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Chinese Popular Culture and Ming Chantefables

Author: Anne McLaren

Publisher: BRILL

Published: 2022-02-22

Total Pages: 364

ISBN-13: 9004482709

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In 1967 a body of Chinese texts was discovered in a tomb outside Shanghai. It contained a set of unique examples of an oral genre favoured by unlearned classes in the late imperial period (15th century), best called 'chantefables', appearing at the beginning of a profound historical shift which resulted in a broadening of the uses of writing and printing in China. These texts are now generally seen to occupy an important place in the development of Chinese literature as a whole, and of Chinese vernacular literature in particular. In the first monographic treatment of all the chantefable corpus in English the author, by examination from a more anthropological view, points out that these 'oral traditional texts' can only be appreciated in the festival, ritual and performative context of their derivation and reception. Topics dealt with in this important work include the popular interpretation of Confucian orthodoxies, the literary recycling of the oral tradition, and the influence of chantefables on the development of Chinese vernacular fiction. The author offers interesting comparative perspective on the different social consequences of print technology in China and the West. Illustrations of ten chantefable woodblocks are included.

Book Synopsis Chinese Popular Culture and Ming Chantefables by : Anne McLaren

Download or read book Chinese Popular Culture and Ming Chantefables written by Anne McLaren and published by BRILL. This book was released on 2022-02-22 with total page 364 pages. Available in PDF, EPUB and Kindle. Book excerpt: In 1967 a body of Chinese texts was discovered in a tomb outside Shanghai. It contained a set of unique examples of an oral genre favoured by unlearned classes in the late imperial period (15th century), best called 'chantefables', appearing at the beginning of a profound historical shift which resulted in a broadening of the uses of writing and printing in China. These texts are now generally seen to occupy an important place in the development of Chinese literature as a whole, and of Chinese vernacular literature in particular. In the first monographic treatment of all the chantefable corpus in English the author, by examination from a more anthropological view, points out that these 'oral traditional texts' can only be appreciated in the festival, ritual and performative context of their derivation and reception. Topics dealt with in this important work include the popular interpretation of Confucian orthodoxies, the literary recycling of the oral tradition, and the influence of chantefables on the development of Chinese vernacular fiction. The author offers interesting comparative perspective on the different social consequences of print technology in China and the West. Illustrations of ten chantefable woodblocks are included.

Transforming Gender and Emotion

Author: Sookja Cho

Publisher: University of Michigan Press

Published: 2018-03-08

Total Pages: 311

ISBN-13: 0472130633

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Illuminates how one folktale serves as a living record of the evolving cultures and relationships of China and Korea

Book Synopsis Transforming Gender and Emotion by : Sookja Cho

Download or read book Transforming Gender and Emotion written by Sookja Cho and published by University of Michigan Press. This book was released on 2018-03-08 with total page 311 pages. Available in PDF, EPUB and Kindle. Book excerpt: Illuminates how one folktale serves as a living record of the evolving cultures and relationships of China and Korea

Memory Making in Folk Epics of China

Author: ANNE E. MCLAREN

Publisher:

Published: 2022

Total Pages: 0

ISBN-13: 9781621966456

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"This is the first book-length study in the West on the folk epics of the Han Chinese people, who are the majority population of China. These folk epics provide an unparalleled resource for understanding the importance of "the local" in Chinese culture, especially how rice-growing populations perceived their environment and relational world. The folk epics were sung by illiterate farmers while working in the rice paddy or boating along the waterways. It was believed that singing promoted crop fertility and that the rice-plant embodied a female rice spirit whose growth and development paralleled that of human sexuality and procreation. Regarded as "vulgar" due to its erotic content, this song tradition was marginalized and little understood. The erotic content is often removed in editions directed at a national readership. Employing perspectives from memory studies, eco-criticism, and the study of oral traditions, this book examines in detail five iconic folk epics. The author draws on interviews with contemporary song transmitters and ethnologists from the Lake Tai region, as well as a collection of singer transcripts and unedited song material"--

