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A blend of indigenous life in the rural countryside and metropolitan culture in urban centers, Senegal has been a small, yet prominent country on Africa's western coast. In this comprehensive study of contemporary Senegalese life, readers will learn how daily lifestyles are celebrated through both religious and secular customs. Students can investigate how Senegal's oral storytelling, Islamic roots, and French colonialism have shaped literature and media in today's society. From the street to the studio, the topic of art in Senegalese life is also covered. Ross also delves into architectural styles and modern housing in urban environments, while also covering typical cuisine and traditional fashion. Readers will learn about the typical Senegalese family as a social and economic unit, and will see how music, dance, and sports play an integral role in their lives. Ideal for high school students and general readers, this volume in the Culture and Customs of Africa series is a perfect addition to any library's reference collection.
Book Synopsis Culture and Customs of Senegal by : Eric Ross
Download or read book Culture and Customs of Senegal written by Eric Ross and published by Greenwood. This book was released on 2008-04-30 with total page 168 pages. Available in PDF, EPUB and Kindle. Book excerpt: A blend of indigenous life in the rural countryside and metropolitan culture in urban centers, Senegal has been a small, yet prominent country on Africa's western coast. In this comprehensive study of contemporary Senegalese life, readers will learn how daily lifestyles are celebrated through both religious and secular customs. Students can investigate how Senegal's oral storytelling, Islamic roots, and French colonialism have shaped literature and media in today's society. From the street to the studio, the topic of art in Senegalese life is also covered. Ross also delves into architectural styles and modern housing in urban environments, while also covering typical cuisine and traditional fashion. Readers will learn about the typical Senegalese family as a social and economic unit, and will see how music, dance, and sports play an integral role in their lives. Ideal for high school students and general readers, this volume in the Culture and Customs of Africa series is a perfect addition to any library's reference collection.
UNESCO pub. Study of the methods of cultural policy in Senegal - describes the institutional framework, investment policy and relevant educational reforms designed for the promotion and dissemination of culture and the protection of cultural property, and covers intellectual and artistic spheres, science, technology and education, etc.
Book Synopsis Cultural Policy in Senegal by : Mamadou Seyni Mbengue
Download or read book Cultural Policy in Senegal written by Mamadou Seyni Mbengue and published by . This book was released on 1973 with total page 76 pages. Available in PDF, EPUB and Kindle. Book excerpt: UNESCO pub. Study of the methods of cultural policy in Senegal - describes the institutional framework, investment policy and relevant educational reforms designed for the promotion and dissemination of culture and the protection of cultural property, and covers intellectual and artistic spheres, science, technology and education, etc.
Senegal Culture and Traditional Art. Ethnics and Traditions, Goree Island Slave Trade Export, Tourism Information. Senegal is famous for its talented artisans who can be found in the major markets, creating and selling their wares. Beautiful gold, silver, and bronze jewelry are exquisitely crafted. Antique beads and large amber necklaces, traditionally worn by the Fulani women, can be found in the markets and antique shops. The Blacksmiths constitute the socio-professional group that made the tools, the jewelries, and other materials, using steel, iron, gold, and other metals. Had the Senegalese society followed a normal path of socio-economic development, the Blacksmiths would perhaps be the metallurgical industrials of Senegal today. Baskets, pottery, hand-woven fabrics with incredibly intricate patterns are renowned great buys. Leather, iguana, crocodile and snake skins are used to create handbags, shoes, belts and other accessories. The Cobblers have been busy with transforming animal skins. They made shoes, harnesses and other materials from animal skins. They certainly would have been the big makers of a Senegalese brand of Nike, Rebok, or Bata, today
Book Synopsis Senegal Culture and Traditional Art by : Ollie Griffiths
