Culture and Identity in African and Caribbean Theatre

Culture and Identity in African and Caribbean Theatre

Author: Osita Okagbue

Publisher: Adonis & Abbey Publishers

Published: 2009

Total Pages: 0

ISBN-13: 9781905068609

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Because of a shared experience of European colonialism and trans-Atlantic slavery, issues of culture and identity are major concerns for African and Caribbean playwrights. Slavery and colonialism had involved systematic acts of cultural denigration, de-humanization and loss of freedom, which left imprints on the collective psyches of the colonized Africans and enslaved peoples of African descent in the Caribbean. Both experiences brought intense cultural and psychic dislocations which still impact in various ways on the lives of Africans and peoples of African descent around the world. African and Caribbean playwrights try to help their peoples regain their dignities by affirming their cultures, histories and identities. The book focuses on the similarities and differences between Caribbean theatre and the theatre of sub-Saharan Africa, showing how identities and cultures are negotiated and affirmed in each case.


Book Synopsis Culture and Identity in African and Caribbean Theatre by : Osita Okagbue

Download or read book Culture and Identity in African and Caribbean Theatre written by Osita Okagbue and published by Adonis & Abbey Publishers. This book was released on 2009 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt: Because of a shared experience of European colonialism and trans-Atlantic slavery, issues of culture and identity are major concerns for African and Caribbean playwrights. Slavery and colonialism had involved systematic acts of cultural denigration, de-humanization and loss of freedom, which left imprints on the collective psyches of the colonized Africans and enslaved peoples of African descent in the Caribbean. Both experiences brought intense cultural and psychic dislocations which still impact in various ways on the lives of Africans and peoples of African descent around the world. African and Caribbean playwrights try to help their peoples regain their dignities by affirming their cultures, histories and identities. The book focuses on the similarities and differences between Caribbean theatre and the theatre of sub-Saharan Africa, showing how identities and cultures are negotiated and affirmed in each case.

Culture and Identity in African and Caribbean Theatre

Culture and Identity in African and Caribbean Theatre

Author: Osita Okagbue

Publisher: Adonis & Abbey Publishers Ltd

Published: 2009-09-30

Total Pages: 277

ISBN-13: 1912234262

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What connects Africa and the Caribbean is trans-Atlantic slavery which transported numerous sons and daughters of Africa to the plantations of the New World in the service of Western European capitalism. Because of this shared experience of trans-Atlantic slavery and European colonialism, issues of culture and identity are major concerns for African and Caribbean playwrights. Slavery and colonialism had involved systematic acts of cultural denigration, de-humanisation and loss of freedom, which left imprints on the collective psyches of the colonised Africans and enslaved peoples of African descent in the Caribbean. Both experiences brought intense cultural and psychic dislocations which still impact in various ways on the lives of Africans and peoples of African descent around the world. African and Caribbean playwrights try to help their peoples regain their dignities by affirming their cultures, histories and identities. The book focuses on the similarities and differences between Caribbean theatre and the theatre of sub-Saharan Africa, showing how identities and cultures are negotiated and affirmed in each case.


Book Synopsis Culture and Identity in African and Caribbean Theatre by : Osita Okagbue

Download or read book Culture and Identity in African and Caribbean Theatre written by Osita Okagbue and published by Adonis & Abbey Publishers Ltd. This book was released on 2009-09-30 with total page 277 pages. Available in PDF, EPUB and Kindle. Book excerpt: What connects Africa and the Caribbean is trans-Atlantic slavery which transported numerous sons and daughters of Africa to the plantations of the New World in the service of Western European capitalism. Because of this shared experience of trans-Atlantic slavery and European colonialism, issues of culture and identity are major concerns for African and Caribbean playwrights. Slavery and colonialism had involved systematic acts of cultural denigration, de-humanisation and loss of freedom, which left imprints on the collective psyches of the colonised Africans and enslaved peoples of African descent in the Caribbean. Both experiences brought intense cultural and psychic dislocations which still impact in various ways on the lives of Africans and peoples of African descent around the world. African and Caribbean playwrights try to help their peoples regain their dignities by affirming their cultures, histories and identities. The book focuses on the similarities and differences between Caribbean theatre and the theatre of sub-Saharan Africa, showing how identities and cultures are negotiated and affirmed in each case.