Book Synopsis Memory Making in Folk Epics of China by : ANNE E. MCLAREN

Download or read book Memory Making in Folk Epics of China written by ANNE E. MCLAREN and published by . This book was released on 2022 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt: "This is the first book-length study in the West on the folk epics of the Han Chinese people, who are the majority population of China. These folk epics provide an unparalleled resource for understanding the importance of "the local" in Chinese culture, especially how rice-growing populations perceived their environment and relational world. The folk epics were sung by illiterate farmers while working in the rice paddy or boating along the waterways. It was believed that singing promoted crop fertility and that the rice-plant embodied a female rice spirit whose growth and development paralleled that of human sexuality and procreation. Regarded as "vulgar" due to its erotic content, this song tradition was marginalized and little understood. The erotic content is often removed in editions directed at a national readership. Employing perspectives from memory studies, eco-criticism, and the study of oral traditions, this book examines in detail five iconic folk epics. The author draws on interviews with contemporary song transmitters and ethnologists from the Lake Tai region, as well as a collection of singer transcripts and unedited song material"--

The Tapestry of Popular Songs in 16th- and 17th Century China

Author: Kathryn A. Lowry

Publisher: BRILL

Published: 2005

Total Pages: 446

ISBN-13: 9004145869

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This study of popular songs offers a new hypothesis about the role of elite in popular culture and evidences how commercial publishing facilitated the rise of selective reading and imitation of texts in late-Ming China, creating a new basis for describing desire and the self.

Book Synopsis The Tapestry of Popular Songs in 16th- and 17th Century China by : Kathryn A. Lowry

Download or read book The Tapestry of Popular Songs in 16th- and 17th Century China written by Kathryn A. Lowry and published by BRILL. This book was released on 2005 with total page 446 pages. Available in PDF, EPUB and Kindle. Book excerpt: This study of popular songs offers a new hypothesis about the role of elite in popular culture and evidences how commercial publishing facilitated the rise of selective reading and imitation of texts in late-Ming China, creating a new basis for describing desire and the self.

Popular Culture in Early Modern Europe

Author: Peter Burke

Publisher: Routledge

Published: 2017-03-02

Total Pages: 354

ISBN-13: 1351910000

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The concept of cultural history has in the last few decades come to the fore of historical research into early modern Europe. Due in no small part to the pioneering work of Peter Burke, the tools of the cultural historian are now routinely brought to bear on every aspect of history, and have transformed our understanding of the past. First published in 1978, this study examines the broad sweep of pre-industrial Europe's popular culture. From the world of the professional entertainer to the songs, stories, rituals and plays of ordinary people, it shows how the attitudes and values of the otherwise inarticulate shaped - and were shaped by - the shifting social, religious and political conditions of European society between 1500 and 1800. This third edition of Peter Burke's groundbreaking study has been published to mark the thirtieth anniversary of the book's publication in 1978. It provides a new introduction reflecting the growth of cultural history, and its increasing influence on 'mainstream' history, as well as an extensive supplementary bibliography which further adds to the information about new research in the area.

Book Synopsis Popular Culture in Early Modern Europe by : Peter Burke

Download or read book Popular Culture in Early Modern Europe written by Peter Burke and published by Routledge. This book was released on 2017-03-02 with total page 354 pages. Available in PDF, EPUB and Kindle. Book excerpt: The concept of cultural history has in the last few decades come to the fore of historical research into early modern Europe. Due in no small part to the pioneering work of Peter Burke, the tools of the cultural historian are now routinely brought to bear on every aspect of history, and have transformed our understanding of the past. First published in 1978, this study examines the broad sweep of pre-industrial Europe's popular culture. From the world of the professional entertainer to the songs, stories, rituals and plays of ordinary people, it shows how the attitudes and values of the otherwise inarticulate shaped - and were shaped by - the shifting social, religious and political conditions of European society between 1500 and 1800. This third edition of Peter Burke's groundbreaking study has been published to mark the thirtieth anniversary of the book's publication in 1978. It provides a new introduction reflecting the growth of cultural history, and its increasing influence on 'mainstream' history, as well as an extensive supplementary bibliography which further adds to the information about new research in the area.