Download or read book Senegal Culture and Traditional Art written by Ollie Griffiths and published by . This book was released on 2020-04-07 with total page 168 pages. Available in PDF, EPUB and Kindle. Book excerpt: Senegal Culture and Traditional Art. Ethnics and Traditions, Goree Island Slave Trade Export, Tourism Information. Senegal is famous for its talented artisans who can be found in the major markets, creating and selling their wares. Beautiful gold, silver, and bronze jewelry are exquisitely crafted. Antique beads and large amber necklaces, traditionally worn by the Fulani women, can be found in the markets and antique shops. The Blacksmiths constitute the socio-professional group that made the tools, the jewelries, and other materials, using steel, iron, gold, and other metals. Had the Senegalese society followed a normal path of socio-economic development, the Blacksmiths would perhaps be the metallurgical industrials of Senegal today. Baskets, pottery, hand-woven fabrics with incredibly intricate patterns are renowned great buys. Leather, iguana, crocodile and snake skins are used to create handbags, shoes, belts and other accessories. The Cobblers have been busy with transforming animal skins. They made shoes, harnesses and other materials from animal skins. They certainly would have been the big makers of a Senegalese brand of Nike, Rebok, or Bata, today
Touching on everything from its rich musical heritage to its varied cultural traditions, this is a thorough and accessible introduction to the contemporary lives of the different peoples who call Mali their home. Rated among the world's ten poorest nations, Mali has a glorious past and a less-certain present. Culture and Customs of Mali touches on the first as background for understanding the second, exploring multiple facets of contemporary social life and cultural practices in this landlocked, West African nation. The book offers an overview of diverse aspects of everyday social, cultural, and religious life in Mali, paying particular attention to regional and ethnic variations. It shows how current social conventions and cultural values are the product of a centuries-long history, while at the same time dispels the common perception that African societies are rooted in unchanging tradition. Readers will come away with a better understanding of the multiple ways in which Malians, starting from their own customs and cultural foundations, integrate themselves into an international economic order and a globalized world of shared media images and cultural practices.
Book Synopsis Culture and Customs of Mali by : Dorothea E. Schulz Ph.D.
Download or read book Culture and Customs of Mali written by Dorothea E. Schulz Ph.D. and published by Bloomsbury Publishing USA. This book was released on 2012-01-06 with total page 221 pages. Available in PDF, EPUB and Kindle. Book excerpt: Touching on everything from its rich musical heritage to its varied cultural traditions, this is a thorough and accessible introduction to the contemporary lives of the different peoples who call Mali their home. Rated among the world's ten poorest nations, Mali has a glorious past and a less-certain present. Culture and Customs of Mali touches on the first as background for understanding the second, exploring multiple facets of contemporary social life and cultural practices in this landlocked, West African nation. The book offers an overview of diverse aspects of everyday social, cultural, and religious life in Mali, paying particular attention to regional and ethnic variations. It shows how current social conventions and cultural values are the product of a centuries-long history, while at the same time dispels the common perception that African societies are rooted in unchanging tradition. Readers will come away with a better understanding of the multiple ways in which Malians, starting from their own customs and cultural foundations, integrate themselves into an international economic order and a globalized world of shared media images and cultural practices.
Senegal is a country located in West Africa and is known for its vibrant culture and French colonial heritage. Its capital city is Dakar, located on the Cape Verde peninsula, and its official language is French, but Wolof is widely spoken throughout the country. The country has a rich history dating back to the 7th century, and it was a major center of the transatlantic slave trade. Senegal gained independence from France in 1960, and since then, it has been a democratic country, with multiparty politics and a diverse economy. The country has a population of over 17 million people, and it is one of the most stable countries in the region. Senegal has a diverse landscape, ranging from sandy beaches to fertile river valleys and arid deserts. The country is known for its music, dance, and art, with traditional music such as mbalax and African reggae being popular around the world. Senegal is also known for its cuisine, which includes seafood, stews, and rice dishes. Religion plays a significant role in Senegalese culture, with a majority of the population practicing Islam, but other religions such as Catholicism and Vodou are also present. The country has a rich cultural heritage, and it is home to many museums and historic sites that highlight its history and traditions. Senegal is a vibrant and dynamic country, with a unique cultural identity and a bright future.
