in the 1920s. By contrast, the contributors to this volume explore the contours of a 'long 1930s' by repositioning the decade and its characteristic concerns at the heart of twentieth-century literary history. This book expands the range of writers covered, moving beyond a narrow focus on towering canonical figures to draw in a more diverse cast of characters, in terms of race, gender, class, and forms of artistic expression. The book's four sections emphasize the decade's characteristic geographical and sexual identities; the new media landscapes and institutional settings its writers operated in; questions of commitment and autonomy; and British writing's international entanglements.


Book Synopsis A History of 1930s British Literature by : Benjamin Kohlmann

Download or read book A History of 1930s British Literature written by Benjamin Kohlmann and published by Cambridge University Press. This book was released on 2019-05-16 with total page pages. Available in PDF, EPUB and Kindle. Book excerpt: This History offers a new and comprehensive picture of 1930s British literature. The '30s have often been cast as a literary-historical anomaly, either as a 'low, dishonest decade', a doomed experiment in combining art and politics, or as a 'late modernist' afterthought to the intense period of artistic experimentation in the 1920s. By contrast, the contributors to this volume explore the contours of a 'long 1930s' by repositioning the decade and its characteristic concerns at the heart of twentieth-century literary history. This book expands the range of writers covered, moving beyond a narrow focus on towering canonical figures to draw in a more diverse cast of characters, in terms of race, gender, class, and forms of artistic expression. The book's four sections emphasize the decade's characteristic geographical and sexual identities; the new media landscapes and institutional settings its writers operated in; questions of commitment and autonomy; and British writing's international entanglements.

British Writers of the Thirties

British Writers of the Thirties

Author: Valentine Cunningham

Publisher: Oxford [Oxfordshire] ; New York : Oxford University Press

Published: 1988

Total Pages: 552

ISBN-13:

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This wide-ranging study of British writers of the 1930s examines the masterpieces of that momentous decade, not in linguistic isolation, but in the contexts--social, political, historical, ideological, and personal--in which they were composed. Cunningham maps out the dominant images and concerns, nothing less than the central obsessions and imposing images of the '30s imagination. He analyzes the obsession with violence, the "destructive element" of post-World War consciousness; the cult of youth, of schools and schoolmasters; the infatuation with heroes--flyers, mountaineers, and racing car drivers--and the related concern about "being small," weak, or neurotic in an age of mass politics. In order to illustrate this kaleidoscope of themes, Cunningham examines not only the canonical texts, but also "minor" forms and writings, including detective stories, films, and popular songs, showing how these neglected genres also illuminate the work of this period.


Book Synopsis British Writers of the Thirties by : Valentine Cunningham

Download or read book British Writers of the Thirties written by Valentine Cunningham and published by Oxford [Oxfordshire] ; New York : Oxford University Press. This book was released on 1988 with total page 552 pages. Available in PDF, EPUB and Kindle. Book excerpt: This wide-ranging study of British writers of the 1930s examines the masterpieces of that momentous decade, not in linguistic isolation, but in the contexts--social, political, historical, ideological, and personal--in which they were composed. Cunningham maps out the dominant images and concerns, nothing less than the central obsessions and imposing images of the '30s imagination. He analyzes the obsession with violence, the "destructive element" of post-World War consciousness; the cult of youth, of schools and schoolmasters; the infatuation with heroes--flyers, mountaineers, and racing car drivers--and the related concern about "being small," weak, or neurotic in an age of mass politics. In order to illustrate this kaleidoscope of themes, Cunningham examines not only the canonical texts, but also "minor" forms and writings, including detective stories, films, and popular songs, showing how these neglected genres also illuminate the work of this period.

After the Trauma

After the Trauma

Author: Harvey Curtis Webster

Publisher: University Press of Kentucky

Published: 2021-10-21

Total Pages: 248

ISBN-13: 0813186803

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In this lucid book a distinguished scholar and critic measures British fiction from World War I through the convulsive effects of the Depression and World War II, and the importance of the writing that has been done since Finnegan's Wake. Webster presents a moving account of the shattering impact of the Great War upon British writers, particularly Rose Macaulay, Aldous Huxley, Evelyn Waugh, and Ivy Compton-Burnett. The cynicism and despair which afflicted them also bore heavily on the novelists of the thirties and forties—Graham Greene, Joyce Cary, L. P. Hartley, C. P. Snow, who endured the disorder and violence of the Depression and World War II. Though all of these writers spoke with individual voices ranging from pessimism to joyful affirmation, they were all marked ineradicably by the turmoil of the period. The book closes with an overview of the writers who have developed since World War II. Penetrating, fresh, affirmative in its values, the book is an important assessment of this protean group of writers.