Out of the Margins

Author: Liangyan Ge

Publisher: University of Hawaii Press

Published: 2001-09-30

Total Pages: 306

ISBN-13: 0824863828

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The novel Water Margin (Shuihu zhuan), China's earliest full-length narrative in vernacular prose, first appeared in print in the sixteenth century. The tale of one hundred and eight bandit heroes evolved from a long oral tradition; in its novelized form, it played a pivotal role in the rise of Chinese vernacular fiction, which flourished during the late Ming (1368-1644) and Qing (1644-1911) periods. Liangyan Ge's multidimensional study considers the evolution of Water Margin and the rise of vernacular fiction against the background of the vernacularization of premodern Chinese literature as a whole. This gradual and arduous process, as the book convincingly shows, was driven by sustained contact and interaction between written culture and popular orality. Ge examines the stylistic and linguistic features of the novel against those of other works of early Chinese vernacular literature (stories, in particular), revealing an accretion of features typical of different historical periods and a prolonged and cumulative process of textualization. In addition to providing a meticulous philological study, his work offers a new reading of the novel that interprets some of its salient characteristics in terms of the interplay between audience, storytellers, and men of letters associated with popular orality.

Book Synopsis Out of the Margins by : Liangyan Ge

Download or read book Out of the Margins written by Liangyan Ge and published by University of Hawaii Press. This book was released on 2001-09-30 with total page 306 pages. Available in PDF, EPUB and Kindle. Book excerpt: The novel Water Margin (Shuihu zhuan), China's earliest full-length narrative in vernacular prose, first appeared in print in the sixteenth century. The tale of one hundred and eight bandit heroes evolved from a long oral tradition; in its novelized form, it played a pivotal role in the rise of Chinese vernacular fiction, which flourished during the late Ming (1368-1644) and Qing (1644-1911) periods. Liangyan Ge's multidimensional study considers the evolution of Water Margin and the rise of vernacular fiction against the background of the vernacularization of premodern Chinese literature as a whole. This gradual and arduous process, as the book convincingly shows, was driven by sustained contact and interaction between written culture and popular orality. Ge examines the stylistic and linguistic features of the novel against those of other works of early Chinese vernacular literature (stories, in particular), revealing an accretion of features typical of different historical periods and a prolonged and cumulative process of textualization. In addition to providing a meticulous philological study, his work offers a new reading of the novel that interprets some of its salient characteristics in terms of the interplay between audience, storytellers, and men of letters associated with popular orality.

Three Kingdoms and Chinese Culture

Author: Kimberly Besio

Publisher: State University of New York Press

Published: 2012-02-01

Total Pages: 222

ISBN-13: 0791480496

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This is the first book-length treatment in English of Three Kingdoms (Sanguo yanyi), often regarded as China's first great classical novel. Set in the historical period of the disunion (220–280 AD), Three Kingdoms fuses history and popular tradition to create a sweeping epic of heroism and political ambition. The essays in this volume explore the multifarious connections between Three Kingdoms and Chinese culture from a variety of disciplines, including history, literature, philosophy, art history, theater, cultural studies, and communications, demonstrating the diversity of backgrounds against which this novel can be studied. Some of the most memorable episodes and figures in Chinese literature appear within its pages, and Three Kingdoms has had a profound influence on personal, social, and political behavior, even language usage, in the daily life of people in China today. The novel has inspired countless works of theater and art, and, more recently, has been the source for movies and a television series. Long popular in other countries of East Asia, such as Japan, Korea, and Vietnam, Three Kingdoms has also been introduced to younger generations around the globe through a series of extremely popular computer games. This study helps create a better understanding of the work's unique place in Chinese culture.

