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Topics covered in the book include the role of the state and civil society in the construction of civic spaces, aesthetic and architectural dimensions of realism, individual and collective uses of urban space, and how civic places constitute as well as represent the civic aspects of our lives. The examples, mostly from the modern period, include recent public spaces in Barcelona, several of the Grand Projects in Paris, neorealist projects in postwar Rome, contemporary transformations of the Manhattan grid, and Plecnik's water axis in prewar Ljubljana.
Book Synopsis Civic Realism by : Peter G. Rowe
Download or read book Civic Realism written by Peter G. Rowe and published by MIT Press. This book was released on 1999 with total page 282 pages. Available in PDF, EPUB and Kindle. Book excerpt: Topics covered in the book include the role of the state and civil society in the construction of civic spaces, aesthetic and architectural dimensions of realism, individual and collective uses of urban space, and how civic places constitute as well as represent the civic aspects of our lives. The examples, mostly from the modern period, include recent public spaces in Barcelona, several of the Grand Projects in Paris, neorealist projects in postwar Rome, contemporary transformations of the Manhattan grid, and Plecnik's water axis in prewar Ljubljana.
Book Synopsis Liberating Faith by : Roger S. Gottlieb
Download or read book Liberating Faith written by Roger S. Gottlieb and published by Rowman & Littlefield. This book was released on 2003 with total page 694 pages. Available in PDF, EPUB and Kindle. Book excerpt: Table of contents
This book is a valuable theoretical and critical contribution to the study of realism inworld literature. Proceeding from the mimetic theories of the era of antiquity, and proceeding to explore formalists, structuralists, theories of possible worlds, and theories of simulation, Kvas points to the fictionality of (mimetic) realism, to literature and art as the creation of new, fictional aesthetic worlds, even when—as in the case of realism—there is a programmatic and practical inclination of such art and literature toward the world of the historical and the social—the real in the original sense of the word. This study will enable readers to confront, in a new and dependable manner, the issues of literary realism and its digressions into magical realism.
Book Synopsis The Boundaries of Realism in World Literature by : Kornelije Kvas
Download or read book The Boundaries of Realism in World Literature written by Kornelije Kvas and published by Rowman & Littlefield. This book was released on 2019-11-19 with total page 207 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book is a valuable theoretical and critical contribution to the study of realism inworld literature. Proceeding from the mimetic theories of the era of antiquity, and proceeding to explore formalists, structuralists, theories of possible worlds, and theories of simulation, Kvas points to the fictionality of (mimetic) realism, to literature and art as the creation of new, fictional aesthetic worlds, even when—as in the case of realism—there is a programmatic and practical inclination of such art and literature toward the world of the historical and the social—the real in the original sense of the word. This study will enable readers to confront, in a new and dependable manner, the issues of literary realism and its digressions into magical realism.
The real represents to my perception the things that we cannot possibly not know, sooner or later, in one way or another', wrote Henry James in 1907. This description, riven with double negatives, hesitation, and uncertainty, encapsulates the epistemological difficulties of realism, for underlying its narrative and descriptive apparatus as an aesthetic mode lies a philosophical quandary. What grounds the 'real' of the realist novel? What kind of perception is required to validate the experience of reality? How does the realist novel represent the difficulty of knowing? What comes to the fore in James's account, as in so many, is how the forms of realism are constituted by a relation to unknowing, absence, and ineffability. Realism, Form, and Representation in the Edwardian Novel recovers a neglected literary history centred on the intricate relationship between fictional representation and philosophical commitment. It asks how—or if—we can conceptualize realist novels when the objects of their representational intentions are realities that might exist beyond what is empirically verifiable by sense data or analytically verifiable by logic, and are thus irreducible to conceptual schemes or linguistic practices—a formulation Charlotte Jones refers to as 'synthetic realism'. In new readings of Edwardian novels including Conrad's Nostromo and The Secret Agent, Wells's Tono-Bungay, and Ford's The Good Soldier, this volume revises and reconsiders key elements of realist novel theory—metaphor and metonymy; character interiority; the insignificant detail; omniscient narration and free indirect discourse; causal linearity—to uncover the representational strategies by which realist writers grapple with the recalcitrance of reality as a referential anchor, and seek to give form to the force, opacity, and uncertain scope of realities that may lie beyond the material. In restoring a metaphysical dimension to the realist novel's imaginary, Realism, Form, and Representation in the Edwardian Novel offers a new conceptualization of realism both within early twentieth-century literary culture and as a transhistorical mode of representation.
Book Synopsis Realism, Form, and Representation in the Edwardian Novel by : Charlotte Jones
Download or read book Realism, Form, and Representation in the Edwardian Novel written by Charlotte Jones and published by Oxford University Press. This book was released on 2021-01-07 with total page 320 pages. Available in PDF, EPUB and Kindle. Book excerpt: The real represents to my perception the things that we cannot possibly not know, sooner or later, in one way or another', wrote Henry James in 1907. This description, riven with double negatives, hesitation, and uncertainty, encapsulates the epistemological difficulties of realism, for underlying its narrative and descriptive apparatus as an aesthetic mode lies a philosophical quandary. What grounds the 'real' of the realist novel? What kind of perception is required to validate the experience of reality? How does the realist novel represent the difficulty of knowing? What comes to the fore in James's account, as in so many, is how the forms of realism are constituted by a relation to unknowing, absence, and ineffability. Realism, Form, and Representation in the Edwardian Novel recovers a neglected literary history centred on the intricate relationship between fictional representation and philosophical commitment. It asks how—or if—we can conceptualize realist novels when the objects of their representational intentions are realities that might exist beyond what is empirically verifiable by sense data or analytically verifiable by logic, and are thus irreducible to conceptual schemes or linguistic practices—a formulation Charlotte Jones refers to as 'synthetic realism'. In new readings of Edwardian novels including Conrad's Nostromo and The Secret Agent, Wells's Tono-Bungay, and Ford's The Good Soldier, this volume revises and reconsiders key elements of realist novel theory—metaphor and metonymy; character interiority; the insignificant detail; omniscient narration and free indirect discourse; causal linearity—to uncover the representational strategies by which realist writers grapple with the recalcitrance of reality as a referential anchor, and seek to give form to the force, opacity, and uncertain scope of realities that may lie beyond the material. In restoring a metaphysical dimension to the realist novel's imaginary, Realism, Form, and Representation in the Edwardian Novel offers a new conceptualization of realism both within early twentieth-century literary culture and as a transhistorical mode of representation.
Over the past decade, an intellectual movement known as "realism" has challenged the reigning orthodoxy in political theory and political philosophy. Realists take issue with what they see as the excessive moralism and utopianism associated with prominent philosophers like John Rawls, Ronald Dworkin, and G.A. Cohen; but what they would put in its place has not always been clear. The contributors to this volume seek to bring realism into a new phase, constructive rather than merely combative. To this end they examine three distinct kinds of realism. The first seeks to place questions of feasibility at the center of political theory and philosophy; the second seeks to reorient our interpretations of key works in the canon; the third seeks new interpretations or specifications of prominent ideologies such as liberalism, radicalism, and republicanism such that they no longer rely on abstract or systematic philosophic systems. Contributors include: David Estlund, Edward Hall, Alison McQueen, Terry Nardin, Philip Pettit, Janosch Prinz, Enzo Rossi, Andrew Sabl, Rahul Sagar, and Matt Sleat. The chapters originally published as a special issue of Critical Review of International Social and Political Philosophy.
Book Synopsis Realism in Political Theory by : Rahul Sagar
Download or read book Realism in Political Theory written by Rahul Sagar and published by Routledge. This book was released on 2018-10-08 with total page 140 pages. Available in PDF, EPUB and Kindle. Book excerpt: Over the past decade, an intellectual movement known as "realism" has challenged the reigning orthodoxy in political theory and political philosophy. Realists take issue with what they see as the excessive moralism and utopianism associated with prominent philosophers like John Rawls, Ronald Dworkin, and G.A. Cohen; but what they would put in its place has not always been clear. The contributors to this volume seek to bring realism into a new phase, constructive rather than merely combative. To this end they examine three distinct kinds of realism. The first seeks to place questions of feasibility at the center of political theory and philosophy; the second seeks to reorient our interpretations of key works in the canon; the third seeks new interpretations or specifications of prominent ideologies such as liberalism, radicalism, and republicanism such that they no longer rely on abstract or systematic philosophic systems. Contributors include: David Estlund, Edward Hall, Alison McQueen, Terry Nardin, Philip Pettit, Janosch Prinz, Enzo Rossi, Andrew Sabl, Rahul Sagar, and Matt Sleat. The chapters originally published as a special issue of Critical Review of International Social and Political Philosophy.
