Author: Charles Tindal Gatty

Publisher: Rarebooksclub.com

Published: 2013-09

Total Pages: 54

ISBN-13: 9781230187600

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This historic book may have numerous typos and missing text. Purchasers can usually download a free scanned copy of the original book (without typos) from the publisher. Not indexed. Not illustrated. 1883 edition. Excerpt: ...Last Judgment. Our Lord is seated on a rainbow, with the Blessed Virgin on His right hand, and a saint on His left. Below is the Resurrection, and an angel conducting the good souls towards Heaven, and the devil driving the wicked into Hell, which is depicted as the mouth of a huge monster-1 1 fin. x 7Jin. 39 312. Tray, in copper, enamelled, and painted with various enamel colours. On the bottom inside is a female figure, and round the sides, birds and flowers. Outside, on the bottom, is a small landscape, and round the sides, birds and conventional floral ornamentation in gilding. H. 1 Jin. Dia. 6jin. 34 313. Circular dish, in copper, enamelled, and painted with enamel colours, blue, white, green, and red. The design is conventional, and mostly effected in gilding. Venetian work. Dia. oin. 36 314. Fire-dog, in brass, in which are, in red, white, and blue enamel, the English royal arms, with supporters below. Also, a brass boss, with floral designs, decorated with blue and white enamel, similar to the above. The arms are such as were borne by Charles II., and the work is of that date. In the Journal of the Archceological Institute, vol. xix., p. 291, the following description is given of a pair of fire-dogs, evidently similar to this example: --" A pair of handsome enamelled fire-dogs, which have been preserved at Lake House, near Amesbury. They are specimens of a peculiar coarse kind of enamelling, usually on brass, not on copper, by the champlevi process, as practised 1n England during the reign of Elizabeth and in subsequent times. It consisted of inlaying enamels, fusible, probably, at a low temperature, in the interstices of a pattern in relief. The enamels, light and dark blue, black and white, do not fill the cavities on the...

Download or read book Catalogue of Mediæval and Later Antiquities Contained in the Mayer Museum written by Charles Tindal Gatty and published by Rarebooksclub.com. This book was released on 2013-09 with total page 54 pages. Available in PDF, EPUB and Kindle. Book excerpt: This historic book may have numerous typos and missing text. Purchasers can usually download a free scanned copy of the original book (without typos) from the publisher. Not indexed. Not illustrated. 1883 edition. Excerpt: ...Last Judgment. Our Lord is seated on a rainbow, with the Blessed Virgin on His right hand, and a saint on His left. Below is the Resurrection, and an angel conducting the good souls towards Heaven, and the devil driving the wicked into Hell, which is depicted as the mouth of a huge monster-1 1 fin. x 7Jin. 39 312. Tray, in copper, enamelled, and painted with various enamel colours. On the bottom inside is a female figure, and round the sides, birds and flowers. Outside, on the bottom, is a small landscape, and round the sides, birds and conventional floral ornamentation in gilding. H. 1 Jin. Dia. 6jin. 34 313. Circular dish, in copper, enamelled, and painted with enamel colours, blue, white, green, and red. The design is conventional, and mostly effected in gilding. Venetian work. Dia. oin. 36 314. Fire-dog, in brass, in which are, in red, white, and blue enamel, the English royal arms, with supporters below. Also, a brass boss, with floral designs, decorated with blue and white enamel, similar to the above. The arms are such as were borne by Charles II., and the work is of that date. In the Journal of the Archceological Institute, vol. xix., p. 291, the following description is given of a pair of fire-dogs, evidently similar to this example: --" A pair of handsome enamelled fire-dogs, which have been preserved at Lake House, near Amesbury. They are specimens of a peculiar coarse kind of enamelling, usually on brass, not on copper, by the champlevi process, as practised 1n England during the reign of Elizabeth and in subsequent times. It consisted of inlaying enamels, fusible, probably, at a low temperature, in the interstices of a pattern in relief. The enamels, light and dark blue, black and white, do not fill the cavities on the...