Book Synopsis Three Kingdoms and Chinese Culture by : Kimberly Besio

Download or read book Three Kingdoms and Chinese Culture written by Kimberly Besio and published by State University of New York Press. This book was released on 2012-02-01 with total page 222 pages. Available in PDF, EPUB and Kindle. Book excerpt: This is the first book-length treatment in English of Three Kingdoms (Sanguo yanyi), often regarded as China's first great classical novel. Set in the historical period of the disunion (220–280 AD), Three Kingdoms fuses history and popular tradition to create a sweeping epic of heroism and political ambition. The essays in this volume explore the multifarious connections between Three Kingdoms and Chinese culture from a variety of disciplines, including history, literature, philosophy, art history, theater, cultural studies, and communications, demonstrating the diversity of backgrounds against which this novel can be studied. Some of the most memorable episodes and figures in Chinese literature appear within its pages, and Three Kingdoms has had a profound influence on personal, social, and political behavior, even language usage, in the daily life of people in China today. The novel has inspired countless works of theater and art, and, more recently, has been the source for movies and a television series. Long popular in other countries of East Asia, such as Japan, Korea, and Vietnam, Three Kingdoms has also been introduced to younger generations around the globe through a series of extremely popular computer games. This study helps create a better understanding of the work's unique place in Chinese culture.

Green Peony and the Rise of the Chinese Martial Arts Novel

Author: Margaret B. Wan

Publisher: State University of New York Press

Published: 2009-01-05

Total Pages: 251

ISBN-13: 0791477053

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Martial arts fiction has been synonymous with popular fiction in China from the Qing dynasty on. This book, the first to trace the early development of the martial arts novel in China, demonstrates that the genre took shape nearly a century earlier than generally recognized. Green Peony (1800), one of the earliest martial arts novels, lies at the center of a web of literary relations connecting many of the significant genres of fiction in its day. Adapted from a drum ballad, Green Peony parodies both previous popular fiction and the great Ming novels, generating humorous reflection on their values. By focusing on popular fiction and popular culture, Margaret B. Wan argues for the relevance of genre to literary criticism, the convergence of "popular" and "elite" fiction in the nineteenth century, and a general turn from didacticism to entertainment. Literary scholars, historians, and anyone who wishes to know more about Chinese popular culture in the Qing dynasty will benefit from reading this book.

Book Synopsis Green Peony and the Rise of the Chinese Martial Arts Novel by : Margaret B. Wan

Download or read book Green Peony and the Rise of the Chinese Martial Arts Novel written by Margaret B. Wan and published by State University of New York Press. This book was released on 2009-01-05 with total page 251 pages. Available in PDF, EPUB and Kindle. Book excerpt: Martial arts fiction has been synonymous with popular fiction in China from the Qing dynasty on. This book, the first to trace the early development of the martial arts novel in China, demonstrates that the genre took shape nearly a century earlier than generally recognized. Green Peony (1800), one of the earliest martial arts novels, lies at the center of a web of literary relations connecting many of the significant genres of fiction in its day. Adapted from a drum ballad, Green Peony parodies both previous popular fiction and the great Ming novels, generating humorous reflection on their values. By focusing on popular fiction and popular culture, Margaret B. Wan argues for the relevance of genre to literary criticism, the convergence of "popular" and "elite" fiction in the nineteenth century, and a general turn from didacticism to entertainment. Literary scholars, historians, and anyone who wishes to know more about Chinese popular culture in the Qing dynasty will benefit from reading this book.