Book Synopsis Introduction to Senegal by : Gilad James, PhD
Download or read book Introduction to Senegal written by Gilad James, PhD and published by Gilad James Mystery School. This book was released on with total page 68 pages. Available in PDF, EPUB and Kindle. Book excerpt: Senegal is a country located in West Africa and is known for its vibrant culture and French colonial heritage. Its capital city is Dakar, located on the Cape Verde peninsula, and its official language is French, but Wolof is widely spoken throughout the country. The country has a rich history dating back to the 7th century, and it was a major center of the transatlantic slave trade. Senegal gained independence from France in 1960, and since then, it has been a democratic country, with multiparty politics and a diverse economy. The country has a population of over 17 million people, and it is one of the most stable countries in the region. Senegal has a diverse landscape, ranging from sandy beaches to fertile river valleys and arid deserts. The country is known for its music, dance, and art, with traditional music such as mbalax and African reggae being popular around the world. Senegal is also known for its cuisine, which includes seafood, stews, and rice dishes. Religion plays a significant role in Senegalese culture, with a majority of the population practicing Islam, but other religions such as Catholicism and Vodou are also present. The country has a rich cultural heritage, and it is home to many museums and historic sites that highlight its history and traditions. Senegal is a vibrant and dynamic country, with a unique cultural identity and a bright future.
Senegal Culture and Traditional Art. Ethnics and Traditions, Goree Island Slave Trade Export, Tourism Information. Senegal is famous for its talented artisans who can be found in the major markets, creating and selling their wares. Beautiful gold, silver, and bronze jewelry are exquisitely crafted. Antique beads and large amber necklaces, traditionally worn by the Fulani women, can be found in the markets and antique shops. The Blacksmiths constitute the socio-professional group that made the tools, the jewelries, and other materials, using steel, iron, gold, and other metals. Had the Senegalese society followed a normal path of socio-economic development, the Blacksmiths would perhaps be the metallurgical industrials of Senegal today. Baskets, pottery, hand-woven fabrics with incredibly intricate patterns are renowned great buys. Leather, iguana, crocodile and snake skins are used to create handbags, shoes, belts and other accessories. The Cobblers have been busy with transforming animal skins. They made shoes, harnesses and other materials from animal skins. They certainly would have been the big makers of a Senegalese brand of Nike, Rebok, or Bata, today
Book Synopsis Senegal Culture and Traditional Art by : Ollie Griffiths
Download or read book Senegal Culture and Traditional Art written by Ollie Griffiths and published by . This book was released on 2018-05-30 with total page pages. Available in PDF, EPUB and Kindle. Book excerpt: Senegal Culture and Traditional Art. Ethnics and Traditions, Goree Island Slave Trade Export, Tourism Information. Senegal is famous for its talented artisans who can be found in the major markets, creating and selling their wares. Beautiful gold, silver, and bronze jewelry are exquisitely crafted. Antique beads and large amber necklaces, traditionally worn by the Fulani women, can be found in the markets and antique shops. The Blacksmiths constitute the socio-professional group that made the tools, the jewelries, and other materials, using steel, iron, gold, and other metals. Had the Senegalese society followed a normal path of socio-economic development, the Blacksmiths would perhaps be the metallurgical industrials of Senegal today. Baskets, pottery, hand-woven fabrics with incredibly intricate patterns are renowned great buys. Leather, iguana, crocodile and snake skins are used to create handbags, shoes, belts and other accessories. The Cobblers have been busy with transforming animal skins. They made shoes, harnesses and other materials from animal skins. They certainly would have been the big makers of a Senegalese brand of Nike, Rebok, or Bata, today
Ethnicity and the Colonial State compares the choices of community leaders in three different West African groups (Wolof, Temne, and Ewe), with regard to “selling” their identifications to the colonial rulers. The book thereby addresses ethnicity as a factor in global history.
Book Synopsis Ethnicity and the Colonial State by : Alexander Keese
Download or read book Ethnicity and the Colonial State written by Alexander Keese and published by BRILL. This book was released on 2015-11-30 with total page 387 pages. Available in PDF, EPUB and Kindle. Book excerpt: Ethnicity and the Colonial State compares the choices of community leaders in three different West African groups (Wolof, Temne, and Ewe), with regard to “selling” their identifications to the colonial rulers. The book thereby addresses ethnicity as a factor in global history.
Book Synopsis Cultural policy in Senegal by : Mamadou Seyni M'Bengue
Download or read book Cultural policy in Senegal written by Mamadou Seyni M'Bengue and published by . This book was released on 1973 with total page 61 pages. Available in PDF, EPUB and Kindle. Book excerpt:
"Collecting essays by fourteen expert contributors into a trans-oceanic celebration and critique, Mamadou Diouf and Ifeoma Kiddoe Nwankwo show how music, dance, and popular culture turn ways of remembering Africa into African ways of remembering. With a mix of Nuyorican, Cuban, Haitian, Kenyan, Senegalese, Trinidagonian, and Brazilian beats, Rhythms of the Afro-Atlantic World proves that the pleasures of poly-rhythm belong to the realm of the discursive as well as the sonic and the kinesthetic." ---Joseph Roach, Sterling Professor of Theater, Yale University "As necessary as it is brilliant, Rhythms of the Afro-Atlantic World dances across, beyond, and within the Black Atlantic Diaspora with the aplomb and skill befitting its editors and contributors." ---Mark Anthony Neal, author of Soul Babies: Black Popular Culture and the Post-Soul Aesthetic Along with linked modes of religiosity, music and dance have long occupied a central position in the ways in which Atlantic peoples have enacted, made sense of, and responded to their encounters with each other. This unique collection of essays connects nations from across the Atlantic---Senegal, Kenya, Trinidad, Cuba, Brazil, and the United States, among others---highlighting contemporary popular, folkloric, and religious music and dance. By tracking the continuous reframing, revision, and erasure of aural, oral, and corporeal traces, the contributors to Rhythms of the Afro-Atlantic World collectively argue that music and dance are the living evidence of a constant (re)composition and (re)mixing of local sounds and gestures. Rhythms of the Afro-Atlantic World distinguishes itself as a collection focusing on the circulation of cultural forms across the Atlantic world, tracing the paths trod by a range of music and dance forms within, across, or beyond the variety of locales that constitute the Atlantic world. The editors and contributors do so, however, without assuming that these paths have been either always in line with national, regional, or continental boundaries or always transnational, transgressive, and perfectly hybrid/syncretic. This collection seeks to reorient the discourse on cultural forms moving in the Atlantic world by being attentive to the specifics of the forms---their specific geneses, the specific uses to which they are put by their creators and consumers, and the specific ways in which they travel or churn in place. Mamadou Diouf is Leitner Family Professor of African Studies, Director of the Institute of African Studies, and Professor of History at Columbia University. Ifeoma Kiddoe Nwankwo is Associate Professor of English at Vanderbilt University. Jacket photograph by Elias Irizarry
Book Synopsis Rhythms of the Afro-Atlantic World by : Ifeoma C.K. Nwankwo
Download or read book Rhythms of the Afro-Atlantic World written by Ifeoma C.K. Nwankwo and published by University of Michigan Press. This book was released on 2010-11-22 with total page 278 pages. Available in PDF, EPUB and Kindle. Book excerpt: "Collecting essays by fourteen expert contributors into a trans-oceanic celebration and critique, Mamadou Diouf and Ifeoma Kiddoe Nwankwo show how music, dance, and popular culture turn ways of remembering Africa into African ways of remembering. With a mix of Nuyorican, Cuban, Haitian, Kenyan, Senegalese, Trinidagonian, and Brazilian beats, Rhythms of the Afro-Atlantic World proves that the pleasures of poly-rhythm belong to the realm of the discursive as well as the sonic and the kinesthetic." ---Joseph Roach, Sterling Professor of Theater, Yale University "As necessary as it is brilliant, Rhythms of the Afro-Atlantic World dances across, beyond, and within the Black Atlantic Diaspora with the aplomb and skill befitting its editors and contributors." ---Mark Anthony Neal, author of Soul Babies: Black Popular Culture and the Post-Soul Aesthetic Along with linked modes of religiosity, music and dance have long occupied a central position in the ways in which Atlantic peoples have enacted, made sense of, and responded to their encounters with each other. This unique collection of essays connects nations from across the Atlantic---Senegal, Kenya, Trinidad, Cuba, Brazil, and the United States, among others---highlighting