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Previous studies of William Carlos Williams have tended to look only for the literary echoes in his verse. According to Bram Dijkstra, the new movements in the visual arts during the 1920s affected Williams's work as much as, if not more than, the new writing of the period. Dijkstra catches the excitement of this period of revolutionary art, reveals the interactions between writers and painters, and shows in particular the specific and general impact this world had on Williams's early writings.
Book Synopsis Cubism, Stieglitz, and the Early Poetry of William Carlos Williams by : Bram Dijkstra
Download or read book Cubism, Stieglitz, and the Early Poetry of William Carlos Williams written by Bram Dijkstra and published by Princeton University Press. This book was released on 2020-07-21 with total page 257 pages. Available in PDF, EPUB and Kindle. Book excerpt: Previous studies of William Carlos Williams have tended to look only for the literary echoes in his verse. According to Bram Dijkstra, the new movements in the visual arts during the 1920s affected Williams's work as much as, if not more than, the new writing of the period. Dijkstra catches the excitement of this period of revolutionary art, reveals the interactions between writers and painters, and shows in particular the specific and general impact this world had on Williams's early writings.
Book Synopsis Cubism, Stieglitz, and the early poetry of William Carlos Williams by :
Download or read book Cubism, Stieglitz, and the early poetry of William Carlos Williams written by and published by . This book was released on 1978 with total page pages. Available in PDF, EPUB and Kindle. Book excerpt:
Book Synopsis The Hieroglyphics of a New Speech by : Bram Dijkstra
Download or read book The Hieroglyphics of a New Speech written by Bram Dijkstra and published by . This book was released on 1969 with total page 218 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Seminar paper from the year 2007 in the subject American Studies - Literature, grade: 2,0, University of Mannheim, language: English, abstract: Modernist poetry, which emerged in the first two decades of the 20th century had the main aim to eliminate rigid structures of romantic poetry. The images and objects put into words as well as the visual appearance of the poem itself were to express their true nature and to be freed from metaphors they were connected with before. William Carlos Williams is one of the most important poets of the American modernism. He understands perfectly well to combine visual experience with words and the link from some of his poems to works of visual arts and vice versa is more than apparent. This paper focuses on the correlation between those diverse pieces of art. After a short introduction to the life of and influence on Williams in Chapter 2 Chapter 3 draws parallels between the work of Alfred Stieglitz and that of William Carlos Williams. This does not only hold for similarities in the objects and image depicted as in “Spring Showers” and “Young Sycamore”, which have been discussed in literature before. It also applies to the mere force of expression that is analogical in the photograph “Apples and Gable” and the poem “The Red Wheelbarrow”. The constellation of a poem by Williams serving as an inspiring source for a piece of visual arts is focused on in Chapter 4. Williams’ poem “The Great Figure” is analysed and paralleled with the painting “I Saw the Figure Five in Gold” by Charles Demuth. As an example for the indirect inspirational character of Williams’ poem one work by Robert Indiana is introduced directly pointing to Demuth’s painting. Although Indiana is an important representative of American pop art, which evolved out of criticism concerning some aspects of modernist art, similarities in both concepts as well as in all three pieces of art can be identified.
Book Synopsis Art on Art on Art. Parallels in poems by William Carlos Williams and visual arts by : Stephanie Peiker
Download or read book Art on Art on Art. Parallels in poems by William Carlos Williams and visual arts written by Stephanie Peiker and published by GRIN Verlag. This book was released on 2008-03-20 with total page 30 pages. Available in PDF, EPUB and Kindle. Book excerpt: Seminar paper from the year 2007 in the subject American Studies - Literature, grade: 2,0, University of Mannheim, language: English, abstract: Modernist poetry, which emerged in the first two decades of the 20th century had the main aim to eliminate rigid structures of romantic poetry. The images and objects put into words as well as the visual appearance of the poem itself were to express their true nature and to be freed from metaphors they were connected with before. William Carlos Williams is one of the most important poets of the American modernism. He understands perfectly well to combine visual experience with words and the link from some of his poems to works of visual arts and vice versa is more than apparent. This paper focuses on the correlation between those diverse pieces of art. After a short introduction to the life of and influence on Williams in Chapter 2 Chapter 3 draws parallels between the work of Alfred Stieglitz and that of William Carlos Williams. This does not only hold for similarities in the objects and image depicted as in “Spring Showers” and “Young Sycamore”, which have been discussed in literature before. It also applies to the mere force of expression that is analogical in the photograph “Apples and Gable” and the poem “The Red Wheelbarrow”. The constellation of a poem by Williams serving as an inspiring source for a piece of visual arts is focused on in Chapter 4. Williams’ poem “The Great Figure” is analysed and paralleled with the painting “I Saw the Figure Five in Gold” by Charles Demuth. As an example for the indirect inspirational character of Williams’ poem one work by Robert Indiana is introduced directly pointing to Demuth’s painting. Although Indiana is an important representative of American pop art, which evolved out of criticism concerning some aspects of modernist art, similarities in both concepts as well as in all three pieces of art can be identified.
Book Synopsis William Carlos Williams and the American Scene, 1920-1940 by : Dickran Tashjian
Download or read book William Carlos Williams and the American Scene, 1920-1940 written by Dickran Tashjian and published by Univ of California Press. This book was released on 1978 with total page 172 pages. Available in PDF, EPUB and Kindle. Book excerpt:
This book is a major step toward a fuller exploration of the connection between the visual arts and Williams' concept of the Modernist poem and of his achievement in transcending an art-for-art's-sake formalism to create poems that both reflect their own nature as a work of art and vividly evoke the world of which they are a part.
Book Synopsis The Revolution in the Visual Arts and the Poetry of William Carlos Williams by : Peter Halter
Download or read book The Revolution in the Visual Arts and the Poetry of William Carlos Williams written by Peter Halter and published by Cambridge University Press. This book was released on 1994-07-29 with total page 292 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book is a major step toward a fuller exploration of the connection between the visual arts and Williams' concept of the Modernist poem and of his achievement in transcending an art-for-art's-sake formalism to create poems that both reflect their own nature as a work of art and vividly evoke the world of which they are a part.
This collection of 19 essays is the first one devoted to function-oriented analyses of intermedial interrelationships in literature, art, music, and film. The contributors — among others, Werner Wolf, James Heffernan, Walter Bernhart, Siglind Bruhn, Claus Clüver, Valerie Robillard, and Tamar Yacobi — are leading international scholars in the field of intermediality. The common basis of the essays in this volume — ranging from intermedial studies of medieval liturgical practices, early cinema, modernist art, ekphrasis, music and literature, art and literature, film and literature, hymns, and pop music, to the musical and technological aspects of Concrete poetry — is the ambition to pay attention to the cultural contexts that enhance the significance of these intermedial works and trends under examination. Since the contributions cover different types of intermedial endeavours from various periods and times, a kind of historicizing perspective is outlined. So, in pursuit of a still lacking coherent historical survey of cultural functions of intermediality, this volume might be recognized as a step towards such a Funktionsgeschichte for intermedial exploration.
Book Synopsis Cultural Functions of Intermedial Exploration by :
Download or read book Cultural Functions of Intermedial Exploration written by and published by BRILL. This book was released on 2021-11-08 with total page 302 pages. Available in PDF, EPUB and Kindle. Book excerpt: This collection of 19 essays is the first one devoted to function-oriented analyses of intermedial interrelationships in literature, art, music, and film. The contributors — among others, Werner Wolf, James Heffernan, Walter Bernhart, Siglind Bruhn, Claus Clüver, Valerie Robillard, and Tamar Yacobi — are leading international scholars in the field of intermediality. The common basis of the essays in this volume — ranging from intermedial studies of medieval liturgical practices, early cinema, modernist art, ekphrasis, music and literature, art and literature, film and literature, hymns, and pop music, to the musical and technological aspects of Concrete poetry — is the ambition to pay attention to the cultural contexts that enhance the significance of these intermedial works and trends under examination. Since the contributions cover different types of intermedial endeavours from various periods and times, a kind of historicizing perspective is outlined. So, in pursuit of a still lacking coherent historical survey of cultural functions of intermediality, this volume might be recognized as a step towards such a Funktionsgeschichte for intermedial exploration.