Printing and Book Culture in Late Imperial China

Author: Cynthia J. Brokaw

Publisher: Univ of California Press

Published: 2005-03-07

Total Pages: 559

ISBN-13: 0520927796

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Despite the importance of books and the written word in Chinese society, the history of the book in China is a topic that has been little explored. This pioneering volume of essays, written by historians, art historians, and literary scholars, introduces the major issues in the social and cultural history of the book in late imperial China. Informed by many insights from the rich literature on the history of the Western book, these essays investigate the relationship between the manuscript and print culture; the emergence of urban and rural publishing centers; the expanding audience for books; the development of niche markets and specialized publishing of fiction, drama, non-Han texts, and genealogies; and more.

Book Synopsis Printing and Book Culture in Late Imperial China by : Cynthia J. Brokaw

Download or read book Printing and Book Culture in Late Imperial China written by Cynthia J. Brokaw and published by Univ of California Press. This book was released on 2005-03-07 with total page 559 pages. Available in PDF, EPUB and Kindle. Book excerpt: Despite the importance of books and the written word in Chinese society, the history of the book in China is a topic that has been little explored. This pioneering volume of essays, written by historians, art historians, and literary scholars, introduces the major issues in the social and cultural history of the book in late imperial China. Informed by many insights from the rich literature on the history of the Western book, these essays investigate the relationship between the manuscript and print culture; the emergence of urban and rural publishing centers; the expanding audience for books; the development of niche markets and specialized publishing of fiction, drama, non-Han texts, and genealogies; and more.

How to Read Chinese Drama

Author: Patricia Sieber

Publisher: Columbia University Press

Published: 2022-01-25

Total Pages: 481

ISBN-13: 0231546661

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This book is a comprehensive and inviting introduction to the literary forms and cultural significance of Chinese drama as both text and performance. Each chapter offers an accessible overview and critical analysis of one or more plays—canonical as well as less frequently studied works—and their historical contexts. How to Read Chinese Drama highlights how each play sheds light on key aspects of the dramatic tradition, including genre conventions, staging practices, musical performance, audience participation, and political resonances, emphasizing interconnections among chapters. It brings together leading scholars spanning anthropology, art history, ethnomusicology, history, literature, and theater studies. How to Read Chinese Drama is straightforward, clear, and concise, written for undergraduate students and their instructors as well as a wider audience interested in world theater. For students of Chinese literature and language, the book provides questions to explore when reading, watching, and listening to plays, and it features bilingual excerpts. For teachers, an analytical table of contents, a theater-specific chronology of events, and lists of visual resources and translations provide pedagogical resources for exploring Chinese theater within broader cultural and comparative contexts. For theater practitioners, the volume offers deeply researched readings of important plays together with background on historical performance conventions, audience responses, and select modern adaptations.

Book Synopsis How to Read Chinese Drama by : Patricia Sieber

Download or read book How to Read Chinese Drama written by Patricia Sieber and published by Columbia University Press. This book was released on 2022-01-25 with total page 481 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book is a comprehensive and inviting introduction to the literary forms and cultural significance of Chinese drama as both text and performance. Each chapter offers an accessible overview and critical analysis of one or more plays—canonical as well as less frequently studied works—and their historical contexts. How to Read Chinese Drama highlights how each play sheds light on key aspects of the dramatic tradition, including genre conventions, staging practices, musical performance, audience participation, and political resonances, emphasizing interconnections among chapters. It brings together leading scholars spanning anthropology, art history, ethnomusicology, history, literature, and theater studies. How to Read Chinese Drama is straightforward, clear, and concise, written for undergraduate students and their instructors as well as a wider audience interested in world theater. For students of Chinese literature and language, the book provides questions to explore when reading, watching, and listening to plays, and it features bilingual excerpts. For teachers, an analytical table of contents, a theater-specific chronology of events, and lists of visual resources and translations provide pedagogical resources for exploring Chinese theater within broader cultural and comparative contexts. For theater practitioners, the volume offers deeply researched readings of important plays together with background on historical performance conventions, audience responses, and select modern adaptations.