Concerti musicali

Concerti musicali

Author: Giuseppe Torelli

Publisher: A-R Editions, Inc.

Published: 2002-01-01

Total Pages: 130

ISBN-13: 0895794969

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Book Synopsis Concerti musicali by : Giuseppe Torelli

Download or read book Concerti musicali written by Giuseppe Torelli and published by A-R Editions, Inc.. This book was released on 2002-01-01 with total page 130 pages. Available in PDF, EPUB and Kindle. Book excerpt:


Solomone Rossi

Solomone Rossi

Author: Don Harrán

Publisher:

Published: 1999

Total Pages: 346

ISBN-13: 9780198162711

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Salamone Rossi (c.1570-c.1627) occupies a unique place in Renaissance music culture: he was the earliest outstanding Jewish composer to work in the European art music tradition. Working for the Gonzaga dukes in Mantua, yet remaining faithful to his own religious community, Rossi has a biography fraught with difficult and often exciting questions of socio-cultural order. How Rossi solved, or appears to have solved, the problem of conflicting interests is a subject worthy of inquiry, not only because we want to know more about Rossi, but also because Rossi can stand as a paradigm for other Jewish figures who, contemporary with him, moved between different cultures.


Book Synopsis Solomone Rossi by : Don Harrán

Download or read book Solomone Rossi written by Don Harrán and published by . This book was released on 1999 with total page 346 pages. Available in PDF, EPUB and Kindle. Book excerpt: Salamone Rossi (c.1570-c.1627) occupies a unique place in Renaissance music culture: he was the earliest outstanding Jewish composer to work in the European art music tradition. Working for the Gonzaga dukes in Mantua, yet remaining faithful to his own religious community, Rossi has a biography fraught with difficult and often exciting questions of socio-cultural order. How Rossi solved, or appears to have solved, the problem of conflicting interests is a subject worthy of inquiry, not only because we want to know more about Rossi, but also because Rossi can stand as a paradigm for other Jewish figures who, contemporary with him, moved between different cultures.


Music for a Mixed Taste

Music for a Mixed Taste

Author: Steven Zohn

Publisher: Oxford University Press

Published: 2015

Total Pages: 721

ISBN-13: 0190247851

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Georg Philipp Telemann gave us one of the richest legacies of instrumental music from the eighteenth century. Though considered a definitive contribution to the genre during his lifetime, his concertos, sonatas, and suites were then virtually ignored for nearly two centuries following his death. Yet these works are now among the most popular in the baroque repertory. In Music for a Mixed Taste, Steven Zohn considers Telemann's music from stylistic, generic, and cultural perspectives. He investigates the composer's cosmopolitan "mixed taste"--a blending of the French, Italian, English, and Polish national styles-and his imaginative expansion of this concept to embrace mixtures of the old (late baroque) and new (galant) styles. Telemann had an equally remarkable penchant for generic amalgamation, exemplified by his pioneering role in developing hybrid types such as the sonata in concerto style ("Sonate auf Concertenart") and overture-suite with solo instrument ("Concert en ouverture"). Zohn examines the extramusical meanings of Telemann's "characteristic" overture-suites, which bear descriptive texts associating them with literature, medicine, politics, religion, and the natural world, and which acted as vehicles for the composer's keen sense of musical humor. Zohn then explores Telemann's unprecedented self-publishing enterprise at Hamburg, and sheds light on the previously unrecognized borrowing by J.S. Bach from a Telemann concerto. Music for a Mixed Taste further reveals how Telemann's style polonaise generates musical and social meanings through the timeless oppositions of Orient-Occident, urban-rural, and serious-comic.


Book Synopsis Music for a Mixed Taste by : Steven Zohn

Download or read book Music for a Mixed Taste written by Steven Zohn and published by Oxford University Press. This book was released on 2015 with total page 721 pages. Available in PDF, EPUB and Kindle. Book excerpt: Georg Philipp Telemann gave us one of the richest legacies of instrumental music from the eighteenth century. Though considered a definitive contribution to the genre during his lifetime, his concertos, sonatas, and suites were then virtually ignored for nearly two centuries following his death. Yet these works are now among the most popular in the baroque repertory. In Music for a Mixed Taste, Steven Zohn considers Telemann's music from stylistic, generic, and cultural perspectives. He investigates the composer's cosmopolitan "mixed taste"--a blending of the French, Italian, English, and Polish national styles-and his imaginative expansion of this concept to embrace mixtures of the old (late baroque) and new (galant) styles. Telemann had an equally remarkable penchant for generic amalgamation, exemplified by his pioneering role in developing hybrid types such as the sonata in concerto style ("Sonate auf Concertenart") and overture-suite with solo instrument ("Concert en ouverture"). Zohn examines the extramusical meanings of Telemann's "characteristic" overture-suites, which bear descriptive texts associating them with literature, medicine, politics, religion, and the natural world, and which acted as vehicles for the composer's keen sense of musical humor. Zohn then explores Telemann's unprecedented self-publishing enterprise at Hamburg, and sheds light on the previously unrecognized borrowing by J.S. Bach from a Telemann concerto. Music for a Mixed Taste further reveals how Telemann's style polonaise generates musical and social meanings through the timeless oppositions of Orient-Occident, urban-rural, and serious-comic.


