By Means of Performance

By Means of Performance

Author: Richard Schechner

Publisher: Cambridge University Press

Published: 1990-05-25

Total Pages: 322

ISBN-13: 9780521339155

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The field of performance studies embraces performance behaviour of all kinds and in all contexts, from everyday life to high ceremony. This volume investigates a wide range of performance behaviour - dance, ritual, conflict situation, sports, storytelling and display behaviour - in a variety of circumstances and cultures. It considers such issues as the relationship between training and the finished performance; whether performance behaviour is universal or culturally specific; and the relationships between ritual aesthetics, popular entertainment and religion, and sports and theatre and dance. The volume brings together essays from leading anthropologists, artists and performance theorists to provide a definitive introduction to the burgeoning field of performance studies. It will be of value to scholars, teachers and students of anthropology, theatre, folklore, semiotics and performance studies.


Book Synopsis By Means of Performance by : Richard Schechner

Download or read book By Means of Performance written by Richard Schechner and published by Cambridge University Press. This book was released on 1990-05-25 with total page 322 pages. Available in PDF, EPUB and Kindle. Book excerpt: The field of performance studies embraces performance behaviour of all kinds and in all contexts, from everyday life to high ceremony. This volume investigates a wide range of performance behaviour - dance, ritual, conflict situation, sports, storytelling and display behaviour - in a variety of circumstances and cultures. It considers such issues as the relationship between training and the finished performance; whether performance behaviour is universal or culturally specific; and the relationships between ritual aesthetics, popular entertainment and religion, and sports and theatre and dance. The volume brings together essays from leading anthropologists, artists and performance theorists to provide a definitive introduction to the burgeoning field of performance studies. It will be of value to scholars, teachers and students of anthropology, theatre, folklore, semiotics and performance studies.


By Means of Performance

By Means of Performance

Author: Richard Schechner

Publisher: Cambridge University Press

Published: 1990-05-25

Total Pages: 316

ISBN-13: 1316583309

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The field of performance studies embraces performance behaviour of all kinds and in all contexts, from everyday life to high ceremony. This volume investigates a wide range of performance behaviour - dance, ritual, conflict situation, sports, storytelling and display behaviour - in a variety of circumstances and cultures. It considers such issues as the relationship between training and the finished performance; whether performance behaviour is universal or culturally specific; and the relationships between ritual aesthetics, popular entertainment and religion, and sports and theatre and dance. The volume brings together essays from leading anthropologists, artists and performance theorists to provide a definitive introduction to the burgeoning field of performance studies. It will be of value to scholars, teachers and students of anthropology, theatre, folklore, semiotics and performance studies.


Book Synopsis By Means of Performance by : Richard Schechner

Download or read book By Means of Performance written by Richard Schechner and published by Cambridge University Press. This book was released on 1990-05-25 with total page 316 pages. Available in PDF, EPUB and Kindle. Book excerpt: The field of performance studies embraces performance behaviour of all kinds and in all contexts, from everyday life to high ceremony. This volume investigates a wide range of performance behaviour - dance, ritual, conflict situation, sports, storytelling and display behaviour - in a variety of circumstances and cultures. It considers such issues as the relationship between training and the finished performance; whether performance behaviour is universal or culturally specific; and the relationships between ritual aesthetics, popular entertainment and religion, and sports and theatre and dance. The volume brings together essays from leading anthropologists, artists and performance theorists to provide a definitive introduction to the burgeoning field of performance studies. It will be of value to scholars, teachers and students of anthropology, theatre, folklore, semiotics and performance studies.


By Means of Performance

By Means of Performance

Author: Richard Schechner

Publisher:

Published: 1995

Total Pages: 298

ISBN-13:

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Essays by leading anthropologists for students of anthropology, theater, folklore, semiotics and performance studies.


Book Synopsis By Means of Performance by : Richard Schechner

Download or read book By Means of Performance written by Richard Schechner and published by . This book was released on 1995 with total page 298 pages. Available in PDF, EPUB and Kindle. Book excerpt: Essays by leading anthropologists for students of anthropology, theater, folklore, semiotics and performance studies.


Over, Under, and Around

Over, Under, and Around

Author: Richard Schechner

Publisher: Seagull Books Pvt Ltd

Published: 2004

Total Pages: 372

ISBN-13: 9788170462620

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The essays collected in this book represent Schechner s lifetime in performance studies. Political theatre, the avant garde, the secular and sacred rituals of performance, the nature of belief and its suspensions in theatre, aesthetics, performance theory, and performance studies have been his recurring subjects even as his knowledge has changed and deepened from seeing performances of all kinds all over the world. So he is in a position to compare the incomparable Yaqui and Ramlila, dixi and namahage, in a manner that furthers the study of ritual and indicates the ways performance is similarly and differently imbricated in different communities. Schechner has also learned that the avant garde is more than a historical occurrence localized in, or originating in, a single culture as a particular kind of articulation of the traditional and the oral. The range and depth of Schechner s scholarly endeavour informed by his artistic practice has led him to think about the deep structure of performance and theorize its construction across cultures. This confluence of practice and scholarship, where each realm wholly informs the other, is second only to Schechner s far ranging contact with diverse types of performance in generating his exceptional thinking on the meaning and importance of performance as the paradigm for the twentieth and twenty-first centuries. Richard Schechner is a theatre director, author and teacher. He founded The Performance Group and East Coast Artists. He has directed plays, conducted performance workshops and lectured in Asia, the Americas, Australia and Europe. His books include Performance Studies An Introduction, Performance Theory, and Between Theatre and Anthropology. He is University Professor and Professor of Performance Studies at the Tisch School of the Arts, New York University.


Book Synopsis Over, Under, and Around by : Richard Schechner

Download or read book Over, Under, and Around written by Richard Schechner and published by Seagull Books Pvt Ltd. This book was released on 2004 with total page 372 pages. Available in PDF, EPUB and Kindle. Book excerpt: The essays collected in this book represent Schechner s lifetime in performance studies. Political theatre, the avant garde, the secular and sacred rituals of performance, the nature of belief and its suspensions in theatre, aesthetics, performance theory, and performance studies have been his recurring subjects even as his knowledge has changed and deepened from seeing performances of all kinds all over the world. So he is in a position to compare the incomparable Yaqui and Ramlila, dixi and namahage, in a manner that furthers the study of ritual and indicates the ways performance is similarly and differently imbricated in different communities. Schechner has also learned that the avant garde is more than a historical occurrence localized in, or originating in, a single culture as a particular kind of articulation of the traditional and the oral. The range and depth of Schechner s scholarly endeavour informed by his artistic practice has led him to think about the deep structure of performance and theorize its construction across cultures. This confluence of practice and scholarship, where each realm wholly informs the other, is second only to Schechner s far ranging contact with diverse types of performance in generating his exceptional thinking on the meaning and importance of performance as the paradigm for the twentieth and twenty-first centuries. Richard Schechner is a theatre director, author and teacher. He founded The Performance Group and East Coast Artists. He has directed plays, conducted performance workshops and lectured in Asia, the Americas, Australia and Europe. His books include Performance Studies An Introduction, Performance Theory, and Between Theatre and Anthropology. He is University Professor and Professor of Performance Studies at the Tisch School of the Arts, New York University.


Research Methods in Theatre and Performance

Research Methods in Theatre and Performance

Author: Baz Kershaw

Publisher: Edinburgh University Press

Published: 2011-04-18

Total Pages: 256

ISBN-13: 0748646086

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How have theatre and performance research methods and methodologies engaged the expanding diversity of performing arts practices? How can students best combine performance/theatre research approaches in their projects? This book's 29 contributors provide hands-on answers to such questions. Challenging and debating received research wisdom and exploring innovative procedures for rigorous enquiry via archives, technology, practice-as-research, scenography, performer training, applied theatre/performance, body in performance and more, they create a focussed compendium of future research options.


Book Synopsis Research Methods in Theatre and Performance by : Baz Kershaw

Download or read book Research Methods in Theatre and Performance written by Baz Kershaw and published by Edinburgh University Press. This book was released on 2011-04-18 with total page 256 pages. Available in PDF, EPUB and Kindle. Book excerpt: How have theatre and performance research methods and methodologies engaged the expanding diversity of performing arts practices? How can students best combine performance/theatre research approaches in their projects? This book's 29 contributors provide hands-on answers to such questions. Challenging and debating received research wisdom and exploring innovative procedures for rigorous enquiry via archives, technology, practice-as-research, scenography, performer training, applied theatre/performance, body in performance and more, they create a focussed compendium of future research options.