Book Synopsis After the Trauma by : Harvey Curtis Webster

Download or read book After the Trauma written by Harvey Curtis Webster and published by University Press of Kentucky. This book was released on 2021-10-21 with total page 248 pages. Available in PDF, EPUB and Kindle. Book excerpt: In this lucid book a distinguished scholar and critic measures British fiction from World War I through the convulsive effects of the Depression and World War II, and the importance of the writing that has been done since Finnegan's Wake. Webster presents a moving account of the shattering impact of the Great War upon British writers, particularly Rose Macaulay, Aldous Huxley, Evelyn Waugh, and Ivy Compton-Burnett. The cynicism and despair which afflicted them also bore heavily on the novelists of the thirties and forties—Graham Greene, Joyce Cary, L. P. Hartley, C. P. Snow, who endured the disorder and violence of the Depression and World War II. Though all of these writers spoke with individual voices ranging from pessimism to joyful affirmation, they were all marked ineradicably by the turmoil of the period. The book closes with an overview of the writers who have developed since World War II. Penetrating, fresh, affirmative in its values, the book is an important assessment of this protean group of writers.

Women Writers of the 1930s

Women Writers of the 1930s

Author: Maroula Joannou

Publisher: Edinburgh : Edinburgh University Press

Published: 1999

Total Pages: 248

ISBN-13:

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This volume of new writings has a double purpose: to question Auden's description of the 1930s as a 'low dishonest decade' and to draw attention to the richness, complexity and diversity of women's writing of the period and how this deals with issues of politics, gender and history. The writers discussed include Elizabeth von Arnim, Elizabeth Bowen, Katherine Burdekin, Nancy Cunard, Storm Jameson, Rosamond Lehmann, Naomi Mitchison, Jean Rhys, Sylvia Townsend Warner, Rebecca West and Virginia Woolf.Key Features* A clear and informative introduction by Maroula Joannou sets the writers in historical and literary context* The essays deal with Modernist texts as well as traditional modes of writing, and with neglected and well-known writers* An important challenge to the ways in which the literature of the 1930s has been traditionally understood which questions the myth of the Auden generation* Brings together a range of distinguished contributors all of whom are experienced university teachers who all contribute new research


Book Synopsis Women Writers of the 1930s by : Maroula Joannou

Download or read book Women Writers of the 1930s written by Maroula Joannou and published by Edinburgh : Edinburgh University Press. This book was released on 1999 with total page 248 pages. Available in PDF, EPUB and Kindle. Book excerpt: This volume of new writings has a double purpose: to question Auden's description of the 1930s as a 'low dishonest decade' and to draw attention to the richness, complexity and diversity of women's writing of the period and how this deals with issues of politics, gender and history. The writers discussed include Elizabeth von Arnim, Elizabeth Bowen, Katherine Burdekin, Nancy Cunard, Storm Jameson, Rosamond Lehmann, Naomi Mitchison, Jean Rhys, Sylvia Townsend Warner, Rebecca West and Virginia Woolf.Key Features* A clear and informative introduction by Maroula Joannou sets the writers in historical and literary context* The essays deal with Modernist texts as well as traditional modes of writing, and with neglected and well-known writers* An important challenge to the ways in which the literature of the 1930s has been traditionally understood which questions the myth of the Auden generation* Brings together a range of distinguished contributors all of whom are experienced university teachers who all contribute new research

The 1930s: A Decade of Modern British Fiction

The 1930s: A Decade of Modern British Fiction

Author: Nick Hubble

Publisher: Bloomsbury Publishing

Published: 2021-01-14

Total Pages: 320

ISBN-13: 1350079154

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With austerity biting hard and fascism on the march at home and abroad, the Britain of the 1930s grappled with many problems familiar to us today. Moving beyond the traditional focus on 'the Auden generation', this book surveys the literature of the period in all its diversity, from working class, women, queer and postcolonial writers to popular crime and thriller novels. In this way, the book explores the uneven processes of modernization and cultural democratization that characterized the decade. A major critical re-evaluation of the decade, the book covers such writers as Eric Ambler, Mulk Raj Anand, Katharine Burdekin, Agatha Christie, Lewis Grassic Gibbon, Christopher Isherwood, Storm Jameson, Ethel Mannin, Naomi Mitchison, George Orwell, Christina Stead, Evelyn Waugh and many others.


