Contemporary Art from Nigeria in the Global Markets

Contemporary Art from Nigeria in the Global Markets

Author: Jonathan Adeyemi

Publisher: Springer Nature

Published: 2022-12-07

Total Pages: 226

ISBN-13: 3031175344

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This book brings together from four years of study on Nigerian contemporary art's internationalization. The monograph integrates voices of African (Nigerian) artists and art market players into the growing discourse on the emerging art markets in the global South. It explores the logic of competition and dynamics of power relations in the global markets, focusing on the internationalization of contemporary art forms from peripheral regions. The book confirms that the internationalization of contemporary art form from Nigeria is limited due to systematic marginalization in the artistic field, which in this case based on postcolonialism, and debilitating socio-economic factors such as outmoded art education, unstructured support system and weak mechanism for local validation, and an inefficient political framework for art governance. It will therefore be useful to students and researchers in the sociology of art, art market studies, art history and culture polity.


Book Synopsis Contemporary Art from Nigeria in the Global Markets by : Jonathan Adeyemi

Download or read book Contemporary Art from Nigeria in the Global Markets written by Jonathan Adeyemi and published by Springer Nature. This book was released on 2022-12-07 with total page 226 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book brings together from four years of study on Nigerian contemporary art's internationalization. The monograph integrates voices of African (Nigerian) artists and art market players into the growing discourse on the emerging art markets in the global South. It explores the logic of competition and dynamics of power relations in the global markets, focusing on the internationalization of contemporary art forms from peripheral regions. The book confirms that the internationalization of contemporary art form from Nigeria is limited due to systematic marginalization in the artistic field, which in this case based on postcolonialism, and debilitating socio-economic factors such as outmoded art education, unstructured support system and weak mechanism for local validation, and an inefficient political framework for art governance. It will therefore be useful to students and researchers in the sociology of art, art market studies, art history and culture polity.


The Art Market and the Global South

The Art Market and the Global South

Author:

Publisher: BRILL

Published: 2023-08-07

Total Pages: 336

ISBN-13: 9004680438

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This book examines the art markets of the Global South while questioning, based on the heterogeneity of the selected contributions, the very idea of its existence in the context of the global art market. Gathering new research by recognized scholars, you will discover different markets from the so-called Global South, their structure, the external determinants affecting their behavior, their role in the art system’s development, and how they articulate with other agents at the local, regional, and international level. In this publication, an important wealth of research on various African countries stands out, providing an unprecedented overview of the markets in that region. This volume originates from the TIAMSA conference The Art Market and the Global South: New Perspectives and Plural Approaches, held in Lisbon in 2019.


Book Synopsis The Art Market and the Global South by :

Download or read book The Art Market and the Global South written by and published by BRILL. This book was released on 2023-08-07 with total page 336 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book examines the art markets of the Global South while questioning, based on the heterogeneity of the selected contributions, the very idea of its existence in the context of the global art market. Gathering new research by recognized scholars, you will discover different markets from the so-called Global South, their structure, the external determinants affecting their behavior, their role in the art system’s development, and how they articulate with other agents at the local, regional, and international level. In this publication, an important wealth of research on various African countries stands out, providing an unprecedented overview of the markets in that region. This volume originates from the TIAMSA conference The Art Market and the Global South: New Perspectives and Plural Approaches, held in Lisbon in 2019.


The Nsukka Artists and Nigerian Contemporary Art

The Nsukka Artists and Nigerian Contemporary Art

Author: Simon Ottenberg

Publisher: University of Washington Press

Published: 2002

Total Pages: 330

ISBN-13: 9780295982052

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The Nsukka artists, a loosely affiliated group associated with the University of Nigeria, demonstrate the rich and sensitive face of creativity under the rapidly changing conditions of present-day Africa. This collection is weighted toward writings by African artists and art historians and is informed by an African perspective on contemporary art. In a major addition to the literature on contemporary African art, contributors explore the questions of identity faced by African artists, in both Africa and the West; broach the topic of the sometimes conflicting theories about art and the art market; and examine the tensions between traditional and postmodern approaches to making and viewing art. The Nsukka Artists and Nigerian Contemporary Art offers pioneering and insightful material for the emergent field of contemporary African art and aesthetics. The Nsukka experience is of broad significance, not only for Africa in general, but as one aspect of a major third world contemporary art movement embracing Native American, Australian Aboriginal, and Oceanic cultures.


