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The two men soon found that, despite their half-century difference in age, they had many affinities. Both were pianists of staggering abilities and composers who combined a love for folk-music and working-class art with an aesthetic that proposed a `world music' to include the farthest reaches of humanity. Both made an art of piano trascription of a wide variety of works and were champions of little-known music and composers. And both revered the work of Walt Whitman, that great poet of inclusivity, the pioneering spirit and the open road. --
Book Synopsis Comrades in Art by : Ronald Stevenson
Download or read book Comrades in Art written by Ronald Stevenson and published by Musicians on Music. This book was released on 2010 with total page 288 pages. Available in PDF, EPUB and Kindle. Book excerpt: The two men soon found that, despite their half-century difference in age, they had many affinities. Both were pianists of staggering abilities and composers who combined a love for folk-music and working-class art with an aesthetic that proposed a `world music' to include the farthest reaches of humanity. Both made an art of piano trascription of a wide variety of works and were champions of little-known music and composers. And both revered the work of Walt Whitman, that great poet of inclusivity, the pioneering spirit and the open road. --
History is written by the winners and art history is no exception. The winners in America's history of art are the abstract painters who, subsidised by the CIA from the early 1940s, showed the world the avant garde art American democracy and freedom could produce. The losers were the artists working in the figurative tradition, who were seen from then on as old-fashioned and derivative. And the artists who had political leanings have been virtually erased from the story of American art. I would like to try to put them back.The main aim of this book is to answer the question: what made a revolutionary artist?
Book Synopsis Comrades in Art by : Francis Booth
Download or read book Comrades in Art written by Francis Booth and published by . This book was released on 2017-04-20 with total page 578 pages. Available in PDF, EPUB and Kindle. Book excerpt: History is written by the winners and art history is no exception. The winners in America's history of art are the abstract painters who, subsidised by the CIA from the early 1940s, showed the world the avant garde art American democracy and freedom could produce. The losers were the artists working in the figurative tradition, who were seen from then on as old-fashioned and derivative. And the artists who had political leanings have been virtually erased from the story of American art. I would like to try to put them back.The main aim of this book is to answer the question: what made a revolutionary artist?
In a major reassessment of their work, Evgeny Steiner forcefully demonstrates that the Constructivists were as committed to implementing Utopia - regardless of the human cost - as their establishment counterparts."--BOOK JACKET.
Book Synopsis Stories for Little Comrades by : Evgeny Steiner
Download or read book Stories for Little Comrades written by Evgeny Steiner and published by . This book was released on 1999 with total page 214 pages. Available in PDF, EPUB and Kindle. Book excerpt: In a major reassessment of their work, Evgeny Steiner forcefully demonstrates that the Constructivists were as committed to implementing Utopia - regardless of the human cost - as their establishment counterparts."--BOOK JACKET.
In the early 20th century, art and its institutions came under critique from a new democratic and egalitarian spirit. In an age of secularism and materialism, artworks would be understood as merely things among other things. This meant an attack on the techniques of realism, and the traditional mission of the museum, both designed shield a small class of objects from the entropic fate awaiting everything else-and the development of an approach that Boris Groys calls "direct realism": an art that would not produce objects, but practices that could enter the flow of time to live and die like the rest of us. But for more than a century now, every advance in this direction has been quickly followed by new means of preserving art's distinction. In this major new work, Groys, one of the world's leading art theorists, charts the paradoxes produced by this tension, which continues to structure the production and reception of new art. The internet, the latest medium through which artists have attempted to disavow this special status, inverts the most notorious consequence of early modernist developments. If the techniques of mechanical reproduction gave us objects without aura, digital production generates aura without objects, transforming all its materials into vanishing markers of the transitory present.
Book Synopsis In the Flow by : Boris Groys
Download or read book In the Flow written by Boris Groys and published by Verso Books. This book was released on 2016-02-16 with total page 211 pages. Available in PDF, EPUB and Kindle. Book excerpt: In the early 20th century, art and its institutions came under critique from a new democratic and egalitarian spirit. In an age of secularism and materialism, artworks would be understood as merely things among other things. This meant an attack on the techniques of realism, and the traditional mission of the museum, both designed shield a small class of objects from the entropic fate awaiting everything else-and the development of an approach that Boris Groys calls "direct realism": an art that would not produce objects, but practices that could enter the flow of time to live and die like the rest of us. But for more than a century now, every advance in this direction has been quickly followed by new means of preserving art's distinction. In this major new work, Groys, one of the world's leading art theorists, charts the paradoxes produced by this tension, which continues to structure the production and reception of new art. The internet, the latest medium through which artists have attempted to disavow this special status, inverts the most notorious consequence of early modernist developments. If the techniques of mechanical reproduction gave us objects without aura, digital production generates aura without objects, transforming all its materials into vanishing markers of the transitory present.
