Contemporary Argentine Women Filmmakers

Contemporary Argentine Women Filmmakers

Author: Mirna Vohnsen

Publisher: Springer Nature

Published: 2023-07-06

Total Pages: 274

ISBN-13: 3031323467

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This edited volume offers a wide-ranging picture of Argentine women filmmakers’ contribution to the film industry from the 1980s to the present by bringing together the work of highly acclaimed and emerging directors. Through thirteen critical essays by leading scholars in the field of Argentine cinema, the book acknowledges that contemporary women filmmakers have transformed the cinema of Argentina by questioning, challenging and debunking hegemonic patriarchal systems of representation. With a focus on women’s voices and experiences, the contributions redress both the under-representation of women and girls onscreen and the perpetuation of stereotypes, while exploring the innovative aesthetics used by these filmmakers.


Book Synopsis Contemporary Argentine Women Filmmakers by : Mirna Vohnsen

Download or read book Contemporary Argentine Women Filmmakers written by Mirna Vohnsen and published by Springer Nature. This book was released on 2023-07-06 with total page 274 pages. Available in PDF, EPUB and Kindle. Book excerpt: This edited volume offers a wide-ranging picture of Argentine women filmmakers’ contribution to the film industry from the 1980s to the present by bringing together the work of highly acclaimed and emerging directors. Through thirteen critical essays by leading scholars in the field of Argentine cinema, the book acknowledges that contemporary women filmmakers have transformed the cinema of Argentina by questioning, challenging and debunking hegemonic patriarchal systems of representation. With a focus on women’s voices and experiences, the contributions redress both the under-representation of women and girls onscreen and the perpetuation of stereotypes, while exploring the innovative aesthetics used by these filmmakers.


Before Bemberg

Before Bemberg

Author: Matt Losada

Publisher: Rutgers University Press

Published: 2020-09-18

Total Pages: 196

ISBN-13: 1978814542

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A history of the gendered division of labor in Argentine Cinema -- Eva Landeck -- Beauvoir before Bemberg : Lah, Avellaneda-Walsh, Bemberg.


Book Synopsis Before Bemberg by : Matt Losada

Download or read book Before Bemberg written by Matt Losada and published by Rutgers University Press. This book was released on 2020-09-18 with total page 196 pages. Available in PDF, EPUB and Kindle. Book excerpt: A history of the gendered division of labor in Argentine Cinema -- Eva Landeck -- Beauvoir before Bemberg : Lah, Avellaneda-Walsh, Bemberg.


Masculinities in Contemporary Argentine Popular Cinema

Masculinities in Contemporary Argentine Popular Cinema

Author: Carolina Rocha

Publisher: Springer

Published: 2012-04-14

Total Pages: 228

ISBN-13: 1137011793

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Examines contemporary cinematic representations of Argentine masculinities, the social construction of gender, and the financing of domestic film production following Argentina's 1990 change to a neo-liberal economic model.


Book Synopsis Masculinities in Contemporary Argentine Popular Cinema by : Carolina Rocha

Download or read book Masculinities in Contemporary Argentine Popular Cinema written by Carolina Rocha and published by Springer. This book was released on 2012-04-14 with total page 228 pages. Available in PDF, EPUB and Kindle. Book excerpt: Examines contemporary cinematic representations of Argentine masculinities, the social construction of gender, and the financing of domestic film production following Argentina's 1990 change to a neo-liberal economic model.


Latin American Women Filmmakers

Latin American Women Filmmakers

Author: Deborah Martin

Publisher: Bloomsbury Publishing

Published: 2017-03-23

Total Pages: 288

ISBN-13: 1786721724

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Latin American women filmmakers have achieved unprecedented international prominence in recent years. Notably political in their approach, figures such as Lucrecia Martel, Claudia Llosa and Bertha Navarro have created innovative and often challenging films, enjoying global acclaim from critics and festival audiences alike. They undeniably mark a 'moment' for Latin American cinema.Bringing together distinguished scholars in the field - and prefaced by B. Ruby Rich - this is a much-needed account and analysis of the rise of female-led film in Latin America. Chapters detail the collaboration that characterises Latin American women's filmmaking - in many ways distinct from the largely 'Third Cinema' auteurism from the region - as well as the transnational production contexts, unique aesthetics and socio-political landscape of the key industry figures. Through close attention to the particular features of national film cultures, from women's documentary filmmaking in Chile to comedic critique in Brazil, and from US Latina screen culture to the burgeoning popularity of Peruvian film, this timely study demonstrates the remarkable possibilities for film in the region. This book will allow scholars and students of Latin American cinema and culture, as well as industry professionals, a deeper understanding of the emergence and impact of the filmmakers and their work, which has particular relevance for contemporary debates on feminism.


Book Synopsis Latin American Women Filmmakers by : Deborah Martin

Download or read book Latin American Women Filmmakers written by Deborah Martin and published by Bloomsbury Publishing. This book was released on 2017-03-23 with total page 288 pages. Available in PDF, EPUB and Kindle. Book excerpt: Latin American women filmmakers have achieved unprecedented international prominence in recent years. Notably political in their approach, figures such as Lucrecia Martel, Claudia Llosa and Bertha Navarro have created innovative and often challenging films, enjoying global acclaim from critics and festival audiences alike. They undeniably mark a 'moment' for Latin American cinema.Bringing together distinguished scholars in the field - and prefaced by B. Ruby Rich - this is a much-needed account and analysis of the rise of female-led film in Latin America. Chapters detail the collaboration that characterises Latin American women's filmmaking - in many ways distinct from the largely 'Third Cinema' auteurism from the region - as well as the transnational production contexts, unique aesthetics and socio-political landscape of the key industry figures. Through close attention to the particular features of national film cultures, from women's documentary filmmaking in Chile to comedic critique in Brazil, and from US Latina screen culture to the burgeoning popularity of Peruvian film, this timely study demonstrates the remarkable possibilities for film in the region. This book will allow scholars and students of Latin American cinema and culture, as well as industry professionals, a deeper understanding of the emergence and impact of the filmmakers and their work, which has particular relevance for contemporary debates on feminism.


Crisis and Capitalism in Contemporary Argentine Cinema

Crisis and Capitalism in Contemporary Argentine Cinema

Author: Joanna Page

Publisher: Duke University Press

Published: 2009-05-22

Total Pages: 248

ISBN-13: 0822390752

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There has been a significant surge in recent Argentine cinema, with an explosion in the number of films made in the country since the mid-1990s. Many of these productions have been highly acclaimed by critics in Argentina and elsewhere. What makes this boom all the more extraordinary is its coinciding with a period of severe economic crisis and civil unrest in the nation. Offering the first in-depth English-language study of Argentine fiction films of the late twentieth century and early twenty-first, Joanna Page explains how these productions have registered Argentina’s experience of capitalism, neoliberalism, and economic crisis. In different ways, the films selected for discussion testify to the social consequences of growing unemployment, rising crime, marginalization, and the expansion of the informal economy. Page focuses particularly on films associated with New Argentine Cinema, but she also discusses highly experimental films and genre movies that borrow from the conventions of crime thrillers, Westerns, and film noir. She analyzes films that have received wide international recognition alongside others that have rarely been shown outside Argentina. What unites all the films she examines is their attention to shifts in subjectivity provoked by political or economic conditions and events. Page emphasizes the paradoxes arising from the circulation of Argentine films within the same global economy they so often critique, and she argues that while Argentine cinema has been intent on narrating the collapse of the nation-state, it has also contributed to the nation’s reconstruction. She brings the films into dialogue with a broader range of issues in contemporary film criticism, including the role of national and transnational film studies, theories of subjectivity and spectatorship, and the relationship between private and public spheres.


Book Synopsis Crisis and Capitalism in Contemporary Argentine Cinema by : Joanna Page

Download or read book Crisis and Capitalism in Contemporary Argentine Cinema written by Joanna Page and published by Duke University Press. This book was released on 2009-05-22 with total page 248 pages. Available in PDF, EPUB and Kindle. Book excerpt: There has been a significant surge in recent Argentine cinema, with an explosion in the number of films made in the country since the mid-1990s. Many of these productions have been highly acclaimed by critics in Argentina and elsewhere. What makes this boom all the more extraordinary is its coinciding with a period of severe economic crisis and civil unrest in the nation. Offering the first in-depth English-language study of Argentine fiction films of the late twentieth century and early twenty-first, Joanna Page explains how these productions have registered Argentina’s experience of capitalism, neoliberalism, and economic crisis. In different ways, the films selected for discussion testify to the social consequences of growing unemployment, rising crime, marginalization, and the expansion of the informal economy. Page focuses particularly on films associated with New Argentine Cinema, but she also discusses highly experimental films and genre movies that borrow from the conventions of crime thrillers, Westerns, and film noir. She analyzes films that have received wide international recognition alongside others that have rarely been shown outside Argentina. What unites all the films she examines is their attention to shifts in subjectivity provoked by political or economic conditions and events. Page emphasizes the paradoxes arising from the circulation of Argentine films within the same global economy they so often critique, and she argues that while Argentine cinema has been intent on narrating the collapse of the nation-state, it has also contributed to the nation’s reconstruction. She brings the films into dialogue with a broader range of issues in contemporary film criticism, including the role of national and transnational film studies, theories of subjectivity and spectatorship, and the relationship between private and public spheres.


Latin American Women Filmmakers

Latin American Women Filmmakers

Author: Traci Roberts-Camps

Publisher: University of New Mexico Press

Published: 2017

Total Pages: 200

ISBN-13: 0826358276

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This book highlights the voices and stories of Latin American women directors from Brazil, Chile, Argentina, and Mexico.


Book Synopsis Latin American Women Filmmakers by : Traci Roberts-Camps

Download or read book Latin American Women Filmmakers written by Traci Roberts-Camps and published by University of New Mexico Press. This book was released on 2017 with total page 200 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book highlights the voices and stories of Latin American women directors from Brazil, Chile, Argentina, and Mexico.


Hear Me with Your Eyes

Hear Me with Your Eyes

Author: Ana Forcinito

Publisher: UNC Press Books

Published: 2022-04-15

Total Pages: 190

ISBN-13: 146967095X

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Hear Me with Your Eyes examines the intrusion of the voice into the cinematographic gaze and the intersections (and ruptures) of the sound-image in Argentine women filmmakers from a feminist perspective. In different ways, Maria Luisa Bemberg, Lita Stantic, Lucrecia Martel, Albertina Carri, Maria Victoria Menis, Lucia Puenzo, Sabrina Farji, Paula de Luque, Anahi Berneri, Sandra Gugliotta, and Gabriela David explore the visual realm through the continuities, intrusions, irrelevancies, harmonies, and desynchronizations of the voice. Or, instead, they explore different voices and their modulations, including whispers, screams, singing, echoes, breathing, resonance, sighs, and the transcendent voice, the narrative voice, the silenced voice, the articulated and unarticulated voice, and that which is none of the above. These voices suggest another relationship with the audiovisual realm, one that seems to include a closeness that erases, if only intermittently, the unalterable relationship between subject and object that characterizes the patriarchal visual regime.


Book Synopsis Hear Me with Your Eyes by : Ana Forcinito

Download or read book Hear Me with Your Eyes written by Ana Forcinito and published by UNC Press Books. This book was released on 2022-04-15 with total page 190 pages. Available in PDF, EPUB and Kindle. Book excerpt: Hear Me with Your Eyes examines the intrusion of the voice into the cinematographic gaze and the intersections (and ruptures) of the sound-image in Argentine women filmmakers from a feminist perspective. In different ways, Maria Luisa Bemberg, Lita Stantic, Lucrecia Martel, Albertina Carri, Maria Victoria Menis, Lucia Puenzo, Sabrina Farji, Paula de Luque, Anahi Berneri, Sandra Gugliotta, and Gabriela David explore the visual realm through the continuities, intrusions, irrelevancies, harmonies, and desynchronizations of the voice. Or, instead, they explore different voices and their modulations, including whispers, screams, singing, echoes, breathing, resonance, sighs, and the transcendent voice, the narrative voice, the silenced voice, the articulated and unarticulated voice, and that which is none of the above. These voices suggest another relationship with the audiovisual realm, one that seems to include a closeness that erases, if only intermittently, the unalterable relationship between subject and object that characterizes the patriarchal visual regime.


Cinematic Landscape and Emerging Identities in Contemporary Latin American Film

Cinematic Landscape and Emerging Identities in Contemporary Latin American Film

Author: María Soledad Paz-MacKay

Publisher: Lexington Books

Published: 2024-03-06

Total Pages: 235

ISBN-13: 1666934267

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Cinematic Landscape and Emerging Identities in Contemporary Latin American Film offers a series of perspectives, produced from a diverse array of aesthetic and theoretical approaches, that build on previous studies about cinematic landscape and space while addressing it from a regional perspective. This book explores how contemporary Latin American filmmakers have included, created, or transformed different types of landscapes in their works. The chapters highlight the centrality of landscape as a meaningful space in film, composed in addition to the image, sound, and movement. The core of the edited collection revolves around films where landscape emerges as a crucial element to transmit the urgency of issues affecting diverse Latin American societies. The representation of emerging social actors, such as Indigenous groups, Afro-Latin Americans, LGBTQIA+ communities, migrants, environmentalists, and women, offers a localized view of sociocultural, political, and environmental challenges from marginalized and dissenting voices.


Book Synopsis Cinematic Landscape and Emerging Identities in Contemporary Latin American Film by : María Soledad Paz-MacKay

Download or read book Cinematic Landscape and Emerging Identities in Contemporary Latin American Film written by María Soledad Paz-MacKay and published by Lexington Books. This book was released on 2024-03-06 with total page 235 pages. Available in PDF, EPUB and Kindle. Book excerpt: Cinematic Landscape and Emerging Identities in Contemporary Latin American Film offers a series of perspectives, produced from a diverse array of aesthetic and theoretical approaches, that build on previous studies about cinematic landscape and space while addressing it from a regional perspective. This book explores how contemporary Latin American filmmakers have included, created, or transformed different types of landscapes in their works. The chapters highlight the centrality of landscape as a meaningful space in film, composed in addition to the image, sound, and movement. The core of the edited collection revolves around films where landscape emerges as a crucial element to transmit the urgency of issues affecting diverse Latin American societies. The representation of emerging social actors, such as Indigenous groups, Afro-Latin Americans, LGBTQIA+ communities, migrants, environmentalists, and women, offers a localized view of sociocultural, political, and environmental challenges from marginalized and dissenting voices.


Contemporary Argentine Cinema

Contemporary Argentine Cinema

Author: David William Foster

Publisher: University of Missouri Press

Published: 1992

Total Pages: 188

ISBN-13: 9780826208606

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"Foster discusses ten Argentine films, including Kiss of the Spider Woman, The Official Story, and Man Facing Southeast to examine the transformation of social topics into motion pictures and the relationship between commercial filmmaking strategies and Argentine redemocratization."--Publishers website.


Book Synopsis Contemporary Argentine Cinema by : David William Foster

Download or read book Contemporary Argentine Cinema written by David William Foster and published by University of Missouri Press. This book was released on 1992 with total page 188 pages. Available in PDF, EPUB and Kindle. Book excerpt: "Foster discusses ten Argentine films, including Kiss of the Spider Woman, The Official Story, and Man Facing Southeast to examine the transformation of social topics into motion pictures and the relationship between commercial filmmaking strategies and Argentine redemocratization."--Publishers website.


Affective Moments in the Films of Martel, Carri, and Puenzo

Affective Moments in the Films of Martel, Carri, and Puenzo

Author: Inela Selimović

Publisher: Springer

Published: 2018-04-09

Total Pages: 263

ISBN-13: 1137496428

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This book studies the intimate tensions between affect and emotions as terrains of sociopolitical significance in the cinema of Lucrecia Martel, Albertina Carri, and Lucía Puenzo. Such tensions, Selimović argues, result in “affective moments” that relate to the films’ core arguments. They also signal these filmmakers’ novel insights on complex manifestations of memory, desire, and violence. The chapters explore how the presence of pronounced—but reticent—affect complicates emotional bonding in the everydayness depicted in these films. By bringing out moments of affect in these filmmakers’ diegetic worlds, this book traces the ways in which subtle foci on gender, class, race, and sexuality correlate in these Argentine women’s films.


Book Synopsis Affective Moments in the Films of Martel, Carri, and Puenzo by : Inela Selimović

Download or read book Affective Moments in the Films of Martel, Carri, and Puenzo written by Inela Selimović and published by Springer. This book was released on 2018-04-09 with total page 263 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book studies the intimate tensions between affect and emotions as terrains of sociopolitical significance in the cinema of Lucrecia Martel, Albertina Carri, and Lucía Puenzo. Such tensions, Selimović argues, result in “affective moments” that relate to the films’ core arguments. They also signal these filmmakers’ novel insights on complex manifestations of memory, desire, and violence. The chapters explore how the presence of pronounced—but reticent—affect complicates emotional bonding in the everydayness depicted in these films. By bringing out moments of affect in these filmmakers’ diegetic worlds, this book traces the ways in which subtle foci on gender, class, race, and sexuality correlate in these Argentine women’s films.