Book Synopsis The Nsukka Artists and Nigerian Contemporary Art by : Simon Ottenberg

Download or read book The Nsukka Artists and Nigerian Contemporary Art written by Simon Ottenberg and published by University of Washington Press. This book was released on 2002 with total page 330 pages. Available in PDF, EPUB and Kindle. Book excerpt: The Nsukka artists, a loosely affiliated group associated with the University of Nigeria, demonstrate the rich and sensitive face of creativity under the rapidly changing conditions of present-day Africa. This collection is weighted toward writings by African artists and art historians and is informed by an African perspective on contemporary art. In a major addition to the literature on contemporary African art, contributors explore the questions of identity faced by African artists, in both Africa and the West; broach the topic of the sometimes conflicting theories about art and the art market; and examine the tensions between traditional and postmodern approaches to making and viewing art. The Nsukka Artists and Nigerian Contemporary Art offers pioneering and insightful material for the emergent field of contemporary African art and aesthetics. The Nsukka experience is of broad significance, not only for Africa in general, but as one aspect of a major third world contemporary art movement embracing Native American, Australian Aboriginal, and Oceanic cultures.


Cosmopolitan Canvases

Cosmopolitan Canvases

Author: Olav Velthuis

Publisher: Oxford University Press, USA

Published: 2015

Total Pages: 314

ISBN-13: 0198717741

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Providing a unique insight into the global art market, this book discusses the flows of contemporary art, the migration of contemporary artists, and the worldwide diffusion of organisational models which the art market has recently witnessed.


Book Synopsis Cosmopolitan Canvases by : Olav Velthuis

Download or read book Cosmopolitan Canvases written by Olav Velthuis and published by Oxford University Press, USA. This book was released on 2015 with total page 314 pages. Available in PDF, EPUB and Kindle. Book excerpt: Providing a unique insight into the global art market, this book discusses the flows of contemporary art, the migration of contemporary artists, and the worldwide diffusion of organisational models which the art market has recently witnessed.


Contemporary African Art (Second) (World of Art)

Contemporary African Art (Second) (World of Art)

Author: Sidney Littlefield Kasfir

Publisher: Thames & Hudson

Published: 2020-04-14

Total Pages: 487

ISBN-13: 050077515X

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A revised edition of this seminal title, surveying the diverse, ever-evolving field of contemporary African art from the 1950s to today, illustrated in color throughout. Contemporary African art has grown out of the diverse histories and cultural heritage of the African continent and its diaspora. It is not characterized by one particular style, technique, or theme, but by a bricolage-like attitude toward art making, incorporating and building upon the structures from which older, pre- colonial and colonial genres were made. In this revised and updated edition of Contemporary African Art, Sidney Littlefield Kasfir examines the major themes, developments, and accomplishments in African art of the twentieth and twenty-first centuries. Organized thematically, the book includes new chapters on the history of African photography and the growth of the global art market, alongside significant discussions of patronage, mediation, artistic training, and national and diaspora identities. Generously illustrated throughout, including work by artists such as El Anatsui, Yinka Shonibare, William Kentridge, and Ibrahim El-Salahi, the book draws on interviews with many contemporary artists and art world professionals. Contemporary African Art is a fascinating, comprehensive survey of art from the African continent and its global diaspora.


Book Synopsis Contemporary African Art (Second) (World of Art) by : Sidney Littlefield Kasfir

Download or read book Contemporary African Art (Second) (World of Art) written by Sidney Littlefield Kasfir and published by Thames & Hudson. This book was released on 2020-04-14 with total page 487 pages. Available in PDF, EPUB and Kindle. Book excerpt: A revised edition of this seminal title, surveying the diverse, ever-evolving field of contemporary African art from the 1950s to today, illustrated in color throughout. Contemporary African art has grown out of the diverse histories and cultural heritage of the African continent and its diaspora. It is not characterized by one particular style, technique, or theme, but by a bricolage-like attitude toward art making, incorporating and building upon the structures from which older, pre- colonial and colonial genres were made. In this revised and updated edition of Contemporary African Art, Sidney Littlefield Kasfir examines the major themes, developments, and accomplishments in African art of the twentieth and twenty-first centuries. Organized thematically, the book includes new chapters on the history of African photography and the growth of the global art market, alongside significant discussions of patronage, mediation, artistic training, and national and diaspora identities. Generously illustrated throughout, including work by artists such as El Anatsui, Yinka Shonibare, William Kentridge, and Ibrahim El-Salahi, the book draws on interviews with many contemporary artists and art world professionals. Contemporary African Art is a fascinating, comprehensive survey of art from the African continent and its global diaspora.


Re-envisioning the Contemporary Art Canon

Re-envisioning the Contemporary Art Canon

Author: Ruth E Iskin

Publisher: Taylor & Francis

Published: 2016-12-08

Total Pages: 294

ISBN-13: 1317275047

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Re-envisioning the Contemporary Art Canon: Perspectives in a Global World seeks to dissect and interrogate the nature of the present-day art field, which has experienced dramatic shifts in the past 50 years. In discussions of the canon of art history, the notion of ‘inclusiveness’, both at the level of rhetoric and as a desired practice is on the rise and gradually replacing talk of ‘exclusion’, which dominated critiques of the canon up until two decades ago. The art field has dramatically, if insufficiently, changed in the half-century since the first protests and critiques of the exclusion of ‘others’ from the art canon. With increased globalization and shifting geopolitics, the art field is expanding beyond its Euro-American focus, as is particularly evident in the large-scale international biennales now held all over the globe. Are canons and counter-canons still relevant? Can they be re-envisioned rather than merely revised? Following an introduction that discusses these issues, thirteen newly commissioned essays present case studies of consecration in the contemporary art field, and three commissioned discussions present diverse positions on issues of the canon and consecration processes today. This volume will be of interest to instructors and students of contemporary art, art history, and museum and curatorial studies.


Book Synopsis Re-envisioning the Contemporary Art Canon by : Ruth E Iskin

Download or read book Re-envisioning the Contemporary Art Canon written by Ruth E Iskin and published by Taylor & Francis. This book was released on 2016-12-08 with total page 294 pages. Available in PDF, EPUB and Kindle. Book excerpt: Re-envisioning the Contemporary Art Canon: Perspectives in a Global World seeks to dissect and interrogate the nature of the present-day art field, which has experienced dramatic shifts in the past 50 years. In discussions of the canon of art history, the notion of ‘inclusiveness’, both at the level of rhetoric and as a desired practice is on the rise and gradually replacing talk of ‘exclusion’, which dominated critiques of the canon up until two decades ago. The art field has dramatically, if insufficiently, changed in the half-century since the first protests and critiques of the exclusion of ‘others’ from the art canon. With increased globalization and shifting geopolitics, the art field is expanding beyond its Euro-American focus, as is particularly evident in the large-scale international biennales now held all over the globe. Are canons and counter-canons still relevant? Can they be re-envisioned rather than merely revised? Following an introduction that discusses these issues, thirteen newly commissioned essays present case studies of consecration in the contemporary art field, and three commissioned discussions present diverse positions on issues of the canon and consecration processes today. This volume will be of interest to instructors and students of contemporary art, art history, and museum and curatorial studies.