When people say “comrade,” they change the world In the twentieth century, millions of people across the globe addressed each other as “comrade.” Now, among the left, it’s more common to hear talk of “allies.” In Comrade, Jodi Dean insists that this shift exemplifies the key problem with the contemporary left: the substitution of political identity for a relationship of political belonging that must be built, sustained, and defended. Dean offers a theory of the comrade. Comrades are equals on the same side of a political struggle. Voluntarily coming together in the struggle for justice, their relationship is characterized by discipline, joy, courage, and enthusiasm. Considering the egalitarianism of the comrade in light of differences of race and gender, Dean draws from an array of historical and literary examples such as Harry Haywood, C.L.R. James, Alexandra Kollontai, and Doris Lessing. She argues that if we are to be a left at all, we have to be comrades.
Book Synopsis Comrade by : Jodi Dean
Download or read book Comrade written by Jodi Dean and published by Verso Books. This book was released on 2019-10-01 with total page 177 pages. Available in PDF, EPUB and Kindle. Book excerpt: When people say “comrade,” they change the world In the twentieth century, millions of people across the globe addressed each other as “comrade.” Now, among the left, it’s more common to hear talk of “allies.” In Comrade, Jodi Dean insists that this shift exemplifies the key problem with the contemporary left: the substitution of political identity for a relationship of political belonging that must be built, sustained, and defended. Dean offers a theory of the comrade. Comrades are equals on the same side of a political struggle. Voluntarily coming together in the struggle for justice, their relationship is characterized by discipline, joy, courage, and enthusiasm. Considering the egalitarianism of the comrade in light of differences of race and gender, Dean draws from an array of historical and literary examples such as Harry Haywood, C.L.R. James, Alexandra Kollontai, and Doris Lessing. She argues that if we are to be a left at all, we have to be comrades.
Credited with sparking the current memoir explosion, Mary Karr’s The Liars’ Club spent more than a year at the top of the New York Times list. She followed with two other smash bestsellers: Cherry and Lit, which were critical hits as well. For thirty years Karr has also taught the form, winning teaching prizes at Syracuse. (The writing program there produced such acclaimed authors as Cheryl Strayed, Keith Gessen, and Koren Zailckas.) In The Art of Memoir, she synthesizes her expertise as professor and therapy patient, writer and spiritual seeker, recovered alcoholic and “black belt sinner,” providing a unique window into the mechanics and art of the form that is as irreverent, insightful, and entertaining as her own work in the genre. Anchored by excerpts from her favorite memoirs and anecdotes from fellow writers’ experience, The Art of Memoir lays bare Karr’s own process. (Plus all those inside stories about how she dealt with family and friends get told— and the dark spaces in her own skull probed in depth.) As she breaks down the key elements of great literary memoir, she breaks open our concepts of memory and identity, and illuminates the cathartic power of reflecting on the past; anybody with an inner life or complicated history, whether writer or reader, will relate. Joining such classics as Stephen King’s On Writing and Anne Lamott’s Bird by Bird, The Art of Memoir is an elegant and accessible exploration of one of today’s most popular literary forms—a tour de force from an accomplished master pulling back the curtain on her craft.
Book Synopsis The Art of Memoir by : Mary Karr
Download or read book The Art of Memoir written by Mary Karr and published by HarperCollins. This book was released on 2015-09-15 with total page 256 pages. Available in PDF, EPUB and Kindle. Book excerpt: Credited with sparking the current memoir explosion, Mary Karr’s The Liars’ Club spent more than a year at the top of the New York Times list. She followed with two other smash bestsellers: Cherry and Lit, which were critical hits as well. For thirty years Karr has also taught the form, winning teaching prizes at Syracuse. (The writing program there produced such acclaimed authors as Cheryl Strayed, Keith Gessen, and Koren Zailckas.) In The Art of Memoir, she synthesizes her expertise as professor and therapy patient, writer and spiritual seeker, recovered alcoholic and “black belt sinner,” providing a unique window into the mechanics and art of the form that is as irreverent, insightful, and entertaining as her own work in the genre. Anchored by excerpts from her favorite memoirs and anecdotes from fellow writers’ experience, The Art of Memoir lays bare Karr’s own process. (Plus all those inside stories about how she dealt with family and friends get told— and the dark spaces in her own skull probed in depth.) As she breaks down the key elements of great literary memoir, she breaks open our concepts of memory and identity, and illuminates the cathartic power of reflecting on the past; anybody with an inner life or complicated history, whether writer or reader, will relate. Joining such classics as Stephen King’s On Writing and Anne Lamott’s Bird by Bird, The Art of Memoir is an elegant and accessible exploration of one of today’s most popular literary forms—a tour de force from an accomplished master pulling back the curtain on her craft.