"Thomas Eakins and the Cultures of Modernity is the first book to situate Philadelphia's greatest realist painter in relation to the historical discourse of cultural difference. In this study Alan C. Braddock reveals that modern anthropological perceptions of "culture," which many art historians attribute to Eakins, did not become current until after the artist's death in 1916. Braddock finds in the work of Thomas Eakins a lifelong engagement with aesthetic and social currents that extended well beyond his native city of Philadelphia, indicating the persistence of a worldly sensibility long after he had concluded his formative studies in Europe during the 1860s. Braddock shows how Eakins developed a localized cosmopolitanism all his own, based in Philadelphia but tapped into a global field of visual production."--Jacket.
Book Synopsis Thomas Eakins and the Cultures of Modernity by : Alan C. Braddock
Download or read book Thomas Eakins and the Cultures of Modernity written by Alan C. Braddock and published by Univ of California Press. This book was released on 2009-03-31 with total page 304 pages. Available in PDF, EPUB and Kindle. Book excerpt: "Thomas Eakins and the Cultures of Modernity is the first book to situate Philadelphia's greatest realist painter in relation to the historical discourse of cultural difference. In this study Alan C. Braddock reveals that modern anthropological perceptions of "culture," which many art historians attribute to Eakins, did not become current until after the artist's death in 1916. Braddock finds in the work of Thomas Eakins a lifelong engagement with aesthetic and social currents that extended well beyond his native city of Philadelphia, indicating the persistence of a worldly sensibility long after he had concluded his formative studies in Europe during the 1860s. Braddock shows how Eakins developed a localized cosmopolitanism all his own, based in Philadelphia but tapped into a global field of visual production."--Jacket.
A Geneology of Modernism is a study of literary transition in the first two decades of the twentieth-century, a period of extraordinary ferment and great accomplishment, during which the avant-garde gradually consolidated a secure place within English culture. Michael Levenson analyses that complex process by following the successive phases of a literary movement - Impressionist, Imagist, Vorticist, Classicist - as it attempted to formulate the principles on which a new aesthetic might be founded. The emphasis here falls on the ideology of modernism, but throughout the book the ideological question is tied on the one hand to specific literary works and on the other to general movements in philosophy and the fine arts. The major figures under discussion, Joseph Conrad, Ford Madox Ford, Ezra Pound, Wyndham Lewis, and T. S. Elliot, are placed in relation to thinkers who have been largely neglected in the history of modernism: Max Stirner, Wilhelm Worringer, Pierre Lasserre, Allen Upward, and Hilaire Belloc. Levenson thus situates the emergence of a modernist aesthetic within the context of literary theory, literary practice, and cultural history.
Book Synopsis A Genealogy of Modernism by : Michael Harry Levenson
Download or read book A Genealogy of Modernism written by Michael Harry Levenson and published by Cambridge University Press. This book was released on 1986-06-27 with total page 272 pages. Available in PDF, EPUB and Kindle. Book excerpt: A Geneology of Modernism is a study of literary transition in the first two decades of the twentieth-century, a period of extraordinary ferment and great accomplishment, during which the avant-garde gradually consolidated a secure place within English culture. Michael Levenson analyses that complex process by following the successive phases of a literary movement - Impressionist, Imagist, Vorticist, Classicist - as it attempted to formulate the principles on which a new aesthetic might be founded. The emphasis here falls on the ideology of modernism, but throughout the book the ideological question is tied on the one hand to specific literary works and on the other to general movements in philosophy and the fine arts. The major figures under discussion, Joseph Conrad, Ford Madox Ford, Ezra Pound, Wyndham Lewis, and T. S. Elliot, are placed in relation to thinkers who have been largely neglected in the history of modernism: Max Stirner, Wilhelm Worringer, Pierre Lasserre, Allen Upward, and Hilaire Belloc. Levenson thus situates the emergence of a modernist aesthetic within the context of literary theory, literary practice, and cultural history.
This book, first published in 1949, is an abridged version of Mirsky’s classic two texts on Russian literature, updated with a postscript by the editor assessing the development of Soviet literature. Beautifully written, Mirsky’s analyses of Russian writers and literature go hand in hand with his takes on Russian history. From the birth of Russian literature to its Soviet form, this book is a lively and comprehensive examination by one of its leading scholars.
Book Synopsis A History of Russian Literature by : D.S. Mirsky
Download or read book A History of Russian Literature written by D.S. Mirsky and published by Routledge. This book was released on 2021-06-15 with total page 461 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book, first published in 1949, is an abridged version of Mirsky’s classic two texts on Russian literature, updated with a postscript by the editor assessing the development of Soviet literature. Beautifully written, Mirsky’s analyses of Russian writers and literature go hand in hand with his takes on Russian history. From the birth of Russian literature to its Soviet form, this book is a lively and comprehensive examination by one of its leading scholars.
What does modern British and Irish literature have to do with French impressionist painting? And what does Henry James have to do with the legal dispute between John Ruskin and J.M.W. Whistler? What links Walter Pater with Conrad's portrait of a genocidal maniac in Heart of Darkness? Or George Moore with Irish nationalism, Virginia Woolf with modern distraction, and Ford Madox Ford with the Great Depression? Adam Parkes argues that we must answer such questions if we are to appreciate the full impact of impressionist aesthetics on modern British and Irish writers. Complicating previous accounts of the influence of painting and philosophy on literary impressionism, A Sense of Shock highlights the role of politics, uncovering new and deeper linkages. In the hands of such practitioners as Conrad, Ford, James, Moore, Pater, and Woolf, literary impressionism was shaped by its engagement with important social issues and political events that defined the modern age. As Parkes demonstrates, the formal and stylistic practices that distinguish impressionist writing were the result of dynamic and often provocative interactions between aesthetic and historical factors. Parkes ultimately suggests that it was through this incendiary combination of aesthetics and history that impressionist writing forced significant change on the literary culture of its time. A Sense of Shock will appeal to students and scholars of nineteenth- and twentieth-century literature, as well as the growing readership for books that explore problems of literary history and interdisciplinarity.
Book Synopsis ASense of Shock by : Adam Parkes
Download or read book ASense of Shock written by Adam Parkes and published by Oxford University Press. This book was released on 2011-08-19 with total page 304 pages. Available in PDF, EPUB and Kindle. Book excerpt: What does modern British and Irish literature have to do with French impressionist painting? And what does Henry James have to do with the legal dispute between John Ruskin and J.M.W. Whistler? What links Walter Pater with Conrad's portrait of a genocidal maniac in Heart of Darkness? Or George Moore with Irish nationalism, Virginia Woolf with modern distraction, and Ford Madox Ford with the Great Depression? Adam Parkes argues that we must answer such questions if we are to appreciate the full impact of impressionist aesthetics on modern British and Irish writers. Complicating previous accounts of the influence of painting and philosophy on literary impressionism, A Sense of Shock highlights the role of politics, uncovering new and deeper linkages. In the hands of such practitioners as Conrad, Ford, James, Moore, Pater, and Woolf, literary impressionism was shaped by its engagement with important social issues and political events that defined the modern age. As Parkes demonstrates, the formal and stylistic practices that distinguish impressionist writing were the result of dynamic and often provocative interactions between aesthetic and historical factors. Parkes ultimately suggests that it was through this incendiary combination of aesthetics and history that impressionist writing forced significant change on the literary culture of its time. A Sense of Shock will appeal to students and scholars of nineteenth- and twentieth-century literature, as well as the growing readership for books that explore problems of literary history and interdisciplinarity.
Book Synopsis A History of Russian Literature from the Earliest Times to the Death of Dostoyevsky (1881) by : Prince D. S. Mirsky
Download or read book A History of Russian Literature from the Earliest Times to the Death of Dostoyevsky (1881) written by Prince D. S. Mirsky and published by . This book was released on 1927 with total page 410 pages. Available in PDF, EPUB and Kindle. Book excerpt:
