Decolonising African Theatre

Decolonising African Theatre

Author: Samuel Ravengai

Publisher: Cambridge University Press

Published: 2024-04-11

Total Pages: 151

ISBN-13: 1009271466

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Decolonisation can be pursued in different ways. After many years of developing a critical language to engage coloniality, the most urgent need in African theatre is to develop new theories and methods in our manufactories. This Element uses Afroscenology as a theory to read and comment on African theatre. The Element particularly focuses on the history of laboratories in which it was tested and emerged, the historicization of rombic theatre and the crafting of a theory of the playtext which has been named theatric theory to distinguish it from the Aristotelian dramatic theory. The second dimension of the theory is the performatic technique. This Element also explain Afrosonic mime through examples drawn from the workshops conducted in training performers.


Book Synopsis Decolonising African Theatre by : Samuel Ravengai

Download or read book Decolonising African Theatre written by Samuel Ravengai and published by Cambridge University Press. This book was released on 2024-04-11 with total page 151 pages. Available in PDF, EPUB and Kindle. Book excerpt: Decolonisation can be pursued in different ways. After many years of developing a critical language to engage coloniality, the most urgent need in African theatre is to develop new theories and methods in our manufactories. This Element uses Afroscenology as a theory to read and comment on African theatre. The Element particularly focuses on the history of laboratories in which it was tested and emerged, the historicization of rombic theatre and the crafting of a theory of the playtext which has been named theatric theory to distinguish it from the Aristotelian dramatic theory. The second dimension of the theory is the performatic technique. This Element also explain Afrosonic mime through examples drawn from the workshops conducted in training performers.

Decolonising African Theatre

Decolonising African Theatre

Author: Samuel Ravengai

Publisher:

Published: 2024-04-16

Total Pages: 82

ISBN-13: 100927144X

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Decolonisation can be pursued in different ways. After many years of developing a critical language to engage coloniality, the most urgent need in African theatre is to develop new theories and methods in our manufactories. This Element uses Afroscenology as a theory to read and comment on African theatre. The Element particularly focuses on the history of laboratories in which it was tested and emerged, the historicization of rombic theatre and the crafting of a theory of the playtext which has been named theatric theory to distinguish it from the Aristotelian dramatic theory. The second dimension of the theory is the performatic technique. This Element also explain Afrosonic mime through examples drawn from the workshops conducted in training performers.


Book Synopsis Decolonising African Theatre by : Samuel Ravengai

Download or read book Decolonising African Theatre written by Samuel Ravengai and published by . This book was released on 2024-04-16 with total page 82 pages. Available in PDF, EPUB and Kindle. Book excerpt: Decolonisation can be pursued in different ways. After many years of developing a critical language to engage coloniality, the most urgent need in African theatre is to develop new theories and methods in our manufactories. This Element uses Afroscenology as a theory to read and comment on African theatre. The Element particularly focuses on the history of laboratories in which it was tested and emerged, the historicization of rombic theatre and the crafting of a theory of the playtext which has been named theatric theory to distinguish it from the Aristotelian dramatic theory. The second dimension of the theory is the performatic technique. This Element also explain Afrosonic mime through examples drawn from the workshops conducted in training performers.

Decolonising the Mind

Decolonising the Mind

Author: Ngugi wa Thiong'o

Publisher: Boydell & Brewer

Published: 1986

Total Pages: 126

ISBN-13: 0852555016

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Ngugi wrote his first novels and plays in English but was determined, even before his detention without trial in 1978, to move to writing in Gikuyu.


Book Synopsis Decolonising the Mind by : Ngugi wa Thiong'o

Download or read book Decolonising the Mind written by Ngugi wa Thiong'o and published by Boydell & Brewer. This book was released on 1986 with total page 126 pages. Available in PDF, EPUB and Kindle. Book excerpt: Ngugi wrote his first novels and plays in English but was determined, even before his detention without trial in 1978, to move to writing in Gikuyu.

Senegalese Stagecraft

Senegalese Stagecraft

Author: Brian Valente-Quinn

Publisher: Northwestern University Press

Published: 2021-07-15

Total Pages: 272

ISBN-13: 0810143674

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Senegalese Stagecraft explores the theatrical stage in Senegal as a site of poetic expression, political activism, and community engagement. In their responses to the country’s colonial heritage, as well as through their innovations on the craft of theater‐making, Senegalese performers have created an array of decolonizing stage spaces that have shaped the country’s theater history. Their work has also addressed a global audience, experimenting with international performance practices while proposing new visions of the role of culture and stagecraft in society. Through a study of the innovative work of Senegalese theater-makers from the 1930s onward, Senegalese Stagecraft explores a wide range of historical contexts and themes, including French colonial education, cultural Pan‐Africanism, West African Sufism, uses of television and mass media, and popular theater and activism. Using a multidisciplinary approach that includes field, archival, and literary methods, Valente‐Quinn offers a fresh look at performance cultures of West Africa and the Global South in a book that will interest students and scholars in African, Francophone, and performance studies.


Book Synopsis Senegalese Stagecraft by : Brian Valente-Quinn

Download or read book Senegalese Stagecraft written by Brian Valente-Quinn and published by Northwestern University Press. This book was released on 2021-07-15 with total page 272 pages. Available in PDF, EPUB and Kindle. Book excerpt: Senegalese Stagecraft explores the theatrical stage in Senegal as a site of poetic expression, political activism, and community engagement. In their responses to the country’s colonial heritage, as well as through their innovations on the craft of theater‐making, Senegalese performers have created an array of decolonizing stage spaces that have shaped the country’s theater history. Their work has also addressed a global audience, experimenting with international performance practices while proposing new visions of the role of culture and stagecraft in society. Through a study of the innovative work of Senegalese theater-makers from the 1930s onward, Senegalese Stagecraft explores a wide range of historical contexts and themes, including French colonial education, cultural Pan‐Africanism, West African Sufism, uses of television and mass media, and popular theater and activism. Using a multidisciplinary approach that includes field, archival, and literary methods, Valente‐Quinn offers a fresh look at performance cultures of West Africa and the Global South in a book that will interest students and scholars in African, Francophone, and performance studies.

Decolonizing the Stage

Decolonizing the Stage

Author: Christopher B. Balme

Publisher: Oxford University Press

Published: 1999

Total Pages: 334

ISBN-13: 9780198184447

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A study of post-colonial drama and theatre. It examines how dramatists from various societies have attempted to fuse the performance idioms of their traditions with the Western dramatic form, demonstrating how the dynamics of syncretic theatrical texts function in performance.


Book Synopsis Decolonizing the Stage by : Christopher B. Balme

Download or read book Decolonizing the Stage written by Christopher B. Balme and published by Oxford University Press. This book was released on 1999 with total page 334 pages. Available in PDF, EPUB and Kindle. Book excerpt: A study of post-colonial drama and theatre. It examines how dramatists from various societies have attempted to fuse the performance idioms of their traditions with the Western dramatic form, demonstrating how the dynamics of syncretic theatrical texts function in performance.

Decolonising the mind

Decolonising the mind

Author: Ngugi wa Thiong'o

Publisher: East African Publishers

Published: 1992

Total Pages: 132

ISBN-13: 9789966466846

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Book Synopsis Decolonising the mind by : Ngugi wa Thiong'o

Download or read book Decolonising the mind written by Ngugi wa Thiong'o and published by East African Publishers. This book was released on 1992 with total page 132 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Decolonisation As Democratisation

Decolonisation As Democratisation

Author: Siseko H. Kumalo

Publisher: HSRC Press

Published: 2021-05-31

Total Pages: 245

ISBN-13: 9780796926005

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Book Synopsis Decolonisation As Democratisation by : Siseko H. Kumalo

Download or read book Decolonisation As Democratisation written by Siseko H. Kumalo and published by HSRC Press. This book was released on 2021-05-31 with total page 245 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Pre-colonial and Post-colonial Drama and Theatre in Africa

Pre-colonial and Post-colonial Drama and Theatre in Africa

Author: Lokangaka Losambe

Publisher: New Africa Books

Published: 2001

Total Pages: 170

ISBN-13: 9781919876061

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In this collection of essays written from different critical perspectives, African playwrights demonstrate through their art that they are not only witnesses, but also consciences, of their societies.


