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Said demonstrates that critical discourse has been strengthened by the writings of Derrida and Foucault and by influences like Marxism, structuralism, linguistics, and psychoanalysis. But, he argues, these forces have compelled literature to meet the requirements of a theory or system, ignoring complex affiliations binding the texts to the world.
Book Synopsis The World, the Text, and the Critic by : Edward W. Said
Download or read book The World, the Text, and the Critic written by Edward W. Said and published by Harvard University Press. This book was released on 1983 with total page 340 pages. Available in PDF, EPUB and Kindle. Book excerpt: Said demonstrates that critical discourse has been strengthened by the writings of Derrida and Foucault and by influences like Marxism, structuralism, linguistics, and psychoanalysis. But, he argues, these forces have compelled literature to meet the requirements of a theory or system, ignoring complex affiliations binding the texts to the world.
Why do critics feel impelled to unmask and demystify the works that they read? What is the rationale for their conviction that language is always withholding some important truth, that the critic's task is to unearth what is unsaid, naturalized, or repressed? These are the features of critique, a mode of thought that thoroughly dominates academic criticism. In this book, Rita Felski brilliantly exposes critique's more troubling qualities and proposes alternatives to it. Critique, she argues, is not just a method but also a sensibility--one best captured by Paul Ricoeur's phrase "the hermeneutics of suspicion." As the characteristic affect of critique, suspicion, Felski shows, helps us understand critique's seductions and limitations. The questions that Felski poses about critique have implications well beyond intramural debates among literary scholars. Literary studies, says Felski, is facing a legitimation crisis thanks to a sadly depleted language of value that leaves the field struggling to find reasons why students should care about Beowulf or Baudelaire. Why is literature worth bothering with? For Felski, the tendencies to make literary texts the object of suspicious reading or, conversely, impute to them qualities of critique, forecloses too many other possibilities. Felski offers an alternative model that she calls "postcritical reading." Rather than looking behind the text for its hidden causes, conditions, and motives, she suggests that literary scholars place themselves in front of a text, reflecting on what it calls forth and makes possible. Here Felski enlists the work of Bruno Latour to rethink reading as a co-production between actors, rather than an unraveling of manifest meaning, a form of making rather than unmaking. As a scholar with an abiding respect for theory who has long deployed elements of critique in her own work, Felski is able to provide an insider's account of critique's limits and alternatives that will resonate widely in the humanities.
Book Synopsis The Limits of Critique by : Rita Felski
Download or read book The Limits of Critique written by Rita Felski and published by University of Chicago Press. This book was released on 2015-10-20 with total page 237 pages. Available in PDF, EPUB and Kindle. Book excerpt: Why do critics feel impelled to unmask and demystify the works that they read? What is the rationale for their conviction that language is always withholding some important truth, that the critic's task is to unearth what is unsaid, naturalized, or repressed? These are the features of critique, a mode of thought that thoroughly dominates academic criticism. In this book, Rita Felski brilliantly exposes critique's more troubling qualities and proposes alternatives to it. Critique, she argues, is not just a method but also a sensibility--one best captured by Paul Ricoeur's phrase "the hermeneutics of suspicion." As the characteristic affect of critique, suspicion, Felski shows, helps us understand critique's seductions and limitations. The questions that Felski poses about critique have implications well beyond intramural debates among literary scholars. Literary studies, says Felski, is facing a legitimation crisis thanks to a sadly depleted language of value that leaves the field struggling to find reasons why students should care about Beowulf or Baudelaire. Why is literature worth bothering with? For Felski, the tendencies to make literary texts the object of suspicious reading or, conversely, impute to them qualities of critique, forecloses too many other possibilities. Felski offers an alternative model that she calls "postcritical reading." Rather than looking behind the text for its hidden causes, conditions, and motives, she suggests that literary scholars place themselves in front of a text, reflecting on what it calls forth and makes possible. Here Felski enlists the work of Bruno Latour to rethink reading as a co-production between actors, rather than an unraveling of manifest meaning, a form of making rather than unmaking. As a scholar with an abiding respect for theory who has long deployed elements of critique in her own work, Felski is able to provide an insider's account of critique's limits and alternatives that will resonate widely in the humanities.
What do we think of when we think of literary critics? Enlightenment snobs in powdered wigs? Professional experts? Cloistered academics? Through the end of the 20th century, book review columns and literary magazines held onto an evolving but stable critical paradigm, premised on expertise, objectivity, and carefully measured response. And then the Internet happened. From the editors of Review 31 and 3:AM Magazine, The Digital Critic brings together a diverse group of perspectives—early-adopters, Internet skeptics, bloggers, novelists, editors, and others—to address the future of literature and scholarship in a world of Facebook likes, Twitter wars, and Amazon book reviews. It takes stock of the so-called Literary Internet up to the present moment, and considers the future of criticism: its promise, its threats of decline, and its mutation, perhaps, into something else entirely. With contributions from Robert Barry, Russell Bennetts, Michael Bhaskar, Louis Bury, Lauren Elkin, Scott Esposito, Marc Farrant, Orit Gat, Thea Hawlin, Ellen Jones, Anna Kiernan, Luke Neima, Will Self, Jonathon Sturgeon, Sara Veale, Laura Waddell, and Joanna Walsh.
Book Synopsis The Digital Critic by : Robert Barry
Download or read book The Digital Critic written by Robert Barry and published by OR Books. This book was released on 2017-11-30 with total page 204 pages. Available in PDF, EPUB and Kindle. Book excerpt: What do we think of when we think of literary critics? Enlightenment snobs in powdered wigs? Professional experts? Cloistered academics? Through the end of the 20th century, book review columns and literary magazines held onto an evolving but stable critical paradigm, premised on expertise, objectivity, and carefully measured response. And then the Internet happened. From the editors of Review 31 and 3:AM Magazine, The Digital Critic brings together a diverse group of perspectives—early-adopters, Internet skeptics, bloggers, novelists, editors, and others—to address the future of literature and scholarship in a world of Facebook likes, Twitter wars, and Amazon book reviews. It takes stock of the so-called Literary Internet up to the present moment, and considers the future of criticism: its promise, its threats of decline, and its mutation, perhaps, into something else entirely. With contributions from Robert Barry, Russell Bennetts, Michael Bhaskar, Louis Bury, Lauren Elkin, Scott Esposito, Marc Farrant, Orit Gat, Thea Hawlin, Ellen Jones, Anna Kiernan, Luke Neima, Will Self, Jonathon Sturgeon, Sara Veale, Laura Waddell, and Joanna Walsh.
Book Synopsis Literary Criticism by : William Kurtz Wimsatt
Download or read book Literary Criticism written by William Kurtz Wimsatt and published by Taylor & Francis. This book was released on 1970 with total page 755 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Cover -- Title Page -- Copyright -- Contents -- Preface -- Introduction -- 1. The Critical Revolution Turns Right -- 2. The Scholarly Turn -- 3. The Historicist/Contextualist Paradigm -- 4. The Critical Unconscious -- Conclusion: The Future of Criticism -- Appendix: The Critical Paradigm and T.S. Eliot -- Notes -- Acknowledgments -- Index
Book Synopsis Literary Criticism by : Joseph North
Download or read book Literary Criticism written by Joseph North and published by Harvard University Press. This book was released on 2017-05-08 with total page 270 pages. Available in PDF, EPUB and Kindle. Book excerpt: Cover -- Title Page -- Copyright -- Contents -- Preface -- Introduction -- 1. The Critical Revolution Turns Right -- 2. The Scholarly Turn -- 3. The Historicist/Contextualist Paradigm -- 4. The Critical Unconscious -- Conclusion: The Future of Criticism -- Appendix: The Critical Paradigm and T.S. Eliot -- Notes -- Acknowledgments -- Index
Aristotle's Poetics has held the attention of scholars and authors through the ages, and Averroes has long been known as "the commentator" on Aristotle. His Middle Commentary on Aristotle's Poetics is important because of its striking content. Here, an author steeped in Aristotle's thought and highly familiar with an entirely different poetical tradition shows in careful detail what is commendable about Greek poetics and commendable as well as blameworthy about Arabic poetics.
Book Synopsis Averroes' Middle Commentary on Aristotle's Poetics by : Averroës
Download or read book Averroes' Middle Commentary on Aristotle's Poetics written by Averroës and published by . This book was released on 2000 with total page 192 pages. Available in PDF, EPUB and Kindle. Book excerpt: Aristotle's Poetics has held the attention of scholars and authors through the ages, and Averroes has long been known as "the commentator" on Aristotle. His Middle Commentary on Aristotle's Poetics is important because of its striking content. Here, an author steeped in Aristotle's thought and highly familiar with an entirely different poetical tradition shows in careful detail what is commendable about Greek poetics and commendable as well as blameworthy about Arabic poetics.
Book Synopsis Critic and Literary World by : Jeannette Leonard Gilder
Download or read book Critic and Literary World written by Jeannette Leonard Gilder and published by . This book was released on 1889 with total page 682 pages. Available in PDF, EPUB and Kindle. Book excerpt:
With contributions from 30 leading media scholars, this collection provides a comprehensive overview of the main methodologies of critical media studies. Chapters address various methods of textual analysis, as well as reception studies, policy, production studies, and contextual, multi-method approaches, like intertextuality and cultural geography. Film and television are at the heart of the collection, which also addresses emergent technologies and new research tools in such areas as software studies, gaming, and digital humanities. Each chapter includes an intellectual history of a particular method or approach, a discussion of why and how it was used to study a particular medium or media, relevant examples of influential work in the area, and an in-depth review of a case study drawn from the author's own research. Together, the chapters in this collection give media critics a complete toolbox of essential critical media studies methodologies.
Book Synopsis The Craft of Criticism by : Michael Kackman
Download or read book The Craft of Criticism written by Michael Kackman and published by Routledge. This book was released on 2018-06-22 with total page 356 pages. Available in PDF, EPUB and Kindle. Book excerpt: With contributions from 30 leading media scholars, this collection provides a comprehensive overview of the main methodologies of critical media studies. Chapters address various methods of textual analysis, as well as reception studies, policy, production studies, and contextual, multi-method approaches, like intertextuality and cultural geography. Film and television are at the heart of the collection, which also addresses emergent technologies and new research tools in such areas as software studies, gaming, and digital humanities. Each chapter includes an intellectual history of a particular method or approach, a discussion of why and how it was used to study a particular medium or media, relevant examples of influential work in the area, and an in-depth review of a case study drawn from the author's own research. Together, the chapters in this collection give media critics a complete toolbox of essential critical media studies methodologies.
For the past fifty years literary studies and criticism have been dominated by formalist, structural and text-centered approaches. The editor of this volume, Jerome J. McGann, has been arguing in recent years for more expansive and contextual procedures. In this collection of essays he has brought together a group of distinguished collaborators--including Terry Eagleton, Marilyn Butler, Cecil Lang, and Sandra Gilbert--whose work emphasizes the importance of social and historical methodologies for the study of literary texts. Representing a variety of viewpoints and critical strategies, these critics together demonstrate the sociohistorical dimensions of literary works, provide examples of how studies of such literary works might be pursued, and suggest some central areas of investigation. The resulting effort to reconstitute some vital and neglected critical approaches will engage students and scholars of literature, and move them to reassess current critical assumptions. Fundamental to this collection is the sense that literary texts are more than self-enclosed verbal constructs. In his introduction to the essays, editor McGann examines how and why the concept of referentiality fell into disfavor with modern literary schools. The antihistorical bias of the New Critics, Structuralists, and Deconstructionists, he argues, ultimately limit their critical vision. For literature, McGann stresses, has various points of reference to a larger world of social interactions and historical influence; only by recognizing and reconstructing that world can we mine the full meaning, and communicative potential, of a fictional work.
Book Synopsis Historical Studies and Literary Criticism by : Jerome J. McGann
Download or read book Historical Studies and Literary Criticism written by Jerome J. McGann and published by Madison, Wis. : University of Wisconsin Press. This book was released on 1985 with total page 334 pages. Available in PDF, EPUB and Kindle. Book excerpt: For the past fifty years literary studies and criticism have been dominated by formalist, structural and text-centered approaches. The editor of this volume, Jerome J. McGann, has been arguing in recent years for more expansive and contextual procedures. In this collection of essays he has brought together a group of distinguished collaborators--including Terry Eagleton, Marilyn Butler, Cecil Lang, and Sandra Gilbert--whose work emphasizes the importance of social and historical methodologies for the study of literary texts. Representing a variety of viewpoints and critical strategies, these critics together demonstrate the sociohistorical dimensions of literary works, provide examples of how studies of such literary works might be pursued, and suggest some central areas of investigation. The resulting effort to reconstitute some vital and neglected critical approaches will engage students and scholars of literature, and move them to reassess current critical assumptions. Fundamental to this collection is the sense that literary texts are more than self-enclosed verbal constructs. In his introduction to the essays, editor McGann examines how and why the concept of referentiality fell into disfavor with modern literary schools. The antihistorical bias of the New Critics, Structuralists, and Deconstructionists, he argues, ultimately limit their critical vision. For literature, McGann stresses, has various points of reference to a larger world of social interactions and historical influence; only by recognizing and reconstructing that world can we mine the full meaning, and communicative potential, of a fictional work.
Book Synopsis The Critic by : Jeannette Leonard Gilder
Download or read book The Critic written by Jeannette Leonard Gilder and published by . This book was released on 1897 with total page 554 pages. Available in PDF, EPUB and Kindle. Book excerpt:
