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Examines the personal life and the professional work and success of the director of "Pulp Fiction"
Book Synopsis Quentin Tarantino by : Jeffrey Dawson
Download or read book Quentin Tarantino written by Jeffrey Dawson and published by Hal Leonard Corporation. This book was released on 1995 with total page 236 pages. Available in PDF, EPUB and Kindle. Book excerpt: Examines the personal life and the professional work and success of the director of "Pulp Fiction"
This extraordinary book--published to commemorate the centennial celebration of the birth of American film and a 10-part PBS-TV series scheduled for the new year--surveys the phenomenon that is Hollywood, past and present. With more than 200 illustrations, 100 in full color, and including some never before published, this book celebrates the best of American films.
Book Synopsis American Cinema by : Jeanine Basinger
Download or read book American Cinema written by Jeanine Basinger and published by Rizzoli International Publications. This book was released on 1994 with total page 316 pages. Available in PDF, EPUB and Kindle. Book excerpt: This extraordinary book--published to commemorate the centennial celebration of the birth of American film and a 10-part PBS-TV series scheduled for the new year--surveys the phenomenon that is Hollywood, past and present. With more than 200 illustrations, 100 in full color, and including some never before published, this book celebrates the best of American films.
Download or read book Cinema 1 written by Gilles Deleuze and published by A&C Black. This book was released on 2001-11-01 with total page 268 pages. Available in PDF, EPUB and Kindle. Book excerpt:
This Chronology of the Cinema, of which we propose here the first volume, aims to retrace the history of the seventh art in the different countries of the world by chronicling year by year its main events and developments, starting from the birthdates of the pioneers and inventors who preceded the Lumière brothers to reach until the year 2015, with the goal to offer the readers a global perspective on its birth, evolution and diffusion over time. This first volume covers the period going from 1830 to 1960. The information presented for each year is divided into thematic sections. The first one, titled "Personalities", reports the births and the deaths of the most important persons (directors, art directors, producers, actors, costume designers, cinematographers, theoreticians, critics, etc.) in the history of the cinema, together with the positions they covered in their careers. Across its three volumes, this Chronology offers information on more than 3000 persons. The second section, titled "Movies", lists the most relevant movies made during the year reporting for each of them the essential details like: director, English title and original title, genre, producing country, technology (film and sound), scriptwriter, editor, cinematographer, production designer/art director, producer, composer, costume designer, make-up artist, special effect artist and actors. Across its three volumes, this Chronology offers information on more than 3000 films. The third section, titled "Events", reports the main events in the history of cinema as: the first screenings and the first movies made in the different countries, the inventions and technologies that affected and innovated this art, the creation of production companies, movie archives and other institutions (cinema schools, censorship offices, festivals), and the publication of the most important theoretical essays, cinema magazines and artistic manifestos. The fourth section, titled "Film Awards", reports for each year the winners of various important awards, divided by categories, at national and international festivals and events in the different continents to offer a more articulated point of view on the seventh art across the world. Among the awards and festivals here considered are: Golden Globe, Academy Awards, Venice Film Festival, Cannes Festival, BAFTA, Berlin Film Festival, Moscow Film Festival,Ouagadougou International Film Festival, Tokyo International Film Festival and the Mar de la Plata Festival.
Book Synopsis A Chronology of the Cinema Volume 1 From the pioneers to 1960 by : Mirko Riazzoli
Download or read book A Chronology of the Cinema Volume 1 From the pioneers to 1960 written by Mirko Riazzoli and published by Youcanprint. This book was released on 2017-09-19 with total page 1181 pages. Available in PDF, EPUB and Kindle. Book excerpt: This Chronology of the Cinema, of which we propose here the first volume, aims to retrace the history of the seventh art in the different countries of the world by chronicling year by year its main events and developments, starting from the birthdates of the pioneers and inventors who preceded the Lumière brothers to reach until the year 2015, with the goal to offer the readers a global perspective on its birth, evolution and diffusion over time. This first volume covers the period going from 1830 to 1960. The information presented for each year is divided into thematic sections. The first one, titled "Personalities", reports the births and the deaths of the most important persons (directors, art directors, producers, actors, costume designers, cinematographers, theoreticians, critics, etc.) in the history of the cinema, together with the positions they covered in their careers. Across its three volumes, this Chronology offers information on more than 3000 persons. The second section, titled "Movies", lists the most relevant movies made during the year reporting for each of them the essential details like: director, English title and original title, genre, producing country, technology (film and sound), scriptwriter, editor, cinematographer, production designer/art director, producer, composer, costume designer, make-up artist, special effect artist and actors. Across its three volumes, this Chronology offers information on more than 3000 films. The third section, titled "Events", reports the main events in the history of cinema as: the first screenings and the first movies made in the different countries, the inventions and technologies that affected and innovated this art, the creation of production companies, movie archives and other institutions (cinema schools, censorship offices, festivals), and the publication of the most important theoretical essays, cinema magazines and artistic manifestos. The fourth section, titled "Film Awards", reports for each year the winners of various important awards, divided by categories, at national and international festivals and events in the different continents to offer a more articulated point of view on the seventh art across the world. Among the awards and festivals here considered are: Golden Globe, Academy Awards, Venice Film Festival, Cannes Festival, BAFTA, Berlin Film Festival, Moscow Film Festival,Ouagadougou International Film Festival, Tokyo International Film Festival and the Mar de la Plata Festival.
Destined to be the classic illustrated survey of Lucas's career, the book is sure to fascinate not only die-hard fans but also general film and popular culture enthusiasts.
Book Synopsis The Cinema of George Lucas by : Marcus Hearn
Download or read book The Cinema of George Lucas written by Marcus Hearn and published by . This book was released on 2005-03 with total page 274 pages. Available in PDF, EPUB and Kindle. Book excerpt: Destined to be the classic illustrated survey of Lucas's career, the book is sure to fascinate not only die-hard fans but also general film and popular culture enthusiasts.
DIVSocial history of Iranian cinema that explores cinema's role in creating national identity and contextualizes Iranian cinema within an international arena. The first volume focuses on silent era cinema and the transition to sound./div
Book Synopsis A Social History of Iranian Cinema, Volume 1 by : Hamid Naficy
Download or read book A Social History of Iranian Cinema, Volume 1 written by Hamid Naficy and published by Duke University Press. This book was released on 2011-09-16 with total page 458 pages. Available in PDF, EPUB and Kindle. Book excerpt: DIVSocial history of Iranian cinema that explores cinema's role in creating national identity and contextualizes Iranian cinema within an international arena. The first volume focuses on silent era cinema and the transition to sound./div
Get the lowdown on the best fiction ever written. Over 230 of the world’s greatest novels are covered, from Quixote (1614) to Orhan Pamuk’s Snow (2002), with fascinating information about their plots and their authors – and suggestions for what to read next. The guide comes complete with recommendations of the best editions and translations for every genre from the most enticing crime and punishment to love, sex, heroes and anti-heroes, not to mention all the classics of comedy and satire, horror and mystery and many other literary genres. With feature boxes on experimental novels, female novelists, short reviews of interesting film and TV adaptations, and information on how the novel began, this guide will point you to all the classic literature you’ll ever need.
Book Synopsis The Rough Guide to Film by : Rough Guides
Download or read book The Rough Guide to Film written by Rough Guides and published by Rough Guides UK. This book was released on 2008-05-01 with total page 676 pages. Available in PDF, EPUB and Kindle. Book excerpt: Get the lowdown on the best fiction ever written. Over 230 of the world’s greatest novels are covered, from Quixote (1614) to Orhan Pamuk’s Snow (2002), with fascinating information about their plots and their authors – and suggestions for what to read next. The guide comes complete with recommendations of the best editions and translations for every genre from the most enticing crime and punishment to love, sex, heroes and anti-heroes, not to mention all the classics of comedy and satire, horror and mystery and many other literary genres. With feature boxes on experimental novels, female novelists, short reviews of interesting film and TV adaptations, and information on how the novel began, this guide will point you to all the classic literature you’ll ever need.
"Ladies and gentlemen: THIS IS CINERAMA." With these words, on September 30, 1952, the heavy red curtains in New York's Broadway Theatre opened on a panoramic Technicolor image of the Rockaways Playland Atom-Smasher Roller Coaster--and moviegoers were abruptly plunged into a new and revolutionary experience. The cinematic transformation heralded by this giddy ride was, however, neither as sudden nor as straightforward as it seemed. Widescreen Cinema leads us through the twists and turns and decades it took for film to change its shape and, along the way, shows how this fitful process reflects the vagaries of cultural history. Widescreen and wide-film processes had existed since the 1890s. Why, then, John Belton asks, did 35mm film become a standard? Why did a widescreen revolution fail in the 1920s but succeed in the 1950s? And why did movies shrink again in the 1960s, leaving us with the small screen multiplexes and mall cinemas that we know today? The answers, he discovers, have as much to do with popular notions of leisure time and entertainment as with technology. Beginning with film's progress from peepshow to projection in 1896 and focusing on crucial stages in film history, such as the advent of sound, Belton puts widescreen cinema into its proper cultural context. He shows how Cinerama, CinemaScope, Vista Vision, Todd-AO, and other widescreen processes marked significant changes in the conditions of spectatorship after World War 11 -and how the film industry itself sought to redefine those conditions. The technical, the economic, the social, the aesthetic -every aspect of the changes shaping and reshaping film comes under Belton's scrutiny as he reconstructs the complex history of widescreen cinema and relates this history to developments in mass-produced leisure-time entertainment in the twentieth century. Highly readable even at its most technical, this book illuminates a central episode in the evolution of cinema and, in doing so, reveals a great deal about the shifting fit between film and society.
Book Synopsis Widescreen Cinema by : John Belton
Download or read book Widescreen Cinema written by John Belton and published by . This book was released on 1992 with total page 320 pages. Available in PDF, EPUB and Kindle. Book excerpt: "Ladies and gentlemen: THIS IS CINERAMA." With these words, on September 30, 1952, the heavy red curtains in New York's Broadway Theatre opened on a panoramic Technicolor image of the Rockaways Playland Atom-Smasher Roller Coaster--and moviegoers were abruptly plunged into a new and revolutionary experience. The cinematic transformation heralded by this giddy ride was, however, neither as sudden nor as straightforward as it seemed. Widescreen Cinema leads us through the twists and turns and decades it took for film to change its shape and, along the way, shows how this fitful process reflects the vagaries of cultural history. Widescreen and wide-film processes had existed since the 1890s. Why, then, John Belton asks, did 35mm film become a standard? Why did a widescreen revolution fail in the 1920s but succeed in the 1950s? And why did movies shrink again in the 1960s, leaving us with the small screen multiplexes and mall cinemas that we know today? The answers, he discovers, have as much to do with popular notions of leisure time and entertainment as with technology. Beginning with film's progress from peepshow to projection in 1896 and focusing on crucial stages in film history, such as the advent of sound, Belton puts widescreen cinema into its proper cultural context. He shows how Cinerama, CinemaScope, Vista Vision, Todd-AO, and other widescreen processes marked significant changes in the conditions of spectatorship after World War 11 -and how the film industry itself sought to redefine those conditions. The technical, the economic, the social, the aesthetic -every aspect of the changes shaping and reshaping film comes under Belton's scrutiny as he reconstructs the complex history of widescreen cinema and relates this history to developments in mass-produced leisure-time entertainment in the twentieth century. Highly readable even at its most technical, this book illuminates a central episode in the evolution of cinema and, in doing so, reveals a great deal about the shifting fit between film and society.
From the surrealist films of Luis Buñuel to the colourful melodramas of Pedro Almodóvar, Spain has produced a wealth of exciting and distinctive film-makers who have consistently provided a condoning or dissenting eye on Spanish history and culture. For modern cinema-goers, it has often been the sexually-charged and colourful nature of many contemporary Spanish films, which has made them popular world-wide and led directors and stars such as Almodóvar, Banderas and Penélope Cruz to be welcomed by Hollywood. Using original interview material with Spanish Cinema luminaries such as Carlos Saura, Julio Medem, Imanol Uribe and Elías Querejeta, Rob Stone charts a history of Spanish Cinema throughout the turbulent Francoist years and beyond. The book aims to provide a broad introduction to Spanish Cinema, the nine chapters divided into four types: chapters on Spanish Cinema during the Dictatorship and following the transition to democracy survey current debate and opinion while tracing the development of themes and film movements throughout those periods. chapters on early Spanish cinema and Basque cinema present vital and fascinating aspects of Spanish cinema that have previously been ignored chapters on childhood in Spanish cinema, and sex and the new star system offer new pathways into the study of Spanish cinema chapters on Carlos Saura, Elías Querejeta and Julio Medem offer specific case studies of film-makers who are emblematic of different periods in Spanish cinema and, indeed, Spanish history As with other titles in the Inside Film series, the book is comprehensively illustrated with representative stills and has a thorough bibliography, index and list of resources.
Book Synopsis Spanish Cinema by : Rob Stone
Download or read book Spanish Cinema written by Rob Stone and published by Routledge. This book was released on 2014-10-13 with total page 230 pages. Available in PDF, EPUB and Kindle. Book excerpt: From the surrealist films of Luis Buñuel to the colourful melodramas of Pedro Almodóvar, Spain has produced a wealth of exciting and distinctive film-makers who have consistently provided a condoning or dissenting eye on Spanish history and culture. For modern cinema-goers, it has often been the sexually-charged and colourful nature of many contemporary Spanish films, which has made them popular world-wide and led directors and stars such as Almodóvar, Banderas and Penélope Cruz to be welcomed by Hollywood. Using original interview material with Spanish Cinema luminaries such as Carlos Saura, Julio Medem, Imanol Uribe and Elías Querejeta, Rob Stone charts a history of Spanish Cinema throughout the turbulent Francoist years and beyond. The book aims to provide a broad introduction to Spanish Cinema, the nine chapters divided into four types: chapters on Spanish Cinema during the Dictatorship and following the transition to democracy survey current debate and opinion while tracing the development of themes and film movements throughout those periods. chapters on early Spanish cinema and Basque cinema present vital and fascinating aspects of Spanish cinema that have previously been ignored chapters on childhood in Spanish cinema, and sex and the new star system offer new pathways into the study of Spanish cinema chapters on Carlos Saura, Elías Querejeta and Julio Medem offer specific case studies of film-makers who are emblematic of different periods in Spanish cinema and, indeed, Spanish history As with other titles in the Inside Film series, the book is comprehensively illustrated with representative stills and has a thorough bibliography, index and list of resources.
These two volumes examine a significant but previously neglected moment in French cultural history: the emergence of French film theory and criticism before the essays of André Bazin. Richard Abel has devised an organizational scheme of six nearly symmetrical periods that serve to "bite into" the discursive flow of early French writing on the cinema. Each of the periods is discussed in a separate and extensive historical introduction, with convincing explications of the various concepts current at the time. In each instance, Abel goes on to provide a complementary anthology of selected texts in translation. Amounting to a portable archive, these anthologies make available a rich selection of nearly one hundred and fifty important texts, most of them never before published in English.
Book Synopsis French Film Theory and Criticism, Volume 1 by : Richard Abel
Download or read book French Film Theory and Criticism, Volume 1 written by Richard Abel and published by Princeton University Press. This book was released on 2020-12-08 with total page 480 pages. Available in PDF, EPUB and Kindle. Book excerpt: These two volumes examine a significant but previously neglected moment in French cultural history: the emergence of French film theory and criticism before the essays of André Bazin. Richard Abel has devised an organizational scheme of six nearly symmetrical periods that serve to "bite into" the discursive flow of early French writing on the cinema. Each of the periods is discussed in a separate and extensive historical introduction, with convincing explications of the various concepts current at the time. In each instance, Abel goes on to provide a complementary anthology of selected texts in translation. Amounting to a portable archive, these anthologies make available a rich selection of nearly one hundred and fifty important texts, most of them never before published in English.