Scars of Conquest/Masks of Resistance

Scars of Conquest/Masks of Resistance

Author: Tejumola Olaniyan

Publisher: Oxford University Press

Published: 1995-06-22

Total Pages: 209

ISBN-13: 0195357507

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This original work redefines and broadens our understanding of the drama of the English-speaking African diaspora. Looking closely at the work of Amiri Baraka, Nobel prize-winners Wole Soyinka and Derek Walcott, and Ntozake Shange, the author contends that the refashioning of the collective cultural self in black drama originates from the complex intersection of three discourses: Eurocentric, Afrocentric, and Post-Afrocentric. From blackface minstrelsy to the Trinidad Carnival, from the Black Aesthetic to the South African Black Consciousness theatres and the scholarly debate on the (non)existence of African drama, Olaniyan cogently maps the terrains of a cultural struggle and underscores a peculiar situation in which the inferiorization of black performance forms is most often a shorthand for subordinating black culture and corporeality. Drawing on insights from contemporary theory and cultural studies, and offering detailed readings of the above writers, Olaniyan shows how they occupy the interface between the Afrocentric and a liberating Post-Afrocentric space where black theatrical-cultural difference could be envisioned as a site of multiple articulations: race, class, gender, genre, and language.


Book Synopsis Scars of Conquest/Masks of Resistance by : Tejumola Olaniyan

Download or read book Scars of Conquest/Masks of Resistance written by Tejumola Olaniyan and published by Oxford University Press. This book was released on 1995-06-22 with total page 209 pages. Available in PDF, EPUB and Kindle. Book excerpt: This original work redefines and broadens our understanding of the drama of the English-speaking African diaspora. Looking closely at the work of Amiri Baraka, Nobel prize-winners Wole Soyinka and Derek Walcott, and Ntozake Shange, the author contends that the refashioning of the collective cultural self in black drama originates from the complex intersection of three discourses: Eurocentric, Afrocentric, and Post-Afrocentric. From blackface minstrelsy to the Trinidad Carnival, from the Black Aesthetic to the South African Black Consciousness theatres and the scholarly debate on the (non)existence of African drama, Olaniyan cogently maps the terrains of a cultural struggle and underscores a peculiar situation in which the inferiorization of black performance forms is most often a shorthand for subordinating black culture and corporeality. Drawing on insights from contemporary theory and cultural studies, and offering detailed readings of the above writers, Olaniyan shows how they occupy the interface between the Afrocentric and a liberating Post-Afrocentric space where black theatrical-cultural difference could be envisioned as a site of multiple articulations: race, class, gender, genre, and language.

The Cambridge Guide to African and Caribbean Theatre

The Cambridge Guide to African and Caribbean Theatre

Author: Martin Banham

Publisher: Cambridge University Press

Published: 1994-08-04

Total Pages: 276

ISBN-13: 9780521411394

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Comprehensive alphabetical guide to theatre in Africa and the Caribbean: national essays and entries on countries and performers.


Book Synopsis The Cambridge Guide to African and Caribbean Theatre by : Martin Banham

Download or read book The Cambridge Guide to African and Caribbean Theatre written by Martin Banham and published by Cambridge University Press. This book was released on 1994-08-04 with total page 276 pages. Available in PDF, EPUB and Kindle. Book excerpt: Comprehensive alphabetical guide to theatre in Africa and the Caribbean: national essays and entries on countries and performers.

The Changing Face of Afro-Caribbean Cultural Identity

The Changing Face of Afro-Caribbean Cultural Identity

Author: Mamadou Badiane

Publisher: Rowman & Littlefield

Published: 2010

Total Pages: 199

ISBN-13: 0739125532

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The Changing Face of Afro-Caribbean Cultural Identity: Negrismo and N gritude looks primarily at Negrismo and N gritude, two literary movements that appeared in the Francophone and Hispanic Caribbean as well as in Africa at the beginning of the twentieth century. It draws on speeches and manifestos, and use cultural studies to contextualize ideas. It poses the bases of both movements in the Caribbean and in Africa, and lays out the literary antecedents that influenced or shaped both movements. This book examines the search for cultural identity through the poetry of Nicolas Guill n, Manuel del Cabral, and Pal s Matos. This search is extended to the N gritude movement through the poems of L opold Senghor, L on-Gontran Damas, and Aim C saire. Mamadou Badiane further discusses the under-represented N gritude women writers who were silenced by their male counterparts during the first half of the twentieth century. Ultimately, this is a book on Caribbean cultural identity that shows it in a slippery and fluctuating zone. By demonstrating that while the founders of the N gritude movement both identified themselves as descendants of Africans and were proud to proclaim their African heritage, the members of the Antillanit and Cr olit movements see themselves as a product of miscegenation between different cultures.


Book Synopsis The Changing Face of Afro-Caribbean Cultural Identity by : Mamadou Badiane

Download or read book The Changing Face of Afro-Caribbean Cultural Identity written by Mamadou Badiane and published by Rowman & Littlefield. This book was released on 2010 with total page 199 pages. Available in PDF, EPUB and Kindle. Book excerpt: The Changing Face of Afro-Caribbean Cultural Identity: Negrismo and N gritude looks primarily at Negrismo and N gritude, two literary movements that appeared in the Francophone and Hispanic Caribbean as well as in Africa at the beginning of the twentieth century. It draws on speeches and manifestos, and use cultural studies to contextualize ideas. It poses the bases of both movements in the Caribbean and in Africa, and lays out the literary antecedents that influenced or shaped both movements. This book examines the search for cultural identity through the poetry of Nicolas Guill n, Manuel del Cabral, and Pal s Matos. This search is extended to the N gritude movement through the poems of L opold Senghor, L on-Gontran Damas, and Aim C saire. Mamadou Badiane further discusses the under-represented N gritude women writers who were silenced by their male counterparts during the first half of the twentieth century. Ultimately, this is a book on Caribbean cultural identity that shows it in a slippery and fluctuating zone. By demonstrating that while the founders of the N gritude movement both identified themselves as descendants of Africans and were proud to proclaim their African heritage, the members of the Antillanit and Cr olit movements see themselves as a product of miscegenation between different cultures.

Theatre of Racial Conflict

Theatre of Racial Conflict

Author: Bunmi Popoola

Publisher: AuthorHouse

Published: 2020-05-07

Total Pages: 34

ISBN-13: 1728360862

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Theatre of Racial Conflict is intended to initiate a debate around the issue of black theatre underpinned by colour identity as opposed to cultural identity. The idea is to take the colour out of theatre or performing Arts and make it more culture focus. As a theatre director the inspiration for this book comes out of burning desire to change the narrative of corrupted African cultural identity, recognising that to do otherwise is to embrace nothingness, and to embrace nothingness is to relinquish power and be subjected by those whom cultural identity we as African people emulated, embraced, replicated, and plagiarised unashamedly to our detriment without regard for our own cultural identity. It amounts to nothing more than self-enslavement. Black theatre, in contrast to Yoruba theatre, Zulu theatre, Shona theatre, Jamaican theatre, African American theatre obscures our individual story. Black theatre is a product of racist means of devaluing our story. Black as related to African people, and as applied to theatre is obsolete.


Book Synopsis Theatre of Racial Conflict by : Bunmi Popoola

Download or read book Theatre of Racial Conflict written by Bunmi Popoola and published by AuthorHouse. This book was released on 2020-05-07 with total page 34 pages. Available in PDF, EPUB and Kindle. Book excerpt: Theatre of Racial Conflict is intended to initiate a debate around the issue of black theatre underpinned by colour identity as opposed to cultural identity. The idea is to take the colour out of theatre or performing Arts and make it more culture focus. As a theatre director the inspiration for this book comes out of burning desire to change the narrative of corrupted African cultural identity, recognising that to do otherwise is to embrace nothingness, and to embrace nothingness is to relinquish power and be subjected by those whom cultural identity we as African people emulated, embraced, replicated, and plagiarised unashamedly to our detriment without regard for our own cultural identity. It amounts to nothing more than self-enslavement. Black theatre, in contrast to Yoruba theatre, Zulu theatre, Shona theatre, Jamaican theatre, African American theatre obscures our individual story. Black theatre is a product of racist means of devaluing our story. Black as related to African people, and as applied to theatre is obsolete.

Global Culture, Island Identity

Global Culture, Island Identity

Author: Karen Fog Olwig

Publisher: Routledge

Published: 2005-10-05

Total Pages: 214

ISBN-13: 1135306133

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Looking at the development of cultural identity in the global context, this text uses the approach of historical anthropology. It examines the way in which the West Indian Community of Nevis, has, since the 1600s, incorporated both African and European cultural elements into the framework of social life, to create an Afro-Caribbean culture that was distinctive and yet geographically unbounded - a "global culture". The book takes as its point of departure the processes of cultural interaction and reflectivity. It argues that the study of cultural continuity should be guided by the notion of cultural complexity involving the continuous constitution, development and assertion of culture. It emphasizes the interplay between local and global cultures, and examines the importance of cultural display for peoples who have experienced the process of socioeconomic marginalization in the Western world.