Book Synopsis Pre-colonial and Post-colonial Drama and Theatre in Africa by : Lokangaka Losambe

Download or read book Pre-colonial and Post-colonial Drama and Theatre in Africa written by Lokangaka Losambe and published by New Africa Books. This book was released on 2001 with total page 170 pages. Available in PDF, EPUB and Kindle. Book excerpt: In this collection of essays written from different critical perspectives, African playwrights demonstrate through their art that they are not only witnesses, but also consciences, of their societies.

A History of Theatre in Africa

A History of Theatre in Africa

Author: Martin Banham

Publisher: Cambridge University Press

Published: 2004-05-13

Total Pages: 498

ISBN-13: 1139451499

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This book aims to offer a broad history of theatre in Africa. The roots of African theatre are ancient and complex and lie in areas of community festival, seasonal rhythm and religious ritual, as well as in the work of popular entertainers and storytellers. Since the 1950s, in a movement that has paralleled the political emancipation of so much of the continent, there has also grown a theatre that comments back from the colonized world to the world of the colonists and explores its own cultural, political and linguistic identity. A History of Theatre in Africa offers a comprehensive, yet accessible, account of this long and varied chronicle, written by a team of scholars in the field. Chapters include an examination of the concepts of 'history' and 'theatre'; North Africa; Francophone theatre; Anglophone West Africa; East Africa; Southern Africa; Lusophone African theatre; Mauritius and Reunion; and the African diaspora.


Book Synopsis A History of Theatre in Africa by : Martin Banham

Download or read book A History of Theatre in Africa written by Martin Banham and published by Cambridge University Press. This book was released on 2004-05-13 with total page 498 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book aims to offer a broad history of theatre in Africa. The roots of African theatre are ancient and complex and lie in areas of community festival, seasonal rhythm and religious ritual, as well as in the work of popular entertainers and storytellers. Since the 1950s, in a movement that has paralleled the political emancipation of so much of the continent, there has also grown a theatre that comments back from the colonized world to the world of the colonists and explores its own cultural, political and linguistic identity. A History of Theatre in Africa offers a comprehensive, yet accessible, account of this long and varied chronicle, written by a team of scholars in the field. Chapters include an examination of the concepts of 'history' and 'theatre'; North Africa; Francophone theatre; Anglophone West Africa; East Africa; Southern Africa; Lusophone African theatre; Mauritius and Reunion; and the African diaspora.

African Theatre

African Theatre

Author: Martin Banham

Publisher: Indiana University Press

Published: 2001

Total Pages: 324

ISBN-13: 9780253214584

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This second annual volume in the African Theatre series focuses on the intersection of politics and theatre in Africa today. Topics include the remarkable collaboration between Horse and Bamboo, a puppet theatre company based in the United Kingdom, and Nigerian playwright Sam Ukala that was inspired by the infamous execution of Nigerian playwright Ken Saro-Wiwa and other Ogoni activists; the plays of Femi Osofisan; and plays by Ghanaian playwrights Joe de Graft and Mohammed Ben-Abdallah. African Theatre features the work of Mauritian playwright Dev Virahsawmy and includes an interview with him, reviews of an English production of his play, Toufann, as well as the translated playscript. Reports of workshops and conferences, reviews, and news of the year in African theatre make this volume a valuable resource for anyone interested in current issues in African drama and performance.


Book Synopsis African Theatre by : Martin Banham

Download or read book African Theatre written by Martin Banham and published by Indiana University Press. This book was released on 2001 with total page 324 pages. Available in PDF, EPUB and Kindle. Book excerpt: This second annual volume in the African Theatre series focuses on the intersection of politics and theatre in Africa today. Topics include the remarkable collaboration between Horse and Bamboo, a puppet theatre company based in the United Kingdom, and Nigerian playwright Sam Ukala that was inspired by the infamous execution of Nigerian playwright Ken Saro-Wiwa and other Ogoni activists; the plays of Femi Osofisan; and plays by Ghanaian playwrights Joe de Graft and Mohammed Ben-Abdallah. African Theatre features the work of Mauritian playwright Dev Virahsawmy and includes an interview with him, reviews of an English production of his play, Toufann, as well as the translated playscript. Reports of workshops and conferences, reviews, and news of the year in African theatre make this volume a valuable resource for anyone interested in current issues in African drama and performance.