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A mine of information for both general and specialist readers about the life and work of one of America's greatest composers.
Book Synopsis Copland Connotations by : Peter Dickinson
Download or read book Copland Connotations written by Peter Dickinson and published by Boydell Press. This book was released on 2002 with total page 240 pages. Available in PDF, EPUB and Kindle. Book excerpt: A mine of information for both general and specialist readers about the life and work of one of America's greatest composers.
A candid and fascinating portrait of the American composer. The son of Russian-Jewish immigrants, Aaron Copland (1900-1990) became one of America's most beloved and esteemed composers. His work, which includes Fanfare for the Common Man, A Lincoln Portrait, and Appalachian Spring, has been honored by a huge following of devoted listeners. But the full richness of Copland's life and accomplishments has never, until now, been documented or understood. Howard Pollack's meticulously researched and engrossing biography explores the symphony of Copland's life: his childhood in Brooklyn; his homosexuality; Paris in the early 1920s; the Alfred Stieglitz circle; his experimentation with jazz; the communist witch trials; Hollywood in the forties; public disappointment with his later, intellectual work; and his struggle with Alzheimer's disease. Furthermore, Pollack presents informed discussions of Copland's music, explaining and clarifying its newness and originality, its aesthetic and social aspects, its distinctive and enduring personality. "Not only a success in its own right, but a valuable model of what biography can and probably should be. " - Kirkus Reviews
Book Synopsis Aaron Copland by : Howard Pollack
Download or read book Aaron Copland written by Howard Pollack and published by Henry Holt and Company. This book was released on 2015-09-01 with total page 702 pages. Available in PDF, EPUB and Kindle. Book excerpt: A candid and fascinating portrait of the American composer. The son of Russian-Jewish immigrants, Aaron Copland (1900-1990) became one of America's most beloved and esteemed composers. His work, which includes Fanfare for the Common Man, A Lincoln Portrait, and Appalachian Spring, has been honored by a huge following of devoted listeners. But the full richness of Copland's life and accomplishments has never, until now, been documented or understood. Howard Pollack's meticulously researched and engrossing biography explores the symphony of Copland's life: his childhood in Brooklyn; his homosexuality; Paris in the early 1920s; the Alfred Stieglitz circle; his experimentation with jazz; the communist witch trials; Hollywood in the forties; public disappointment with his later, intellectual work; and his struggle with Alzheimer's disease. Furthermore, Pollack presents informed discussions of Copland's music, explaining and clarifying its newness and originality, its aesthetic and social aspects, its distinctive and enduring personality. "Not only a success in its own right, but a valuable model of what biography can and probably should be. " - Kirkus Reviews
Learn the cost of being gay (or perceived as gay) for three historical figures Noble Lives examines how sexual orientation affected the careers of two historical figures generally accepted as gay, and a third whose sexual identity was in constant question during his lifetime. This unique book features comprehensive biographical accounts of Jazz Age author Glenway Wescott, Academy Award-winning composer Aaron Copland, and Nobel Peace Laureate Dag Hammarskjöld, addressing the relationship between their sexuality and their achievements in literature, the social sciences, musical composition, diplomacy, and global politics. Noble Lives is the first English-language text to thoroughly—and objectively—explore the troubled sexuality of Sweden's Hammarskjöld, the former Secretary-General of the United Nations. Noble Lives is a colorful and concise read that puts a historical perspective on the public and private lives of three important twentieth-century figures: Glenway Wescott—Author and political progressive, he used his life to enlighten society through his persistent efforts to enhance the public’s awareness and acceptance of homosexuality. Though his early work (The Grandmothers, The Pilgrim Hawk) was well-received, Wescott’s career suffered from his inability to write honestly from his own experiences as a gay man, and his output was limited by the unwillingness of English-language publishers to release literary works having same-sex themes. He published his last novel in 1945 and for the next 40 years was something of an elder statesman of American literature, dealing with censorship laws, defending controversial members of the literary community, and advancing ideals of freedom of thought and expression. He worked closely in the 1950s with Alfred Kinsey, Director of the Institute for Sex Research at Indiana University, to develop objective research into gay sexuality. Aaron Copland—Hailed by The New York Times as “the pioneer of American music,” he lived an openly gay life without regret in an era when the general public held neither his sexual orientation nor his Jewish background in high esteem. Copland was accused of promoting gay musicians based on their sexuality rather than their ability and was rumored to be part of a fraternity of gay composers—a “Homintern”—but overcame the discrimination he faced to receive a Pulitzer Prize, an Academy Award, and presidential medals from three administrations. In the years following his persecution by Sen. Joseph McCarthy and the Senate’s Permanent Subcommittee on Investigations, Copland produced his most personal work—The Tender Land, a musical drama thought by most to be the autobiographical account of a gay man living in conservative times and perceived as a "coming-out tale." Dag Hammarskjöld—Despite holding a position of public prominence as Secretary-General of the United Nations from 1953 until his death in 1961, he managed to withhold even the most minor details of his personal life from the world. Even his posthumously published journal, Markings, shies away from any mention of his private life. Possibly asexual, probably homosexual, Hammarskjöld was unable to accept his sexuality and lived an unhappy, frustrated life of sexual abstinence, suffering slurs from political figures and the international media. But though he couldn’t resolve his own internal conflicts, he was masterful at settling external conflicts as he worked to solve disputes in Palestine, Vietnam, Egypt, and the Congo. Noble Lives is an invaluable reference source for LGBT readers, providing an understanding and appreciation of those who paved the way during an unenlightened and unforgiving time. It’s also an excellent resource for mainstream readers with an interest in biography and the history of the twentieth
Book Synopsis Noble Lives by : Marc E. Vargo
Download or read book Noble Lives written by Marc E. Vargo and published by Routledge. This book was released on 2016-04-29 with total page 176 pages. Available in PDF, EPUB and Kindle. Book excerpt: Learn the cost of being gay (or perceived as gay) for three historical figures Noble Lives examines how sexual orientation affected the careers of two historical figures generally accepted as gay, and a third whose sexual identity was in constant question during his lifetime. This unique book features comprehensive biographical accounts of Jazz Age author Glenway Wescott, Academy Award-winning composer Aaron Copland, and Nobel Peace Laureate Dag Hammarskjöld, addressing the relationship between their sexuality and their achievements in literature, the social sciences, musical composition, diplomacy, and global politics. Noble Lives is the first English-language text to thoroughly—and objectively—explore the troubled sexuality of Sweden's Hammarskjöld, the former Secretary-General of the United Nations. Noble Lives is a colorful and concise read that puts a historical perspective on the public and private lives of three important twentieth-century figures: Glenway Wescott—Author and political progressive, he used his life to enlighten society through his persistent efforts to enhance the public’s awareness and acceptance of homosexuality. Though his early work (The Grandmothers, The Pilgrim Hawk) was well-received, Wescott’s career suffered from his inability to write honestly from his own experiences as a gay man, and his output was limited by the unwillingness of English-language publishers to release literary works having same-sex themes. He published his last novel in 1945 and for the next 40 years was something of an elder statesman of American literature, dealing with censorship laws, defending controversial members of the literary community, and advancing ideals of freedom of thought and expression. He worked closely in the 1950s with Alfred Kinsey, Director of the Institute for Sex Research at Indiana University, to develop objective research into gay sexuality. Aaron Copland—Hailed by The New York Times as “the pioneer of American music,” he lived an openly gay life without regret in an era when the general public held neither his sexual orientation nor his Jewish background in high esteem. Copland was accused of promoting gay musicians based on their sexuality rather than their ability and was rumored to be part of a fraternity of gay composers—a “Homintern”—but overcame the discrimination he faced to receive a Pulitzer Prize, an Academy Award, and presidential medals from three administrations. In the years following his persecution by Sen. Joseph McCarthy and the Senate’s Permanent Subcommittee on Investigations, Copland produced his most personal work—The Tender Land, a musical drama thought by most to be the autobiographical account of a gay man living in conservative times and perceived as a "coming-out tale." Dag Hammarskjöld—Despite holding a position of public prominence as Secretary-General of the United Nations from 1953 until his death in 1961, he managed to withhold even the most minor details of his personal life from the world. Even his posthumously published journal, Markings, shies away from any mention of his private life. Possibly asexual, probably homosexual, Hammarskjöld was unable to accept his sexuality and lived an unhappy, frustrated life of sexual abstinence, suffering slurs from political figures and the international media. But though he couldn’t resolve his own internal conflicts, he was masterful at settling external conflicts as he worked to solve disputes in Palestine, Vietnam, Egypt, and the Congo. Noble Lives is an invaluable reference source for LGBT readers, providing an understanding and appreciation of those who paved the way during an unenlightened and unforgiving time. It’s also an excellent resource for mainstream readers with an interest in biography and the history of the twentieth
Aaron Copland and His World reassesses the legacy of one of America's best-loved composers at a pivotal moment--as his life and work shift from the realm of personal memory to that of history. This collection of seventeen essays by distinguished scholars of American music explores the stages of cultural change on which Copland's long life (1900 to 1990) unfolded: from the modernist experiments of the 1920s, through the progressive populism of the Great Depression and the urgencies of World War II, to postwar political backlash and the rise of serialism in the 1950s and the cultural turbulence of the 1960s. Continually responding to an ever-changing political and cultural panorama, Copland kept a firm focus on both his private muse and the public he served. No self-absorbed recluse, he was very much a public figure who devoted his career to building support systems to help composers function productively in America. This book critiques Copland's work in these shifting contexts. The topics include Copland's role in shaping an American school of modern dance; his relationship with Leonard Bernstein; his homosexuality, especially as influenced by the writings of André Gide; and explorations of cultural nationalism. Copland's rich correspondence with the composer and critic Arthur Berger, who helped set the parameters of Copland's reception, is published here in its entirety, edited by Wayne Shirley. The contributors include Emily Abrams, Paul Anderson, Elliott Antokoletz, Leon Botstein, Martin Brody, Elizabeth Crist, Morris Dickstein, Lynn Garafola, Melissa de Graaf, Neil Lerner, Gail Levin, Beth Levy, Vivian Perlis, Howard Pollack, and Larry Starr.
Book Synopsis Aaron Copland and His World by : Carol J. Oja
Download or read book Aaron Copland and His World written by Carol J. Oja and published by Princeton University Press. This book was released on 2018-06-05 with total page 528 pages. Available in PDF, EPUB and Kindle. Book excerpt: Aaron Copland and His World reassesses the legacy of one of America's best-loved composers at a pivotal moment--as his life and work shift from the realm of personal memory to that of history. This collection of seventeen essays by distinguished scholars of American music explores the stages of cultural change on which Copland's long life (1900 to 1990) unfolded: from the modernist experiments of the 1920s, through the progressive populism of the Great Depression and the urgencies of World War II, to postwar political backlash and the rise of serialism in the 1950s and the cultural turbulence of the 1960s. Continually responding to an ever-changing political and cultural panorama, Copland kept a firm focus on both his private muse and the public he served. No self-absorbed recluse, he was very much a public figure who devoted his career to building support systems to help composers function productively in America. This book critiques Copland's work in these shifting contexts. The topics include Copland's role in shaping an American school of modern dance; his relationship with Leonard Bernstein; his homosexuality, especially as influenced by the writings of André Gide; and explorations of cultural nationalism. Copland's rich correspondence with the composer and critic Arthur Berger, who helped set the parameters of Copland's reception, is published here in its entirety, edited by Wayne Shirley. The contributors include Emily Abrams, Paul Anderson, Elliott Antokoletz, Leon Botstein, Martin Brody, Elizabeth Crist, Morris Dickstein, Lynn Garafola, Melissa de Graaf, Neil Lerner, Gail Levin, Beth Levy, Vivian Perlis, Howard Pollack, and Larry Starr.
This chronologically arranged collection includes letters to many significant figures in American twentieth-century music as well as Copland's friends, family, teachers, and colleagues.
Book Synopsis The Selected Correspondence of Aaron Copland by : Aaron Copland
Download or read book The Selected Correspondence of Aaron Copland written by Aaron Copland and published by Yale University Press. This book was released on 2006-01-01 with total page 310 pages. Available in PDF, EPUB and Kindle. Book excerpt: This chronologically arranged collection includes letters to many significant figures in American twentieth-century music as well as Copland's friends, family, teachers, and colleagues.
A Kirkus Reviews Best Nonfiction Book of 2021 A provocative interpretation of why classical music in America "stayed white"—how it got to be that way and what can be done about it. In 1893 the composer Antonín Dvorák prophesied a “great and noble school” of American classical music based on the “negro melodies” he had excitedly discovered since arriving in the United States a year before. But while Black music would foster popular genres known the world over, it never gained a foothold in the concert hall. Black composers found few opportunities to have their works performed, and white composers mainly rejected Dvorák’s lead. Joseph Horowitz ranges throughout American cultural history, from Frederick Douglass and Huckleberry Finn to George Gershwin’s Porgy and Bess and the work of Ralph Ellison, searching for explanations. Challenging the standard narrative for American classical music fashioned by Aaron Copland and Leonard Bernstein, he looks back to literary figures—Emerson, Melville, and Twain—to ponder how American music can connect with a “usable past.” The result is a new paradigm that makes room for Black composers, including Harry Burleigh, Nathaniel Dett, William Levi Dawson, and Florence Price, while giving increased prominence to Charles Ives and George Gershwin. Dvorák’s Prophecy arrives in the midst of an important conversation about race in America—a conversation that is taking place in music schools and concert halls as well as capitols and boardrooms. As George Shirley writes in his foreword to the book, “We have been left unprepared for the current cultural moment. [Joseph Horowitz] explains how we got there [and] proposes a bigger world of American classical music than what we have known before. It is more diverse and more equitable. And it is more truthful.”
Book Synopsis Dvorak's Prophecy: And the Vexed Fate of Black Classical Music by : Joseph Horowitz
Download or read book Dvorak's Prophecy: And the Vexed Fate of Black Classical Music written by Joseph Horowitz and published by W. W. Norton & Company. This book was released on 2021-11-23 with total page 256 pages. Available in PDF, EPUB and Kindle. Book excerpt: A Kirkus Reviews Best Nonfiction Book of 2021 A provocative interpretation of why classical music in America "stayed white"—how it got to be that way and what can be done about it. In 1893 the composer Antonín Dvorák prophesied a “great and noble school” of American classical music based on the “negro melodies” he had excitedly discovered since arriving in the United States a year before. But while Black music would foster popular genres known the world over, it never gained a foothold in the concert hall. Black composers found few opportunities to have their works performed, and white composers mainly rejected Dvorák’s lead. Joseph Horowitz ranges throughout American cultural history, from Frederick Douglass and Huckleberry Finn to George Gershwin’s Porgy and Bess and the work of Ralph Ellison, searching for explanations. Challenging the standard narrative for American classical music fashioned by Aaron Copland and Leonard Bernstein, he looks back to literary figures—Emerson, Melville, and Twain—to ponder how American music can connect with a “usable past.” The result is a new paradigm that makes room for Black composers, including Harry Burleigh, Nathaniel Dett, William Levi Dawson, and Florence Price, while giving increased prominence to Charles Ives and George Gershwin. Dvorák’s Prophecy arrives in the midst of an important conversation about race in America—a conversation that is taking place in music schools and concert halls as well as capitols and boardrooms. As George Shirley writes in his foreword to the book, “We have been left unprepared for the current cultural moment. [Joseph Horowitz] explains how we got there [and] proposes a bigger world of American classical music than what we have known before. It is more diverse and more equitable. And it is more truthful.”
In the 1930s, Aaron Copland began to write in an accessible style he described as "imposed simplicity." Works like El Sal?n M?xico, Billy the Kid, Lincoln Portrait, and Appalachian Spring feature a tuneful idiom that brought the composer unprecedented popular success and came to define an American sound. Yet the cultural substance of that sound--the social and political perspective that might be heard within these familiar pieces--has until now been largely overlooked. While it has long been acknowledged that Copland subscribed to leftwing ideals, Music for the Common Man is the first sustained attempt to understand some of Copland's best-known music in the context of leftwing social, political, and cultural currents of the Great Depression and Second World War. Musicologist Elizabeth Crist argues that Copland's politics never merely accorded with mainstream New Deal liberalism, wartime patriotism, and Communist Party aesthetic policy, but advanced a progressive vision of American society and culture. Copland's music can be heard to accord with the political tenets of progressivism in the 1930s and '40s, including a fundamental sensitivity toward those less fortunate, support of multiethnic pluralism, belief in social democracy, and faith that America's past could be put in service of a better future. Crist explores how his works wrestle with the political complexities and cultural contradictions of the era by investing symbols of America--the West, folk song, patriotism, or the people--with progressive social ideals. Much as been written on the relationship between politics and art in the 1930s and '40s, but very little on concert music of the era. Music for the Common Man offers fresh insights on familiar pieces and the political context in which they emerged.
Book Synopsis Music for the Common Man by : Elizabeth B. Crist
Download or read book Music for the Common Man written by Elizabeth B. Crist and published by Oxford University Press. This book was released on 2009-01-12 with total page 272 pages. Available in PDF, EPUB and Kindle. Book excerpt: In the 1930s, Aaron Copland began to write in an accessible style he described as "imposed simplicity." Works like El Sal?n M?xico, Billy the Kid, Lincoln Portrait, and Appalachian Spring feature a tuneful idiom that brought the composer unprecedented popular success and came to define an American sound. Yet the cultural substance of that sound--the social and political perspective that might be heard within these familiar pieces--has until now been largely overlooked. While it has long been acknowledged that Copland subscribed to leftwing ideals, Music for the Common Man is the first sustained attempt to understand some of Copland's best-known music in the context of leftwing social, political, and cultural currents of the Great Depression and Second World War. Musicologist Elizabeth Crist argues that Copland's politics never merely accorded with mainstream New Deal liberalism, wartime patriotism, and Communist Party aesthetic policy, but advanced a progressive vision of American society and culture. Copland's music can be heard to accord with the political tenets of progressivism in the 1930s and '40s, including a fundamental sensitivity toward those less fortunate, support of multiethnic pluralism, belief in social democracy, and faith that America's past could be put in service of a better future. Crist explores how his works wrestle with the political complexities and cultural contradictions of the era by investing symbols of America--the West, folk song, patriotism, or the people--with progressive social ideals. Much as been written on the relationship between politics and art in the 1930s and '40s, but very little on concert music of the era. Music for the Common Man offers fresh insights on familiar pieces and the political context in which they emerged.
A pioneering study of how American composer Aaron Copland helped shape the sound of the Hollywood film industry and introduced the moviegoing public to modern musical styles.
Book Synopsis Aaron Copland's Hollywood Film Scores by : Paula Musegades
Download or read book Aaron Copland's Hollywood Film Scores written by Paula Musegades and published by Eastman Studies in Music. This book was released on 2020 with total page 209 pages. Available in PDF, EPUB and Kindle. Book excerpt: A pioneering study of how American composer Aaron Copland helped shape the sound of the Hollywood film industry and introduced the moviegoing public to modern musical styles.
Articles, tributes and reminiscences of composer, pianist and author Peter Dickinson are here brought together for the first time.
Book Synopsis Words and Music by : Peter Dickinson
Download or read book Words and Music written by Peter Dickinson and published by Boydell & Brewer. This book was released on 2016 with total page 338 pages. Available in PDF, EPUB and Kindle. Book excerpt: Articles, tributes and reminiscences of composer, pianist and author Peter Dickinson are here brought together for the first time.
Classical composers seeking to create an American sound enjoyed unprecedented success during the 1930s and 1940s. Aaron Copland, Roy Harris, Howard Hanson and others brought national and international attention to American composers for the first time in history. In the years after World War II, however, something changed. The prestige of musical Americanism waned rapidly as anti-Communists made accusations against leading Americanist composers. Meanwhile a method of harmonic organization that some considered more Cold War-appropriate--serialism--began to rise in status. For many composers and historians, the Cold War had effectively "killed off" musical Americanism. In The Sound of a Superpower: Musical Americanism and the Cold War, Emily Abrams Ansari offers a fuller, more nuanced picture of the effect of the Cold War on Americanist composers. The ideological conflict brought both challenges and opportunities. Some Americanist composers struggled greatly in this new artistic and political environment. Those with leftist politics sensed a growing gap between the United States that their music imagined and the aggressive global superpower that their nation seemed to be becoming. But these same composers would find unique opportunities to ensure the survival of musical Americanism thanks to the federal government, which wanted to use American music as a Cold War propaganda tool. By serving as advisors to cultural diplomacy programs and touring as artistic ambassadors, the Americanists could bring their now government-backed music to new global audiences. Some with more right-wing politics, meanwhile, would actually flourish in the new ideological environment, by aligning their music with Cold War conceptions of American identity. The Americanists' efforts to safeguard the reputation of their style would have significant consequences. Ultimately, Ansari shows, they effected a rebranding of musical Americanism, with consequences that remain with us today.
Book Synopsis The Sound of a Superpower by : Emily Abrams Ansari
Download or read book The Sound of a Superpower written by Emily Abrams Ansari and published by Oxford University Press. This book was released on 2018-05-15 with total page 272 pages. Available in PDF, EPUB and Kindle. Book excerpt: Classical composers seeking to create an American sound enjoyed unprecedented success during the 1930s and 1940s. Aaron Copland, Roy Harris, Howard Hanson and others brought national and international attention to American composers for the first time in history. In the years after World War II, however, something changed. The prestige of musical Americanism waned rapidly as anti-Communists made accusations against leading Americanist composers. Meanwhile a method of harmonic organization that some considered more Cold War-appropriate--serialism--began to rise in status. For many composers and historians, the Cold War had effectively "killed off" musical Americanism. In The Sound of a Superpower: Musical Americanism and the Cold War, Emily Abrams Ansari offers a fuller, more nuanced picture of the effect of the Cold War on Americanist composers. The ideological conflict brought both challenges and opportunities. Some Americanist composers struggled greatly in this new artistic and political environment. Those with leftist politics sensed a growing gap between the United States that their music imagined and the aggressive global superpower that their nation seemed to be becoming. But these same composers would find unique opportunities to ensure the survival of musical Americanism thanks to the federal government, which wanted to use American music as a Cold War propaganda tool. By serving as advisors to cultural diplomacy programs and touring as artistic ambassadors, the Americanists could bring their now government-backed music to new global audiences. Some with more right-wing politics, meanwhile, would actually flourish in the new ideological environment, by aligning their music with Cold War conceptions of American identity. The Americanists' efforts to safeguard the reputation of their style would have significant consequences. Ultimately, Ansari shows, they effected a rebranding of musical Americanism, with consequences that remain with us today.