Book Synopsis The 1930s: A Decade of Modern British Fiction by : Nick Hubble

Download or read book The 1930s: A Decade of Modern British Fiction written by Nick Hubble and published by Bloomsbury Publishing. This book was released on 2021-01-14 with total page 320 pages. Available in PDF, EPUB and Kindle. Book excerpt: With austerity biting hard and fascism on the march at home and abroad, the Britain of the 1930s grappled with many problems familiar to us today. Moving beyond the traditional focus on 'the Auden generation', this book surveys the literature of the period in all its diversity, from working class, women, queer and postcolonial writers to popular crime and thriller novels. In this way, the book explores the uneven processes of modernization and cultural democratization that characterized the decade. A major critical re-evaluation of the decade, the book covers such writers as Eric Ambler, Mulk Raj Anand, Katharine Burdekin, Agatha Christie, Lewis Grassic Gibbon, Christopher Isherwood, Storm Jameson, Ethel Mannin, Naomi Mitchison, George Orwell, Christina Stead, Evelyn Waugh and many others.

Romantic Moderns: English Writers, Artists and the Imagination from Virginia Woolf to John Piper

Romantic Moderns: English Writers, Artists and the Imagination from Virginia Woolf to John Piper

Author: Alexandra Harris

Publisher: Thames & Hudson

Published: 2010-11-01

Total Pages: 459

ISBN-13: 0500778434

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Winner of the 2010 Guardian First Book Award: a groundbreaking reassessment of English cultural life in the thirties and forties. In the 1930s and 1940s, while the battles for modern art and modern society were being fought in Paris and Spain, it seemed to some a betrayal that John Betjeman and John Piper were in love with a provincial world of old churches and tea shops. Alexandra Harris tells a different story: eclectically, passionately, wittily, urgently, English artists were exploring what it meant to be alive at that moment and in England. They showed that “the modern” need not be at war with the past: constructivists and conservatives could work together, and even the Bauhaus émigré László Moholy-Nagy was beguiled into taking photos for Betjeman’s nostalgic An Oxford University Chest. A rich network of personal and cultural encounters was the backdrop for a modern English renaissance. This great imaginative project was shared by writers, painters, gardeners, architects, critics, and composers. Piper abandoned purist abstracts to make collages on the blustery coast; Virginia Woolf wrote in her last novel about a village pageant on a showery summer day. Evelyn Waugh, Elizabeth Bowen, and the Sitwells are also part of the story, along with Bill Brandt and Graham Sutherland, Eric Ravilious and Cecil Beaton.


Book Synopsis Romantic Moderns: English Writers, Artists and the Imagination from Virginia Woolf to John Piper by : Alexandra Harris

Download or read book Romantic Moderns: English Writers, Artists and the Imagination from Virginia Woolf to John Piper written by Alexandra Harris and published by Thames & Hudson. This book was released on 2010-11-01 with total page 459 pages. Available in PDF, EPUB and Kindle. Book excerpt: Winner of the 2010 Guardian First Book Award: a groundbreaking reassessment of English cultural life in the thirties and forties. In the 1930s and 1940s, while the battles for modern art and modern society were being fought in Paris and Spain, it seemed to some a betrayal that John Betjeman and John Piper were in love with a provincial world of old churches and tea shops. Alexandra Harris tells a different story: eclectically, passionately, wittily, urgently, English artists were exploring what it meant to be alive at that moment and in England. They showed that “the modern” need not be at war with the past: constructivists and conservatives could work together, and even the Bauhaus émigré László Moholy-Nagy was beguiled into taking photos for Betjeman’s nostalgic An Oxford University Chest. A rich network of personal and cultural encounters was the backdrop for a modern English renaissance. This great imaginative project was shared by writers, painters, gardeners, architects, critics, and composers. Piper abandoned purist abstracts to make collages on the blustery coast; Virginia Woolf wrote in her last novel about a village pageant on a showery summer day. Evelyn Waugh, Elizabeth Bowen, and the Sitwells are also part of the story, along with Bill Brandt and Graham Sutherland, Eric Ravilious and Cecil Beaton.