contemporary popular, folkloric, and religious music and dance. By tracking the continuous reframing, revision, and erasure of aural, oral, and corporeal traces, the contributors to Rhythms of the Afro-Atlantic World collectively argue that music and dance are the living evidence of a constant (re)composition and (re)mixing of local sounds and gestures. Rhythms of the Afro-Atlantic World distinguishes itself as a collection focusing on the circulation of cultural forms across the Atlantic world, tracing the paths trod by a range of music and dance forms within, across, or beyond the variety of locales that constitute the Atlantic world. The editors and contributors do so, however, without assuming that these paths have been either always in line with national, regional, or continental boundaries or always transnational, transgressive, and perfectly hybrid/syncretic. This collection seeks to reorient the discourse on cultural forms moving in the Atlantic world by being attentive to the specifics of the forms---their specific geneses, the specific uses to which they are put by their creators and consumers, and the specific ways in which they travel or churn in place. Mamadou Diouf is Leitner Family Professor of African Studies, Director of the Institute of African Studies, and Professor of History at Columbia University. Ifeoma Kiddoe Nwankwo is Associate Professor of English at Vanderbilt University. Jacket photograph by Elias Irizarry
In April 1966, thousands of artists, musicians, performers and writers from across Africa and its diaspora gathered in the Senegalese capital, Dakar, to take part in the First World Festival of Negro Arts (Premier Festival Mondial des arts nègres). The international forum provided by the Dakar Festival showcased a wide array of arts and was attended by such celebrated luminaries as Duke Ellington, Josephine Baker, Aimé Césaire, André Malraux and Wole Soyinka. Described by Senegalese President Léopold Sédar Senghor, as 'the elaboration of a new humanism which this time will include all of humanity on the whole of our planet earth', the festival constituted a highly symbolic moment in the era of decolonization and the push for civil rights for black people in the United States. In essence, the festival sought to perform an emerging Pan-African culture, that is, to give concrete cultural expression to the ties that would bind the newly liberated African 'homeland' to black people in the diaspora. This volume is the first sustained attempt to provide not only an overview of the festival itself but also of its multiple legacies, which will help us better to understand the 'festivalization' of Africa that has occurred in recent decades with most African countries now hosting a number of festivals as part of a national tourism and cultural development strategy.
Book Synopsis The First World Festival of Negro Arts, Dakar 1966 by : David Murphy
Download or read book The First World Festival of Negro Arts, Dakar 1966 written by David Murphy and published by Oxford University Press. This book was released on 2016 with total page 246 pages. Available in PDF, EPUB and Kindle. Book excerpt: In April 1966, thousands of artists, musicians, performers and writers from across Africa and its diaspora gathered in the Senegalese capital, Dakar, to take part in the First World Festival of Negro Arts (Premier Festival Mondial des arts nègres). The international forum provided by the Dakar Festival showcased a wide array of arts and was attended by such celebrated luminaries as Duke Ellington, Josephine Baker, Aimé Césaire, André Malraux and Wole Soyinka. Described by Senegalese President Léopold Sédar Senghor, as 'the elaboration of a new humanism which this time will include all of humanity on the whole of our planet earth', the festival constituted a highly symbolic moment in the era of decolonization and the push for civil rights for black people in the United States. In essence, the festival sought to perform an emerging Pan-African culture, that is, to give concrete cultural expression to the ties that would bind the newly liberated African 'homeland' to black people in the diaspora. This volume is the first sustained attempt to provide not only an overview of the festival itself but also of its multiple legacies, which will help us better to understand the 'festivalization' of Africa that has occurred in recent decades with most African countries now hosting a number of festivals as part of a national tourism and cultural development strategy.