The revival of the Olympic games in 1896 and the subsequent rise of modern athletics prompted a new, energetic movement away from more sedentary habits. In Russia, this ethos soon became a key facet of the Bolsheviks' shared vision for the future. In the aftermath of the revolution, glorification of exercise persevered, pointing the way toward a stronger, healthier populace and a vibrant Socialist society. With interdisciplinary analysis of literature, painting, and film, Faster, Higher, Stronger, Comrades! traces how physical fitness had an even broader impact on culture and ideology in the Soviet Union than previously realized. From prerevolutionary writers and painters glorifying popular circus wrestlers to Soviet photographers capturing unprecedented athleticism as a means of satisfying their aesthetic ideals, the nation's artists embraced sports in profound, inventive ways. Though athletics were used for doctrinaire purposes, Tim Harte demonstrates that at their core, they remained playful, joyous physical activities capable of stirring imaginations and transforming everyday realities.
Book Synopsis Faster, Higher, Stronger, Comrades! by : Tim Harte
Download or read book Faster, Higher, Stronger, Comrades! written by Tim Harte and published by University of Wisconsin Press. This book was released on 2020-07-07 with total page 322 pages. Available in PDF, EPUB and Kindle. Book excerpt: The revival of the Olympic games in 1896 and the subsequent rise of modern athletics prompted a new, energetic movement away from more sedentary habits. In Russia, this ethos soon became a key facet of the Bolsheviks' shared vision for the future. In the aftermath of the revolution, glorification of exercise persevered, pointing the way toward a stronger, healthier populace and a vibrant Socialist society. With interdisciplinary analysis of literature, painting, and film, Faster, Higher, Stronger, Comrades! traces how physical fitness had an even broader impact on culture and ideology in the Soviet Union than previously realized. From prerevolutionary writers and painters glorifying popular circus wrestlers to Soviet photographers capturing unprecedented athleticism as a means of satisfying their aesthetic ideals, the nation's artists embraced sports in profound, inventive ways. Though athletics were used for doctrinaire purposes, Tim Harte demonstrates that at their core, they remained playful, joyous physical activities capable of stirring imaginations and transforming everyday realities.
'During the Tang dynasty, the Chinese artist Wu Tao-tzu was one day standing looking at a mural he had just completed. Suddenly, he clapped his hands and the temple gate opened. He went into his work and the gates closed behind him.' Thus begins Sven Lindqvist's profound meditation on art and its relationship with life, first published in 1967, and a classic in his home country - it has never been out of print. As a young man, Sven Lindqvist was fascinated by the myth of Wu Tao-tzu, and by the possibility of entering a work of art and making it a way of life. He was drawn to artists and writers who shared this vision, especially Hermann Hesse, in his novel Glass Bead Game. Partly inspired by Hesse's work, Lindqvist lived in China for two years, learning classical calligraphy from a master teacher. There he was drawn deeper into the idea of a life of artistic perfectionism and retreat from the world. But when he left China for India and then Afghanistan, and saw the grotesque effects of poverty and extreme inequality, Lindqvist suffered a crisis of confidence and started to question his ideas about complete immersion in art at the expense of a proper engagement with life. The Myth of Wu Tao-tzu takes us on a fascinating journey through a young man's moral awakening and his grappling with profound questions of aesthetics. It contains the bracing moral anger, and poetic, intensely atmospheric travel writing Lindqvist's readers have come to love.
Book Synopsis The Myth of Wu Tao-tzu by : Sven Lindqvist
Download or read book The Myth of Wu Tao-tzu written by Sven Lindqvist and published by Granta Books. This book was released on 2012-08-02 with total page 105 pages. Available in PDF, EPUB and Kindle. Book excerpt: 'During the Tang dynasty, the Chinese artist Wu Tao-tzu was one day standing looking at a mural he had just completed. Suddenly, he clapped his hands and the temple gate opened. He went into his work and the gates closed behind him.' Thus begins Sven Lindqvist's profound meditation on art and its relationship with life, first published in 1967, and a classic in his home country - it has never been out of print. As a young man, Sven Lindqvist was fascinated by the myth of Wu Tao-tzu, and by the possibility of entering a work of art and making it a way of life. He was drawn to artists and writers who shared this vision, especially Hermann Hesse, in his novel Glass Bead Game. Partly inspired by Hesse's work, Lindqvist lived in China for two years, learning classical calligraphy from a master teacher. There he was drawn deeper into the idea of a life of artistic perfectionism and retreat from the world. But when he left China for India and then Afghanistan, and saw the grotesque effects of poverty and extreme inequality, Lindqvist suffered a crisis of confidence and started to question his ideas about complete immersion in art at the expense of a proper engagement with life. The Myth of Wu Tao-tzu takes us on a fascinating journey through a young man's moral awakening and his grappling with profound questions of aesthetics. It contains the bracing moral anger, and poetic, intensely atmospheric travel writing Lindqvist's readers have come to love.
The politics, art and culture of Perth's Workers Art Guildare detailed in this comprehensive history, as well as the personal andprofessional lives of some of the movement's key figures.The Workers' Art Guild was a left-leaning political force andinfluential cultural movement of the 1930s and 1940s in Perth. Policeand intelligence arms kept close tabs on the Guild and its members,jailing some and intimidating many others prior to and during theperiod of the banning of the Communist Party in Australia.The book covers the personal and professional lives of key figuressuch as writer Katharine Susannah Prichard and theatre maverickKeith George, while charting the influence of the Communist Party onWestern Australian artists.
Book Synopsis Art Was Their Weapon by : Dylan Hyde
Download or read book Art Was Their Weapon written by Dylan Hyde and published by Fremantle Press. This book was released on 2019-10-01 with total page 463 pages. Available in PDF, EPUB and Kindle. Book excerpt: The politics, art and culture of Perth's Workers Art Guildare detailed in this comprehensive history, as well as the personal andprofessional lives of some of the movement's key figures.The Workers' Art Guild was a left-leaning political force andinfluential cultural movement of the 1930s and 1940s in Perth. Policeand intelligence arms kept close tabs on the Guild and its members,jailing some and intimidating many others prior to and during theperiod of the banning of the Communist Party in Australia.The book covers the personal and professional lives of key figuressuch as writer Katharine Susannah Prichard and theatre maverickKeith George, while charting the influence of the Communist Party onWestern Australian artists.
Comrades at Odds explores the complicated Cold War relationship between the United States and the newly independent India of Jawaharlal Nehru from a unique perspective--that of culture, broadly defined. In a departure from the usual way of doing diplomatic history, Andrew J. Rotter chose culture as his jumping-off point because, he says, "Like the rest of us, policymakers and diplomats do not shed their values, biases, and assumptions at their office doors. They are creatures of culture, and their attitudes cannot help but shape the policy they make." To define those attitudes, Rotter consults not only government documents and the memoirs of those involved in the events of the day, but also literature, art, and mass media. "An advertisement, a photograph, a cartoon, a film, and a short story," he finds, "tell us in their own ways about relations between nations as surely as a State Department memorandum does."While expanding knowledge about the creation and implementation of democracy, Rotter carries his analysis across the categories of race, class, gender, religion, and culturally infused practices of governance, strategy, and economics.Americans saw Indians as superstitious, unclean, treacherous, lazy, and prevaricating. Indians regarded Americans as arrogant, materialistic, uncouth, profane, and violent. Yet, in spite of these stereotypes, Rotter notes the mutual recognition of profound similarities between the two groups; they were indeed "comrades at odds."
Book Synopsis Comrades at Odds by : Andrew Jon Rotter
Download or read book Comrades at Odds written by Andrew Jon Rotter and published by Cornell University Press. This book was released on 2000 with total page 372 pages. Available in PDF, EPUB and Kindle. Book excerpt: Comrades at Odds explores the complicated Cold War relationship between the United States and the newly independent India of Jawaharlal Nehru from a unique perspective--that of culture, broadly defined. In a departure from the usual way of doing diplomatic history, Andrew J. Rotter chose culture as his jumping-off point because, he says, "Like the rest of us, policymakers and diplomats do not shed their values, biases, and assumptions at their office doors. They are creatures of culture, and their attitudes cannot help but shape the policy they make." To define those attitudes, Rotter consults not only government documents and the memoirs of those involved in the events of the day, but also literature, art, and mass media. "An advertisement, a photograph, a cartoon, a film, and a short story," he finds, "tell us in their own ways about relations between nations as surely as a State Department memorandum does."While expanding knowledge about the creation and implementation of democracy, Rotter carries his analysis across the categories of race, class, gender, religion, and culturally infused practices of governance, strategy, and economics.Americans saw Indians as superstitious, unclean, treacherous, lazy, and prevaricating. Indians regarded Americans as arrogant, materialistic, uncouth, profane, and violent. Yet, in spite of these stereotypes, Rotter notes the mutual recognition of profound similarities between the two groups; they were indeed "comrades at odds."