Book Synopsis Global Culture, Island Identity by : Karen Fog Olwig

Download or read book Global Culture, Island Identity written by Karen Fog Olwig and published by Routledge. This book was released on 2005-10-05 with total page 214 pages. Available in PDF, EPUB and Kindle. Book excerpt: Looking at the development of cultural identity in the global context, this text uses the approach of historical anthropology. It examines the way in which the West Indian Community of Nevis, has, since the 1600s, incorporated both African and European cultural elements into the framework of social life, to create an Afro-Caribbean culture that was distinctive and yet geographically unbounded - a "global culture". The book takes as its point of departure the processes of cultural interaction and reflectivity. It argues that the study of cultural continuity should be guided by the notion of cultural complexity involving the continuous constitution, development and assertion of culture. It emphasizes the interplay between local and global cultures, and examines the importance of cultural display for peoples who have experienced the process of socioeconomic marginalization in the Western world.

Caribbean Cultural Identity

Caribbean Cultural Identity

Author: Rex M. Nettleford

Publisher:

Published: 2003

Total Pages: 274

ISBN-13:

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This revised edition is a re-affirmation of the validity of that persistent quest by the Jamaican and Caribbean people for place and purpose in a globalised world of continuous change.


Book Synopsis Caribbean Cultural Identity by : Rex M. Nettleford

Download or read book Caribbean Cultural Identity written by Rex M. Nettleford and published by . This book was released on 2003 with total page 274 pages. Available in PDF, EPUB and Kindle. Book excerpt: This revised edition is a re-affirmation of the validity of that persistent quest by the Jamaican and Caribbean people for place and purpose in a globalised world of continuous change.

"Making it All Click"

Author: Lisa M. Beckley

Publisher:

Published: 2005

Total Pages:

ISBN-13:

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The purpose of this study is to discuss how the expressive culture of members of the African Caribbean Dance Theatre of Tallahassee (ACDT) is directly linked to those of African people and other peoples of the African diaspora. This thesis discusses and analyzes how aspects of memory, identity, ethnicity, history and community are at work both in the ensemble and the community which surrounds it. Throughout this work the concepts of ethnicity and identity are discussed in order to explain how and why the ACDT was formed, as well as how it is the source for many members to establish and assert their identity. In addition, I explore why many members of the ensemble have identified themselves and specific aspects of their behavior as being African in origin through an ethnomusicogical scope. The main focus is on these behaviors and expressions within their American context as a means of reconnecting with a conceptualization of "traditional African values". This work seeks to establish music and dance as the vehicles of memory that have created new senses of identity, self esteem, and place in a diasporic community. Furthermore, this research explores new concepts of the process of re-inventing and re-collecting aspects of African culture as a part of a larger cultural flow process between the continent of Africa and the West.


Book Synopsis "Making it All Click" by : Lisa M. Beckley

Download or read book "Making it All Click" written by Lisa M. Beckley and published by . This book was released on 2005 with total page pages. Available in PDF, EPUB and Kindle. Book excerpt: The purpose of this study is to discuss how the expressive culture of members of the African Caribbean Dance Theatre of Tallahassee (ACDT) is directly linked to those of African people and other peoples of the African diaspora. This thesis discusses and analyzes how aspects of memory, identity, ethnicity, history and community are at work both in the ensemble and the community which surrounds it. Throughout this work the concepts of ethnicity and identity are discussed in order to explain how and why the ACDT was formed, as well as how it is the source for many members to establish and assert their identity. In addition, I explore why many members of the ensemble have identified themselves and specific aspects of their behavior as being African in origin through an ethnomusicogical scope. The main focus is on these behaviors and expressions within their American context as a means of reconnecting with a conceptualization of "traditional African values". This work seeks to establish music and dance as the vehicles of memory that have created new senses of identity, self esteem, and place in a diasporic community. Furthermore, this research explores new concepts of the process of re-inventing and re-collecting aspects of African culture as a part of a larger cultural flow process between the continent of Africa and the West.

Orientations of Drama, Theatre, and Culture

Orientations of Drama, Theatre, and Culture

Author: Opiyo Mumma

Publisher:

Published: 1998

Total Pages: 180

ISBN-13:

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Book Synopsis Orientations of Drama, Theatre, and Culture by : Opiyo Mumma

Download or read book Orientations of Drama, Theatre, and Culture written by Opiyo Mumma and published by . This book was released on 1998 with total page 180 pages. Available in PDF, EPUB and Kindle. Book excerpt: