Comics Memory

Comics Memory

Author: Maaheen Ahmed

Publisher: Springer

Published: 2018-08-01

Total Pages: 290

ISBN-13: 3319917463

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Despite the boom in scholarship in both Comics Studies and Memory Studies, the two fields rarely interact—especially with issues beyond the representation of traumatic and autobiographical memories in comics. With a focus on the roles played by styles and archives—in their physical and metaphorical manifestations—this edited volume offers an original intervention, highlighting several novel ways of thinking about comics and memory as comics memory. Bringing together scholars as well as cultural actors, the contributions combine studies on European and North American comics and offer a representative overview of the main comics genres and forms, including superheroes, Westerns, newspaper comics, diary comics, comics reportage and alternative comics. In considering the many manifestations of memory in comics as well as the functioning and influence of institutions, public and private practices, the book exemplifies new possibilities for understanding the complex entanglements of memory and comics.


Book Synopsis Comics Memory by : Maaheen Ahmed

Download or read book Comics Memory written by Maaheen Ahmed and published by Springer. This book was released on 2018-08-01 with total page 290 pages. Available in PDF, EPUB and Kindle. Book excerpt: Despite the boom in scholarship in both Comics Studies and Memory Studies, the two fields rarely interact—especially with issues beyond the representation of traumatic and autobiographical memories in comics. With a focus on the roles played by styles and archives—in their physical and metaphorical manifestations—this edited volume offers an original intervention, highlighting several novel ways of thinking about comics and memory as comics memory. Bringing together scholars as well as cultural actors, the contributions combine studies on European and North American comics and offer a representative overview of the main comics genres and forms, including superheroes, Westerns, newspaper comics, diary comics, comics reportage and alternative comics. In considering the many manifestations of memory in comics as well as the functioning and influence of institutions, public and private practices, the book exemplifies new possibilities for understanding the complex entanglements of memory and comics.

Comics and Memory in Latin America

Comics and Memory in Latin America

Author: Jorge Catalá Carrasco

Publisher: University of Pittsburgh Press

Published: 2017-07-06

Total Pages: 371

ISBN-13: 0822981580

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Latin American comics and graphic novels have a unique history of addressing controversial political, cultural, and social issues. This volume presents new perspectives on how comics on and from Latin America both view and express memory formation on major historical events and processes. The contributors, from a variety of disciplines including literary theory, cultural studies, and history, explore topics including national identity construction, narratives of resistance to colonialism and imperialism, the construction of revolutionary traditions, and the legacies of authoritarianism and political violence. The chapters offer a background history of comics and graphic novels in the region, and survey a range of countries and artists such as Joaquin Salvador Lavado (a.k.a Quino), Hector G. Oesterheld, and Juan Acevedo. They also highlight the unique ability of this art and literary form to succinctly render memory. In sum, this volume offers in-depth analysis of an understudied, yet key literary genre in Latin American memory studies and documents the essential role of comics during the transition from dictatorship to democracy.


Book Synopsis Comics and Memory in Latin America by : Jorge Catalá Carrasco

Download or read book Comics and Memory in Latin America written by Jorge Catalá Carrasco and published by University of Pittsburgh Press. This book was released on 2017-07-06 with total page 371 pages. Available in PDF, EPUB and Kindle. Book excerpt: Latin American comics and graphic novels have a unique history of addressing controversial political, cultural, and social issues. This volume presents new perspectives on how comics on and from Latin America both view and express memory formation on major historical events and processes. The contributors, from a variety of disciplines including literary theory, cultural studies, and history, explore topics including national identity construction, narratives of resistance to colonialism and imperialism, the construction of revolutionary traditions, and the legacies of authoritarianism and political violence. The chapters offer a background history of comics and graphic novels in the region, and survey a range of countries and artists such as Joaquin Salvador Lavado (a.k.a Quino), Hector G. Oesterheld, and Juan Acevedo. They also highlight the unique ability of this art and literary form to succinctly render memory. In sum, this volume offers in-depth analysis of an understudied, yet key literary genre in Latin American memory studies and documents the essential role of comics during the transition from dictatorship to democracy.

Representation and Memory in Graphic Novels

Representation and Memory in Graphic Novels

Author: Golnar Nabizadeh

Publisher: Routledge

Published: 2019-04-16

Total Pages: 291

ISBN-13: 131706609X

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This book analyses the relationship between comics and cultural memory. By focussing on a range of landmark comics from the twentieth and twenty-first centuries, the discussion draws attention to the ongoing role of visual culture in framing testimony, particularly in relation to underprivileged subjects such as migrants and refugees, individuals dealing with war and oppressive regimes and individuals living with particular health conditions. The discussion is influenced by literary and cultural debates on the intersections between ethics, testimony, trauma, and human rights, reflected in its three overarching questions: ‘How do comics usually complicate the production of cultural memory in local contents and global mediascapes?’, ‘How do comics engage with, and generate, new forms of testimonial address?’, and ‘How do the comics function as mnemonic structures?’ The author highlights that the power of comics is that they allow both creators and readers to visualise the fracturing power of violence and oppression – at the level of the individual, domestic, communal, national and international – in powerful and creative ways. Comics do not stand outside of literature, cinema, or any of the other arts, but rather enliven the reciprocal relationship between the verbal and the visual language that informs all of these media. As such, the discussion demonstrates how fields such as graphic medicine, graphic justice, and comics journalism contribute to existing theoretical and analytics debates, including critical visual theory, trauma and memory studies, by offering a broad ranging, yet cohesive, analysis of cultural memory and its representation in print and digital comics.


Book Synopsis Representation and Memory in Graphic Novels by : Golnar Nabizadeh

Download or read book Representation and Memory in Graphic Novels written by Golnar Nabizadeh and published by Routledge. This book was released on 2019-04-16 with total page 291 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book analyses the relationship between comics and cultural memory. By focussing on a range of landmark comics from the twentieth and twenty-first centuries, the discussion draws attention to the ongoing role of visual culture in framing testimony, particularly in relation to underprivileged subjects such as migrants and refugees, individuals dealing with war and oppressive regimes and individuals living with particular health conditions. The discussion is influenced by literary and cultural debates on the intersections between ethics, testimony, trauma, and human rights, reflected in its three overarching questions: ‘How do comics usually complicate the production of cultural memory in local contents and global mediascapes?’, ‘How do comics engage with, and generate, new forms of testimonial address?’, and ‘How do the comics function as mnemonic structures?’ The author highlights that the power of comics is that they allow both creators and readers to visualise the fracturing power of violence and oppression – at the level of the individual, domestic, communal, national and international – in powerful and creative ways. Comics do not stand outside of literature, cinema, or any of the other arts, but rather enliven the reciprocal relationship between the verbal and the visual language that informs all of these media. As such, the discussion demonstrates how fields such as graphic medicine, graphic justice, and comics journalism contribute to existing theoretical and analytics debates, including critical visual theory, trauma and memory studies, by offering a broad ranging, yet cohesive, analysis of cultural memory and its representation in print and digital comics.

Drawing from Memory

Drawing from Memory

Author: Allen Say

Publisher: Scholastic Inc.

Published: 2011

Total Pages: 66

ISBN-13: 0545176867

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Caldecott medalist Allen Say chronicles his experiences as an artist during World War II, and describes his relationship with his mentor Noro Shinpei, Japan's leading cartoonist.


Book Synopsis Drawing from Memory by : Allen Say

Download or read book Drawing from Memory written by Allen Say and published by Scholastic Inc.. This book was released on 2011 with total page 66 pages. Available in PDF, EPUB and Kindle. Book excerpt: Caldecott medalist Allen Say chronicles his experiences as an artist during World War II, and describes his relationship with his mentor Noro Shinpei, Japan's leading cartoonist.

Murder Falcon

Murder Falcon

Author: Daniel Warren Johnson

Publisher: Image Comics

Published: 2019-07-10

Total Pages: 228

ISBN-13: 1534315314

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The world is under attack by hideous monsters, and Jake's life is falling apart until he meets Murder Falcon. He was sent from The Heavy to destroy all evil, but he can't do it without Jake shredding up a storm. Now, with every chord Jake plays on his guitar, the power of metal fuels Murder Falcon into all-out kung fu fury on those that seek to conquer Earth! From DANIEL WARREN JOHNSON creator of the Eisner-nominated EXTREMITY comes MURDER FALCON! GET READY TO SHRED! Collects MURDER FALCON #1-8


Book Synopsis Murder Falcon by : Daniel Warren Johnson

Download or read book Murder Falcon written by Daniel Warren Johnson and published by Image Comics. This book was released on 2019-07-10 with total page 228 pages. Available in PDF, EPUB and Kindle. Book excerpt: The world is under attack by hideous monsters, and Jake's life is falling apart until he meets Murder Falcon. He was sent from The Heavy to destroy all evil, but he can't do it without Jake shredding up a storm. Now, with every chord Jake plays on his guitar, the power of metal fuels Murder Falcon into all-out kung fu fury on those that seek to conquer Earth! From DANIEL WARREN JOHNSON creator of the Eisner-nominated EXTREMITY comes MURDER FALCON! GET READY TO SHRED! Collects MURDER FALCON #1-8

The Comics World

The Comics World

Author: Benjamin Woo

Publisher: Univ. Press of Mississippi

Published: 2021-07-29

Total Pages: 299

ISBN-13: 1496834666

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Contributions by Bart Beaty, T. Keith Edmunds, Eike Exner, Christopher J. Galdieri, Ivan Lima Gomes, Charles Hatfield, Franny Howes, John A. Lent, Amy Louise Maynard, Shari Sabeti, Rob Salkowitz, Kalervo A. Sinervo, Jeremy Stoll, Valerie Wieskamp, Adriana Estrada Wilson, and Benjamin Woo The Comics World: Comic Books, Graphic Novels, and Their Publics is the first collection to explicitly examine the production, circulation, and reception of comics from a social-scientific point of view. Designed to promote interdisciplinary dialogue about theory and methods in comics studies, this volume draws on approaches from fields as diverse as sociology, political science, history, folklore, communication studies, and business, among others, to study the social life of comics and graphic novels. Taking the concept of a “comics world”—that is, the collection of people, roles, and institutions that “produce” comics as they are—as its organizing principle, the book asks readers to attend to the contexts that shape how comics move through societies and cultures. Each chapter explores a specific comics world or particular site where comics meet one of their publics, such as artists and creators; adaptors; critics and journalists; convention-goers; scanners; fans; and comics scholars themselves. Through their research, contributors demonstrate some of the ways that people participate in comics worlds and how the relationships created in these spaces can provide different perspectives on comics and comics studies. Moving beyond the page, The Comics World explores the complexity of the lived reality of the comics world: how comics and graphic novels matter to different people at different times, within a social space shared with others.


Book Synopsis The Comics World by : Benjamin Woo

Download or read book The Comics World written by Benjamin Woo and published by Univ. Press of Mississippi. This book was released on 2021-07-29 with total page 299 pages. Available in PDF, EPUB and Kindle. Book excerpt: Contributions by Bart Beaty, T. Keith Edmunds, Eike Exner, Christopher J. Galdieri, Ivan Lima Gomes, Charles Hatfield, Franny Howes, John A. Lent, Amy Louise Maynard, Shari Sabeti, Rob Salkowitz, Kalervo A. Sinervo, Jeremy Stoll, Valerie Wieskamp, Adriana Estrada Wilson, and Benjamin Woo The Comics World: Comic Books, Graphic Novels, and Their Publics is the first collection to explicitly examine the production, circulation, and reception of comics from a social-scientific point of view. Designed to promote interdisciplinary dialogue about theory and methods in comics studies, this volume draws on approaches from fields as diverse as sociology, political science, history, folklore, communication studies, and business, among others, to study the social life of comics and graphic novels. Taking the concept of a “comics world”—that is, the collection of people, roles, and institutions that “produce” comics as they are—as its organizing principle, the book asks readers to attend to the contexts that shape how comics move through societies and cultures. Each chapter explores a specific comics world or particular site where comics meet one of their publics, such as artists and creators; adaptors; critics and journalists; convention-goers; scanners; fans; and comics scholars themselves. Through their research, contributors demonstrate some of the ways that people participate in comics worlds and how the relationships created in these spaces can provide different perspectives on comics and comics studies. Moving beyond the page, The Comics World explores the complexity of the lived reality of the comics world: how comics and graphic novels matter to different people at different times, within a social space shared with others.

The Retreat

The Retreat

Author: Pierre Wazem

Publisher: Humanoids Inc

Published: 2017-09-06

Total Pages: 58

ISBN-13: 159465719X

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A lyrical and touching tale of friendship put to the test amid death, mourning, and nostalgia.


Book Synopsis The Retreat by : Pierre Wazem

Download or read book The Retreat written by Pierre Wazem and published by Humanoids Inc. This book was released on 2017-09-06 with total page 58 pages. Available in PDF, EPUB and Kindle. Book excerpt: A lyrical and touching tale of friendship put to the test amid death, mourning, and nostalgia.

The Cambridge Companion to Comics

The Cambridge Companion to Comics

Author: Maaheen Ahmed

Publisher: Cambridge University Press

Published: 2023-08-31

Total Pages: 411

ISBN-13: 1009255681

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Interweaving history and theory, this book unpacks the complexity of comics, covering formal, critical and institutional dimensions.


Book Synopsis The Cambridge Companion to Comics by : Maaheen Ahmed

Download or read book The Cambridge Companion to Comics written by Maaheen Ahmed and published by Cambridge University Press. This book was released on 2023-08-31 with total page 411 pages. Available in PDF, EPUB and Kindle. Book excerpt: Interweaving history and theory, this book unpacks the complexity of comics, covering formal, critical and institutional dimensions.

Wonder Woman: Dead Earth

Wonder Woman: Dead Earth

Author: Daniel Warren Johnson

Publisher: DC Comics

Published: 2020-12-01

Total Pages: 204

ISBN-13: 1779511507

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It’s Wonder Woman as you’ve never seen her before-fighting monsters in a postapocalyptic Earth, as brought to life in a daring sci-fi epic by visionary writer and artist Daniel Warren Johnson! Princess Diana of Themyscira left paradise to save Man’s World from itself. When Wonder Woman awakens from a centuries-long sleep to discover the Earth reduced to a nuclear wasteland, she knows she failed. Trapped alone in a grim future, Diana must protect the last human city from titanic monsters while uncovering the secret of this dead Earth-and how she may be responsible for it. Collects Wonder Woman: Dead Earth #1-4.


Book Synopsis Wonder Woman: Dead Earth by : Daniel Warren Johnson

Download or read book Wonder Woman: Dead Earth written by Daniel Warren Johnson and published by DC Comics. This book was released on 2020-12-01 with total page 204 pages. Available in PDF, EPUB and Kindle. Book excerpt: It’s Wonder Woman as you’ve never seen her before-fighting monsters in a postapocalyptic Earth, as brought to life in a daring sci-fi epic by visionary writer and artist Daniel Warren Johnson! Princess Diana of Themyscira left paradise to save Man’s World from itself. When Wonder Woman awakens from a centuries-long sleep to discover the Earth reduced to a nuclear wasteland, she knows she failed. Trapped alone in a grim future, Diana must protect the last human city from titanic monsters while uncovering the secret of this dead Earth-and how she may be responsible for it. Collects Wonder Woman: Dead Earth #1-4.

On Comics and Grief

On Comics and Grief

Author: Dale Jacobs

Publisher: Wilfrid Laurier Univ. Press

Published: 2024-05-16

Total Pages: 378

ISBN-13: 177112606X

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Fragmented and hybrid in style, On Comics and Grief examines a year in comic book publishing and the author’s grief surrounding his mother’s death. This book connects grief, memory, nostalgia, personal history, theory, and multiple lines of comics studies inquiry in relation to the comic books of 1976. Structured around a year of comic books with a cover date of 1976, the year the author turned ten, the book is divided into an Introduction plus twelve sections, each a month of the publishing year. Two comic books are highlighted each month and examined through the interwoven lenses of creative nonfiction and comics studies. Through these twenty-four comics, the book addresses the major comic book publishers and virtually all genres of comics published in 1976. By pushing the ways in which the personal is used in comics studies, combining different modes of writing, and embracing a fragmentary style, the book explores what is possible in academic writing in general and comics studies in particular. On Comics and Grief both acts as a way for the author to process his grief and uses grief as a way to think about the comics themselves through the emotions and personal connections that underlie the work we do as scholars.


Book Synopsis On Comics and Grief by : Dale Jacobs

Download or read book On Comics and Grief written by Dale Jacobs and published by Wilfrid Laurier Univ. Press. This book was released on 2024-05-16 with total page 378 pages. Available in PDF, EPUB and Kindle. Book excerpt: Fragmented and hybrid in style, On Comics and Grief examines a year in comic book publishing and the author’s grief surrounding his mother’s death. This book connects grief, memory, nostalgia, personal history, theory, and multiple lines of comics studies inquiry in relation to the comic books of 1976. Structured around a year of comic books with a cover date of 1976, the year the author turned ten, the book is divided into an Introduction plus twelve sections, each a month of the publishing year. Two comic books are highlighted each month and examined through the interwoven lenses of creative nonfiction and comics studies. Through these twenty-four comics, the book addresses the major comic book publishers and virtually all genres of comics published in 1976. By pushing the ways in which the personal is used in comics studies, combining different modes of writing, and embracing a fragmentary style, the book explores what is possible in academic writing in general and comics studies in particular. On Comics and Grief both acts as a way for the author to process his grief and uses grief as a way to think about the comics themselves through the emotions and personal connections that underlie the work we do as scholars.