British Literature in Transition, 1920–1940: Futility and Anarchy

British Literature in Transition, 1920–1940: Futility and Anarchy

Author: Charles Ferrall

Publisher: Cambridge University Press

Published: 2018-12-20

Total Pages: 733

ISBN-13: 1108751415

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Literature from the 'political' 1930s has often been read in contrast to the 'aesthetic' 1920s. This collection suggests a different approach. Drawing on recent work expanding our sense of the political and aesthetic energies of interwar modernisms, these chapters track transitions in British literature. The strains of national break-up, class dissension and political instability provoked a new literary order, and reading across the two decades between the wars exposes the continuing pressure of these transitions. Instead of following familiar markers - 1922, the Crash, the Spanish Civil War - or isolating particular themes from literary study, this collection takes key problems and dilemmas from literature 'in transition' and reads them across familiar and unfamiliar cultural works and productions, in their rich and contradictory context of publication. Themes such as gender, sexuality, nation and class are thus present throughout these essays. Major writers such as Woolf are read alongside forgotten and marginalised voices.


Book Synopsis British Literature in Transition, 1920–1940: Futility and Anarchy by : Charles Ferrall

Download or read book British Literature in Transition, 1920–1940: Futility and Anarchy written by Charles Ferrall and published by Cambridge University Press. This book was released on 2018-12-20 with total page 733 pages. Available in PDF, EPUB and Kindle. Book excerpt: Literature from the 'political' 1930s has often been read in contrast to the 'aesthetic' 1920s. This collection suggests a different approach. Drawing on recent work expanding our sense of the political and aesthetic energies of interwar modernisms, these chapters track transitions in British literature. The strains of national break-up, class dissension and political instability provoked a new literary order, and reading across the two decades between the wars exposes the continuing pressure of these transitions. Instead of following familiar markers - 1922, the Crash, the Spanish Civil War - or isolating particular themes from literary study, this collection takes key problems and dilemmas from literature 'in transition' and reads them across familiar and unfamiliar cultural works and productions, in their rich and contradictory context of publication. Themes such as gender, sexuality, nation and class are thus present throughout these essays. Major writers such as Woolf are read alongside forgotten and marginalised voices.

I Capture the Castle

I Capture the Castle

Author: Dodie Smith

Publisher: St. Martin's Press

Published: 2003-04-01

Total Pages: 352

ISBN-13: 1466842121

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One of the 20th Century's most beloved novels is still winning hearts! I Capture the Castle tells the story of seventeen-year-old Cassandra and her family, who live in not-so-genteel poverty in a ramshackle old English castle. Here she strives, over six turbulent months, to hone her writing skills. She fills three notebooks with sharply funny yet poignant entries. Her journals candidly chronicle the great changes that take place within the castle's walls, and her own first descent into love. By the time she pens her final entry, she has "captured the castle"-- and the heart of the reader-- in one of literature's most enchanting entertainments. “This book has one of the most charismatic narrators I've ever met.” -- J.K. Rowling, author of the Harry Potter series


Book Synopsis I Capture the Castle by : Dodie Smith

Download or read book I Capture the Castle written by Dodie Smith and published by St. Martin's Press. This book was released on 2003-04-01 with total page 352 pages. Available in PDF, EPUB and Kindle. Book excerpt: One of the 20th Century's most beloved novels is still winning hearts! I Capture the Castle tells the story of seventeen-year-old Cassandra and her family, who live in not-so-genteel poverty in a ramshackle old English castle. Here she strives, over six turbulent months, to hone her writing skills. She fills three notebooks with sharply funny yet poignant entries. Her journals candidly chronicle the great changes that take place within the castle's walls, and her own first descent into love. By the time she pens her final entry, she has "captured the castle"-- and the heart of the reader-- in one of literature's most enchanting entertainments. “This book has one of the most charismatic narrators I've ever met.” -- J.K. Rowling, author of the Harry Potter series

British Women's Writing, 1930 to 1960

British Women's Writing, 1930 to 1960

Author: Sue Kennedy

Publisher: Liverpool University Press

Published: 2020-07-17

Total Pages: 304

ISBN-13: 1789627621

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This volume contributes to the vibrant, ongoing recuperative work on women’s writing by shedding new light on a group of authors commonly dismissed as middlebrow in their concerns and conservative in their styles and politics. The neologism ‘interfeminism’ – coined to partner Kristin Bluemel’s ‘intermodernism’ – locates this group chronologically and ideologically between two ‘waves’ of feminism, whilst also forging connections between the political and cultural monoliths that have traditionally overshadowed them. Drawing attention to the strengths of this ‘out-of-category’ writing in its own right, this volume also highlights how intersecting discourses of gender, class and society in the interwar and postwar periods pave the way for the bold reassessments of female subjectivity that characterise second and third wave feminism. The essays showcase the stylistic, cultural and political vitality of a substantial group of women authors of fiction, non-fiction, drama, poetry and journalism including Vera Brittain, Storm Jameson, Nancy Mitford, Phyllis Shand Allfrey, Rumer Godden, Attia Hosain, Doris Lessing, Kamala Markandaya, Susan Ertz, Marghanita Laski, Elizabeth Bowen, Edith Pargeter, Eileen Bigland, Nancy Spain, Vera Laughton Matthews, Pamela Hansford Johnson, Dorothy Whipple, Elizabeth Taylor, Daphne du Maurier, Barbara Comyns, Shelagh Delaney, Stevie Smith and Penelope Mortimer. Additional exploration of the popular magazines Woman’s Weekly and Good Housekeeping and new material from the Vera Brittain archive add an innovative dimension to original readings of the literature of a transformative period of British social and cultural history. List of contributors: Natasha Periyan, Eleanor Reed, Maroula Joannou , Lola Serraf, Sue Kennedy, Ana Ashraf, Chris Hopkins, Gill Plain, Lucy Hall, Katherine Cooper, Nick Turner, Maria Elena Capitani, James Underwood, and Jane Thomas.


Book Synopsis British Women's Writing, 1930 to 1960 by : Sue Kennedy

Download or read book British Women's Writing, 1930 to 1960 written by Sue Kennedy and published by Liverpool University Press. This book was released on 2020-07-17 with total page 304 pages. Available in PDF, EPUB and Kindle. Book excerpt: This volume contributes to the vibrant, ongoing recuperative work on women’s writing by shedding new light on a group of authors commonly dismissed as middlebrow in their concerns and conservative in their styles and politics. The neologism ‘interfeminism’ – coined to partner Kristin Bluemel’s ‘intermodernism’ – locates this group chronologically and ideologically between two ‘waves’ of feminism, whilst also forging connections between the political and cultural monoliths that have traditionally overshadowed them. Drawing attention to the strengths of this ‘out-of-category’ writing in its own right, this volume also highlights how intersecting discourses of gender, class and society in the interwar and postwar periods pave the way for the bold reassessments of female subjectivity that characterise second and third wave feminism. The essays showcase the stylistic, cultural and political vitality of a substantial group of women authors of fiction, non-fiction, drama, poetry and journalism including Vera Brittain, Storm Jameson, Nancy Mitford, Phyllis Shand Allfrey, Rumer Godden, Attia Hosain, Doris Lessing, Kamala Markandaya, Susan Ertz, Marghanita Laski, Elizabeth Bowen, Edith Pargeter, Eileen Bigland, Nancy Spain, Vera Laughton Matthews, Pamela Hansford Johnson, Dorothy Whipple, Elizabeth Taylor, Daphne du Maurier, Barbara Comyns, Shelagh Delaney, Stevie Smith and Penelope Mortimer. Additional exploration of the popular magazines Woman’s Weekly and Good Housekeeping and new material from the Vera Brittain archive add an innovative dimension to original readings of the literature of a transformative period of British social and cultural history. List of contributors: Natasha Periyan, Eleanor Reed, Maroula Joannou , Lola Serraf, Sue Kennedy, Ana Ashraf, Chris Hopkins, Gill Plain, Lucy Hall, Katherine Cooper, Nick Turner, Maria Elena Capitani, James Underwood, and Jane Thomas.