Trends in Contemporary Assamese Theatre

Trends in Contemporary Assamese Theatre

Author: Namrata Pathak

Publisher: Partridge Publishing

Published: 2015-03-27

Total Pages: 265

ISBN-13: 1482846543

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It is the very nature of representation to be theatrical and self-referential. This book undercuts the fact that all representational knowledge is autonomous and sovereign. At times, theatrical representations can misguide and mislead. Representation can also ineluctably project ones own preferences and preoccupations. Thus, representation and subjective interpretation divulge into myriad domains. This book is concerned with the effects and consequences of representation and its politics. This book examines not only how language as well as representation produce meaning, but also how discursive knowledge connected to power regulates, conducts, and constructs identities and defines the way certain things are thought about practices and are studied. The book takes note of the fact that within the framework of performance, a performative subject does not wear a coherent identity as it is fragmented, decentered, simulated and is unstable, while being both virtual as well as actual. In the field of semiotics, theatre is historically and reciprocally affected by practice, especially within contingent conditions of time. In theatre semiotics, the new image of knowledge is that of turbulence. Here, knowledge is not so much a system as it is a confluence. Carrying this stance further we can say that contemporary Assamese theatre is characterised by shifting counter-voices and sub-textual underpinnings. This act forces reading into two directions: dialogic openness and variability of meaning that question the theatre directors as the only ones who know.


Book Synopsis Trends in Contemporary Assamese Theatre by : Namrata Pathak

Download or read book Trends in Contemporary Assamese Theatre written by Namrata Pathak and published by Partridge Publishing. This book was released on 2015-03-27 with total page 265 pages. Available in PDF, EPUB and Kindle. Book excerpt: It is the very nature of representation to be theatrical and self-referential. This book undercuts the fact that all representational knowledge is autonomous and sovereign. At times, theatrical representations can misguide and mislead. Representation can also ineluctably project ones own preferences and preoccupations. Thus, representation and subjective interpretation divulge into myriad domains. This book is concerned with the effects and consequences of representation and its politics. This book examines not only how language as well as representation produce meaning, but also how discursive knowledge connected to power regulates, conducts, and constructs identities and defines the way certain things are thought about practices and are studied. The book takes note of the fact that within the framework of performance, a performative subject does not wear a coherent identity as it is fragmented, decentered, simulated and is unstable, while being both virtual as well as actual. In the field of semiotics, theatre is historically and reciprocally affected by practice, especially within contingent conditions of time. In theatre semiotics, the new image of knowledge is that of turbulence. Here, knowledge is not so much a system as it is a confluence. Carrying this stance further we can say that contemporary Assamese theatre is characterised by shifting counter-voices and sub-textual underpinnings. This act forces reading into two directions: dialogic openness and variability of meaning that question the theatre directors as the only ones who know.


Performance Studies

Performance Studies

Author: Richard Schechner

Publisher: Routledge

Published: 2017-07-14

Total Pages: 377

ISBN-13: 1136448721

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Richard Schechner is a pioneer of Performance Studies. A scholar, theatre director, editor, and playwright he is University Professor of Performance Studies at the Tisch School of the Arts at New York University and Editor of TDR: The Journal of Performance Studies. He is the author of Public Domain (1969), Environmental Theater (1973), The End of Humanism (1982), Performance Theory (2003, Routledge), Between Theater and Anthropology (1985), The Future of Ritual (1993, Routledge), and Over, Under, and Around: Essays on Performance and Culture (2004). His books have been translated into French, Spanish, Korean, Chinese, Japanese, Serbo-Croat, German, Italian, Hungarian, Bulgarian and Polish. He is the general editor of the Worlds of Performance series published by Routledge and the co-editor of the Enactments series published by Seagull Books. Sara Brady is Assistant Professor at Bronx Community College of the City University of New York (CUNY). She is author of Performance, Politics and the War on Terror (2012).


Book Synopsis Performance Studies by : Richard Schechner

Download or read book Performance Studies written by Richard Schechner and published by Routledge. This book was released on 2017-07-14 with total page 377 pages. Available in PDF, EPUB and Kindle. Book excerpt: Richard Schechner is a pioneer of Performance Studies. A scholar, theatre director, editor, and playwright he is University Professor of Performance Studies at the Tisch School of the Arts at New York University and Editor of TDR: The Journal of Performance Studies. He is the author of Public Domain (1969), Environmental Theater (1973), The End of Humanism (1982), Performance Theory (2003, Routledge), Between Theater and Anthropology (1985), The Future of Ritual (1993, Routledge), and Over, Under, and Around: Essays on Performance and Culture (2004). His books have been translated into French, Spanish, Korean, Chinese, Japanese, Serbo-Croat, German, Italian, Hungarian, Bulgarian and Polish. He is the general editor of the Worlds of Performance series published by Routledge and the co-editor of the Enactments series published by Seagull Books. Sara Brady is Assistant Professor at Bronx Community College of the City University of New York (CUNY). She is author of Performance, Politics and the War on Terror (2012).


Resilient Controls for Ordering Uncertain Prospects

Resilient Controls for Ordering Uncertain Prospects

Author: Khanh D. Pham

Publisher: Springer

Published: 2014-09-05

Total Pages: 222

ISBN-13: 3319087053

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Providing readers with a detailed examination of resilient controls in risk-averse decision, this monograph is aimed toward researchers and graduate students in applied mathematics and electrical engineering with a systems-theoretic concentration. This work contains a timely and responsive evaluation of reforms on the use of asymmetry or skewness pertaining to the restrictive family of quadratic costs that have been appeared in various scholarly forums. Additionally, the book includes a discussion of the current and ongoing efforts in the usage of risk, dynamic game decision optimization and disturbance mitigation techniques with output feedback measurements tailored toward the worst-case scenarios. This work encompasses some of the current changes across uncertainty quantification, stochastic control communities, and the creative efforts that are being made to increase the understanding of resilient controls. Specific considerations are made in this book for the application of decision theory to resilient controls of the linear-quadratic class of stochastic dynamical systems. Each of these topics are examined explicitly in several chapters. This monograph also puts forward initiatives to reform both control decisions with risk consequences and correct-by-design paradigms for performance reliability associated with the class of stochastic linear dynamical systems with integral quadratic costs and subject to network delays, control and communication constraints.


Book Synopsis Resilient Controls for Ordering Uncertain Prospects by : Khanh D. Pham

Download or read book Resilient Controls for Ordering Uncertain Prospects written by Khanh D. Pham and published by Springer. This book was released on 2014-09-05 with total page 222 pages. Available in PDF, EPUB and Kindle. Book excerpt: Providing readers with a detailed examination of resilient controls in risk-averse decision, this monograph is aimed toward researchers and graduate students in applied mathematics and electrical engineering with a systems-theoretic concentration. This work contains a timely and responsive evaluation of reforms on the use of asymmetry or skewness pertaining to the restrictive family of quadratic costs that have been appeared in various scholarly forums. Additionally, the book includes a discussion of the current and ongoing efforts in the usage of risk, dynamic game decision optimization and disturbance mitigation techniques with output feedback measurements tailored toward the worst-case scenarios. This work encompasses some of the current changes across uncertainty quantification, stochastic control communities, and the creative efforts that are being made to increase the understanding of resilient controls. Specific considerations are made in this book for the application of decision theory to resilient controls of the linear-quadratic class of stochastic dynamical systems. Each of these topics are examined explicitly in several chapters. This monograph also puts forward initiatives to reform both control decisions with risk consequences and correct-by-design paradigms for performance reliability associated with the class of stochastic linear dynamical systems with integral quadratic costs and subject to network delays, control and communication constraints.


The Archive and the Repertoire

The Archive and the Repertoire

Author: Diana Taylor

Publisher: Duke University Press

Published: 2003-09-12

Total Pages: 350

ISBN-13: 0822385317

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In The Archive and the Repertoire preeminent performance studies scholar Diana Taylor provides a new understanding of the vital role of performance in the Americas. From plays to official events to grassroots protests, performance, she argues, must be taken seriously as a means of storing and transmitting knowledge. Taylor reveals how the repertoire of embodied memory—conveyed in gestures, the spoken word, movement, dance, song, and other performances—offers alternative perspectives to those derived from the written archive and is particularly useful to a reconsideration of historical processes of transnational contact. The Archive and the Repertoire invites a remapping of the Americas based on traditions of embodied practice. Examining various genres of performance including demonstrations by the children of the disappeared in Argentina, the Peruvian theatre group Yuyachkani, and televised astrological readings by Univision personality Walter Mercado, Taylor explores how the archive and the repertoire work together to make political claims, transmit traumatic memory, and forge a new sense of cultural identity. Through her consideration of performances such as Coco Fusco and Guillermo Gómez-Peña’s show Two Undiscovered Amerindians Visit . . . , Taylor illuminates how scenarios of discovery and conquest haunt the Americas, trapping even those who attempt to dismantle them. Meditating on events like those of September 11, 2001 and media representations of them, she examines both the crucial role of performance in contemporary culture and her own role as witness to and participant in hemispheric dramas. The Archive and the Repertoire is a compelling demonstration of the many ways that the study of performance enables a deeper understanding of the past and present, of ourselves and others.


Book Synopsis The Archive and the Repertoire by : Diana Taylor

Download or read book The Archive and the Repertoire written by Diana Taylor and published by Duke University Press. This book was released on 2003-09-12 with total page 350 pages. Available in PDF, EPUB and Kindle. Book excerpt: In The Archive and the Repertoire preeminent performance studies scholar Diana Taylor provides a new understanding of the vital role of performance in the Americas. From plays to official events to grassroots protests, performance, she argues, must be taken seriously as a means of storing and transmitting knowledge. Taylor reveals how the repertoire of embodied memory—conveyed in gestures, the spoken word, movement, dance, song, and other performances—offers alternative perspectives to those derived from the written archive and is particularly useful to a reconsideration of historical processes of transnational contact. The Archive and the Repertoire invites a remapping of the Americas based on traditions of embodied practice. Examining various genres of performance including demonstrations by the children of the disappeared in Argentina, the Peruvian theatre group Yuyachkani, and televised astrological readings by Univision personality Walter Mercado, Taylor explores how the archive and the repertoire work together to make political claims, transmit traumatic memory, and forge a new sense of cultural identity. Through her consideration of performances such as Coco Fusco and Guillermo Gómez-Peña’s show Two Undiscovered Amerindians Visit . . . , Taylor illuminates how scenarios of discovery and conquest haunt the Americas, trapping even those who attempt to dismantle them. Meditating on events like those of September 11, 2001 and media representations of them, she examines both the crucial role of performance in contemporary culture and her own role as witness to and participant in hemispheric dramas. The Archive and the Repertoire is a compelling demonstration of the many ways that the study of performance enables a deeper understanding of the past and present, of ourselves and others.


Performance as Research

Performance as Research

Author: Annette Arlander

Publisher: Routledge

Published: 2017-12-06

Total Pages: 360

ISBN-13: 1351654330

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Performance as Research (PAR) is characterised by an extraordinary elasticity and interdisciplinary drive. Performance as Research: Knowledge, Methods, Impact celebrates this energy, bringing together chapters from a wide range of disciplines and eight different countries. This volume focuses explicitly on three critical, often contentious themes that run through much discussion of PaR as a discipline: Knowledge - the areas and manners in which performance can generate knowledge Methods - methods and methodologies for approaching performance as research Impact - a broad understanding of the impact of this form of research These themes are framed by four essays from the book's editors, contextualising their interrelated conversations, teasing out common threads, and exploring the new questions that the contributions pose to the field of performance. As both an intervention into and extension of current debates, this is a vital collection for any reader concerned with the value and legitimacy of performance as research.


Book Synopsis Performance as Research by : Annette Arlander

Download or read book Performance as Research written by Annette Arlander and published by Routledge. This book was released on 2017-12-06 with total page 360 pages. Available in PDF, EPUB and Kindle. Book excerpt: Performance as Research (PAR) is characterised by an extraordinary elasticity and interdisciplinary drive. Performance as Research: Knowledge, Methods, Impact celebrates this energy, bringing together chapters from a wide range of disciplines and eight different countries. This volume focuses explicitly on three critical, often contentious themes that run through much discussion of PaR as a discipline: Knowledge - the areas and manners in which performance can generate knowledge Methods - methods and methodologies for approaching performance as research Impact - a broad understanding of the impact of this form of research These themes are framed by four essays from the book's editors, contextualising their interrelated conversations, teasing out common threads, and exploring the new questions that the contributions pose to the field of performance. As both an intervention into and extension of current debates, this is a vital collection for any reader concerned with the value and legitimacy of performance as research.