Liber Amicorum John Steele

Liber Amicorum John Steele

Author:

Publisher: Pendragon Press

Published: 1997

Total Pages: 500

ISBN-13: 9780945193807

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John Steele was educated at Victoria University of Wellington, and at Cambridge University, where he was a student of Thurston Dart. Steele was the first New Zealander to become a professional musicologist, and the first to achieve international repute, largely for his work on Italian music of the late sixteenth and early seventeenth centuries. This volume has been undertaken by the New Zealand Musicological Society as a tribute to its most distinguished member on the occasion of his retirement from Otago University. The main focus of the collection is the music of the sixteenth to eighteenth centuries.


Book Synopsis Liber Amicorum John Steele by :

Download or read book Liber Amicorum John Steele written by and published by Pendragon Press. This book was released on 1997 with total page 500 pages. Available in PDF, EPUB and Kindle. Book excerpt: John Steele was educated at Victoria University of Wellington, and at Cambridge University, where he was a student of Thurston Dart. Steele was the first New Zealander to become a professional musicologist, and the first to achieve international repute, largely for his work on Italian music of the late sixteenth and early seventeenth centuries. This volume has been undertaken by the New Zealand Musicological Society as a tribute to its most distinguished member on the occasion of his retirement from Otago University. The main focus of the collection is the music of the sixteenth to eighteenth centuries.


The Scoring of Baroque Concertos

The Scoring of Baroque Concertos

Author: C. R. F. Maunder

Publisher: Boydell Press

Published: 2004

Total Pages: 304

ISBN-13: 9781843830719

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Evidence indicates that the concertos of Vivaldi, Bach, Haydn etc were performed as chamber music, not the full orchestral works commonly assumed. The concertos of Vivaldi, Bach, Handel and their contemporaries are some of the most popular, and the most frequently performed, pieces of classical music; and the assumption has always been they were full orchestral works. This book takes issue with this orthodox opinion to argue quite the reverse: that contemporaries regarded the concerto as chamber music. The author surveys the evidence, from surviving printed and manuscript performance material, from concerts throughout Europe between 1685 and 1750 (the heyday of the concerto), demonstrating that concertos were nearly always played one-to-a-part at that time. He makes a particularly close study of the scoring of the bass line, discussing the question of what instruments were most appropriate and what was used when. The late Dr RICHARD MAUNDER was Fellow of Christ's College, Cambridge.


Book Synopsis The Scoring of Baroque Concertos by : C. R. F. Maunder

Download or read book The Scoring of Baroque Concertos written by C. R. F. Maunder and published by Boydell Press. This book was released on 2004 with total page 304 pages. Available in PDF, EPUB and Kindle. Book excerpt: Evidence indicates that the concertos of Vivaldi, Bach, Haydn etc were performed as chamber music, not the full orchestral works commonly assumed. The concertos of Vivaldi, Bach, Handel and their contemporaries are some of the most popular, and the most frequently performed, pieces of classical music; and the assumption has always been they were full orchestral works. This book takes issue with this orthodox opinion to argue quite the reverse: that contemporaries regarded the concerto as chamber music. The author surveys the evidence, from surviving printed and manuscript performance material, from concerts throughout Europe between 1685 and 1750 (the heyday of the concerto), demonstrating that concertos were nearly always played one-to-a-part at that time. He makes a particularly close study of the scoring of the bass line, discussing the question of what instruments were most appropriate and what was used when. The late Dr RICHARD MAUNDER was Fellow of Christ's College, Cambridge.


The Cambridge Companion to the Concerto

The Cambridge Companion to the Concerto

Author: Simon P. Keefe

Publisher: Cambridge University Press

Published: 2005-10-27

Total Pages: 344

ISBN-13: 9780521834834

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A rare volume dedicated entirely to scholarship on the genre of the concerto.


Book Synopsis The Cambridge Companion to the Concerto by : Simon P. Keefe

Download or read book The Cambridge Companion to the Concerto written by Simon P. Keefe and published by Cambridge University Press. This book was released on 2005-10-27 with total page 344 pages. Available in PDF, EPUB and Kindle. Book excerpt: A rare volume dedicated entirely to scholarship on the genre of the concerto.


Antonio Vivaldi

Antonio Vivaldi

Author: Karl Heller

Publisher: Rowman & Littlefield

Published: 2003-03-01

Total Pages: 361

ISBN-13: 1458412857

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Antonio Vivaldi's rediscovery after World War II quickly led him from obscurity to his present renown as one of the most popular 18th-century composers. Heller's biography presents the important facets of his life, his works, and his influence on music history.


