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John McCarty began his writing career as a film reviewer and interviewer for such cinema-oriented periodicals and “fanzines” as Cinefantastique, Take One, Film Heritage, Filmaker’s Newsletter, Today’s Filmmaker, Fangoria, Starlog, Filmfax and many others before he turned to writing books about his favorite subject since grade school – the movies. In Cinemusings, he has drawn from this output of more than 50 years to take us on a personal journey with him of the films and filmmakers he has come to cherish over a lifetime of obsessive movie-watching. They include favorite essays, reviews, profiles and interviews selected from these magazines (many of which are no longer in existence) and from several of his long out of print books (Splatter Movies, The Modern Horror Film, and Thrillers). They cover subjects here and abroad that span the history of cinema itself – from directors Alfred Hitchcock to Paul Morrissey, Fritz Lang to Frank LaLoggia, Charles Laughton to David Cronenberg, Sam Peckinpah to George A. Romero; and films ranging from The 39 Steps, Double Indemnity, and Heavenly Creatures to Orders to Kill, The Fly, The Wild Bunch, and much, much more.
Book Synopsis Cinemusings by : John McCarty
Download or read book Cinemusings written by John McCarty and published by Crossroad Press. This book was released on 2018-05-07 with total page pages. Available in PDF, EPUB and Kindle. Book excerpt: John McCarty began his writing career as a film reviewer and interviewer for such cinema-oriented periodicals and “fanzines” as Cinefantastique, Take One, Film Heritage, Filmaker’s Newsletter, Today’s Filmmaker, Fangoria, Starlog, Filmfax and many others before he turned to writing books about his favorite subject since grade school – the movies. In Cinemusings, he has drawn from this output of more than 50 years to take us on a personal journey with him of the films and filmmakers he has come to cherish over a lifetime of obsessive movie-watching. They include favorite essays, reviews, profiles and interviews selected from these magazines (many of which are no longer in existence) and from several of his long out of print books (Splatter Movies, The Modern Horror Film, and Thrillers). They cover subjects here and abroad that span the history of cinema itself – from directors Alfred Hitchcock to Paul Morrissey, Fritz Lang to Frank LaLoggia, Charles Laughton to David Cronenberg, Sam Peckinpah to George A. Romero; and films ranging from The 39 Steps, Double Indemnity, and Heavenly Creatures to Orders to Kill, The Fly, The Wild Bunch, and much, much more.
Understand the shared story in which we all play a part. Connect human creativity with the impulse of our Creator. Explore the relationship between images and imaging God. Do you like movies? Are you a cinephile? Do your friends consult YOU instead of IMDB? Were you raised on television? Spend hours talking cinema? This book is definitely for you. If you're a casual consumer who thinks Hollywood exists simply for diversion, this book may change your life. ""I am a Junior film and Television student... your interpretations of the films have helped formed the kind of filmmaker I am becoming, and also the way I experience films."" Humans crave narrative and usually don't stop to question why. Are we perhaps created to consume story, to create story, because we're image bearers of a Master Storyteller? In this book, movies meet God at the multiplex as the author challenges readers to redefine entertainment, understand the story they're in, and experience a new integrated level of spirituality and entertainment. ""You actually look at the film aspects and see how the artist's worldview really comes through."" What can we learn about God from Doctor Who and Han Solo? What are people like Jon Stewart and even Michael Bay helping us understand about story, good and bad? Peppered with movie quotes and metaphors, journey through the incredible changes film and storytelling have had on 21st century culture. Instead of an overly-academic offering on film and faith, Cinemagogue weaves a narrative from the author's own pop culture saturated life to the Greatest Story Ever Told, from Superman to Citizen Kane, Bertrand Russell to John Frame, Kurt Vonnegut to the apostle Paul, from our favorite narrative to our shared meganarrative. .".".I grew up on television in the 80s and relate to the context you grew up in.... I thank God for you and your ability to glorify him in everything, no matter what."" Classic notions of story structure, "monomyth" and universally shared themes in both popular and classic tales are examined in light of ancient scripture. From there, readers can see the genesis of creativity and worldview distortions from which conversation can bring us back to the future. After a dirty dozen examples of popular film in chapter five (with questions for discussion) the book tackles common objections with genre and content: horror movies, foul language, violence, sexuality, magic and more... and how many traditional objections are overshadowed by incredible opportunities for those brave enough to overcome fear and wade into the culture stream, secure in their faith. ""Your talk was one of the final confirmations of our move to Los Angeles to re-engage the film business by getting upstream in culture and trying to influence from the top down. Worked as an assistant on a TV series for a year, and now I'm working at a digital marketing agency that does a ton of film/TV work, as well as writing/producing my own projects."" The book ends with a call and commission to those who consider themselves spiritual and religious to get their heads out of the sand, to start realizing and utilizing the power of narrative. .".".really convicted me in both the movie and gaming arena to analyze what I am watching/playing and why. I had almost zero discernment before stumbling onto your series..."" A requested resource by movie-goers, movie-makers, pastors and teachers, Cinemagogue is an extension of a website and podcast, providing a "how-to" for those who want to experience the transforming power inherent in all story. ""Listening to your podcasts... opened my eyes to examine what I watch even closer."" Take your entertainment seriously while simultaneously having more fun with it than ever before. Learn how to watch to glorify, to be edified, and possibly to evangelize. Even better, create to
Book Synopsis Cinemagogue by : James Harleman
Download or read book Cinemagogue written by James Harleman and published by Cinemagogue Press. This book was released on 2012-12 with total page 234 pages. Available in PDF, EPUB and Kindle. Book excerpt: Understand the shared story in which we all play a part. Connect human creativity with the impulse of our Creator. Explore the relationship between images and imaging God. Do you like movies? Are you a cinephile? Do your friends consult YOU instead of IMDB? Were you raised on television? Spend hours talking cinema? This book is definitely for you. If you're a casual consumer who thinks Hollywood exists simply for diversion, this book may change your life. ""I am a Junior film and Television student... your interpretations of the films have helped formed the kind of filmmaker I am becoming, and also the way I experience films."" Humans crave narrative and usually don't stop to question why. Are we perhaps created to consume story, to create story, because we're image bearers of a Master Storyteller? In this book, movies meet God at the multiplex as the author challenges readers to redefine entertainment, understand the story they're in, and experience a new integrated level of spirituality and entertainment. ""You actually look at the film aspects and see how the artist's worldview really comes through."" What can we learn about God from Doctor Who and Han Solo? What are people like Jon Stewart and even Michael Bay helping us understand about story, good and bad? Peppered with movie quotes and metaphors, journey through the incredible changes film and storytelling have had on 21st century culture. Instead of an overly-academic offering on film and faith, Cinemagogue weaves a narrative from the author's own pop culture saturated life to the Greatest Story Ever Told, from Superman to Citizen Kane, Bertrand Russell to John Frame, Kurt Vonnegut to the apostle Paul, from our favorite narrative to our shared meganarrative. .".".I grew up on television in the 80s and relate to the context you grew up in.... I thank God for you and your ability to glorify him in everything, no matter what."" Classic notions of story structure, "monomyth" and universally shared themes in both popular and classic tales are examined in light of ancient scripture. From there, readers can see the genesis of creativity and worldview distortions from which conversation can bring us back to the future. After a dirty dozen examples of popular film in chapter five (with questions for discussion) the book tackles common objections with genre and content: horror movies, foul language, violence, sexuality, magic and more... and how many traditional objections are overshadowed by incredible opportunities for those brave enough to overcome fear and wade into the culture stream, secure in their faith. ""Your talk was one of the final confirmations of our move to Los Angeles to re-engage the film business by getting upstream in culture and trying to influence from the top down. Worked as an assistant on a TV series for a year, and now I'm working at a digital marketing agency that does a ton of film/TV work, as well as writing/producing my own projects."" The book ends with a call and commission to those who consider themselves spiritual and religious to get their heads out of the sand, to start realizing and utilizing the power of narrative. .".".really convicted me in both the movie and gaming arena to analyze what I am watching/playing and why. I had almost zero discernment before stumbling onto your series..."" A requested resource by movie-goers, movie-makers, pastors and teachers, Cinemagogue is an extension of a website and podcast, providing a "how-to" for those who want to experience the transforming power inherent in all story. ""Listening to your podcasts... opened my eyes to examine what I watch even closer."" Take your entertainment seriously while simultaneously having more fun with it than ever before. Learn how to watch to glorify, to be edified, and possibly to evangelize. Even better, create to
Collecting the epic sci-fi series in one volume for the first time! A celestial race appears out of nowhere, drafting humanity into a galactic war. In an instant, the world is changed forever. Forcibly removed from their old lives and placed into battalions in which ethnicity, status, and gender have no meaning — and facing the common threat of extinction — the human race must unite as never before. Gabriel Contreras, a convenience store clerk, is placed in a unit that includes the former President of the United States. As he and his fellow soldiers struggle with their own emotional demons, they are thrust to the forefront of Earth’s defense against a terrifying enemy: the World-Eaters — a species of colossal, predatory worms who exist only to consume and destroy. After pursuing man’s benefactors across space, they have come to Earth in massive numbers. And they hunger…!
Book Synopsis Drafted by : Mark Powers
Download or read book Drafted written by Mark Powers and published by IDW Publishing. This book was released on 2011 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt: Collecting the epic sci-fi series in one volume for the first time! A celestial race appears out of nowhere, drafting humanity into a galactic war. In an instant, the world is changed forever. Forcibly removed from their old lives and placed into battalions in which ethnicity, status, and gender have no meaning — and facing the common threat of extinction — the human race must unite as never before. Gabriel Contreras, a convenience store clerk, is placed in a unit that includes the former President of the United States. As he and his fellow soldiers struggle with their own emotional demons, they are thrust to the forefront of Earth’s defense against a terrifying enemy: the World-Eaters — a species of colossal, predatory worms who exist only to consume and destroy. After pursuing man’s benefactors across space, they have come to Earth in massive numbers. And they hunger…!
The Kaiju (strange monster or strange beast) film genre has a number of themes that go well beyond the "big monsters stomping on cities" motif. Since the seminal King Kong 1933) and the archetypal Godzilla (1954), kaiju has mined the subject matter of science run amok, militarism, capitalism, colonialism, consumerism and pollution. This critical examination of kaiju considers the entirety of the genre--the major franchises, along with less well known films like Kronos (1957), Monsters (2010) and Pacific Rim (2013). The author examines how kaiju has crossed cultures from its original folkloric inspirations in both the U.S. and Japan and how the genre continues to reflect national values to audiences.
Book Synopsis The Kaiju Film by : Jason Barr
Download or read book The Kaiju Film written by Jason Barr and published by McFarland. This book was released on 2016-01-28 with total page 213 pages. Available in PDF, EPUB and Kindle. Book excerpt: The Kaiju (strange monster or strange beast) film genre has a number of themes that go well beyond the "big monsters stomping on cities" motif. Since the seminal King Kong 1933) and the archetypal Godzilla (1954), kaiju has mined the subject matter of science run amok, militarism, capitalism, colonialism, consumerism and pollution. This critical examination of kaiju considers the entirety of the genre--the major franchises, along with less well known films like Kronos (1957), Monsters (2010) and Pacific Rim (2013). The author examines how kaiju has crossed cultures from its original folkloric inspirations in both the U.S. and Japan and how the genre continues to reflect national values to audiences.
From the Academy Award-nominated screenwriter and playwright: an exhilaratingly subversive inside look at Hollywood from a filmmaker who’s always played by his own rules. Who really reads the scripts at the film studios? How is a screenplay like a personals ad? Why are there so many producers listed in movie credits? And what on earth do those producers do anyway? Refreshingly unafraid to offend, Mamet provides hilarious, surprising, and refreshingly forthright answers to these and other questions about every aspect of filmmaking from concept to script to screen. A bracing, no-holds-barred examination of the strange contradictions of Tinseltown, Bambi vs. Godzilla dissects the movies with Mamet’s signature style and wit.
Book Synopsis Bambi vs. Godzilla by : David Mamet
Download or read book Bambi vs. Godzilla written by David Mamet and published by Vintage. This book was released on 2008-02-12 with total page 274 pages. Available in PDF, EPUB and Kindle. Book excerpt: From the Academy Award-nominated screenwriter and playwright: an exhilaratingly subversive inside look at Hollywood from a filmmaker who’s always played by his own rules. Who really reads the scripts at the film studios? How is a screenplay like a personals ad? Why are there so many producers listed in movie credits? And what on earth do those producers do anyway? Refreshingly unafraid to offend, Mamet provides hilarious, surprising, and refreshingly forthright answers to these and other questions about every aspect of filmmaking from concept to script to screen. A bracing, no-holds-barred examination of the strange contradictions of Tinseltown, Bambi vs. Godzilla dissects the movies with Mamet’s signature style and wit.
The director of twenty-five films, including My Night at Maud's (1969), which was nominated for a Best Picture Academy Award, and the editor in chief of Cahiers du cinéma from 1957 to 1963, Éric Rohmer set the terms by which people watched, made, and thought about cinema for decades. Such brilliance does not develop in a vacuum, and Rohmer cultivated a fascinating network of friends, colleagues, and industry contacts that kept his outlook sharp and propelled his work forward. Despite his privacy, he cared deeply about politics, religion, culture, and fostering a public appreciation of the medium he loved. This exhaustive biography uses personal archives and interviews to enrich our knowledge of Rohmer's public achievements and lesser known interests and relations. The filmmaker kept in close communication with his contemporaries and competitors: François Truffaut, Jean-Luc Godard, Claude Chabrol, and Jacques Rivette. He held a paradoxical fascination with royalist politics, the fate of the environment, Catholicism, classical music, and the French nightclub scene, and his films were regularly featured at New York and Los Angeles film festivals. Despite an austere approach to life, Rohmer had a voracious appetite for art, culture, and intellectual debate captured vividly in this definitive volume.
Book Synopsis Éric Rohmer by : Antoine de Baecque
Download or read book Éric Rohmer written by Antoine de Baecque and published by Columbia University Press. This book was released on 2016-06-14 with total page 670 pages. Available in PDF, EPUB and Kindle. Book excerpt: The director of twenty-five films, including My Night at Maud's (1969), which was nominated for a Best Picture Academy Award, and the editor in chief of Cahiers du cinéma from 1957 to 1963, Éric Rohmer set the terms by which people watched, made, and thought about cinema for decades. Such brilliance does not develop in a vacuum, and Rohmer cultivated a fascinating network of friends, colleagues, and industry contacts that kept his outlook sharp and propelled his work forward. Despite his privacy, he cared deeply about politics, religion, culture, and fostering a public appreciation of the medium he loved. This exhaustive biography uses personal archives and interviews to enrich our knowledge of Rohmer's public achievements and lesser known interests and relations. The filmmaker kept in close communication with his contemporaries and competitors: François Truffaut, Jean-Luc Godard, Claude Chabrol, and Jacques Rivette. He held a paradoxical fascination with royalist politics, the fate of the environment, Catholicism, classical music, and the French nightclub scene, and his films were regularly featured at New York and Los Angeles film festivals. Despite an austere approach to life, Rohmer had a voracious appetite for art, culture, and intellectual debate captured vividly in this definitive volume.
Now in paperback, a collection of interviews with a French cinematic titan—covering subjects such as adaptation, the effects of capitalism on art, and the importance of intuition—selected from a period of four decades. Robert Bresson, the director of such cinematic masterpieces as Pickpocket, A Man Escaped, Mouchette, and L’Argent, was one of the most influential directors in the history of French film, as well as one of the most stubbornly individual: He insisted on the use of nonprofessional actors; he shunned the “advances” of Cinerama and CinemaScope (and the work of most of his predecessors and peers); and he minced no words about the damaging influence of capitalism and the studio system on the still-developing—in his view—art of film. Bresson on Bresson collects the most significant interviews that Bresson gave (carefully editing them before they were released) over the course of his forty-year career to reveal both the internal consistency and the consistently exploratory character of his body of work. Successive chapters are dedicated to each of his fourteen films, as well as to the question of literary adaptation, the nature of the soundtrack, and to Bresson’s one book, the great aphoristic treatise Notes on the Cinematograph. Throughout, his close and careful consideration of his own films and of the art of film is punctuated by such telling mantras as “Sound...invented silence in cinema,” “It’s the film that...gives life to the characters—not the characters that give life to the film,” and (echoing the Bible) “Every idle word shall be counted.” Bresson’s integrity and originality earned him the admiration of younger directors from Jean-Luc Godard and Jacques Rivette to Olivier Assayas. And though Bresson’s movies are marked everywhere by an air of intense deliberation, these interviews show that they were no less inspired by a near-religious belief in the value of intuition, not only that of the creator but that of the audience, which he claims to deeply respect: “It’s always ready to feel before it understands. And that’s how it should be.”
Book Synopsis Bresson on Bresson: Interviews, 1943-1983 by : Robert Bresson
Download or read book Bresson on Bresson: Interviews, 1943-1983 written by Robert Bresson and published by New York Review of Books. This book was released on 2023-09-26 with total page 305 pages. Available in PDF, EPUB and Kindle. Book excerpt: Now in paperback, a collection of interviews with a French cinematic titan—covering subjects such as adaptation, the effects of capitalism on art, and the importance of intuition—selected from a period of four decades. Robert Bresson, the director of such cinematic masterpieces as Pickpocket, A Man Escaped, Mouchette, and L’Argent, was one of the most influential directors in the history of French film, as well as one of the most stubbornly individual: He insisted on the use of nonprofessional actors; he shunned the “advances” of Cinerama and CinemaScope (and the work of most of his predecessors and peers); and he minced no words about the damaging influence of capitalism and the studio system on the still-developing—in his view—art of film. Bresson on Bresson collects the most significant interviews that Bresson gave (carefully editing them before they were released) over the course of his forty-year career to reveal both the internal consistency and the consistently exploratory character of his body of work. Successive chapters are dedicated to each of his fourteen films, as well as to the question of literary adaptation, the nature of the soundtrack, and to Bresson’s one book, the great aphoristic treatise Notes on the Cinematograph. Throughout, his close and careful consideration of his own films and of the art of film is punctuated by such telling mantras as “Sound...invented silence in cinema,” “It’s the film that...gives life to the characters—not the characters that give life to the film,” and (echoing the Bible) “Every idle word shall be counted.” Bresson’s integrity and originality earned him the admiration of younger directors from Jean-Luc Godard and Jacques Rivette to Olivier Assayas. And though Bresson’s movies are marked everywhere by an air of intense deliberation, these interviews show that they were no less inspired by a near-religious belief in the value of intuition, not only that of the creator but that of the audience, which he claims to deeply respect: “It’s always ready to feel before it understands. And that’s how it should be.”
This critical study traces the common origins of film noir and science fiction films, identifying the many instances in which the two have merged to form a distinctive subgenre known as Tech-Noir. From the German Expressionist cinema of the late 1920s to the present-day cyberpunk movement, the book examines more than 100 films in which the common noir elements of crime, mystery, surrealism, and human perversity intersect with the high technology of science fiction. The author also details the hybrid subgenre's considerable influences on contemporary music, fashion, and culture.
Book Synopsis Tech-Noir by : Paul Meehan
Download or read book Tech-Noir written by Paul Meehan and published by McFarland. This book was released on 2015-08-13 with total page 273 pages. Available in PDF, EPUB and Kindle. Book excerpt: This critical study traces the common origins of film noir and science fiction films, identifying the many instances in which the two have merged to form a distinctive subgenre known as Tech-Noir. From the German Expressionist cinema of the late 1920s to the present-day cyberpunk movement, the book examines more than 100 films in which the common noir elements of crime, mystery, surrealism, and human perversity intersect with the high technology of science fiction. The author also details the hybrid subgenre's considerable influences on contemporary music, fashion, and culture.
Collected interviews with the British filmmaker of classics such as Blade Runner, Alien, and Gladiator
Book Synopsis Ridley Scott by : Ridley Scott
Download or read book Ridley Scott written by Ridley Scott and published by Univ. Press of Mississippi. This book was released on 2005 with total page 276 pages. Available in PDF, EPUB and Kindle. Book excerpt: Collected interviews with the British filmmaker of classics such as Blade Runner, Alien, and Gladiator
What would happen if your girlfriend left you for your best friend and your boss gave your job away, then someone revealed that you were the next in line to join a secret society of super-villians that controlled the entire planet? Here is a look at one man who goes from being the world's biggest loser to the deadliest assassin alive. Ages 17 and up
Book Synopsis Wanted by : Mark Millar
Download or read book Wanted written by Mark Millar and published by Top Cow Productions. This book was released on 2005 with total page 192 pages. Available in PDF, EPUB and Kindle. Book excerpt: What would happen if your girlfriend left you for your best friend and your boss gave your job away, then someone revealed that you were the next in line to join a secret society of super-villians that controlled the entire planet? Here is a look at one man who goes from being the world's biggest loser to the deadliest assassin alive. Ages 17 and up
