Choreography, Visual Art and Experimental Composition 1950s–1970s

Choreography, Visual Art and Experimental Composition 1950s–1970s

Author: Erin Brannigan

Publisher: Routledge

Published: 2022-03-29

Total Pages: 315

ISBN-13: 1000563731

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This book traces the history of engagements between dance and the visual arts in the mid-twentieth century and provides a backdrop for the emerging field of contemporary, intermedial art practice. Exploring the disciplinary identity of dance in dialogue with the visual arts, this book unpacks how compositional methods that were dance-based informed visual art contexts. The book provokes fresh consideration of the entangled relationship between, and historiographic significance of, visual arts and dance by exploring movements in history that dance has been traditionally mapped to (Neo-Avant Garde, Neo-Dada, Conceptual art, Postmodernism, and Performance Art) and the specific practices and innovations from key people in the field (like John Cage, Anna Halprin, and Robert Rauschenberg). This book also employs a series of historical and critical case studies which show how compositional approaches from dance—breath, weight, tone, energy—informed the emergence of the intermedial. Ultimately this book shows how dance and choreography have played an important role in shaping visual arts culture and enables the re-imagination of current art practices through the use of choreographic tools. This unique and timely offering is important reading for those studying and researching in visual and fine arts, performance history and theory, dance practice and dance studies, as well as those working within the fields of dance and visual art. Chapter 1 of this book is freely available as a downloadable Open Access PDF under a Creative Commons Attribution-Non Commercial-No Derivatives 4.0 license available at http://www.taylorfrancis.com


Book Synopsis Choreography, Visual Art and Experimental Composition 1950s–1970s by : Erin Brannigan

Download or read book Choreography, Visual Art and Experimental Composition 1950s–1970s written by Erin Brannigan and published by Routledge. This book was released on 2022-03-29 with total page 315 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book traces the history of engagements between dance and the visual arts in the mid-twentieth century and provides a backdrop for the emerging field of contemporary, intermedial art practice. Exploring the disciplinary identity of dance in dialogue with the visual arts, this book unpacks how compositional methods that were dance-based informed visual art contexts. The book provokes fresh consideration of the entangled relationship between, and historiographic significance of, visual arts and dance by exploring movements in history that dance has been traditionally mapped to (Neo-Avant Garde, Neo-Dada, Conceptual art, Postmodernism, and Performance Art) and the specific practices and innovations from key people in the field (like John Cage, Anna Halprin, and Robert Rauschenberg). This book also employs a series of historical and critical case studies which show how compositional approaches from dance—breath, weight, tone, energy—informed the emergence of the intermedial. Ultimately this book shows how dance and choreography have played an important role in shaping visual arts culture and enables the re-imagination of current art practices through the use of choreographic tools. This unique and timely offering is important reading for those studying and researching in visual and fine arts, performance history and theory, dance practice and dance studies, as well as those working within the fields of dance and visual art. Chapter 1 of this book is freely available as a downloadable Open Access PDF under a Creative Commons Attribution-Non Commercial-No Derivatives 4.0 license available at http://www.taylorfrancis.com

Choreography, Visual Art and Experimental Composition 1950s-1970s

Choreography, Visual Art and Experimental Composition 1950s-1970s

Author: Erin (University of New South Wales) Brannigan

Publisher: Routledge

Published: 2022-03-21

Total Pages: 296

ISBN-13: 9781032182407

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This book traces the history of engagements between dance and the visual arts in the mid-twentieth century, and provides a backdrop for the emerging field of contemporary, intermedial art practice. Exploring the disciplinary identity of dance in dialogue with the visual arts, this book unpacks how compositional methods that were dance-based informed visual art contexts. The book provokes fresh consideration of the entangled relationship between, and historiographic significance of, visual arts and dance by exploring movements in history that dance has been traditionally mapped to (Neo-Avant Garde, Neo-Dada, Conceptual art, Postmodernism and Performance Art) and the specific practices and innovations from key people in the field (like John Cage, Anna Halprin and Robert Rauschenberg). This book also employs a series of historical and critical case studies which show how compositional approaches from dance - breath, weight, tone, energy - informed the emergence of the intermedial. Ultimately this book shows how dance and choreography have played an important role in shaping visual arts culture, and enables the re-imagination of current art practices through the use of choreographic tools. This unique and timely offering is important reading for those studying and researching in visual and fine arts, performance history and theory, dance practice and dance studies, as well as those working within the fields of dance and visual art.


Book Synopsis Choreography, Visual Art and Experimental Composition 1950s-1970s by : Erin (University of New South Wales) Brannigan

Download or read book Choreography, Visual Art and Experimental Composition 1950s-1970s written by Erin (University of New South Wales) Brannigan and published by Routledge. This book was released on 2022-03-21 with total page 296 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book traces the history of engagements between dance and the visual arts in the mid-twentieth century, and provides a backdrop for the emerging field of contemporary, intermedial art practice. Exploring the disciplinary identity of dance in dialogue with the visual arts, this book unpacks how compositional methods that were dance-based informed visual art contexts. The book provokes fresh consideration of the entangled relationship between, and historiographic significance of, visual arts and dance by exploring movements in history that dance has been traditionally mapped to (Neo-Avant Garde, Neo-Dada, Conceptual art, Postmodernism and Performance Art) and the specific practices and innovations from key people in the field (like John Cage, Anna Halprin and Robert Rauschenberg). This book also employs a series of historical and critical case studies which show how compositional approaches from dance - breath, weight, tone, energy - informed the emergence of the intermedial. Ultimately this book shows how dance and choreography have played an important role in shaping visual arts culture, and enables the re-imagination of current art practices through the use of choreographic tools. This unique and timely offering is important reading for those studying and researching in visual and fine arts, performance history and theory, dance practice and dance studies, as well as those working within the fields of dance and visual art.

The Persistence of Dance

The Persistence of Dance

Author: Erin Brannigan

Publisher: University of Michigan Press

Published: 2023-11-28

Total Pages: 375

ISBN-13: 0472903896

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There is a category of choreographic practice with a lineage stretching back to mid-20th century North America that has re-emerged since the early 1990s: dance as a contemporary art medium. Such work belongs as much to the gallery as does video art or sculpture and is distinct from both performance art and its history as well as from theater-based dance. The Persistence of Dance: Choreography as Concept and Material in Contemporary Art clarifies the continuities and differences between the second-wave dance avant-garde in the 1950s‒1970s and the third-wave starting in the 1990s. Through close readings of key artists such as Maria Hassabi, Sarah Michelson, Boris Charmatz, Meg Stuart, Philipp Gehmacher, Adam Linder, Agatha Gothe-Snape, Shelley Lasica and Latai Taumoepeau, The Persistence of Dance traces the relationship between the third-wave and gallery-based work. Looking at these artists highlights how the discussions and practices associated with “conceptual dance” resonate with the categories of conceptual and post-conceptual art as well as with the critical work on the function of visual art categories. Brannigan concludes that within the current post-disciplinary context, there is a persistence of dance and that a model of post-dance exists that encompasses dance as a contemporary art medium.


Book Synopsis The Persistence of Dance by : Erin Brannigan

Download or read book The Persistence of Dance written by Erin Brannigan and published by University of Michigan Press. This book was released on 2023-11-28 with total page 375 pages. Available in PDF, EPUB and Kindle. Book excerpt: There is a category of choreographic practice with a lineage stretching back to mid-20th century North America that has re-emerged since the early 1990s: dance as a contemporary art medium. Such work belongs as much to the gallery as does video art or sculpture and is distinct from both performance art and its history as well as from theater-based dance. The Persistence of Dance: Choreography as Concept and Material in Contemporary Art clarifies the continuities and differences between the second-wave dance avant-garde in the 1950s‒1970s and the third-wave starting in the 1990s. Through close readings of key artists such as Maria Hassabi, Sarah Michelson, Boris Charmatz, Meg Stuart, Philipp Gehmacher, Adam Linder, Agatha Gothe-Snape, Shelley Lasica and Latai Taumoepeau, The Persistence of Dance traces the relationship between the third-wave and gallery-based work. Looking at these artists highlights how the discussions and practices associated with “conceptual dance” resonate with the categories of conceptual and post-conceptual art as well as with the critical work on the function of visual art categories. Brannigan concludes that within the current post-disciplinary context, there is a persistence of dance and that a model of post-dance exists that encompasses dance as a contemporary art medium.

Improvised Dance

Improvised Dance

Author: Nalina Wait

Publisher: Taylor & Francis

Published: 2023-04-14

Total Pages: 263

ISBN-13: 1000868419

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This book elucidates the technical aspects of improvised dance performance and reframes the notion of labour in the practice from one that is either based on compositionally formal logic or a mysterious impulse, to one that addresses the (in)corporeal dimensions of practice. Mobilising the languages and conceptual frameworks of theories of affect, embodied cognition, somatics, and dance, this book illustrates the work of specialist improvisers who occupy divergent positions within the complex field of improvised dance. It offers an alternative narrative of the history and current practice of Western improvised dance centred on the epistemology of its (in)corporeal knowledges, which are elusive yet vital to the refinement of expertise. Written for both a disciplinary-specific and interdisciplinary audience, this book will interest dance scholars, students, and practising artists.


Book Synopsis Improvised Dance by : Nalina Wait

Download or read book Improvised Dance written by Nalina Wait and published by Taylor & Francis. This book was released on 2023-04-14 with total page 263 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book elucidates the technical aspects of improvised dance performance and reframes the notion of labour in the practice from one that is either based on compositionally formal logic or a mysterious impulse, to one that addresses the (in)corporeal dimensions of practice. Mobilising the languages and conceptual frameworks of theories of affect, embodied cognition, somatics, and dance, this book illustrates the work of specialist improvisers who occupy divergent positions within the complex field of improvised dance. It offers an alternative narrative of the history and current practice of Western improvised dance centred on the epistemology of its (in)corporeal knowledges, which are elusive yet vital to the refinement of expertise. Written for both a disciplinary-specific and interdisciplinary audience, this book will interest dance scholars, students, and practising artists.

Performance

Performance

Author: Hanna B Hölling

Publisher: Taylor & Francis

Published: 2023-10-30

Total Pages: 328

ISBN-13: 1000927881

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This book focuses on performance and performance-based artworks as seen through the lens of conservation, which has long been overlooked in the larger theoretical debates about whether and how performance remains. Unraveling the complexities involved in the conservation of performance, Performance: The Ethics and the Politics of Conservation and Care (vol. 1) brings this new understanding to bear in examining performance as an object of study, experience, acquisition, and care. In so doing, it presents both theoretical frameworks and functional paradigms for thinking about—and enacting—the conservation of performance. Further, while the conservation of performance is undertheorized, performance is nevertheless increasingly entering the art market and the museum, meaning that there is an urgent need for discourse on how to care for these works long-term. In recent years, a few pioneering conservators, curators, and scholars have begun to create frameworks for the longterm care of performance. This volume presents, explicates, and contextualizes their work so that a larger discourse can commence. It will thus serve the needs of conservation students and professors, for whom literature on this subject is sorely needed. This interdisciplinary book thus implements a novel rethinking of performance that will challenge and revitalize its conception in many fields, such as art history, theater, performance studies, heritage studies, and anthropology.


Book Synopsis Performance by : Hanna B Hölling

Download or read book Performance written by Hanna B Hölling and published by Taylor & Francis. This book was released on 2023-10-30 with total page 328 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book focuses on performance and performance-based artworks as seen through the lens of conservation, which has long been overlooked in the larger theoretical debates about whether and how performance remains. Unraveling the complexities involved in the conservation of performance, Performance: The Ethics and the Politics of Conservation and Care (vol. 1) brings this new understanding to bear in examining performance as an object of study, experience, acquisition, and care. In so doing, it presents both theoretical frameworks and functional paradigms for thinking about—and enacting—the conservation of performance. Further, while the conservation of performance is undertheorized, performance is nevertheless increasingly entering the art market and the museum, meaning that there is an urgent need for discourse on how to care for these works long-term. In recent years, a few pioneering conservators, curators, and scholars have begun to create frameworks for the longterm care of performance. This volume presents, explicates, and contextualizes their work so that a larger discourse can commence. It will thus serve the needs of conservation students and professors, for whom literature on this subject is sorely needed. This interdisciplinary book thus implements a novel rethinking of performance that will challenge and revitalize its conception in many fields, such as art history, theater, performance studies, heritage studies, and anthropology.

Cultural Dance in Australia

Cultural Dance in Australia

Author: Jeanette Mollenhauer

Publisher: Springer Nature

Published: 2022-11-28

Total Pages: 287

ISBN-13: 9811959005

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This book draws on theories of aesthetics, post-colonialism, multiculturalism and transnationalism to explore salient aspects of perpetuating traditional dance customs in diaspora. It is the first book to present a broad-ranging analysis of cultural dance in Australia. Topics include adaptation of dance customs within a post-migration context, multicultural festivals, prominent performers, historiographies and archives, and the relative positionings of cultural and Western theatrical dance genres. The book offers a decolonized appraisal of dance in Australia, critiquing past and present praxes and offering suggestions for the future. Overall, it underscores the highly variegated nature of the Australian dance landscape and advocates for greater recognition of amateur community dance practices. Cultural Dance in Australia makes a substantial contribution to the catalogue of work about immigrants and cultural dance styles that continue to be preserved in Australia. This book will be of interest to scholars of dance, performance studies, migration studies and transnationalism.


Book Synopsis Cultural Dance in Australia by : Jeanette Mollenhauer

Download or read book Cultural Dance in Australia written by Jeanette Mollenhauer and published by Springer Nature. This book was released on 2022-11-28 with total page 287 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book draws on theories of aesthetics, post-colonialism, multiculturalism and transnationalism to explore salient aspects of perpetuating traditional dance customs in diaspora. It is the first book to present a broad-ranging analysis of cultural dance in Australia. Topics include adaptation of dance customs within a post-migration context, multicultural festivals, prominent performers, historiographies and archives, and the relative positionings of cultural and Western theatrical dance genres. The book offers a decolonized appraisal of dance in Australia, critiquing past and present praxes and offering suggestions for the future. Overall, it underscores the highly variegated nature of the Australian dance landscape and advocates for greater recognition of amateur community dance practices. Cultural Dance in Australia makes a substantial contribution to the catalogue of work about immigrants and cultural dance styles that continue to be preserved in Australia. This book will be of interest to scholars of dance, performance studies, migration studies and transnationalism.

Move. Choreographing You

Move. Choreographing You

Author: Stephanie Rosenthal

Publisher: MIT Press

Published: 2011-08-05

Total Pages: 0

ISBN-13: 0262516292

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How visual art has been enriched by dance, and dance has been shaped by art, in unprecedented and exciting ways for the past fifty years. Move. Choreographing You explores the interaction between visual art and dance since the 1960s. This beautifully illustrated book, published in connection with a major exhibition, focuses on visual artists and choreographers who create sculptures and installations that direct the movements of audiences—making them dancers and active participants. Move shows that choreography is not merely about the notation of movement on paper or in film but about the ways the body inhabits sculpture and installations. The book documents some of the diverse but interconnected ways that visual art and choreography have come together over the past fifty years. Among the artists whose work helped to forge the art-dance connection are Allan Kaprow, Robert Morris, Lygia Clark, Bruce Nauman, Trisha Brown, Simone Forti, Franz West, Mike Kelley, Isaac Julien, and William Forsythe. Artists from a younger generation who helped to bring the worlds of art and dance together are also looked at—Trisha Donnelly, Christian Jankowski, and Tino Sehgal among them. Move also features new commissions by leading international artists and reconstructions of important works from the past as well as an illustrated contextual archive and timeline.


Book Synopsis Move. Choreographing You by : Stephanie Rosenthal

Download or read book Move. Choreographing You written by Stephanie Rosenthal and published by MIT Press. This book was released on 2011-08-05 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt: How visual art has been enriched by dance, and dance has been shaped by art, in unprecedented and exciting ways for the past fifty years. Move. Choreographing You explores the interaction between visual art and dance since the 1960s. This beautifully illustrated book, published in connection with a major exhibition, focuses on visual artists and choreographers who create sculptures and installations that direct the movements of audiences—making them dancers and active participants. Move shows that choreography is not merely about the notation of movement on paper or in film but about the ways the body inhabits sculpture and installations. The book documents some of the diverse but interconnected ways that visual art and choreography have come together over the past fifty years. Among the artists whose work helped to forge the art-dance connection are Allan Kaprow, Robert Morris, Lygia Clark, Bruce Nauman, Trisha Brown, Simone Forti, Franz West, Mike Kelley, Isaac Julien, and William Forsythe. Artists from a younger generation who helped to bring the worlds of art and dance together are also looked at—Trisha Donnelly, Christian Jankowski, and Tino Sehgal among them. Move also features new commissions by leading international artists and reconstructions of important works from the past as well as an illustrated contextual archive and timeline.

Trisha Brown

Trisha Brown

Author: Susan Rosenberg

Publisher: Wesleyan University Press

Published: 2016-11-01

Total Pages: 424

ISBN-13: 0819576638

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Trisha Brown re-shaped the landscape of modern dance with her game-changing and boundary-defying choreography and visual art. Art historian Susan Rosenberg draws on Brown's archives, as well as interviews with Brown and her colleagues, to track Brown's deliberate evolutionary trajectory through the first half of her decades-long career. Brown has created over 100 dances, six operas, one ballet, and a significant body of graphic works. This book discusses the formation of Brown's systemic artistic principles, and provides close readings of the works that Brown created for non-traditional and art world settings in relation to the first body of works she created for the proscenium stage. Highlighting the cognitive-kinesthetic complexity that defines the making, performing and watching of these dances, Rosenberg uncovers the importance of composer John Cage's ideas and methods to understand Brown's contributions. One of the most important and influential artists of our time, Brown was the first woman choreographer to receive the coveted MacArthur Foundation Fellowship "Genius Award."


Book Synopsis Trisha Brown by : Susan Rosenberg

Download or read book Trisha Brown written by Susan Rosenberg and published by Wesleyan University Press. This book was released on 2016-11-01 with total page 424 pages. Available in PDF, EPUB and Kindle. Book excerpt: Trisha Brown re-shaped the landscape of modern dance with her game-changing and boundary-defying choreography and visual art. Art historian Susan Rosenberg draws on Brown's archives, as well as interviews with Brown and her colleagues, to track Brown's deliberate evolutionary trajectory through the first half of her decades-long career. Brown has created over 100 dances, six operas, one ballet, and a significant body of graphic works. This book discusses the formation of Brown's systemic artistic principles, and provides close readings of the works that Brown created for non-traditional and art world settings in relation to the first body of works she created for the proscenium stage. Highlighting the cognitive-kinesthetic complexity that defines the making, performing and watching of these dances, Rosenberg uncovers the importance of composer John Cage's ideas and methods to understand Brown's contributions. One of the most important and influential artists of our time, Brown was the first woman choreographer to receive the coveted MacArthur Foundation Fellowship "Genius Award."

Dance

Dance

Author: Andre Lepecki

Publisher: National Geographic Books

Published: 2012-08-10

Total Pages: 0

ISBN-13: 0262517779

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Dance's galvanizing and transformative presence in art and theory over the last decade becomes part of a broader investigation of its dialogue with modernism's legacies. This collection surveys the choreographic turn in the artistic imagination from the 1950s onwards, and in doing so outlines the philosophies of movement instrumental to the development of experimental dance. By introducing and discussing the concepts of embodiment and corporeality, choreopolitics, and the notion of dance in an expanded field, Dance establishes the aesthetics and politics of dance as a major impetus in contemporary culture. It offers testimonies and writings by influential visual artists whose work has taken inspiration from dance and choreography. Dance—because of its ephemerality, corporeality, precariousness, scoring, and performativity—is arguably the art form that most clearly engages the politics of aesthetics in contemporary culture. Dance's ephemerality suggests the possibility of an escape from the regimes of commodification and fetishization in the arts. Its corporeality can embody critiques of representation inscribed in bodies and subjects. Its precariousness underlines the fragility of contemporary states of being. Scoring links it with conceptual art, as language becomes the articulator for possible as well as impossible modes of action. Finally, because dance always establishes a contract, or promise, between its choreographic planning and its actualization in movement, it reveals an essential performativity in its aesthetic project—a central concern for both art and critical thought in our time. This title is published in collaboration with Sadler's Wells, London.


Book Synopsis Dance by : Andre Lepecki

Download or read book Dance written by Andre Lepecki and published by National Geographic Books. This book was released on 2012-08-10 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt: Dance's galvanizing and transformative presence in art and theory over the last decade becomes part of a broader investigation of its dialogue with modernism's legacies. This collection surveys the choreographic turn in the artistic imagination from the 1950s onwards, and in doing so outlines the philosophies of movement instrumental to the development of experimental dance. By introducing and discussing the concepts of embodiment and corporeality, choreopolitics, and the notion of dance in an expanded field, Dance establishes the aesthetics and politics of dance as a major impetus in contemporary culture. It offers testimonies and writings by influential visual artists whose work has taken inspiration from dance and choreography. Dance—because of its ephemerality, corporeality, precariousness, scoring, and performativity—is arguably the art form that most clearly engages the politics of aesthetics in contemporary culture. Dance's ephemerality suggests the possibility of an escape from the regimes of commodification and fetishization in the arts. Its corporeality can embody critiques of representation inscribed in bodies and subjects. Its precariousness underlines the fragility of contemporary states of being. Scoring links it with conceptual art, as language becomes the articulator for possible as well as impossible modes of action. Finally, because dance always establishes a contract, or promise, between its choreographic planning and its actualization in movement, it reveals an essential performativity in its aesthetic project—a central concern for both art and critical thought in our time. This title is published in collaboration with Sadler's Wells, London.

William Forsythe

William Forsythe

Author: William Forsythe

Publisher: Kerber Verlag

Published: 2016

Total Pages: 0

ISBN-13: 9783735601995

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"The exhibition 'The Fact of Matter' marks the beginning of a new chapter in the choreographic oeuvre of William Forsythe (b. New York City, 1949) and takes a programmatic look at the threshold between the visual arts and choreography. Over the past decades, the internationally renowned artist has created an unequalled dance cosmos: Forsythe has developed ground-breaking ballet choreographies, experimental dance pieces, digital dance scores and site-specific installations that unexpectedly turn the viewers into protagonists themselves. He is considered an innovator within the practice of ballet and has influenced generations of dancers to a degree matched by virtually no other artist in the field. The oeuvre of William Forsythe has been associated with the city of Frankfurt am Main for thirty years. It was here that he founded the Ballett Frankfurt in 1984 and The Forsythe Company in 2004. He has received numerous internationally well-known awards andin 2010 was honoured with the Golden Lion for Lifetime Achievement at the Venice Biennale. The exhibition features large-scale installations, including several site-specific works developed especially for this occasion. Atypical characteristic of these works is the organization of movement. The visitors can move freely through their performative exhibition and thus become part of a choreographic arrangement. William Forsythe's choreographic objects grant them access to novel situations, where they themselves become players through interaction with the installations. In this exhibition, Forsythe's performative and space-related choreographic objects enter into dialogue with the museum architecture by Hans Hollein, but also masterpieces from the MMK collection. The latter were selected in close collaboration with William Forsythe according to content-related correspondences as well as formal analogies. Line, movement, sound, compositional structures and aspects of performance in space play a key role in all of these works. William Forsythe has chosen more than 40 works from the collection. A selection has been compiled in this exhibition guide"--Artist's website.


Book Synopsis William Forsythe by : William Forsythe

Download or read book William Forsythe written by William Forsythe and published by Kerber Verlag. This book was released on 2016 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt: "The exhibition 'The Fact of Matter' marks the beginning of a new chapter in the choreographic oeuvre of William Forsythe (b. New York City, 1949) and takes a programmatic look at the threshold between the visual arts and choreography. Over the past decades, the internationally renowned artist has created an unequalled dance cosmos: Forsythe has developed ground-breaking ballet choreographies, experimental dance pieces, digital dance scores and site-specific installations that unexpectedly turn the viewers into protagonists themselves. He is considered an innovator within the practice of ballet and has influenced generations of dancers to a degree matched by virtually no other artist in the field. The oeuvre of William Forsythe has been associated with the city of Frankfurt am Main for thirty years. It was here that he founded the Ballett Frankfurt in 1984 and The Forsythe Company in 2004. He has received numerous internationally well-known awards andin 2010 was honoured with the Golden Lion for Lifetime Achievement at the Venice Biennale. The exhibition features large-scale installations, including several site-specific works developed especially for this occasion. Atypical characteristic of these works is the organization of movement. The visitors can move freely through their performative exhibition and thus become part of a choreographic arrangement. William Forsythe's choreographic objects grant them access to novel situations, where they themselves become players through interaction with the installations. In this exhibition, Forsythe's performative and space-related choreographic objects enter into dialogue with the museum architecture by Hans Hollein, but also masterpieces from the MMK collection. The latter were selected in close collaboration with William Forsythe according to content-related correspondences as well as formal analogies. Line, movement, sound, compositional structures and aspects of performance in space play a key role in all of these works. William Forsythe has chosen more than 40 works from the collection. A selection has been compiled in this exhibition guide"--Artist's website.