Cultural Flows in High-End Cuisine

Cultural Flows in High-End Cuisine

Author: Christel Lane

Publisher: Taylor & Francis

Published: 2024-07-18

Total Pages: 249

ISBN-13: 1040093019

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Focusing on high-end cuisine, this book examines the flows of culinary knowledge from culturally peripheral locations to two cities at the global center, London and New York. Through the voices of chefs and other professionals in the industry, this book invites readers to rethink our understandings of high-end and ethnic cuisines, as well as the conventions and principles that shape the contemporary field of gastronomy and fine-dining. It examines a broad range of cuisines, including Peruvian, Korean, Mexican, Malaysian, Senegalese, West African, Thai, Chinese, and Indian, and conveys the chefs’ voices as they strive to elevate their cuisines through discursive and material means, including the shaping of menus, and restaurant decor. While the main focus falls on chefs as the producers of high-end cuisines, this book also gives consideration to their consumers, that is cosmopolitan diners in the two global cities, and to the influence of culinary intermediaries judging and legitimizing their high-end status. Theoretically, this book contributes to the debate on cultural globalization. It undertakes a study of hitherto rarely examined cultural counterflows or reverse cultural globalization and analyzes both the precipitants of this occurrence and the effects of cultural counterflows on both Western global cities and the home countries of chefs. This book will be of great interest to students and scholars of food studies, food cultures, cultural globalization, and culinary studies.


Book Synopsis Cultural Flows in High-End Cuisine by : Christel Lane

Download or read book Cultural Flows in High-End Cuisine written by Christel Lane and published by Taylor & Francis. This book was released on 2024-07-18 with total page 249 pages. Available in PDF, EPUB and Kindle. Book excerpt: Focusing on high-end cuisine, this book examines the flows of culinary knowledge from culturally peripheral locations to two cities at the global center, London and New York. Through the voices of chefs and other professionals in the industry, this book invites readers to rethink our understandings of high-end and ethnic cuisines, as well as the conventions and principles that shape the contemporary field of gastronomy and fine-dining. It examines a broad range of cuisines, including Peruvian, Korean, Mexican, Malaysian, Senegalese, West African, Thai, Chinese, and Indian, and conveys the chefs’ voices as they strive to elevate their cuisines through discursive and material means, including the shaping of menus, and restaurant decor. While the main focus falls on chefs as the producers of high-end cuisines, this book also gives consideration to their consumers, that is cosmopolitan diners in the two global cities, and to the influence of culinary intermediaries judging and legitimizing their high-end status. Theoretically, this book contributes to the debate on cultural globalization. It undertakes a study of hitherto rarely examined cultural counterflows or reverse cultural globalization and analyzes both the precipitants of this occurrence and the effects of cultural counterflows on both Western global cities and the home countries of chefs. This book will be of great interest to students and scholars of food studies, food cultures, cultural globalization, and culinary studies.


Arts Management, Cultural Policy, & the African Diaspora

Arts Management, Cultural Policy, & the African Diaspora

Author: Antonio C. Cuyler

Publisher: Springer Nature

Published: 2022-06-15

Total Pages: 335

ISBN-13: 3030858103

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This book centers people of African descent as cultural leaders to challenge the myth that they do not know how or care about managing and preserving their culture. Arts Management, Cultural Policy, & the African Diaspora also presents comparative case studies of the challenges, differences, similarities, and successes in approaches to cultural leadership across multiple cultural contexts throughout the diaspora. This volume disrupts the enduring and systemic global marginalization, oppression, and subjugation that threatens and undermines people of African descent’s cultural contributions to humanity. The most important distinguishing feature of the volume is its geographical use of the African diaspora to explore the subjects of arts management and cultural policy which, to date, no volume has done before. Furthermore, the volume’s comparative examination of ten critical, historical, practical, and theoretical questions makes it a significant contribution to the literatures in Arts Management, Cultural Policy, Cultural, Africana, African American, and Ethnic studies.