As David Ignatow's foreword notes, the time is ripe for a multicultural canonical modernist, and Marzan himself, a poet with Puerto Rican roots, has produced an insightful study of Williams' sometimes hidden, sometimes obvious debt to his Spanish American heritage. At the same time, Marzan raises serious questions about how 'ethnic' literature shapes the modern canon. --American Literature I have been waiting for some time for a study of Williams's Latin American roots, and this book fills that bill. . . . It's a significant addition to the Williams canon. --Paul Mariani, author of William Carlos Williams: A New World Naked William Carlos Williams wrote from an all-encompassing American vision that recalls the spirit of Walt Whitman. Paradoxically, though, this most-American poet sprang from foreign roots--a Puerto Rican mother and a father who was an English-born Caribbean islander. In this poetically evocative work, Julio Marzan explores the Latin American roots of Williams' poetry. In particular, he focuses on the dualities and contradictions between Williams' public, North American persona, Bill, and his private, poetically encrypted Latin persona, Carlos. He shows how Williams' poetry draws on Latin American and Spanish sources, particularly the poetry of Spaniard Luis de Gongora, to encode a Latin subtext in poems that ostensibly present a mainstream, Anglo vision. These explorations uncover a wealth of complexity in Williams and his poetry. Reflecting the experience of many immigrants, his life and work embody the unreconcilable desires to assimilate and win acceptance in a new land while remaining separate and immersed in the beloved culture of one'sbirth. A published poet, Julio Marzan is also editor of Inventing a Word: An Anthology of Twentieth-Century Puerto Rican Poetry.
Book Synopsis The Spanish American Roots of William Carlos Williams by : Julio Marz?n
Download or read book The Spanish American Roots of William Carlos Williams written by Julio Marz?n and published by University of Texas Press. This book was released on 1994-01-01 with total page 312 pages. Available in PDF, EPUB and Kindle. Book excerpt: As David Ignatow's foreword notes, the time is ripe for a multicultural canonical modernist, and Marzan himself, a poet with Puerto Rican roots, has produced an insightful study of Williams' sometimes hidden, sometimes obvious debt to his Spanish American heritage. At the same time, Marzan raises serious questions about how 'ethnic' literature shapes the modern canon. --American Literature I have been waiting for some time for a study of Williams's Latin American roots, and this book fills that bill. . . . It's a significant addition to the Williams canon. --Paul Mariani, author of William Carlos Williams: A New World Naked William Carlos Williams wrote from an all-encompassing American vision that recalls the spirit of Walt Whitman. Paradoxically, though, this most-American poet sprang from foreign roots--a Puerto Rican mother and a father who was an English-born Caribbean islander. In this poetically evocative work, Julio Marzan explores the Latin American roots of Williams' poetry. In particular, he focuses on the dualities and contradictions between Williams' public, North American persona, Bill, and his private, poetically encrypted Latin persona, Carlos. He shows how Williams' poetry draws on Latin American and Spanish sources, particularly the poetry of Spaniard Luis de Gongora, to encode a Latin subtext in poems that ostensibly present a mainstream, Anglo vision. These explorations uncover a wealth of complexity in Williams and his poetry. Reflecting the experience of many immigrants, his life and work embody the unreconcilable desires to assimilate and win acceptance in a new land while remaining separate and immersed in the beloved culture of one'sbirth. A published poet, Julio Marzan is also editor of Inventing a Word: An Anthology of Twentieth-Century Puerto Rican Poetry.
This set comprises of 40 volumes covering nineteenth and twentieth century European and American authors. These volumes will be available as a complete set, mini boxed sets (by theme) or as individual volumes. This second set compliments the first 68 volume set of Critical Heritage published by Routledge in October 1995.
Book Synopsis William Carlos Williams by : Crane Doyle
Download or read book William Carlos Williams written by Crane Doyle and published by Routledge. This book was released on 2013-11-05 with total page 466 pages. Available in PDF, EPUB and Kindle. Book excerpt: This set comprises of 40 volumes covering nineteenth and twentieth century European and American authors. These volumes will be available as a complete set, mini boxed sets (by theme) or as individual volumes. This second set compliments the first 68 volume set of Critical Heritage published by Routledge in October 1995.
An invaluable introductory guide for students, this Companion features thirteen new essays from leading international experts on William Carlos Williams, covering his major poetry and prose works. It addresses central issues of recent Williams scholarship and considers his relationships with contemporaries as well as the importance of his legacy.
Book Synopsis The Cambridge Companion to William Carlos Williams by : Christopher MacGowan
Download or read book The Cambridge Companion to William Carlos Williams written by Christopher MacGowan and published by Cambridge University Press. This book was released on 2016-06-23 with total page 247 pages. Available in PDF, EPUB and Kindle. Book excerpt: An invaluable introductory guide for students, this Companion features thirteen new essays from leading international experts on William Carlos Williams, covering his major poetry and prose works. It addresses central issues of recent Williams scholarship and considers his relationships with contemporaries as well as the importance of his legacy.