Book Synopsis Antonio Vivaldi by : Karl Heller

Download or read book Antonio Vivaldi written by Karl Heller and published by Rowman & Littlefield. This book was released on 2003-03-01 with total page 361 pages. Available in PDF, EPUB and Kindle. Book excerpt: Antonio Vivaldi's rediscovery after World War II quickly led him from obscurity to his present renown as one of the most popular 18th-century composers. Heller's biography presents the important facets of his life, his works, and his influence on music history.


The Cambridge History of Seventeenth-Century Music

The Cambridge History of Seventeenth-Century Music

Author: Tim Carter

Publisher: Cambridge University Press

Published: 2005-12-22

Total Pages: 636

ISBN-13: 9780521792738

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First published in 2005, this title provides extensive knowledge on seventeenth-century music.


Book Synopsis The Cambridge History of Seventeenth-Century Music by : Tim Carter

Download or read book The Cambridge History of Seventeenth-Century Music written by Tim Carter and published by Cambridge University Press. This book was released on 2005-12-22 with total page 636 pages. Available in PDF, EPUB and Kindle. Book excerpt: First published in 2005, this title provides extensive knowledge on seventeenth-century music.


The Penguin Guide to the 1000 Finest Classical Recordings

The Penguin Guide to the 1000 Finest Classical Recordings

Author: Edward Greenfield

Publisher: Penguin UK

Published: 2011-09-29

Total Pages: 921

ISBN-13: 0141399767

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INDEPENDENT BOOKS OF THE YEAR This completely new edition of the Penguin Guide reviews the 1000 best classical albums issued and reissued over the past five decades, many of which dominate the catalogue because of their sheer excellence, irrespective of recording dates. More comprehensive than ever before, it indicates key recordings on CD, DVD and enhanced SACD, including those in surround sound. If you want the finest available version of any major classical album you will find it listed and assessed in these pages. Ranging from long-established albums to the newest releases, the latest edition represents the cream of the international repertoire and has all the information you need to select the finest classical music available.


Book Synopsis The Penguin Guide to the 1000 Finest Classical Recordings by : Edward Greenfield

Download or read book The Penguin Guide to the 1000 Finest Classical Recordings written by Edward Greenfield and published by Penguin UK. This book was released on 2011-09-29 with total page 921 pages. Available in PDF, EPUB and Kindle. Book excerpt: INDEPENDENT BOOKS OF THE YEAR This completely new edition of the Penguin Guide reviews the 1000 best classical albums issued and reissued over the past five decades, many of which dominate the catalogue because of their sheer excellence, irrespective of recording dates. More comprehensive than ever before, it indicates key recordings on CD, DVD and enhanced SACD, including those in surround sound. If you want the finest available version of any major classical album you will find it listed and assessed in these pages. Ranging from long-established albums to the newest releases, the latest edition represents the cream of the international repertoire and has all the information you need to select the finest classical music available.


The Cambridge Companion to the Violin

The Cambridge Companion to the Violin

Author: Robin Stowell

Publisher: Cambridge University Press

Published: 1992-12-10

Total Pages: 310

ISBN-13: 113982497X

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The Cambridge Companion to the Violin offers students, performers, and scholars a fascinating and composite survey of the history and repertory of the instrument from its origins to the present day. The volume comprises fifteen essays, written by a team of specialists, and is intended to develop the violin's historical perspective in breadth and from every relevant angle. The principal subjects discussed include the instrument's structure and development; its fundamental acoustical properties; principal exponents; technique and teaching principles; solo and ensemble repertory; pedagogical literature; traditions in folk music and jazz; and aspects of historical performing practice. The text is supported by numerous illustrations and diagrams as well as music examples, a useful appendix, glossary of technical terms, and an extensive bibliography.


Book Synopsis The Cambridge Companion to the Violin by : Robin Stowell

Download or read book The Cambridge Companion to the Violin written by Robin Stowell and published by Cambridge University Press. This book was released on 1992-12-10 with total page 310 pages. Available in PDF, EPUB and Kindle. Book excerpt: The Cambridge Companion to the Violin offers students, performers, and scholars a fascinating and composite survey of the history and repertory of the instrument from its origins to the present day. The volume comprises fifteen essays, written by a team of specialists, and is intended to develop the violin's historical perspective in breadth and from every relevant angle. The principal subjects discussed include the instrument's structure and development; its fundamental acoustical properties; principal exponents; technique and teaching principles; solo and ensemble repertory; pedagogical literature; traditions in folk music and jazz; and aspects of historical performing practice. The text is supported by numerous illustrations and diagrams as well as music examples, a useful appendix, glossary of technical terms, and an extensive bibliography.