Book Synopsis Arts Management, Cultural Policy, & the African Diaspora by : Antonio C. Cuyler

Download or read book Arts Management, Cultural Policy, & the African Diaspora written by Antonio C. Cuyler and published by Springer Nature. This book was released on 2022-06-15 with total page 335 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book centers people of African descent as cultural leaders to challenge the myth that they do not know how or care about managing and preserving their culture. Arts Management, Cultural Policy, & the African Diaspora also presents comparative case studies of the challenges, differences, similarities, and successes in approaches to cultural leadership across multiple cultural contexts throughout the diaspora. This volume disrupts the enduring and systemic global marginalization, oppression, and subjugation that threatens and undermines people of African descent’s cultural contributions to humanity. The most important distinguishing feature of the volume is its geographical use of the African diaspora to explore the subjects of arts management and cultural policy which, to date, no volume has done before. Furthermore, the volume’s comparative examination of ten critical, historical, practical, and theoretical questions makes it a significant contribution to the literatures in Arts Management, Cultural Policy, Cultural, Africana, African American, and Ethnic studies.


Contemporary African Art Since 1980

Contemporary African Art Since 1980

Author: Okwui Enwezor

Publisher: Damiani Limited

Published: 2009

Total Pages: 0

ISBN-13: 9788862080927

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[S]urvey of the work of contemporary African artists from diverse situations, locations, and generations who work either in or outside of Africa, but whose practices engage and occupy the social and cultural complexities of the continent since the past 30 years.... Organized in chronological order, the book covers all major artistic mediums: painting, sculpture, photography, film, video, installation, drawing, collage.... Presents examples of ... work by more than 160 African artists.... [I]ncludes Georges Adeagbo Tayo Adenaike, Ghada Amer, El Anatsui, Kader Attia, Luis Basto, Candice Breitz, Moustapha Dimé, Marlene Dumas, Victor Ekpuk, Samuel Fosso, Jak Katarikawe, William Kentridge, Rachid Koraichi, Mona Mazouk, Julie Mehretu, Nandipha Mntambo, Hassan Musa, Donald Odita, Iba Ndiaye, Richard Onyango, Ibrahim El Salahi, Issa Samb, Cheri Samba, Ousmane Sembene, Yinka Shonibare, Barthelemy Toguo, Obiora Udechukwu, and Sue Williamson.--From publisher description..


Book Synopsis Contemporary African Art Since 1980 by : Okwui Enwezor

Download or read book Contemporary African Art Since 1980 written by Okwui Enwezor and published by Damiani Limited. This book was released on 2009 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt: [S]urvey of the work of contemporary African artists from diverse situations, locations, and generations who work either in or outside of Africa, but whose practices engage and occupy the social and cultural complexities of the continent since the past 30 years.... Organized in chronological order, the book covers all major artistic mediums: painting, sculpture, photography, film, video, installation, drawing, collage.... Presents examples of ... work by more than 160 African artists.... [I]ncludes Georges Adeagbo Tayo Adenaike, Ghada Amer, El Anatsui, Kader Attia, Luis Basto, Candice Breitz, Moustapha Dimé, Marlene Dumas, Victor Ekpuk, Samuel Fosso, Jak Katarikawe, William Kentridge, Rachid Koraichi, Mona Mazouk, Julie Mehretu, Nandipha Mntambo, Hassan Musa, Donald Odita, Iba Ndiaye, Richard Onyango, Ibrahim El Salahi, Issa Samb, Cheri Samba, Ousmane Sembene, Yinka Shonibare, Barthelemy Toguo, Obiora Udechukwu, and Sue Williamson.--From publisher description..


The Creative Industries and International Business Development in Africa

The Creative Industries and International Business Development in Africa

Author: Nnamdi O. Madichie

Publisher: Emerald Group Publishing

Published: 2022-01-21

Total Pages: 202

ISBN-13: 1800713045

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The Creative Industries and International Business Development in Africa takes an unorthodox approach to showcasing the trends and challenges of the contemporary creative economy with a view to positioning the sector for a global audience.


Book Synopsis The Creative Industries and International Business Development in Africa by : Nnamdi O. Madichie

Download or read book The Creative Industries and International Business Development in Africa written by Nnamdi O. Madichie and published by Emerald Group Publishing. This book was released on 2022-01-21 with total page 202 pages. Available in PDF, EPUB and Kindle. Book excerpt: The Creative Industries and International Business Development in Africa takes an unorthodox approach to showcasing the trends and challenges of the contemporary creative economy with a view to positioning the sector for a global audience.